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  1. The intimacy of paper in early and nineteenth-century American literature
    Published: [2020]; © 2020
    Publisher:  University of Massachusetts Press, Amherst ; Boston

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives... more

    Englisches Seminar der Universität, Bibliothek
    PH 3:3
    Unlimited inter-library loan, copies and loan

     

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781625344748; 9781625344731
    RVK Categories: HT 1520
    Series: Studies in print culture and the history of the book
    Subjects: American literature / History and criticism; Paper in literature; Papermaking / United States / History; Books / Social aspects / History; Printing / Social aspects / History; Paper industry / Social aspects / History; Literatur; Buchdruck; Papierindustrie; Papier <Motiv>
    Scope: xiv, 194 Seiten, Illustrationen
    Notes:

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity

  2. <<The>> intimacy of paper in early and nineteenth-century American literature
    Published: [2020]; © 2020
    Publisher:  University of Massachusetts Press, Amherst

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives... more

    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781625344748; 9781625344731
    RVK Categories: HT 1520
    Series: Studies in print culture and the history of the book
    Subjects: American literature / History and criticism; Paper in literature; Papermaking / United States / History; Books / Social aspects / History; Printing / Social aspects / History; Paper industry / Social aspects / History
    Scope: xiv, 194 Seiten, Illustrationen
    Notes:

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity

  3. The intimacy of paper in early and nineteenth-century American literature
    Published: [2020]; © 2020
    Publisher:  University of Massachusetts Press, Amherst ; Boston

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives... more

    Universitätsbibliothek Bayreuth
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Regensburg
    Unlimited inter-library loan, copies and loan

     

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781625344748; 9781625344731
    RVK Categories: HT 1520
    Series: Studies in print culture and the history of the book
    Subjects: American literature / History and criticism; Paper in literature; Papermaking / United States / History; Books / Social aspects / History; Printing / Social aspects / History; Paper industry / Social aspects / History; Papierindustrie; Buchdruck; Papier <Motiv>; Literatur
    Scope: xiv, 194 Seiten, Illustrationen, 23 cm
    Notes:

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity

  4. The intimacy of paper in early and nineteenth-century American literature
    Published: [2020]; © 2020
    Publisher:  University of Massachusetts Press, Amherst ; Boston

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan

     

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     

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    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781625344748; 9781625344731
    RVK Categories: HT 1520
    Series: Studies in print culture and the history of the book
    Subjects: American literature / History and criticism; Paper in literature; Papermaking / United States / History; Books / Social aspects / History; Printing / Social aspects / History; Paper industry / Social aspects / History; Papierindustrie; Buchdruck; Papier <Motiv>; Literatur
    Scope: xiv, 194 Seiten, Illustrationen, 23 cm
    Notes:

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity

  5. The intimacy of paper in early and nineteenth-century American literature
    Published: [2020]
    Publisher:  University of Massachusetts Press, Amherst

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman... more

    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    MK 16 8 Mate. Sen.1
    No inter-library loan
    Universitätsbibliothek Heidelberg
    2021 A 13521
    Unlimited inter-library loan, copies and loan

     

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity. "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781625344731; 9781625344748
    Series: Studies in print culture and the history of the book
    Subjects: American literature; Paper in literature; Papermaking; Books; Printing; Paper industry
    Scope: xiv, 194 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  6. The intimacy of paper in early and nineteenth-century American literature /
    Published: [2020].; © 2020.
    Publisher:  University of Massachusetts Press,, Amherst ; Boston :

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan

     

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 978-1-62534-474-8; 978-1-62534-473-1
    RVK Categories: HT 1520
    Series: Studies in print culture and the history of the book
    Subjects: American literature / History and criticism; Paper in literature; Papermaking / United States / History; Books / Social aspects / History; Printing / Social aspects / History; Paper industry / Social aspects / History; Literatur; Papier <Motiv>; Buchdruck; Papierindustrie
    Scope: xiv, 194 Seiten :, Illustrationen ;, 23 cm.
    Notes:

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity

  7. The intimacy of paper in early and nineteenth-century American literature
    Published: © 2020; [2020]
    Publisher:  University of Massachusetts Press, Amherst

    Abstract: "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from... more

     

    Abstract: "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781625344748
    RVK Categories: HT 1520
    Series: Studies in print culture and the history of the book
    Subjects: Literatur; Papier <Motiv>; Buchdruck; Papierindustrie; Buchdruck; Literatur; Papierindustrie; Papier <Motiv>
    Other subjects: American literature / History and criticism; Paper in literature; Papermaking / United States / History; Books / Social aspects / History; Printing / Social aspects / History; Paper industry / Social aspects / History
    Scope: xiv, 194 Seiten, Illustrationen, 23 cm
    Notes:

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity