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Displaying results 51 to 75 of 298.

  1. The legacy of stylistic theatre in the creation of a modern Sinhala drama in Sri Lanka
    Author: Bulathsinghala, Lakshmi D.
    Published: 2024
    Publisher:  Routledge, Abingdon, Oxon ; Taylor & Francis Group, London

    "This book explores the development of Sinhala stylistic drama from its earliest manifestations to the post-independence era. Bulathsinghala examines the impact of indigenous and imported folk theatrical forms on the work of the most significant... more

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    "This book explores the development of Sinhala stylistic drama from its earliest manifestations to the post-independence era. Bulathsinghala examines the impact of indigenous and imported folk theatrical forms on the work of the most significant postcolonial dramatists and on key plays that they produced. In the process, their study explores a number of myths and misunderstandings regarding Sri Lanka's folk heritage and seeks to establish more reliable information on the principal indigenous Sri Lankan folk dramatic forms and their characteristics. At the same time, by drawing connections between folk drama and the post-independence stylistic theatrical movement, the author demonstrates the essential role of the former in Sinhala culture prior to the advent of Western and other influences and show how both continue to inflect Sri Lankan drama today. This book will help to open the field of South Asian drama studies to an audience consisting not only of scholars and students, but also of general readers who are interested in the fields of drama and theatre and Asian studies"--...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003212263; 1003212263; 9781040021712; 1040021719; 9781040021729; 1040021727
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    Series: Routledge advances in theatre & performance studies
    Subjects: Folk drama, Sinhalese; Theater; PERFORMING ARTS / Theater / General; PERFORMING ARTS / General; PERFORMING ARTS / Acting & Auditioning
    Scope: 1 Online-Ressource
  2. Genre transgressions
    dialogues on tragedy and comedy
    Contributor: Mosse, Ramona (Herausgeber); Street, Anna (Herausgeber)
    Published: 2024
    Publisher:  Routledge, Abingdon, Oxon ; Taylor & Francis Group, London

    "This collection gathers a set of provocative essays that sketch innovative and interdisciplinary approaches to Genre Theory in the 21st century. Focusing on the interaction between tragedy and comedy, both renowned and emerging scholarly and... more

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    "This collection gathers a set of provocative essays that sketch innovative and interdisciplinary approaches to Genre Theory in the 21st century. Focusing on the interaction between tragedy and comedy, both renowned and emerging scholarly and creative voices from philosophy, theatre, literature, and cultural studies come together to engage in dialogues that reconfigure genre as social, communal, and affective. In revisiting the challenges to aesthetic categorization over the course of the 20th century, this volume proposes a shift away from the prescriptive and hierarchical reading of genre to its crucial function in shaping thought and enabling shared experience and communication. In doing so, the various essays acknowledge the diverse contexts within which genre needs to be thought afresh: media studies, rhetoric, politics, performance, and philosophy"--...

     
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    Source: Union catalogues
    Contributor: Mosse, Ramona (Herausgeber); Street, Anna (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429266393; 0429266391; 9781003812753; 1003812759; 9781003812777; 1003812775
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    Series: Routledge advances in theatre & performance studies
    Subjects: Tragedy; Comedy; Literary form; LITERARY CRITICISM / General; PERFORMING ARTS / General; PERFORMING ARTS / Theater / General
    Scope: 1 Online-Ressource (xvii, 285 pages), illustrations
  3. THE LOSS OF SMALL WHITE CLOUDS
    dementia in contemporary performance.
    Author: BATCH, MORGAN
    Published: 2023
    Publisher:  ROUTLEDGE, [S.l.] ; Taylor & Francis Group, London

    This volume seeks to instigate a discussion about dementia in theatre. The discussions in this book borrow from the literature on dementia's representation in other artforms, while reflecting on theatre's unique capacity to incorporate multiple... more

