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Displaying results 1 to 25 of 121.
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Drieu La Rochelle and the picture gallery novel
French modernism in the interwar years -
Kissing the wild woman
art, beauty, and the reformation of the Italian prose romance in Giulia Bigolina's Urania -
Vladimir Nabokov and the art of painting
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Shakespeare and the visual imagination
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Shakespeare and the visual imagination
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Henry James and American painting
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Vladimir Nabokov and the art of painting
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Kissing the Wild Woman
Concepts of Art, Beauty, and the Italian Prose Romance in Giulia Bigolina's ‹em›Urania‹/em› -
Kissing the Wild Woman
Concepts of Art, Beauty, and the Italian Prose Romance in Giulia Bigolina's Urania -
The museum world of Henry James
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Paintings in Proust
a visual companion to "In search of lost time" : with 209 illustrations, 199 in colour -
The museum world of Henry James
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William Carlos Williams's early poetry
the visual arts background -
Balzac and the model of painting
artist stories in "La comédie humaine" -
Shakespeare and the visual imagination
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Balzac and the model of painting
artist stories in "La comédie humaine" -
William Carlos Williams's early poetry
the visual arts background -
Drieu La Rochelle and the picture gallery novel
French modernism in the interwar years -
Portraits in fiction
based on the Heywood Hill annual lecture 2000, The National Portrait Gallery, London -
The visual arts and the novels of Iris Murdoch
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Symbolist landscapes
the place of painting in the poetry and criticism of Mallarmé and his circle -
The role of the painting in the works of Theodor Storm
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Between literature and painting
three Australian women writers -
Kissing the Wild Woman
Concepts of Art, Beauty, and the Italian Prose Romance in Giulia Bigolina's ‹em›Urania‹/em› -
Kissing the wild woman
art, beauty, and the reformation of the Italian prose romance in Giulia Bigolina's Urania