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Displaying results 1 to 8 of 8.

  1. Wastepaper modernism
    twentieth-century fiction and the ruins of print
    Author: Rosenberg, Joseph Elkanah
    Published: 2021
    Publisher:  Oxford University Press, Oxford

    Location:
    Universitäts- und Landesbibliothek Bonn
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198852445
    Edition: First edition
    Series: Oxford mid-century studies
    Subjects: Fiction / 20th century / History and criticism; Modernism (Literature) / History; Paper in literature
    Scope: viii, 219 Seiten, Illustrationen, 22 cm
  2. <<The>> intimacy of paper in early and nineteenth-century American literature
    Author: Senchyne, Jonathan
    Published: [2020]; © 2020
    Publisher:  University of Massachusetts Press, Amherst

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives... more

    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781625344748; 9781625344731
    RVK Categories: HT 1520
    Series: Studies in print culture and the history of the book
    Subjects: American literature / History and criticism; Paper in literature; Papermaking / United States / History; Books / Social aspects / History; Printing / Social aspects / History; Paper industry / Social aspects / History
    Scope: xiv, 194 Seiten, Illustrationen
    Notes:

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity
  3. Wastepaper modernism
    Twentieth-Century Fiction and the ruins of print
    Author: Rosenberg, Joseph Elkanah
    Published: 2021
    Publisher:  Oxford University Press, Oxford

    From Henry James' fascination with burnt manuscripts to destroyed books in the fiction of the Blitz; from junk mail in the work of Elizabeth Bowen to bureaucratic paperwork in Vladimir Nabokov; modern fiction is littered with images of tattered and... more

     

    From Henry James' fascination with burnt manuscripts to destroyed books in the fiction of the Blitz; from junk mail in the work of Elizabeth Bowen to bureaucratic paperwork in Vladimir Nabokov; modern fiction is littered with images of tattered and useless paper that reveal an increasingly uneasy relationship between literature and its own materials over the course of the twentieth-century. 0Wastepaper Modernism argues that these images are vital to our understanding of modernism, disclosing an anxiety about textual matter that lurks behind the desire for radically different modes of communication. At the same time that writers were becoming infatuated with new technologies like the cinema and the radio, they were also being haunted by their own pages. Having its roots in the late-nineteenth century, but finding its fullest constellation in the wake of the high modernist experimentation with novelistic form, "wastepaper modernism" arises when fiction imagines its own processes of transmission and representation breaking down. When the descriptive capabilities of the novel exhaust themselves, the wastepaper modernists picture instead the physical decay of the book's own primary matter. Bringing together book history and media theory with detailed close reading, Wastepaper Modernism reveals modernist literature's dark sense of itself as a ruin in the making

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198852445
    Edition: First edition
    Series: Oxford mid-century studies
    Subjects: Literatur; Papier; Buchdruck; Geschichte 1900-2000;
    Other subjects: Fiction / 20th century / History and criticism; Modernism (Literature) / History; Paper in literature; Fiction; Modernism (Literature); Paper in literature; 1900-1999; Criticism, interpretation, etc; History
    Scope: viii, 219 Seiten, Illustrationen, 22 cm
    Notes:

    Literaturverzeichnis: Seite [199]-211
  4. The intimacy of paper in early and nineteenth-century American literature
    Author: Senchyne, Jonathan
    Published: [2020]
    Publisher:  University of Massachusetts Press, Amherst

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman... more

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    MK 16 8 Mate. Sen.1
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    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2021 A 13521
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    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity. "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781625344731; 9781625344748
    Series: Studies in print culture and the history of the book
    Subjects: American literature; Paper in literature; Papermaking; Books; Printing; Paper industry
    Scope: xiv, 194 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  5. Paper electronic literature
    an archaeology of born-digital materials
    Author: Gibson, Richard Hughes
    Published: [2021]
    Publisher:  University of Massachusetts Press, Amhers

