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Displaying results 226 to 245 of 245.

  1. Proust e Vermeer
    apologia dell'imprecisione
    Author: Renzi, Lorenzo
    Published: 2012
    Publisher:  Il Mulino, Bologna

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    Universitätsbibliothek Heidelberg
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    2012 C 4727
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788815240057
    Edition: 2. ed. riv.
    Series: Biblioteca paperbacks ; 48
    Subjects: Painting in literature; Art and literature
    Other subjects: Proust, Marcel (1871-1922): À la recherche du temps perdu; Vermeer, Johannes (1632-1675): View of Delft; Proust, Marcel (1871-1922)
    Scope: 112 S., [4] Bl., Ill., 22 cm
    Notes:

    First publ. 1999. - Marcel Proust (1871-1922); Jan Vermeer (1632-1675). - L. Renzi, professor at the University of Padua. - Includes bibliographical references
  2. Die New York poets und die bildende Kunst
    Author: Honrath, Barbara
    Published: 1994
    Publisher:  Königshausen & Neumann, Würzburg

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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3884798723
    RVK Categories: HU 1761 ; HU 1760
    Series: Array ; 118
    Subjects: American poetry; Art and literature; Poets, American; American poetry; Art, Modern; Painting in literature
    Scope: 233, [14] S., Ill.
    Notes:

    Zugl.: Bonn, Univ., Diss., 1992
  3. Écrire en peintre
    Claude Simon et la peinture
    Author: Ferrato-Combe, Brigitte
    Published: 1998
    Publisher:  ELLUG, Grenoble

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    Technische Universität Chemnitz, Universitätsbibliothek
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    Content information
    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2843100100
    RVK Categories: IH 82681
    Subjects: Painting in literature
    Other subjects: Simon, Claude
    Scope: 255 S., Ill.
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    Includes bibliographical references (p. 235-249) and index
  4. Balzac and the model of painting
    artist stories in "La comédie humaine"
    Author: Knight, Diana
    Published: 2007
    Publisher:  Legenda, London

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781905981069; 1905981066
    Other identifier:
    9781905981069
    RVK Categories: IG 5305
    Edition: 1. publ.
    Series: Research monographs in French studies ; 24
    Subjects: Painting in literature; Art in literature; Man-woman relationships in literature; Painting in literature; Man-woman relationships in literature
    Other subjects: Balzac, Honoré de (1799-1850): Comédie humaine; Balzac, Honoré de (1799-1850); Balzac
    Scope: IX, 121 S., Ill.
    Notes:

    Includes bibliographical references and index
  5. Peinture et bibelot
    prégnance du pictural dans l'œuvre de Joris-Karl Huysmans
    Author: Lambert, Jérémy
    Published: 2012
    Publisher:  Honoré Champion Éditeur, Paris

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    Universitätsbibliothek Freiburg
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    GE 2013/4604
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782745324955
    RVK Categories: IG 6605 ; LH 63355
    Series: Champion essais ; 9
    Subjects: Painting in literature
    Other subjects: Huysmans, J.-K (1848-1907)
    Scope: 227 Seiten
    Notes:

    Bibliographie Joris-Karl Huysmans und Literaturverzeichnis: Seiten [201]-215
  6. Nabokov and the Art of Painting
    Author: Vries, Gerard de; Johnson, D. Barton; Ashenden, Liana
    Published: [2005]
    Publisher:  Amsterdam University Press, Amsterdam

    "Sounds have colors and colors have smells." This sentence in Adais only one of the many moments in Nabokov's work where he sought to merge the visual into his rich and sensual writing. This lavishly illustrated study is the first to examine the role... more

