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  1. Kissing the wild woman
    art, beauty, and the reformation of the Italian prose romance in Giulia Bigolina's Urania
    Author: Nissen, Christopher
    Published: c2011 (2012)
    Publisher:  University of Toronto Press, Toronto [Ont.]

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1442696028; 9781442696020
    Subjects: LITERARY CRITICISM / European / Italian; LITERARY CRITICISM / Medieval; Painting in literature; Aesthetics in literature; Beauty, Personal, in literature; Frau <Motiv>; Roman; Kunst; Schönheit
    Other subjects: Bigolina, Giulia / d. 1569; Bigolina, Giulia (-1569): Urania, nelle quale si contiene l'amore d'una giovane de tal nome; Bigolina, Giulia (1518-1569): Urania, nella quale si contiene l'amore d'una giovane di tal nome
    Scope: 1 Online-Ressource (viii, 333 p.)
    Notes:

    Includes bibliographical references and index

    1 The Reformation of the Prose Romance ; Bigolina's Cultural Formation ; Elements of the Prose Romance ; The Plot and Characters of Urania ; The Prose Romance According to Boccaccio ; Urania in Its Literary Context ; Bigolina's Defense of Women -- 2 Writing a Portrait ; Bigolina and Aretino ; Portraiture in Urania ; The Caricature of Titian ; Of Mirrors, Istoria and Women in the Arts -- 3 Ekphrasis and the Paragone ; Ekphrasis in Western Literature ; Bigolina and the Paragone ; The Judgment of Paris ; Descriptio Mulieris ; Bigolina's Two Venuses ; The Book as Object -- 4 The Sight of the Beautiful ; Beauty and the Senses in Urania ; Sight in the Doctrines of Love ; The Body, the Gaze, and the Arts ; The Woman's Portrait as Gift -- 5 Kissing the Wild Woman ; Wildness in Urania ; Urania's (Nearly) Mad Flight ; Femina Salvatica ; The Game of the Senses

    "Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features of Bigolina's greatest surviving work, in which she fashioned a new type of narrative that combined elements of the romance and the novella and included a polemical treatise on the moral implications of portraiture and the role of women in the arts

    Demonstrating that Bigolina challenged cultural authority by rejecting the prevailing views of both painting and literature, Nissen discusses Bigolina's suggestion that painting constituted an ineffectual, even immoral mode of self-promotion for women in relation to the views of the contemporary writer Pietro Aretino and the painter Titian. Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature."--Pub. desc
  2. Vladimir Nabokov and the art of painting
    Author: Vries, Gerard de
    Published: ©2006
    Publisher:  Amsterdam University Press, Amsterdam

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1423785231; 9053567909; 9781423785231; 9789053567906
    Subjects: LITERARY CRITICISM / American / General; Schilderkunst; Letterkunde; Painting in literature; Literatur; Malerei; Painting in literature; Malerei; Literatur; Kunst
    Other subjects: Nabokov, Vladimir; Nabokov, Vladimir Vladimirovič / Malerei; Nabokov, Vladimir V. / Malerei; Nabokov, Vladimir Vladimirovich / 1899-1977; Nabokov, Vladimir Vladimirovich (1899-1977); Nabokov, Vladimir Vladimirovich (1899-1977); Bosch, Hieronymus (1450-1516); Nabokov, Vladimir Vladimirovič (1899-1977); Nabokov, Vladimir Dmitrievič (1869-1922); Leonardo da Vinci (1452-1519)
    Scope: 1 Online-Ressource (223 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Paralleltitel: Nabokov and the art of painting