    "The field of electronic literature has a familiar catchphrase, "You can't do it on paper." But the field has in fact never gone paperless. Reaching back to early experiments with digital writing in the mainframe era and then moving through the... more

    Location:
    Zeppelin Universität gGmbH, Bibliothek
    Signature:
    AP 15840 G448 P2
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    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    MK 0 4 Digi. Gib.1
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    Location:
    Universitätsbibliothek Stuttgart
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    Location:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signature:
    321569 - A
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    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    72.1444
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    "The field of electronic literature has a familiar catchphrase, "You can't do it on paper." But the field has in fact never gone paperless. Reaching back to early experiments with digital writing in the mainframe era and then moving through the personal computer and Internet revolutions, this book traces the changing forms of paper on which e-lit artists have drawn, including continuous paper, documentation, disk sleeves, packaging, and even artists' books. Paper Electronic Literature attests that digital literature's old media elements have much to teach us about the cultural and physical conditions in which we compute; the creativity that new media artists have shown in their dealings with old media; and the distinctively electronic issues that confront digital artists. Moving between avant-garde works and popular ones, fiction writing and poetry generation, Richard Hughes Gibson reveals the diverse ways in which paper has served as a component within electronic literature, particularly in facilitating interactive experiences for users. This important study develops a new critical paradigm for appreciating the multifaceted material innovation that has long marked digital literature"--

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781625346001; 9781625346018
    Series: Page and screen
    Subjects: Literature and technology; Books; Hypertext literature; Digital humanities; Paper in literature; Books and reading; Literature, Experimental
    Scope: X, 210 Seiten, Illustrationen, Diagramme
    Notes:

    Includes bibliographical references and index
  6. Wastepaper modernism
    twentieth-century fiction and the ruins of print
    Author: Rosenberg, Joseph Elkanah
    Published: 2021
    Publisher:  Oxford University Press, Oxford

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2021 A 6106
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    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2021 A 5283
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    Location:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Location:
    Universitätsbibliothek Leipzig
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    Location:
    Universitätsbibliothek Rostock
    Signature:
    EC 6666 R813
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198852445
    RVK Categories: HM 1101 ; EC 6666 ; EC 6667
    Edition: First edition
    Series: Oxford mid-century studies
    Subjects: Fiction; Modernism (Literature); Paper in literature
    Scope: viii, 219 Seiten, Illustrationen, 22 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke
  7. The intimacy of paper in early and nineteenth-century American literature /
    Author: Senchyne, Jonathan
    Published: [2020].; © 2020.
    Publisher:  University of Massachusetts Press,, Amherst ; Boston :

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 978-1-62534-474-8; 978-1-62534-473-1
    RVK Categories: HT 1520
    Series: Studies in print culture and the history of the book
    Subjects: American literature / History and criticism; Paper in literature; Papermaking / United States / History; Books / Social aspects / History; Printing / Social aspects / History; Paper industry / Social aspects / History; Literatur; Papier <Motiv>; Buchdruck; Papierindustrie
    Scope: xiv, 194 Seiten :, Illustrationen ;, 23 cm.
    Notes:

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity
  8. The intimacy of paper in early and nineteenth-century American literature
    Author: Senchyne, Jonathan
    Published: © 2020; [2020]
    Publisher:  University of Massachusetts Press, Amherst

    Abstract: "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from... more

     

    Abstract: "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781625344748
    RVK Categories: HT 1520
    Series: Studies in print culture and the history of the book
    Subjects: Literatur; Papier <Motiv>; Buchdruck; Papierindustrie; Buchdruck; Literatur; Papierindustrie; Papier <Motiv>
    Other subjects: American literature / History and criticism; Paper in literature; Papermaking / United States / History; Books / Social aspects / History; Printing / Social aspects / History; Paper industry / Social aspects / History
    Scope: xiv, 194 Seiten, Illustrationen, 23 cm
    Notes:

    Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity