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  1. The intimacy of paper in early and nineteenth-century American literature
    Published: [2020]; © 2020
    Publisher:  University of Massachusetts Press, Amherst ; Boston

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives... more

    Englisches Seminar der Universität, Bibliothek
    PH 3:3
    Unlimited inter-library loan, copies and loan

     

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781625344748; 9781625344731
    RVK Categories: HT 1520
    Series: Studies in print culture and the history of the book
    Subjects: American literature / History and criticism; Paper in literature; Papermaking / United States / History; Books / Social aspects / History; Printing / Social aspects / History; Paper industry / Social aspects / History; Literatur; Buchdruck; Papierindustrie; Papier <Motiv>
    Scope: xiv, 194 Seiten, Illustrationen
    Notes:

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity

  2. Wastepaper modernism
    twentieth-century fiction and the ruins of print
    Published: 2021
    Publisher:  Oxford University Press, Oxford

    Universitäts- und Landesbibliothek Bonn
    2021/2557
    Loan of volumes, no copies
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780198852445
    Edition: First edition
    Series: Oxford mid-century studies
    Subjects: Papier; Buchdruck; Literatur
    Other subjects: Fiction / 20th century / History and criticism; Modernism (Literature) / History; Paper in literature
    Scope: viii, 219 Seiten, Illustrationen, 22 cm
  3. Wastepaper modernism
    twentieth-century fiction and the ruins of print
    Published: 2021
    Publisher:  Oxford University Press, Oxford

    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198852445
    Edition: First edition
    Series: Oxford mid-century studies
    Subjects: Fiction / 20th century / History and criticism; Modernism (Literature) / History; Paper in literature
    Scope: viii, 219 Seiten, Illustrationen, 22 cm
  4. Wastepaper modernism
    twentieth-century fiction and the ruins of print
    Published: 2021
    Publisher:  Oxford University Press, Oxford Oxford

    From Henry James' fascination with burnt manuscripts to destroyed books in the fiction of the Blitz; from junk mail in the work of Elizabeth Bowen to bureaucratic paperwork in Vladimir Nabokov; modern fiction is littered with images of tattered and... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    From Henry James' fascination with burnt manuscripts to destroyed books in the fiction of the Blitz; from junk mail in the work of Elizabeth Bowen to bureaucratic paperwork in Vladimir Nabokov; modern fiction is littered with images of tattered and useless paper that reveal an increasingly uneasy relationship between literature and its own materials over the course of the twentieth-century. 0Wastepaper Modernism argues that these images are vital to our understanding of modernism, disclosing an anxiety about textual matter that lurks behind the desire for radically different modes of communication. At the same time that writers were becoming infatuated with new technologies like the cinema and the radio, they were also being haunted by their own pages. Having its roots in the late-nineteenth century, but finding its fullest constellation in the wake of the high modernist experimentation with novelistic form, "wastepaper modernism" arises when fiction imagines its own processes of transmission and representation breaking down. When the descriptive capabilities of the novel exhaust themselves, the wastepaper modernists picture instead the physical decay of the book's own primary matter. Bringing together book history and media theory with detailed close reading, Wastepaper Modernism reveals modernist literature's dark sense of itself as a ruin in the making

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780198852445
    Edition: First Edition
    Series: Oxford mid-century studies
    Subjects: Buchdruck; Literatur; Papier
    Other subjects: Fiction / 20th century / History and criticism; Modernism (Literature) / History; Paper in literature; Fiction; Modernism (Literature); Paper in literature; 1900-1999; Criticism, interpretation, etc; History
    Scope: viii, 219 Seiten, 10 Illustrationen (schwarz-weiß), 22 cm
  5. <<The>> intimacy of paper in early and nineteenth-century American literature
    Published: [2020]; © 2020
    Publisher:  University of Massachusetts Press, Amherst

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives... more

    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781625344748; 9781625344731
    RVK Categories: HT 1520
    Series: Studies in print culture and the history of the book
    Subjects: American literature / History and criticism; Paper in literature; Papermaking / United States / History; Books / Social aspects / History; Printing / Social aspects / History; Paper industry / Social aspects / History
    Scope: xiv, 194 Seiten, Illustrationen
    Notes:

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity

  6. Wastepaper modernism
    Twentieth-Century Fiction and the ruins of print
    Published: 2021
    Publisher:  Oxford University Press, Oxford

    From Henry James' fascination with burnt manuscripts to destroyed books in the fiction of the Blitz; from junk mail in the work of Elizabeth Bowen to bureaucratic paperwork in Vladimir Nabokov; modern fiction is littered with images of tattered and... more

     

    From Henry James' fascination with burnt manuscripts to destroyed books in the fiction of the Blitz; from junk mail in the work of Elizabeth Bowen to bureaucratic paperwork in Vladimir Nabokov; modern fiction is littered with images of tattered and useless paper that reveal an increasingly uneasy relationship between literature and its own materials over the course of the twentieth-century. 0Wastepaper Modernism argues that these images are vital to our understanding of modernism, disclosing an anxiety about textual matter that lurks behind the desire for radically different modes of communication. At the same time that writers were becoming infatuated with new technologies like the cinema and the radio, they were also being haunted by their own pages. Having its roots in the late-nineteenth century, but finding its fullest constellation in the wake of the high modernist experimentation with novelistic form, "wastepaper modernism" arises when fiction imagines its own processes of transmission and representation breaking down. When the descriptive capabilities of the novel exhaust themselves, the wastepaper modernists picture instead the physical decay of the book's own primary matter. Bringing together book history and media theory with detailed close reading, Wastepaper Modernism reveals modernist literature's dark sense of itself as a ruin in the making

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198852445
    Edition: First edition
    Series: Oxford mid-century studies
    Subjects: Literatur; Papier; Buchdruck; Geschichte 1900-2000;
    Other subjects: Fiction / 20th century / History and criticism; Modernism (Literature) / History; Paper in literature; Fiction; Modernism (Literature); Paper in literature; 1900-1999; Criticism, interpretation, etc; History
    Scope: viii, 219 Seiten, Illustrationen, 22 cm
    Notes:

    Literaturverzeichnis: Seite [199]-211

  7. The intimacy of paper in early and nineteenth-century American literature
    Published: [2020]; © 2020
    Publisher:  University of Massachusetts Press, Amherst ; Boston

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives... more

    Universitätsbibliothek Bayreuth
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
    Unlimited inter-library loan, copies and loan

     

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781625344748; 9781625344731
    RVK Categories: HT 1520
    Series: Studies in print culture and the history of the book
    Subjects: American literature / History and criticism; Paper in literature; Papermaking / United States / History; Books / Social aspects / History; Printing / Social aspects / History; Paper industry / Social aspects / History; Papierindustrie; Buchdruck; Papier <Motiv>; Literatur
    Scope: xiv, 194 Seiten, Illustrationen, 23 cm
    Notes:

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity

  8. Wastepaper Modernism
    Twentieth-Century Fiction and the Ruins of Print
    Published: 2021
    Publisher:  Oxford University Press, Oxford ; ProQuest, Ann Arbor, Michigan

    Wastepaper Modernism traces how 20th-century writers imagined the fate of paper at the dawn of a new media age. more

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan

     

    Wastepaper Modernism traces how 20th-century writers imagined the fate of paper at the dawn of a new media age.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780192593665
    Series: Oxford Mid-Century Studies Ser.
    Subjects: Fiction-20th century-History and criticism; Modernism (Literature)-History; Paper in literature
    Scope: 1 Online-Ressource (232 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  9. The intimacy of paper in early and nineteenth-century American literature
    Published: [2020]; © 2020
    Publisher:  University of Massachusetts Press, Amherst ; Boston

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan

     

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     

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    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781625344748; 9781625344731
    RVK Categories: HT 1520
    Series: Studies in print culture and the history of the book
    Subjects: American literature / History and criticism; Paper in literature; Papermaking / United States / History; Books / Social aspects / History; Printing / Social aspects / History; Paper industry / Social aspects / History; Papierindustrie; Buchdruck; Papier <Motiv>; Literatur
    Scope: xiv, 194 Seiten, Illustrationen, 23 cm
    Notes:

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity

  10. Wastepaper Modernism
    Twentieth-Century Fiction and the Ruins of Print
    Published: 2021; ©2021
    Publisher:  Oxford University Press USA - OSO, Oxford

    Wastepaper Modernism traces how 20th-century writers imagined the fate of paper at the dawn of a new media age. Cover -- Wastepaper Modernism: Twentieth-Century Fiction and the Ruins of Print -- Copyright -- Dedication -- Acknowledgments -- Contents... more

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    Technische Universität Chemnitz, Universitätsbibliothek
    No inter-library loan
    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    Wastepaper Modernism traces how 20th-century writers imagined the fate of paper at the dawn of a new media age. Cover -- Wastepaper Modernism: Twentieth-Century Fiction and the Ruins of Print -- Copyright -- Dedication -- Acknowledgments -- Contents -- List of Figures -- Introduction: Reams and Tatters -- The Old Medium -- Muddy Palms -- Hides and Hints and Misses in Print -- The Historic Page -- Chapter 1: Henry James's Literary Remains -- Little Scraps -- Uncommunicating Communication -- A Taste for Waste -- A Practical Plea for the Superficial -- A Boxful of Ghosts -- The Palpable Past -- The Responsibility of Destruction -- Chapter 2: Elizabeth Bowen's Junk Mail -- A Messy Desk -- Bad Epistolarity -- Envelopes -- "The Broken Trail of a Paper Chase" -- Husks -- Chapter 3: Paper Bombs -- Books against Bonfires -- The Demon of Destructiveness -- Saved from the Salvage -- Dead or Living -- Ashes -- Chapter 4: Vladimir Nabokov's Identity Papers -- Paper Language -- An Egregious Little Modernism -- Life's Foolscap -- Stereotypes, Tear Sheets -- Legendary Psychasthenia -- Cool Life -- Coda: Endpapers -- Bibliography -- Index.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780192593665
    Series: Oxford Mid-Century Studies Ser.
    Subjects: Fiction-20th century-History and criticism; Modernism (Literature)-History; Paper in literature; Electronic books
    Scope: 1 online resource (232 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  11. The intimacy of paper in early and nineteenth-century American literature
    Published: [2020]
    Publisher:  University of Massachusetts Press, Amherst

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman... more

    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    MK 16 8 Mate. Sen.1
    No inter-library loan
    Universitätsbibliothek Heidelberg
    2021 A 13521
    Unlimited inter-library loan, copies and loan

     

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity. "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781625344731; 9781625344748
    Series: Studies in print culture and the history of the book
    Subjects: American literature; Paper in literature; Papermaking; Books; Printing; Paper industry
    Scope: xiv, 194 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  12. Paper electronic literature
    an archaeology of born-digital materials
    Published: [2021]
    Publisher:  University of Massachusetts Press, Amhers

    "The field of electronic literature has a familiar catchphrase, "You can't do it on paper." But the field has in fact never gone paperless. Reaching back to early experiments with digital writing in the mainframe era and then moving through the... more

    Zeppelin Universität gGmbH, Bibliothek
    AP 15840 G448 P2
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    MK 0 4 Digi. Gib.1
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    Universitätsbibliothek Stuttgart
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    321569 - A
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    Herzog August Bibliothek Wolfenbüttel
    72.1444
    Unlimited inter-library loan, copies and loan

     

    "The field of electronic literature has a familiar catchphrase, "You can't do it on paper." But the field has in fact never gone paperless. Reaching back to early experiments with digital writing in the mainframe era and then moving through the personal computer and Internet revolutions, this book traces the changing forms of paper on which e-lit artists have drawn, including continuous paper, documentation, disk sleeves, packaging, and even artists' books. Paper Electronic Literature attests that digital literature's old media elements have much to teach us about the cultural and physical conditions in which we compute; the creativity that new media artists have shown in their dealings with old media; and the distinctively electronic issues that confront digital artists. Moving between avant-garde works and popular ones, fiction writing and poetry generation, Richard Hughes Gibson reveals the diverse ways in which paper has served as a component within electronic literature, particularly in facilitating interactive experiences for users. This important study develops a new critical paradigm for appreciating the multifaceted material innovation that has long marked digital literature"--