    Includes bibliographical references (pages 197-206) and index

    Nabokov and the two sister arts -- The 'mad pursuit' in Laughter in the dark -- The real life of Sebastian Knight : its colours and painting -- Pnin and the history of art -- Lolita and Aubrey Beardsley -- Pale fire zemblematically -- Leonardo and 'Spring in Fialta' / Gerad de Vries -- A shimmer of exact details : Ada's art gallery / D. Barton Johnson -- Ada and Bosch / Liana Ashenden -- Appendix I : Passages in Nabokov's novels, stories or autobiography referring or alluding to paintings -- Appendix II : Painters mentioned or obviously referred to in Nabokov's works
  3. Shakespeare and the visual imagination
    Author: Sillars, Stuart
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of dramatic movement, construction of ideas, and reflections on the artifice of theatre and language. The Taming of the Shrew, Love's Labour's Lost, Richard II and A Midsummer Night's Dream are explored in detail, offering new insights into their forms, themes, and place in European traditions. The use of emblems is examined in Titus Andronicus and As You Like It; studies of Venus and Adonis, some sonnets and The Rape of Lucrece reveal different but related visual aspects; a later chapter suggests how the new relation between seeing and soliloquy in The Rape of Lucrece is developed in other plays. Extensively illustrated, the book explores Shakespeare's assimilation and exploration of visual traditions in structure, theme and idea throughout the canon

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139342759
    Other identifier:
    RVK Categories: HI 3323
    Subjects: Visual perception in literature; Painting in literature; Art and literature; Kunst <Motiv>; Visuelle Wahrnehmung <Motiv>
    Other subjects: Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xvii, 317 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Likeness, device, composition : Shakespeare's visual surroundings -- Allusion and idea in The taming of the shrew -- Visual exchange in the Poems -- Love's labour's lost and visual composition -- Richard II and the politics of perspective -- Visual identities in A midsummer night's dream -- Emblem, tradition and invention -- Imagination beyond image : ethopoeia and metatheatre -- Defining the visual in Shakespeare
  4. Das intermediale Gemäldezitat
    Zur literarischen Rezeption von Vermeer und Caravaggio
    Author: Berger, Andrea Ch
    Published: [2014]; ©2012
    Publisher:  transcript Verlag, Bielefeld

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  5. Vladimir Nabokov and the art of painting
    Author: Vries, Gerard de; Johnson, Donald B.; Ashenden, Liana
    Published: 2006
    Publisher:  Amsterdam University Press, Amsterdam

    'Sounds have colors and colors have smells.' This sentence in <i>Ada</i> is only one of the many moments in Nabokov's work where he sought to merge the visual into his rich and sensual writing. This lavishly illustrated study is the first to examine... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    'Sounds have colors and colors have smells.' This sentence in Ada is only one of the many moments in Nabokov's work where he sought to merge the visual into his rich and sensual writing. This lavishly illustrated study is the first to examine the role of the visual arts in Nabokov's oeuvre and to explore how art deepens the potency of the prominent themes threaded throughout his work. The authors trace the role of art in Nabokov's life, from his alphabetic chromesthesia - a psychological condition in which letters evoke specific colors - to his training under Marc Chagall's painting instructor to his deep admiration for Leonardo da Vinci and Hieronymus Bosch. They then examine over 150 references to specific works of art in such novels as Laughter in the Dark, The Real Life of Sebastian Knight, Pnin, Lolita, Ada, and Pale Fire and consider how such references reveal new emotional aspects of Nabokov's fiction.A fascinating and wholly original study, Nabokov and the Art of Painting will be invaluable reading for scholars and enthusiasts of Nabokov alike.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048505463; 9789053567906
    Subjects: Painting in literature; Nabokov, Vladimir Vladimirovich ; 1899-1977; Nabokov, Vladimir Vladimirovich ; 1899-1977 ; Criticism and interpretation; Painting in literature
    Other subjects: Nabokov, Vladimir Vladimirovich (1899-1977); Nabokov, Vladimir Vladimirovich (1899-1977)
    Scope: 1 online resource (223 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Feb 2021)
  6. Kissing the Wild Woman
    Concepts of Art, Beauty, and the Italian Prose Romance in Giulia Bigolina's ‹em›Urania‹/em›
    Author: Nissen, Christopher
    Published: [2017]; © 2011
    Publisher:  University of Toronto Press, Toronto

    Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features of Bigolina's greatest surviving work, in which she fashioned a new type of narrative that combined elements of the romance and the novella and included a polemical treatise on the moral implications of portraiture and the role of women in the arts. Demonstrating that Bigolina challenged cultural authority by rejecting the prevailing views of both painting and literature, Nissen discusses Bigolina's suggestion that painting constituted an ineffectual, even immoral mode of self-promotion for women in relation to the views of the contemporary writer Pietro Aretino and the painter Titian. Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442696020
    Other identifier:
    Subjects: DISCOUNT-B.; Aesthetics in literature; Beauty, Personal, in literature; Painting in literature; Schönheit; Kunst; Frau <Motiv>; Roman
    Other subjects: Bigolina, Giulia (1563-1623): Urania, nella quale si contiene l'amore d'una giovane di tal nome
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Jan. 23, 2017)
  7. Kissing the Wild Woman
    Concepts of Art, Beauty, and the Italian Prose Romance in Giulia Bigolina's Urania
    Author: Nissen, Christopher
    Published: 2011; ©2011.
    Publisher:  University of Toronto Press, Toronto

    Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature. Cover -- Contents -- Acknowledgments --... more

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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature. Cover -- Contents -- Acknowledgments -- Introduction -- 1 The Reformation of the Prose Romance -- Bigolina's Cultural Formation -- Elements of the Prose Romance -- The Plot and Characters of Urania -- The Prose Romance according to Boccaccio -- Urania in Its Literary Context -- Bigolina's Defence of Women -- 2 Writing a Portrait -- Bigolina and Aretino -- Portraiture in Urania -- The Caricature of Titian -- Of Mirrors, Istoria, and Women in the Arts -- 3 Ekphrasis and the Paragone -- Ekphrasis in Western Literature -- Bigolina and the Paragone -- The Judgment of Paris -- Descriptio Mulieris -- Bigolina's Two Venuses -- The Book as Object -- 4 The Sight of the Beautiful -- Beauty and the Senses in Urania -- Sight in the Doctrines of Love -- The Body and the Gaze in the Arts -- The Woman's Portrait as Gift -- 5 Kissing the Wild Woman -- Wildness in Urania -- Urania's (Nearly) Mad Flight -- Femina Salvatica -- The Game of the Senses -- Conclusion -- Appendix: Bigolina's Will in the State Archive of Padua: Text and Translation -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Z.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442696020
    Series: Toronto Italian Studies
    Subjects: Bigolina, Giulia; Electronic books; Painting in literature; Aesthetics in literature; Beauty, Personal, in literature; Italy ; Civilization ; 1559-1789; Bigolina, Giulia ; -1569 ; Urania, nella quale si contiene l'amore d'una giovane di tal nome ; English & Italian
    Scope: 1 online resource (342 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  8. Das intermediale Gemäldezitat
    Zur literarischen Rezeption von Vermeer und Caravaggio
    Author: Berger, Andrea Ch.
    Published: 2012; ©2012.
    Publisher:  transcript, Bielefeld

    Biographical note: Andrea Ch. Berger (Dr. phil.) hat Romanistik (Italienisch) und Kunstgeschichte in Graz studiert. Ihre Forschungsschwerpunkte sind Bild & Text, Intermedialitätstheorien und Design. Main description: Zahlreiche zeitgenössische Texte... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Biographical note: Andrea Ch. Berger (Dr. phil.) hat Romanistik (Italienisch) und Kunstgeschichte in Graz studiert. Ihre Forschungsschwerpunkte sind Bild & Text, Intermedialitätstheorien und Design. Main description: Zahlreiche zeitgenössische Texte und Romane beschäftigen sich mit den realen sowie fiktiven Gemälden der beiden Malerpersönlichkeiten Vermeer und Caravaggio. Mit dem »intermedialen Gemäldezitat« entwickelt Andrea Ch. Berger in diesem Buch ein theoretisches Konzept, das zur systematischen Analyse der unterschiedlichen Verweismöglichkeiten, die die künstlerischen Charakteristika dieser beiden Maler für literarische Texte ermöglichen, fruchtbar gemacht werden kann. Damit schreibt sich die Studie nicht nur in die Intermedialitäts- und die Bild-Text-Diskussion ein, sondern ergänzt diese auch um ein theoretisches Instrumentarium für weitere Untersuchungen.