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    "Sounds have colors and colors have smells." This sentence in Adais only one of the many moments in Nabokov's work where he sought to merge the visual into his rich and sensual writing. This lavishly illustrated study is the first to examine the role of the visual arts in Nabokov's oeuvre and to explore how art deepens the potency of the prominent themes threaded throughout his work. The authors trace the role of art in Nabokov's life, from his alphabetic chromesthesia-a psychological condition in which letters evoke specific colors-to his training under Marc Chagall's painting instructor to his deep admiration for Leonardo da Vinci and Hieronymus Bosch. They then examine over 150 references to specific works of art in such novels as Laughter in the Dark, The Real Life of Sebastian Knight, Pnin, Lolita, Ada, and Pale Fire and consider how such references reveal new emotional aspects of Nabokov's fiction. A fascinating and wholly original study, Nabokov and the Art of Painting will be invaluable reading for scholars and enthusiasts of Nabokov alike Frontmatter -- Table Of Contents -- Foreword / Vries, Gerard de / Voorschoten, D. Barton Johnson / Barbara, Santa -- Note On Abbreviations And References -- 1. Nabokov And The Two Sister Arts -- 2. The 'Mad Pursuit' In Laughter In The Dark -- 3. The Real Life Of Sebastian Knight. Its Colours And Painting -- 4. Pnin And The History Of Art -- 5. Lolita And Aubrey Beardsley -- 6. Pale Fire Zemblematically -- 7. Leonardo And 'Spring In Fialta' -- 8. A Shimmer Of Exact Details: Ada'S Art Gallery -- 9. Ada And Bosch -- Appendix I: Passages In Nabokov'S Novels, Stories Or Autobiography Referring Or Alluding To Paintings -- Appendix II: Painters Mentioned Or Obviously Referred To In Nabokov'S Works -- Notes -- Bibliography -- List Of Illustrations And Acknowledgements -- Corresponding Pages In The Volumes Published By Vintage International And Penguin Books -- Index Of Authors -- Index Of Artists

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048505463
    Other identifier:
    Subjects: Painting in literature; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource, 36 colour 43 black and white illustrations
    Notes:

    restricted access online access with authorization star
  7. Paintings in Proust
    a visual companion to "In Search of Lost Time" : with 209 illustrations, 199 in color
    Author: Karpeles, Eric
    Published: 2017
    Publisher:  Thames & Hudson, London

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780500293423
    Edition: First paperback edition
    Subjects: Painting in literature; Painting
    Other subjects: Proust, Marcel 1871-1922
    Scope: 354 Seiten, 23 cm
    Notes:

    Hier auch später erschienene unveränderte Nachdrucke
  8. Le style de Proust et la peinture
    Author: Uenishi, Taeko
    Published: 1988
    Publisher:  SEDES, Paris

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    Source: Union catalogues
    Language: French
    Media type: Dissertation
    Format: Print
    ISBN: 2718191325
    RVK Categories: IH 74361
    Subjects: Art and literature; Description (Rhetoric); Visual perception in literature; Painting in literature
    Other subjects: Proust, Marcel; Proust, Marcel
    Scope: 176 S.
    Notes:

    Includes bibliographical references (p. [173]-176)

    Zugl.: Diss.
  9. Plumas y pinceles son iguales
    teatro y pintura en el Siglo de Oro
    Contributor: González, Lola (HerausgeberIn)
    Published: [2015]
    Publisher:  Edicions de la Universitat de Lleida, Lleida

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    Source: Union catalogues
    Contributor: González, Lola (HerausgeberIn)
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 9788484098003
    RVK Categories: IO 2250
    Series: Array
    Subjects: Theater; Painting, Spanish; Spanish drama; Painting in literature; Art and literature
    Scope: 167 Seiten, Illustrationen, 24 cm
    Notes:

    Collected essays

    Literaturangaben
  10. Peinture et esthétique religieuse dans l'œuvre de Chateaubriand
    Author: Catel, Olivier
    Published: 2016
    Publisher:  Honoré Champion éditeur, Paris

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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Dissertation
    Format: Print
    ISBN: 9782745329967
    RVK Categories: IG 5805
    Series: Romantisme et modernités ; 166
    Subjects: Painting in literature; Christian art and symbolism in literature
    Other subjects: Chateaubriand, François-René vicomte de (1768-1848); Chateaubriand, François-René vicomte de (1768-1848); Chateaubriand, François-René vicomte de (1768-1848)
    Scope: 660 Seiten, 24 cm
    Notes:

    Literaturverzeichnis: Seite [629]-646

    Dissertation, Université Jean Moulin Lyon 3, 2007
  11. Shakespeare and the visual imagination
    Author: Sillars, Stuart
    Published: 2015
    Publisher:  Cambridge Univ. Press, Cambridge