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781625346001; 9781625346018
    Series: Page and screen
    Subjects: Literature and technology; Books; Hypertext literature; Digital humanities; Paper in literature; Books and reading; Literature, Experimental
    Scope: X, 210 Seiten, Illustrationen, Diagramme
    Notes:

    Includes bibliographical references and index

  13. Wastepaper modernism
    twentieth-century fiction and the ruins of print
    Published: 2021
    Publisher:  Oxford University Press, Oxford

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2021 A 6106
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2021 A 5283
    Unlimited inter-library loan, copies and loan
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Leipzig
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    Universitätsbibliothek Rostock
    EC 6666 R813
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198852445
    RVK Categories: HM 1101 ; EC 6666 ; EC 6667
    Edition: First edition
    Series: Oxford mid-century studies
    Subjects: Fiction; Modernism (Literature); Paper in literature
    Scope: viii, 219 Seiten, Illustrationen, 22 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

  14. Paper Electronic Literature
    An Archaeology of Born-Digital Materials
    Published: [2021]; ©2021
    Publisher:  University of Massachusetts Press, Amherst

    Cover -- Title Page -- Copyright Page -- Forword -- Contents -- Acknowledgments -- Introduction -- Chapter 1: Material Reading: Three Codes, Four Dimensions, and Three Strata -- Part I: First Stratum: Early Computing -- Chapter 2: The Conditions of... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    Cover -- Title Page -- Copyright Page -- Forword -- Contents -- Acknowledgments -- Introduction -- Chapter 1: Material Reading: Three Codes, Four Dimensions, and Three Strata -- Part I: First Stratum: Early Computing -- Chapter 2: The Conditions of Computing in Stratum 1: Dick Higgins's "Paper Work" -- Chapter 3: A House of Paper -- Chapter 4: Adventures in Teletype -- Part II: Second Stratum: Personal Computing -- Chapter 5: The Conditions of Computing in Stratum 2: Tinney's Paper Trail -- Chapter 6: bpNichol's First Screen Printing -- Chapter 7: Meeting Infocom's Deadline -- Part III: Third Stratum: Internet Age -- Chapter 8: The Conditions of Computing in Stratum 3: The Book and the "City of Bits" -- Chapter 9: Robin Sloan's Quest Factory -- Chapter 10: Paper E-Lit: A Tradition in the Making -- Conclusion: Word and Event -- Notes -- Index -- Back Cover.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781613768761
    Series: Page and Screen
    Subjects: Digital humanities; Paper in literature; Literature, Experimental-History and criticism; Electronic books
    Scope: 1 Online-Ressource (x, 210 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  15. Paper electronic literature
    an archaeology of born-digital materials
    Published: [2021]
    Publisher:  University of Massachusetts Press, Amherst

    "The field of electronic literature has a familiar catchphrase, "You can't do it on paper." But the field has in fact never gone paperless. Reaching back to early experiments with digital writing in the mainframe era and then moving through the... more

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "The field of electronic literature has a familiar catchphrase, "You can't do it on paper." But the field has in fact never gone paperless. Reaching back to early experiments with digital writing in the mainframe era and then moving through the personal computer and Internet revolutions, this book traces the changing forms of paper on which e-lit artists have drawn, including continuous paper, documentation, disk sleeves, packaging, and even artists' books. Paper Electronic Literature attests that digital literature's old media elements have much to teach us about the cultural and physical conditions in which we compute; the creativity that new media artists have shown in their dealings with old media; and the distinctively electronic issues that confront digital artists. Moving between avant-garde works and popular ones, fiction writing and poetry generation, Richard Hughes Gibson reveals the diverse ways in which paper has served as a component within electronic literature, particularly in facilitating interactive experiences for users. This important study develops a new critical paradigm for appreciating the multifaceted material innovation that has long marked digital literature"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Series: Page and screen
    Subjects: Literature and technology; Books; Hypertext literature; Digital humanities; Paper in literature; Books and reading; Literature, Experimental; Books ; Format; Digital humanities; Hypertext literature; Literature and technology; Literature, Experimental; Paper in literature; Criticism, interpretation, etc; History
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index

  16. Paper electronic literature
    an archaeology of born-digital materials
    Published: 2021
    Publisher:  University of Massachusetts Press, Amherst

    "The field of electronic literature has a familiar catchphrase, "You can't do it on paper." But the field has in fact never gone paperless. Reaching back to early experiments with digital writing in the mainframe era and then moving through the... more

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    No inter-library loan

     

    "The field of electronic literature has a familiar catchphrase, "You can't do it on paper." But the field has in fact never gone paperless. Reaching back to early experiments with digital writing in the mainframe era and then moving through the personal computer and Internet revolutions, this book traces the changing forms of paper on which e-lit artists have drawn, including continuous paper, documentation, disk sleeves, packaging, and even artists' books. Paper Electronic Literature attests that digital literature's old media elements have much to teach us about the cultural and physical conditions in which we compute; the creativity that new media artists have shown in their dealings with old media; and the distinctively electronic issues that confront digital artists. Moving between avant-garde works and popular ones, fiction writing and poetry generation, Richard Hughes Gibson reveals the diverse ways in which paper has served as a component within electronic literature, particularly in facilitating interactive experiences for users. This important study develops a new critical paradigm for appreciating the multifaceted material innovation that has long marked digital literature"--

     

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  17. The intimacy of paper in early and nineteenth-century American literature /
    Published: [2020].; © 2020.
    Publisher:  University of Massachusetts Press,, Amherst ; Boston :

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 978-1-62534-474-8; 978-1-62534-473-1
    RVK Categories: HT 1520
    Series: Studies in print culture and the history of the book
    Subjects: American literature / History and criticism; Paper in literature; Papermaking / United States / History; Books / Social aspects / History; Printing / Social aspects / History; Paper industry / Social aspects / History; Literatur; Papier <Motiv>; Buchdruck; Papierindustrie
    Scope: xiv, 194 Seiten :, Illustrationen ;, 23 cm.
    Notes:

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity

  18. The intimacy of paper in early and nineteenth-century American literature
    Published: © 2020; [2020]
    Publisher:  University of Massachusetts Press, Amherst

    Abstract: "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from... more

     

    Abstract: "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781625344748
    RVK Categories: HT 1520
    Series: Studies in print culture and the history of the book
    Subjects: Literatur; Papier <Motiv>; Buchdruck; Papierindustrie; Buchdruck; Literatur; Papierindustrie; Papier <Motiv>
    Other subjects: American literature / History and criticism; Paper in literature; Papermaking / United States / History; Books / Social aspects / History; Printing / Social aspects / History; Paper industry / Social aspects / History
    Scope: xiv, 194 Seiten, Illustrationen, 23 cm
    Notes:

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity

  19. Paper Electronic Literature
    An Archaeology of Born-Digital Materials
    Published: [2021]; ©2021
    Publisher:  University of Massachusetts Press, Amherst

    Cover -- Title Page -- Copyright Page -- Forword -- Contents -- Acknowledgments -- Introduction -- Chapter 1: Material Reading: Three Codes, Four Dimensions, and Three Strata -- Part I: First Stratum: Early Computing -- Chapter 2: The Conditions of... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Cover -- Title Page -- Copyright Page -- Forword -- Contents -- Acknowledgments -- Introduction -- Chapter 1: Material Reading: Three Codes, Four Dimensions, and Three Strata -- Part I: First Stratum: Early Computing -- Chapter 2: The Conditions of Computing in Stratum 1: Dick Higgins's "Paper Work" -- Chapter 3: A House of Paper -- Chapter 4: Adventures in Teletype -- Part II: Second Stratum: Personal Computing -- Chapter 5: The Conditions of Computing in Stratum 2: Tinney's Paper Trail -- Chapter 6: bpNichol's First Screen Printing -- Chapter 7: Meeting Infocom's Deadline -- Part III: Third Stratum: Internet Age -- Chapter 8: The Conditions of Computing in Stratum 3: The Book and the "City of Bits" -- Chapter 9: Robin Sloan's Quest Factory -- Chapter 10: Paper E-Lit: A Tradition in the Making -- Conclusion: Word and Event -- Notes -- Index -- Back Cover.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781613768761
    Series: Page and Screen
    Subjects: Digital humanities; Paper in literature; Literature, Experimental-History and criticism; Electronic books
    Scope: 1 Online-Ressource (x, 210 pages)
    Notes:

    Description based on publisher supplied metadata and other sources