     
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  9. Kissing the Wild Woman
    Concepts of Art, Beauty, and the Italian Prose Romance in Giulia Bigolina's ‹em›Urania‹/em›
    Author: Nissen, Christopher
    Published: [2017]; © 2011
    Publisher:  University of Toronto Press, Toronto

    Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features of Bigolina's greatest surviving work, in which she fashioned a new type of narrative that combined elements of the romance and the novella and included a polemical treatise on the moral implications of portraiture and the role of women in the arts. Demonstrating that Bigolina challenged cultural authority by rejecting the prevailing views of both painting and literature, Nissen discusses Bigolina's suggestion that painting constituted an ineffectual, even immoral mode of self-promotion for women in relation to the views of the contemporary writer Pietro Aretino and the painter Titian. Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442696020
    Other identifier:
    Subjects: DISCOUNT-B.; Aesthetics in literature; Beauty, Personal, in literature; Painting in literature; Schönheit; Kunst; Frau <Motiv>; Roman
    Other subjects: Bigolina, Giulia (1518-1569): Urania, nella quale si contiene l'amore d'una giovane di tal nome
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Jan. 23, 2017)
  10. Kissing the wild woman
    art, beauty, and the reformation of the Italian prose romance in Giulia Bigolina's Urania
    Author: Nissen, Christopher
    Published: 2011; © 2011
    Publisher:  University of Toronto Press, Toronto, [Ontario] ; Buffalo, [New York] ; London, [England]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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  11. Imagery and ideology
    fiction and painting in nineteenth-century France
    Author: Berg, William J.
    Published: c2007
    Publisher:  University of Delaware Press, Newark

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0874139953; 9780874139952
    Subjects: French fiction; Painting in literature; Art and literature; Kunst <Motiv>; Literatur <Motiv>; Kunst; Literatur
    Scope: 269 p.
    Notes:

    Includes bibliographical references and index
  12. Vladimir Nabokov and the art of painting
    Author: Vries, Gerard de; Johnson, D. Barton
    Published: 2006
    Publisher:  Amsterdam University Press, Amsterdam

    'Sounds have colors and colors have smells.' This sentence in <i>Ada</i> is only one of the many moments in Nabokov's work where he sought to merge the visual into his rich and sensual writing. This lavishly illustrated study is the first to examine... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    'Sounds have colors and colors have smells.' This sentence in Ada is only one of the many moments in Nabokov's work where he sought to merge the visual into his rich and sensual writing. This lavishly illustrated study is the first to examine the role of the visual arts in Nabokov's oeuvre and to explore how art deepens the potency of the prominent themes threaded throughout his work. The authors trace the role of art in Nabokov's life, from his alphabetic chromesthesia - a psychological condition in which letters evoke specific colors - to his training under Marc Chagall's painting instructor to his deep admiration for Leonardo da Vinci and Hieronymus Bosch. They then examine over 150 references to specific works of art in such novels as Laughter in the Dark, The Real Life of Sebastian Knight, Pnin, Lolita, Ada, and Pale Fire and consider how such references reveal new emotional aspects of Nabokov's fiction.A fascinating and wholly original study, Nabokov and the Art of Painting will be invaluable reading for scholars and enthusiasts of Nabokov alike

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Ashenden, Liana (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048505463
    Other identifier:
    RVK Categories: HU 4575 ; KK 6091
    Subjects: Painting in literature; Malerei; Literatur; Kunst
    Other subjects: Nabokov, Vladimir Vladimirovich / 1899-1977; Nabokov, Vladimir Vladimirovich / 1899-1977 / Criticism and interpretation; Nabokov, Vladimir Vladimirovič (1899-1977); Nabokov, Vladimir Dmitrievič (1869-1922); Bosch, Hieronymus (1450-1516); Leonardo da Vinci (1452-1519)
    Scope: 1 Online-Ressource (223 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Feb 2021)
  13. La peinture ou les leçons esthétiques chez Marcel Proust
    Author: Yoo, Yae-Jin
    Published: c2012
    Publisher:  Peter Lang, New York

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    Source: Union catalogues
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9781453905784
    RVK Categories: IH 74361
    Series: Currents in comparative Romance languages and literatures ; v. 199
    Subjects: Geschichte; Kunst; Wissen; Art and literature; Painting in literature; Rezeption; Malerei; Malerei <Motiv>
    Other subjects: Proust, Marcel (1871-1922): À la recherche du temps perdu; Proust, Marcel (1871-1922); Proust, Marcel (1871-1922): À la recherche du temps perdu
    Scope: 160 p
    Notes:

    Includes bibliographical references
  14. Vladimir Nabokov and the art of painting
    Author: Vries, Gerard de
    Published: c2006
    Publisher:  Amsterdam University Press, Amsterdam

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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  15. Poets on paintings
    a bibliography
    Author: Denham, Robert D.
    Published: ©2010
    Publisher:  McFarland, Jefferson, N.C.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0786456582; 9780786456581
    RVK Categories: EC 1000
    Subjects: TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Painting; Painters; Ekphrasis; Painting in literature; Art in literature; Lyriker; Malerei; Malerei <Motiv>; Literatur
    Scope: 1 Online-Ressource (vii, 333 pages)
    Notes:

    "Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued. An additional list provides the locations of such poems in museum collections, other anthologies, and books of poems by a single author. Also included are 2000 entries on the secondary literature of ekphrasis"--Provided by publisher

    Includes bibliographical references and index

    Poems on paintings and painters -- Anthologies from museum collections -- Other anthologies -- Volumes on individual painters -- Volumes by a single poet on multiple paintings -- Journals and web sites -- List of poets with their ekphrastic works -- Secondary literature
  16. Poets on paintings
    a bibliography
    Published: (c)2010
    Publisher:  McFarland, Jefferson, N.C

    "Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued. An additional list provides the locations of such poems in museum collections, other... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued. An additional list provides the locations of such poems in museum collections, other anthologies, and books of poems by a single author. Also included are 2000 entries on the secondary literature of ekphrasis"--Provided by publisher

     
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  17. Kissing the wild woman
    art, beauty, and the reformation of the Italian prose romance in Giulia Bigolina's Urania
    Published: c2011
    Publisher:  University of Toronto Press, Toronto [Ont.]

    "Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features... more

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    Saarländische Universitäts- und Landesbibliothek
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    "Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features of Bigolina's greatest surviving work, in which she fashioned a new type of narrative that combined elements of the romance and the novella and included a polemical treatise on the moral implications of portraiture and the role of women in the arts Demonstrating that Bigolina challenged cultural authority by rejecting the prevailing views of both painting and literature, Nissen discusses Bigolina's suggestion that painting constituted an ineffectual, even immoral mode of self-promotion for women in relation to the views of the contemporary writer Pietro Aretino and the painter Titian. Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature."--Pub. desc

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442696020; 1442696028
    Series: Toronto Italian studies
    Subjects: Painting in literature; Aesthetics in literature; Beauty, Personal, in literature; LITERARY CRITICISM ; European ; Italian; LITERARY CRITICISM ; Medieval; Aesthetics in literature; Beauty, Personal, in literature; Civilization; Painting in literature
    Other subjects: Bigolina, Giulia d. 1569; Bigolina, Giulia (-1569): Urania, nella quale si contiene l'amore d'una giovane di tal nome
    Scope: Online Ressource (viii, 333 p.), ill., digital file.
    Notes:

    Includes bibliographical references and index. - Includes Giulia Bigolina's last will and testament in Italian, followed by its English translation
  18. Vladimir Nabokov and the art of painting
    Author: Vries, Gerard de
    Published: c2006
    Publisher:  Amsterdam University Press, Amsterdam