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
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    ISBN: 9781107029958
    Other identifier:
    9781107029958
    RVK Categories: HI 3323
    Subjects: Visual perception in literature; Painting in literature; Art and literature
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XVII, 317 S., [8] Bl., Ill., 26 cm
    Notes:

    Literaturverzeichnis S. 298 - 306
  12. Besonderer Ort, poetischer Blick
    Untersuchungen zu Räumen und Bildern in Statius’ Silvae
    Author: Kreuz, Gottfried
    Published: [2016]; © 2016
    Publisher:  Vandenhoeck & Ruprecht, Göttingen

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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3525208707; 9783525208700
    Other identifier:
    9783525208700
    RVK Categories: FX 221505 ; FX 221305
    Series: Hypomnemata ; Band 201
    Subjects: Painting in literature
    Other subjects: Statius, P. Papinius: Silvae
    Scope: 597 Seiten, 3 Illustrationen, 2 Karten, 23.2 cm x 15.5 cm
    Notes:

    Literaturverzeichnis: Seite 552-582

    Habilitationsschrift, Universität Salzburg, 2015
  13. Ahmet Hamdi Tanpınar'ın eserlerinde resim
    Author: Özcan, Nezahat
    Published: [2012]
    Publisher:  Atatürk Kültür Merkezi, Ankara

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    Source: Union catalogues
    Language: Turkish
    Media type: Book
    Format: Print
    ISBN: 9789751625076; 9751625076
    Edition: Birinci baskı
    Series: Array ; Array
    Subjects: Turkish literature; Turkish literature; Painting in literature; Art in literature
    Other subjects: Tanpınar, Ahmet Hamdi; Tanpınar, Ahmet Hamdi
    Scope: x, 224 S., 24 cm
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    Includes bibliographical references (pages 217-224)
  14. Das intermediale Gemäldezitat
    Zur literarischen Rezeption von Vermeer und Caravaggio
    Author: Berger, Andrea Ch.
    Published: 2012; ©2012.
    Publisher:  transcript, Bielefeld

    Biographical note: Andrea Ch. Berger (Dr. phil.) hat Romanistik (Italienisch) und Kunstgeschichte in Graz studiert. Ihre Forschungsschwerpunkte sind Bild & Text, Intermedialitätstheorien und Design. Main description: Zahlreiche zeitgenössische Texte... more

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    Biographical note: Andrea Ch. Berger (Dr. phil.) hat Romanistik (Italienisch) und Kunstgeschichte in Graz studiert. Ihre Forschungsschwerpunkte sind Bild & Text, Intermedialitätstheorien und Design. Main description: Zahlreiche zeitgenössische Texte und Romane beschäftigen sich mit den realen sowie fiktiven Gemälden der beiden Malerpersönlichkeiten Vermeer und Caravaggio. Mit dem »intermedialen Gemäldezitat« entwickelt Andrea Ch. Berger in diesem Buch ein theoretisches Konzept, das zur systematischen Analyse der unterschiedlichen Verweismöglichkeiten, die die künstlerischen Charakteristika dieser beiden Maler für literarische Texte ermöglichen, fruchtbar gemacht werden kann. Damit schreibt sich die Studie nicht nur in die Intermedialitäts- und die Bild-Text-Diskussion ein, sondern ergänzt diese auch um ein theoretisches Instrumentarium für weitere Untersuchungen.

     
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  15. The scandal of images
    iconoclasm, eroticism, and painting in early Modern English drama
    Author: Tassi, Marguerite A.
    Published: c2005
    Publisher:  Susquehanna University Press, Selinsgrove [Pa.]

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1423769074; 9781423769071
    Series: The Apple-Zimmerman series in early modern culture
    Subjects: Art and literature; Iconoclasm in literature; Painting in literature; Erotic art; Sex in literature; Painting, English; Art and literature; English drama
    Other subjects: Shakespeare, William (1564-1616)
    Scope: Online-Ressource (259 p)
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    Includes bibliographical references (p. 239-251) and index

    The power of images in early modern England : prejudices against and defenses of painting and playingJohn Lyly's campaspe and the subtle eroticism of the Elizabethan miniature -- Dramatic uses of portrait properties and face-painting in the boys' theater at St Paul's -- Scandalous counterfeiting : iconophobia, poison, and painting in Arden of Faversham -- "Stretch thine art" : painting passions, revenge, and the painters addition to the Spanish tragedy -- Images lawful and beguiling : ambivalent responses to painting in Shakespeare's drama.
  16. A studio of one's own
    fictional women painters and the art of fiction
    Author: White, Roberta
    Published: c2005
    Publisher:  Fairleigh Dickinson University Press, Madison [N.J.]