    Location:
    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1423785231; 9781423785231
    Subjects: Painting in literature
    Other subjects: Nabokov, Vladimir Vladimirovich (1899-1977); Nabokov, Vladimir Vladimirovich (1899-1977)
    Scope: Online-Ressource (223 p), col. ill
    Notes:

    Includes bibliographical references (p. 197-206) and index

    Use copy Restrictions unspecified star MiAaHDL

    Electronic reproduction

    Nabokov and the two sister artsThe 'mad pursuit' in Laughter in the dark -- The real life of Sebastian Knight : its colours and painting -- Pnin and the history of art -- Lolita and Aubrey Beardsley -- Pale fire zemblematically -- Leonardo and 'Spring in Fialta' / Gerad de Vries -- A shimmer of exact details : Ada's art gallery / D. Barton Johnson -- Ada and Bosch / Liana Ashenden -- Appendix I : Passages in Nabokov's novels, stories or autobiography referring or alluding to paintings -- Appendix II : Painters mentioned or obviously referred to in Nabokov's works.
  19. Vladimir Nabokov and the art of painting
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    Nabokov and the two sister arts -- The 'mad pursuit' in Laughter in the dark -- The real life of Sebastian Knight : its colours and painting -- Pnin and the history of art -- Lolita and Aubrey Beardsley -- Pale fire zemblematically -- Leonardo and... more

    Location:
    Saarländische Universitäts- und Landesbibliothek
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    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    No inter-library loan

     

    Nabokov and the two sister arts -- The 'mad pursuit' in Laughter in the dark -- The real life of Sebastian Knight : its colours and painting -- Pnin and the history of art -- Lolita and Aubrey Beardsley -- Pale fire zemblematically -- Leonardo and 'Spring in Fialta' / Gerad de Vries -- A shimmer of exact details : Ada's art gallery / D. Barton Johnson -- Ada and Bosch / Liana Ashenden -- Appendix I : Passages in Nabokov's novels, stories or autobiography referring or alluding to paintings -- Appendix II : Painters mentioned or obviously referred to in Nabokov's works

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1423785231; 9781423785231
    Subjects: Painting in literature; Painting in literature
    Other subjects: Nabokov, Vladimir Vladimirovich 1899-1977; Nabokov, Vladimir Vladimirovich 1899-1977; Nabokov, Vladimir Vladimirovich (1899-1977); Nabokov, Vladimir Vladimirovich (1899-1977); Nabokov, Vladimir; Nabokov, Vladimir Vladimirovich 1899-1977; Nabokov, Vladimir Vladimirovich 1899-1977
    Scope: Online Ressource (223 pages), color illustrations
    Notes:

    Includes bibliographical references (pages 197-206) and index. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library
  20. Shakespeare and the visual imagination
    Author: Sillars, Stuart
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    A fully illustrated study of Shakespeare's awareness of traditions in visual art and their presence in his plays and poems Cover -- Half-title page -- Frontispiece -- Title page -- Copyright page -- Dedication -- Contents -- Colour plates --... more

    Location:
    Hochschulbibliothek Friedensau
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    Online-Ressource
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    A fully illustrated study of Shakespeare's awareness of traditions in visual art and their presence in his plays and poems Cover -- Half-title page -- Frontispiece -- Title page -- Copyright page -- Dedication -- Contents -- Colour plates -- Illustrations -- Acknowledgments -- Chapter 1 Likeness, Device, Composition: Shakespeare's Visual Surroundings -- Chapter 2 Allusion and Idea in the Taming of the Shrew -- Chapter 3 Visual Exchange in the Poems -- Chapter 4 Love's Labour's Lost and Visual Composition -- Chapter 5 Richard II and the Politics of Perspective -- Plates -- Chapter 6 Visual Identities in a Midsummer Night's Dream -- Chapter 7 Emblem, Tradition andInvention Chapter 8 Imagination Beyond Image: Ethopoeia and Metatheatre -- Chapter 9 Defining the Visual inShakespeare -- Notes -- Select Bibliography -- Index

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316360606
    Subjects: Art and literature; Painting in literature; Visual perception in literature; Shakespeare, William ; 1564-1616 ; Criticism and interpretation; Visual perception in literature; Painting in literature; Art and literature; Electronic books
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xvii, 317 pages, 16 unnumbered pages of plates), illustrations (chiefly color)
    Notes:

    Includes bibliographical references and index
  21. Vladimir Nabokov and the art of painting
    Author: Vries, Gerard de
    Published: 2010
    Publisher:  Amsterdam University Press, Amsterdam

    Nabokov and the two sister arts -- The 'mad pursuit' in Laughter in the dark -- The real life of Sebastian Knight : its colours and painting -- Pnin and the history of art -- Lolita and Aubrey Beardsley -- Pale fire zemblematically -- Leonardo and... more

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    Universitätsbibliothek Freiburg
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    Kompetenzzentrum für Lizenzierung
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    Nabokov and the two sister arts -- The 'mad pursuit' in Laughter in the dark -- The real life of Sebastian Knight : its colours and painting -- Pnin and the history of art -- Lolita and Aubrey Beardsley -- Pale fire zemblematically -- Leonardo and 'Spring in Fialta' / Gerad de Vries -- A shimmer of exact details : Ada's art gallery / D. Barton Johnson -- Ada and Bosch / Liana Ashenden -- Appendix I : Passages in Nabokov's novels, stories or autobiography referring or alluding to paintings -- Appendix II : Painters mentioned or obviously referred to in Nabokov's works

     
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  22. Vladimir Nabokov and the art of painting
    Author: Vries, Gerard de; Johnson, Donald B.; Ashenden, Liana
    Published: 2006
    Publisher:  Amsterdam University Press, Amsterdam

    'Sounds have colors and colors have smells.' This sentence in <i>Ada</i> is only one of the many moments in Nabokov's work where he sought to merge the visual into his rich and sensual writing. This lavishly illustrated study is the first to examine... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    E-Book CUP HSFK
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    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Location:
    Staats- und Universitätsbibliothek Bremen
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    No inter-library loan

    Location:
    Technische Universität Chemnitz, Universitätsbibliothek
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    No inter-library loan

    Location:
    Peace Research Institute Frankfurt, Bibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    No inter-library loan

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    No inter-library loan

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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Württembergische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    'Sounds have colors and colors have smells.' This sentence in Ada is only one of the many moments in Nabokov's work where he sought to merge the visual into his rich and sensual writing. This lavishly illustrated study is the first to examine the role of the visual arts in Nabokov's oeuvre and to explore how art deepens the potency of the prominent themes threaded throughout his work. The authors trace the role of art in Nabokov's life, from his alphabetic chromesthesia - a psychological condition in which letters evoke specific colors - to his training under Marc Chagall's painting instructor to his deep admiration for Leonardo da Vinci and Hieronymus Bosch. They then examine over 150 references to specific works of art in such novels as Laughter in the Dark, The Real Life of Sebastian Knight, Pnin, Lolita, Ada, and Pale Fire and consider how such references reveal new emotional aspects of Nabokov's fiction.A fascinating and wholly original study, Nabokov and the Art of Painting will be invaluable reading for scholars and enthusiasts of Nabokov alike.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048505463; 9789053567906
    Subjects: Painting in literature; Nabokov, Vladimir Vladimirovich ; 1899-1977; Nabokov, Vladimir Vladimirovich ; 1899-1977 ; Criticism and interpretation; Painting in literature
    Other subjects: Nabokov, Vladimir Vladimirovich (1899-1977); Nabokov, Vladimir Vladimirovich (1899-1977)
    Scope: 1 online resource (223 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Feb 2021)
  23. El ingenio del arte
    la pintura en la poesía de Quevedo
    Author: Sáez, Adrián J.
    Published: 2015
    Publisher:  Visor Libros, Madrid

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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Source: Union catalogues
    Language: Spanish
    Media type: Ebook
    Format: Online
    ISBN: 9788498951622
    Series: Biblioteca filológica hispana ; 162
    Subjects: Painting in literature
    Other subjects: Quevedo, Francisco de (1580-1645)
    Scope: 1 Online-Ressource (182 p), ill
    Notes:

    Includes bibliographical references (pages 151-182) and index
  24. Petrarch and sixteenth-century Italian portraiture
    Contributor: Bernocchi, Ilaria (HerausgeberIn); Morelli, Nicolò (HerausgeberIn); Pich, Federica (HerausgeberIn)
    Published: 2024
    Publisher:  Amsterdam University Press, Amsterdam

    The volume presents a wide-ranging investigation of the ways in which Petrarch's legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch's vast literary production influenced the intellectual... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Universitätsbibliothek der Eberhard Karls Universität
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    The volume presents a wide-ranging investigation of the ways in which Petrarch's legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch's vast literary production influenced the intellectual framework in which new models of representation and self-representation developed during the Renaissance. His two sonnets on Laura's portrait by Simone Martini and his ambivalent fascination with the illusionary power of portraiture in his Latin texts - such as the Secretum, the Familiares and De remediis utriusque fortune - constituted the theoretical reference for artists and writers alike. In a century dominated by the rhetorical comparison between art and literature (ut pictura poësis) and by the paragone debate, the interplay between Petrarch's oeuvre, Petrarchism and portraiture shaped the discourse on the relationship between the sitters' physical image and their inner life. The volume brings together diverse interdisciplinary contributions that explore the subject through a rich body of literary and visual sources.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Bernocchi, Ilaria (HerausgeberIn); Morelli, Nicolò (HerausgeberIn); Pich, Federica (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048552917; 9789463727242
    Series: Visual and material culture, 1300-1700
    Subjects: Painting, Italian; Art and literature; Painting in literature
    Other subjects: Petrarca, Francesco (1304-1374); Petrarca, Francesco (1304-1374); Petrarca, Francesco (1304-1374)
    Scope: 1 online resource (278 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 22 Feb 2024)
  25. Vladimir Nabokov and the art of painting
    Author: Vries, Gerard de
    Published: c2006
    Publisher:  Amsterdam University Press, Amsterdam

    A richly illustrated and comprehensive discussion of all the explicit pictorial references in Nabokov's oeuvre and their bearing on the major themes in his novels more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
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    Location:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    A richly illustrated and comprehensive discussion of all the explicit pictorial references in Nabokov's oeuvre and their bearing on the major themes in his novels

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9053567909
    Subjects: Painting in literature; Nabokov, Vladimir Vladimirovich, -- 1899-1977 -- Criticism and interpretation; Nabokov, Vladimir Vladimirovich, -- 1899-1977; Nabokov, Vladimir Vladimirovich ; 1899-1977 ; Criticism and interpretation; Nabokov, Vladimir Vladimirovich ; 1899-1977; Painting in literature; Electronic books
    Other subjects: Nabokov, Vladimir Vladimirovich (1899-1977); Nabokov, Vladimir Vladimirovich (1899-1977)
    Scope: Online-Ressource (30 p), col. ill
    Notes:

    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    Table of Contents; Foreword; Note on Abbreviations and References; 1 Nabokov and the Two Sister Arts; 2 The 'Mad Pursuit' in Laughter in the Dark; 3 The Real Life of Sebastian Knight. Its Colours and Painting; 4 Pnin and the History of Art; 5 Lolita and Aubrey Beardsley; 6 Pale Fire Zemblematically; 7 Leonardo and 'Spring in Fialta'; 8 A Shimmer of Exact Details: Ada's Art Gallery; 9 Ada and Bosch; Appendix I: Passages in Nabokov's Novels, Stories or Autobiography Referring or Alluding to Paintings; Appendix II: Painters Mentioned or Obviously Referred to in Nabokov's Works; Notes

    BibliographyList of Illustrations and Acknowledgements; Corresponding Pages in the Volumes Published by Vintage International and Penguin Books; Index of Authors; Index of Artists