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    Hochschulbibliothek Friedensau
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 142376868X; 9781423768685
    Subjects: American fiction; Canadian fiction; Women artists in literature; Painters in literature; Painting in literature; English fiction; Women and literature; English fiction; Art and literature
    Scope: Online-Ressource (257 p)
    Notes:

    Includes bibliographical references (p. 250-254) and index

    Use copy Restrictions unspecified star MiAaHDL

    Electronic reproduction

    Introduction : Unfinished work : the dialogue of the novelist and the painterOpening the portfolio : Jane Austen, Charlotte Brontë, Anne Brontë, and Elizabeth Stuart Phelps -- The painterly eye : Kate Chopin's The awakening -- Journey to the silent kingdom : Virginia Woolf's To the lighthouse -- Figure and ground : the portrait painter in Iris Murdoch and Anna Banti -- Painters of the Irish coast : Jennifer Johnston and Deirdre Madden -- Northern light : Margaret Atwood's Cat's eye -- Drawn from life : Jill Paton Walsh's The serpentine cave -- Space, time, and a muse : Mary Gordon's Spending -- Servants, housewives, artists : A.S. Byatt, Tracy Chevalier, Carol Shields, and Kyoko Mori.
  17. Kissing the Wild Woman
    Concepts of Art, Beauty, and the Italian Prose Romance in Giulia Bigolina's ‹em›Urania‹/em›
    Author: Nissen, Christopher
    Published: [2017]; ©2011
    Publisher:  University of Toronto Press, Toronto

    Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features... more

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    Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features of Bigolina's greatest surviving work, in which she fashioned a new type of narrative that combined elements of the romance and the novella and included a polemical treatise on the moral implications of portraiture and the role of women in the arts. Demonstrating that Bigolina challenged cultural authority by rejecting the prevailing views of both painting and literature, Nissen discusses Bigolina's suggestion that painting constituted an ineffectual, even immoral mode of self-promotion for women in relation to the views of the contemporary writer Pietro Aretino and the painter Titian. Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442696020
    Other identifier:
    Subjects: Painting in literature; Aesthetics in literature; Beauty, Personal, in literature; Painting in literature; Aesthetics in literature; Beauty, Personal, in literature; Aesthetics in literature.; Beauty, Personal, in literature.; Painting in literature.; DISCOUNT-B.; LITERARY CRITICISM / European / Italian
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction -- -- 1. The Reformation of the Prose Romance -- -- 2. Writing a Portrait -- -- 3. Ekphrasis and the Paragone -- -- 4. The Sight of the Beautiful -- -- 5. Kissing the Wild Woman -- -- Conclusion -- -- Appendix -- -- Notes -- -- Bibliography -- -- Index
  18. La plume et le pinceau
    l'empreinte de la peinture sur le roman au XIXe siècle
    Author: Muhlstein, Anka
    Published: [2016]; © septembre 2016
    Publisher:  Odile Jacob, Paris

    Les grands romanciers du XIXe et du début du XXe siècle, notamment Balzac, Stendhal, les frères Goncourt, Zola, Maupassant et Proust, ont en commun un intérêt passionné pour la peinture, intérêt qui les a tous amenés à inventer de nombreux... more

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    Les grands romanciers du XIXe et du début du XXe siècle, notamment Balzac, Stendhal, les frères Goncourt, Zola, Maupassant et Proust, ont en commun un intérêt passionné pour la peinture, intérêt qui les a tous amenés à inventer de nombreux personnages de peintres, incités à regarder et à écrire en peintres et souvent à se transformer en critiques d’art. Balzac aurait voulu écrire avec les couleurs de Delacroix, Zola, initié à la peinture par Cézanne, son ami d’enfance, s’inspirait de Manet ou de Degas pour décrire ses sujets, et Bergotte, l’écrivain fictif de Proust, meurt en regrettant de ne pas avoir écrit avec l’art de Vermeer. Intriguée par ce trait si caractéristique de la littérature française, Anka Muhlstein s’est attachée à montrer l’union intime de la peinture et de la littérature pendant cette période, facilitée par l’accès, alors unique en Europe, au musée et stimulée par l’étonnante camaraderie d’un groupe d’artistes étroitement unis, prompts à s’encourager les uns les autres. Auteur notamment de Napoléon à Moscou, de Garçon, un cent d’huîtres!, de Balzac et la table et de La Bibliothèque de Marcel Proust, Anka Muhlstein est historienne et biographe.

     
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782738134639; 2738134637
    Other identifier:
    9782738134639
    RVK Categories: IG 3480 ; IG 4600
    Subjects: Art and literature; French fiction; Painters in literature; Painting in literature
    Scope: 214 Seiten, Illustrationen, 22 cm
    Notes:

    Includes bibliographical references
  19. Shakespeare and the visual imagination
    Author: Sillars, Stuart
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of... more

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    Location:
    Universitätsbibliothek Rostock
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    Location:
    Württembergische Landesbibliothek
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of dramatic movement, construction of ideas, and reflections on the artifice of theatre and language. The Taming of the Shrew, Love's Labour's Lost, Richard II and A Midsummer Night's Dream are explored in detail, offering new insights into their forms, themes, and place in European traditions. The use of emblems is examined in Titus Andronicus and As You Like It; studies of Venus and Adonis, some sonnets and The Rape of Lucrece reveal different but related visual aspects; a later chapter suggests how the new relation between seeing and soliloquy in The Rape of Lucrece is developed in other plays. Extensively illustrated, the book explores Shakespeare's assimilation and exploration of visual traditions in structure, theme and idea throughout the canon Likeness, device, composition : Shakespeare's visual surroundings -- Allusion and idea in The taming of the shrew -- Visual exchange in the Poems -- Love's labour's lost and visual composition -- Richard II and the politics of perspective -- Visual identities in A midsummer night's dream -- Emblem, tradition and invention -- Imagination beyond image : ethopoeia and metatheatre -- Defining the visual in Shakespeare

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139342759; 9781316382806
    Other identifier:
    Subjects: Visual perception in literature; Painting in literature; Art and literature; Shakespeare, William ; 1564-1616 ; Criticism and interpretation; Visual perception in literature; Painting in literature; Art and literature
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (XVII, 317 S., [8] Bl.), Illustrationen
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  20. Henry James and American painting
    Author: Tóibín, Colm; Simpson, Marc; Kiely, Declan
    Published: [2017]; ©2017
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania ; The Morgan Library & Museum, New York, New York

    "Explores how the novels of Henry James reflect the significance of the visual culture of his society, and how essential the language and imagery of the arts, as well as friendships with artists, were to James's writing"--Provided by publisher Henry... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2017:4166:
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 179771
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    Rc 4675
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    Unlimited inter-library loan, copies and loan

     

    "Explores how the novels of Henry James reflect the significance of the visual culture of his society, and how essential the language and imagery of the arts, as well as friendships with artists, were to James's writing"--Provided by publisher Henry James : shadow and substance / Colm Tóibín -- "I like ambiguities and detest great glares" : Henry James and American paintings / Marc Simpson -- "Pardon my too many words" : Henry James manuscripts and letters at the Morgan Library & Museum / Declan Kiely -- Checklist of Henry James manuscripts and letters in the Morgan Library & Museum -- Exhibition checklist

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780271078526
    RVK Categories: HT 5855 ; LO 96680
    Series: The Penn State series in the history of the book
    Subjects: Painting, American; Painting, American; Painting in literature; Art and literature
    Other subjects: James, Henry (1843-1916); James, Henry (1843-1916); James, Henry (1843-1916); James, Henry (1843-1916); James, Henry (1843-1916)
    Scope: 176 Seiten, Illustrationen
    Notes:

    Rückseite der Titelseite: "Exhibition at the Morgan Library & Museum, New York 9 June-10 September 2017."

    Literaturverzeichnis: Seite 163-169. - Mit Index