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    This volume seeks to instigate a discussion about dementia in theatre. The discussions in this book borrow from the literature on dementia's representation in other artforms, while reflecting on theatre's unique capacity to incorporate multiple artforms in a live context (hypermediacy). The author examines constructions of diegesis and the use of various performance tools, including physical theatre, puppetry, and postdramatic performance. She discusses stage representations of interior experiences of dementia; selfhood in dementia; the demarcation of those with dementia from those without; endings, erasure, and the pursuit of catharsis; placelessness and disruptions of traditional dramatic constructions of time; and ultimately, performances creatively led by people with dementia. The book traces patterns of narrativisation on the stage--including common dramaturgical forms, settings, and character relationships--as well as examples that transcend mainstream representation. This book is important reading for theatre and performance students, scholars, and practitioners, as well as cultural studies writers engaged in research about narratives of dementia

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781000922813; 1000922812; 9781003282037; 1003282032; 9781000922820; 1000922820
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    Series: Routledge series in equity, diversity, and inclusion in theatre and performance
    Subjects: Dementia in literature; Diseases in the theater; PERFORMING ARTS / Theater / General; PERFORMING ARTS / Acting & Auditioning; PERFORMING ARTS / General
    Scope: 1 Online-Ressource
  4. Prophesying Tragedy
    Sign and Voice in Sophocles' Theban Plays
    Author: Bushnell, Rebecca Weld
    Published: [2019]
    Publisher:  Cornell University Press, Ithaca, NY

    Frontmatter -- Contents -- Preface -- A Note on Texts, Translations, and Transliteration -- Chapter 1. The Voice of Prophecy -- Chapter 2. The Nature of Signs -- Chapter 3. Speech and Authority: Antigone -- Chapter 4. Speech and Silence: Oedipus the... more

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    Frontmatter -- Contents -- Preface -- A Note on Texts, Translations, and Transliteration -- Chapter 1. The Voice of Prophecy -- Chapter 2. The Nature of Signs -- Chapter 3. Speech and Authority: Antigone -- Chapter 4. Speech and Silence: Oedipus the King -- Chapter 5. The Heroic Prophet: Oedipus at Co/onus -- Epilogue: Euripides and the Erasure of Prophecy -- Index Prophesying Tragedy investigates the political and epistemological dimensions of the conflict between heroes and prophets in homer's Iliad and Sophocles' Theban plays, Antigone, Oedipus the King, and Oedipus at Colonus. Rebecca Weld Bushnell asserts that an understanding of tragic fate, as represented in prophecy, can be achieved through an awareness of the historical relationship of tragedy to culture and politics, for the tragic hero's interpretation and defiance of prophecy both reflected and influenced the political abuse of oracles and omens

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501745584
    Other identifier:
    Subjects: Antigone (Greek mythology) in literature; Prophecies in literature; Tragedy; PERFORMING ARTS / Theater / General
    Scope: 1 Online-Ressource (168 p)
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    restricted access online access with authorization star
  5. Performing truth
    works of radical memory for times of social amnesia
    Author: Bogad, L. M.
    Published: 2022
    Publisher:  Routledge, Abingdon, Oxon

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003044116; 9781000451283; 9781000451313
    Subjects: Theater; Performance art; PERFORMING ARTS / Theater / General; PERFORMING ARTS / General
    Other subjects: Bogad, L. M
    Scope: 1 online resource
  6. More comedies and tragedies
    Author: Lawrence, Julie Fain
    Published: 2022
    Publisher:  Routledge, Abingdon, Oxon ; Taylor & Francis Group, London

    "The One-Hour Shakespeare series is a collection of abridged versions of Shakespeare's plays, designed specifically to accommodate both small and large casts. This volume, More Comedies and Tragedies, includes the following plays: The Comedy of... more

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    "The One-Hour Shakespeare series is a collection of abridged versions of Shakespeare's plays, designed specifically to accommodate both small and large casts. This volume, More Comedies and Tragedies, includes the following plays: The Comedy of Errors, The Taming of the Shrew, Antony and Cleopatra, King Lear. These accessible and versatile scripts are supported by: an introduction with emphasis on the evolution of the series and the creative process of editing; the One-Hour projects in performance, a chapter on implementing money-saving ideas and suggestions for production, whether in or outside a classroom setting; specific lesson plans to incorporate these projects successfully into an academic course; and cross-gender casting suggestions. These supplementary materials make the plays valuable not only for actors, directors and professors, but for any environment, cast or purpose. Ideal for both academics and professionals, One-Hour Shakespeare is the perfect companion to teaching and staging the most universally read and performed playwright in history"--...

     
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    Source: Union catalogues
    Contributor: Shakespeare, William
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003142614; 1003142613; 9781000475173; 1000475174; 9781000475197; 1000475190
    Series: One-hour Shakespeare
    Subjects: PERFORMING ARTS / Theater / General
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource
  7. How and why we teach Shakespeare
    college teachers and directors share how they explore the playwright's works with their students
    Contributor: Homan, Sidney (HerausgeberIn)
    Published: 2019
    Publisher:  Routledge,, New York, NY

    Introduction : how and why / Sidney Homan -- Theatricality and the resistance of thesis / Andrew Hartley -- "That's a question : how shall we try it?" (The comedy of errors 5.1) / Nick Hutchison -- Re-entering Macbeth : "witches vanish" and other... more

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    Introduction : how and why / Sidney Homan -- Theatricality and the resistance of thesis / Andrew Hartley -- "That's a question : how shall we try it?" (The comedy of errors 5.1) / Nick Hutchison -- Re-entering Macbeth : "witches vanish" and other stage directions / S.P. Cerasano -- Seeing the Elizabethan playhouse in Richard II / Joseph Candido -- Acting and ownership in the Shakespeare classroom / James Bulman and Beth Watkins -- Performing Hamlet / Russell Jackson -- "Gladly would he learn and gladly teach" : empowering students with Shakespeare / Sidney Homan -- Uncertain test : student and teacher find their way onstage in Romeo and Juliet / Jerry Harp and Erica Terpening -- "In practice let us put it presently" : learning with much ado / Francis Teague and Kristin Kundert -- Shakespeeding into Macbeth and The tempest : teaching with the Shakespeare reloaded website / Liam Semler -- "And so everyone according to his cue" : practice-led teaching and cue-scripts in the classroom / Miranda Fay Thomas -- Collaborating with Shakespeare / Frederick Kiefer -- Shakespeare without print / Paul Menzer -- That depends : what do you want two plus two to be? / Cary Mazer -- "Who's there?" "Nay, answer me. stand and unfold yourself" : attending to students in diversified settings / Naomi Conn Liebler -- Unpicking the Turkish tapestry : teaching Shakespeare in Anatolia / Patrick Hart -- Teaching Shakespeare to retirees in the Olli Program / Alan Dessen -- Afterword : cur non? / June Schlueter.

     
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  8. DIVERSE PURSUITS
    essays on drama and theatre.
    Author: Malick, Javed
    Published: 2021
    Publisher:  ROUTLEDGE, [S.l.] ; Taylor & Francis Group, London

    The five essays in this book reflect many years of the author's sustained academic engagement with dramatic forms and traditions. The opening essay traces the historical trajectory of modern drama in Europe from its bourgeois period through the... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    The five essays in this book reflect many years of the author's sustained academic engagement with dramatic forms and traditions. The opening essay traces the historical trajectory of modern drama in Europe from its bourgeois period through the period of the liberal dissent to the more recent periods of radical alternative. The subsequent essays deal with certain specific examples of that drama in India and the West, such as Shakespeare adaptations on the Parsi theatre stage, Habib Tanvir, and Samuel Beckett. The author places each of these in a historical perspective. This approach constitutes the theoretical underpinning of the book giving cohesion to this collection of diverse essays. Although they were individually published in various journals and books in their earlier versions, they have been substantially revived and updated by the author for this volume. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka

     
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  9. Elektra
    A Play by Ezra Pound
    Published: 2017; ©2017
    Publisher:  Princeton University Press, Princeton, NJ

    This critical edition of Ezra Pound's Elektra marks the most significant appearance in twenty years of a "new" work by the controversial poet. Composed in the early months of 1949, while Pound was under indictment for treason and hospitalized by... more

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    This critical edition of Ezra Pound's Elektra marks the most significant appearance in twenty years of a "new" work by the controversial poet. Composed in the early months of 1949, while Pound was under indictment for treason and hospitalized by court order in Washington, D.C., this hitherto unpublished version of Sophocles' play documents a critical stage in the poet's writing career: with his subsequent rendition of Sophocles' Trachiniae and his ongoing translations from the Chinese classics, it signaled his return to sustained composition and his eventual decision to resume his life work, the Cantos. The success of Carey Perloff's Classic Stage Company debut of Pound's play in 1987 has already demonstrated the interest of the theatrical community in the work, and this presentation of the text, with critical apparatus, is a major event in Pound studies. The edition serves as a kind of practical workshop in translation, particularly in its exposition of Pound's discussions with his collaborator, Rudd Fleming. Richard Reid demonstrates in his introduction that Pound's choice of the Elektra was of crucial significance. In the play Sophocles confronts many of our most deeply held cultural assumptions: those concerning the family, the community, the claims of religion and justice, and language itself. As anyone familiar with the works of Pound will readily recognize, these issues are central in his own writings. The Elektra clarifies the formal, thematic, and psychological dilemmas seen in his work following the achievements recorded in the Pisan Cantos. This play and Pound's version of the Trachiniae can lead to a reassessment of his entire oeuvre in the context of this century's history. It will be essential reading for admirers of Pound's poetry, for students of the art of translation, and for directors and actors interested in performing the drama of ancient Athens on the modern stage.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400887002
    Other identifier:
    Series: Princeton Legacy Library
    Subjects: PERFORMING ARTS / Theater / General
    Scope: 1 Online-Ressource
    Notes:

    Frontmatter -- -- CONTENTS -- -- INTRODUCTION -- -- A NOTE ON THE TEXT -- -- ELEKTRA -- -- DRAMATIS PERSONAE -- -- NOTES
  10. Microdramas
    crucibles for theater and time
    Author: Muse, John H.
    Published: 2017
    Publisher:  University of Michigan Press, Ann Arbor

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780472073634; 9780472053636
    RVK Categories: EC 7820
    Series: Theater: theory/text/performance
    Subjects: PERFORMING ARTS / Theater / General / bisacsh; LITERARY CRITICISM / Drama / bisacsh; One-act plays; One-act plays; Theater; PERFORMING ARTS / Theater / General; LITERARY CRITICISM / Drama; Einakter
    Scope: ix, 231 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  11. Adapturgy
    the dramaturg's art and theatrical adaptation
    Author: Barnette, Jane
    Published: [2018]; © 2018
    Publisher:  Southern Illinois University Press, Carbondale

    "Challenging the binary categories of "new play" and "production" dramaturgy, this book offers both a theoretical model for understanding adaptation for the stage and a practical guide for dramaturgs and others involved in the creation of theatrical... more

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    "Challenging the binary categories of "new play" and "production" dramaturgy, this book offers both a theoretical model for understanding adaptation for the stage and a practical guide for dramaturgs and others involved in the creation of theatrical adaptations"...

     
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  12. Much Ado About Nothing
    Author: Findlay, Alison
    Published: 2011
    Publisher:  Palgrave Macmillan, Basingstoke

    This Handbook provides an introductory guide to Much Ado About Nothing offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of... more

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    This Handbook provides an introductory guide to Much Ado About Nothing offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of film and TV adaptation, a wide sampling of critical opinion and further reading

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230343962
    RVK Categories: HI 3391
    Series: Shakespeare Handbooks
    Subjects: PERFORMING ARTS / Theater / General
    Other subjects: Shakespeare, William (1564-1616): Much ado about nothing
    Scope: 1 online resource (184 pages)
    Notes:

    Cover -- Contents -- General Editor's Preface -- Acknowledgements -- 1 The Text and Early Performances -- 2 Commentary -- 3 Intellectual and Cultural Contexts -- 4 Key Productions -- 5 The Play on Screen -- 6 Critical Assessment -- Further Reading -- Index
  13. Auto historial alegórico
    "El cetro de Josef"
    Author: Juana Inés
    Published: 2020
    Publisher:  Iberoamericana, Madrid ; Vervuert Verlagsgesellschaft, Frankfurt am Main

    "El cetro de Josef" es uno de los tres autos sacramentales que escribió sor Juana Inés de la Cruz y quizá el que mejor representa la técnica alegórica y simbólica, que arranca, en este caso, de la historia de José narrada en la Biblia, y que Calderón... more

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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    "El cetro de Josef" es uno de los tres autos sacramentales que escribió sor Juana Inés de la Cruz y quizá el que mejor representa la técnica alegórica y simbólica, que arranca, en este caso, de la historia de José narrada en la Biblia, y que Calderón había explorado ya en "Sueños hay que verdad son". La culminación de todo auto sacramental es lograr alguna metamorfosis situacional que dé auge a la Eucaristía, y sor Juana consigue aquí una transformación insólita. Basándose, según Méndez Plancarte, en Maimónides o más seguramente en una "midrash" medieval-renacentista, el "Libro de Jaser", la mutación final se produce cuando Josef se dirige con un cetro para despedirse de su moribundo padre Jacob. El gran patriarca besa el cetro de su hijo predilecto, que tendría «una torta de pan en la punta». Josef se convierte en una figura cristológica y Jacob logra salvarse porque declara «que muriendo en la fe, adoré el fastigio». Sor Juana se ciñe a una serie de episodios del Génesis que va alternando con los comentarios de Lucero (el Demonio) y sus acompañantes (Envidia, Inteligencia, Ciencia, Conjetura), en una disposición de numerosos y breves momentos dramáticos y narrativos, en los que historia sagrada, símbolo, visualidad teatral y dimensión didáctica se funden en una pieza que exhibe la característica multiplicidad de intereses intelectuales y poéticos de la monja novohispana

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Arellano, Ignacio (Publisher); Rice, Robin Ann (Publisher)
    Language: Spanish
    Media type: Ebook
    Format: Online
    ISBN: 9783964569806
    Other identifier:
    RVK Categories: IQ 15530 ; IQ 15531
    Series: Biblioteca Indiana ; 50
    Subjects: PERFORMING ARTS / Theater / General; Mexican literature; Spanish American literature
    Other subjects: Juana Inés de la Cruz (1651-1695): El cetro de José
    Scope: 1 Online-Ressource (154 Seiten)
  14. Shashibiya
    staging Shakespeare in China
    Author: Li, Ruru
    Published: ©2003
    Publisher:  Hong Kong University Press, Hong Kong

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789882202757; 9882202756
    Subjects: Literature; LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; PERFORMING ARTS / Theater / General; Literatur
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xi, 305 pages, [12] pages of plates)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 285-295) and index

    Shakespeare in China: between his first 'arrival' and the Cultural Revolution -- Orthodox presentations in Chinese eyes: Much ado about nothing (1957, revival: 1961 & 1979); Macbeth (1980) -- Rebels against the classics: Hamlet (1989, 1990 & 1994); Othello (1994) -- The Chinese faces of Shakespeare: blood-stained hands (Xie shou ji)/Macbeth (1986); Looking for trouble (Wushishengfei)/Much ado about nothing (1986); The prince's revenge (Wangzi fuchou ji)/Hamlet (1994) -- Keeping Shakespeare in the 'original sauce': Twelfth night (Di shi'er ye, 1986); Othello (Aosailuo, 1983, 1986 & 1987) -- Another dimension in intercultural Shakespeare: an English/Chinese Macbeth (1994); a Taiwan/mainland Shamlet (a parody on Hamlet, 1994) -- Old man Sha: dead or sleeping?

    Discussing the levels of filtering that any Shakespeare performance in China undergoes, this work examines how these filters reflect the continually changing political, social and cultural practices. The study also traces the history of Shakespeare performance in China over the last century
  15. The German Nachspiel in the eighteenth century
    Author: John, David Gethin
    Published: 1991
    Publisher:  University of Toronto Press, Toronto [Ont.]

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0802027717; 1282011596; 1442675306; 9780802027719; 9781282011595; 9781442675308
    Subjects: Théâtre / Allemagne / Histoire / 18e siècle; Prologues et épilogues; Théâtre allemand / 18e siècle; Comédie allemande / Histoire et critique; Duits; Letterkunde; Naspelen; Nachspiel (Literatur); LITERARY CRITICISM / European / German; PERFORMING ARTS / Theater / General; German drama; German drama (Comedy); Prologues and epilogues; Theater; Deutsch; Geschichte; Literatur; Theater; Prologues and epilogues; German drama; German drama (Comedy); Nachspiel <Literatur>; Deutsch
    Scope: 1 Online-Ressource (xii, 411 p.)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and indexes
  16. Art, vision, and nineteenth-century realist drama
    acts of seeing
    Author: Holzapfel, Amy
    Published: 2014
    Publisher:  New York, NY [u.a.], Rotledge

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780415821766; 9781138927728
    RVK Categories: EC 5177
    Edition: 1. publ.
    Series: Routledge advances in theatre and performance studies ; 32
    Subjects: European drama; Realism in literature; Vision in literature; PERFORMING ARTS / Theater / General; ART / Criticism & Theory; Visuelle Wahrnehmung; Kunst; Drama
    Other subjects: Ibsen, Henrik (1828-1906): Et dukkehjem; Zola, Émile (1840-1902): Thérèse Raquin; Strindberg, August (1849-1912): Fadren; Hauptmann, Gerhart (1862-1946): Vor Sonnenuntergang; Scribe, Eugène (1791-1861): Le verre d'eau
    Scope: XVI, 227 S., Ill.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke.

    Includes bibliographical references and index
  17. Theatre symposium, Vol. 5, Drama as rhetoric/rhetoric as drama : an explanation of dramatic and rhetorical criticism
    a journal of the Southeastern Theatre Conference.
    Published: ©1997
    Publisher:  Southeastern Theatre Conference and the University of Alabama Press, Tuscaloosa, AL

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585333726; 0817308873; 9780585333724
    Series: Theatre symposium (Tuscaloosa, Ala.) ; v. 5, 1997
    Subjects: PERFORMING ARTS / Theater / General; Theater; Toneel; Retorica; Rhetorik; Theater; Theater
    Scope: 1 Online-Ressource (143 pages)
  18. Theatre semiotics
    text and staging in modern theatre
    Author: Toro, Fernando de
    Published: c1995
    Publisher:  University of Toronto Press, Toronto, Ont.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1442682590; 9780802006349; 9781442682597
    RVK Categories: EC 4700 ; ER 735
    Series: Toronto studies in semiotics
    Subjects: Sémiotique et théâtre; Théâtre / Esthétique; Theaterwetenschap; Semiotiek; Theatersemiotik; LITERARY CRITICISM / Semiotics & Theory; Theater / Semiotics; PERFORMING ARTS / Theater / General; Theater; Moderne; Theatersemiotik
    Scope: 1 Online-Ressource (xvi, 201 p.)
    Notes:

    Translation of: Semiótica del teatro : del texto a la puesta en escena

    Includes bibliographical references

    Theatre discourse -- Text, dramatic text, performance text -- Theatre semiotics -- Theatre reception -- Towards an actantial model for theatre -- Theatre history and semiotics
  19. Pierrots on the Stage of Desire
    Nineteenth-Century French Literary Artists and the Comic Pantomime
    Author: Storey, Robert F.
    Published: [1985]
    Publisher:  Princeton University Press, Princeton, N.J.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400854820
    Other identifier:
    Subjects: Theater, Tanz; Pantomime / France; French literature / 19th century / History and criticism; Psychoanalysis and literature; Desire in literature; Comedy; PERFORMING ARTS / Theater / General; HISTORY / General; French literature; Pantomime; Französisch; Pantomime; Literatur
    Scope: 1 Online-Ressource (240p.)
    Notes:

    This book, a companion to the author's Pierrot: A Critical History of a Mask (Princeton, 1978), provides a detailed history of nineteenth-century French pantomime, from the feeries of Jean-Gaspard Deburau at the Theatre des Funambules to the cabaret entertainments of Georges Wague at the height of la Belle Epoque.Originally published in 1985.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  20. Enacting nationhood
    identity, ideology and the theatre, 1855 - 99
    Published: 2014
    Publisher:  Cambridge Scholars Press, Newcastle upon Tyne

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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  21. Theater as Problem
    Modern Drama and Its Place in Literature
    Author: Bennett, Benjamin
    Published: [2019]; © 1990
    Publisher:  Cornell University Press, Ithaca, NY

    Using examples ranging from nineteenth-century Viennese comedy to Friedrich Dürrenmatt's atomic-age theater, Benjamin Bennett explores what is at stake in the theory of drama; what sort of questioning makes up that theory; and in what direction such... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Using examples ranging from nineteenth-century Viennese comedy to Friedrich Dürrenmatt's atomic-age theater, Benjamin Bennett explores what is at stake in the theory of drama; what sort of questioning makes up that theory; and in what direction such questioning leads.Bennett takes as his starting point the inescapably literary nature of theater in the European tradition, theater in its most concrete dimensions: as an institution, as a tradition of ritual or stylized behavior, as a particular type of physical space, as an economic venture. He maintains that, precisely because of its radical categorical disjunction from the domain of the literary, theater in the European tradition has been appropriated as the principal vehicle by which literature repeatedly problematizes itself. Theater, he says, is "the church of literature." Although he is concerned with drama as a literary type, therefore, Bennett does not treat the theory of drama as part of the theory of literature. For the special relation of drama to literature calls into question the whole idea of literary theory as a stable discourse divisible into parts.Bennett considers plays by Nestroy, Schnitzler, Ibsen, Strindberg, Brecht, Ionesco, Genet, Pirandello, Artaud, and Dürrenmatt. He focuses on such theoretical issues as the idea of generic boundaries; the relation between drama and the culture of reading; the relevance between drama and the culture of reading; the relevance of hermeneutic and semiotic views of literature to drama; and the operation of fascism as a literary phenomenon. In conclusion, he frames a problem that his readings have brought to light: at least two separate historical accounts of modern drama are necessary-theories that imply each other, yet remain irreconcilable

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501745454
    Other identifier:
    Subjects: Literary Studies; Performing Arts & Drama; PERFORMING ARTS / Theater / General; Drama; Drama; Drama; Theater; Dramentheorie; Drama; Theater; Geschichte
    Scope: 1 online resource (296 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  22. Prophesying Tragedy
    Sign and Voice in Sophocles' Theban Plays
    Author: Bushnell, Rebecca Weld
    Published: [2019]; © 1988
    Publisher:  Cornell University Press, Ithaca, NY

    Prophesying Tragedy investigates the political and epistemological dimensions of the conflict between heroes and prophets in homer's Iliad and Sophocles' Theban plays, Antigone, Oedipus the King, and Oedipus at Colonus. Rebecca Weld Bushnell asserts... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Prophesying Tragedy investigates the political and epistemological dimensions of the conflict between heroes and prophets in homer's Iliad and Sophocles' Theban plays, Antigone, Oedipus the King, and Oedipus at Colonus. Rebecca Weld Bushnell asserts that an understanding of tragic fate, as represented in prophecy, can be achieved through an awareness of the historical relationship of tragedy to culture and politics, for the tragic hero's interpretation and defiance of prophecy both reflected and influenced the political abuse of oracles and omens

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501745584
    Other identifier:
    Subjects: Performing Arts & Drama; PERFORMING ARTS / Theater / General; Antigone (Greek mythology) in literature; Prophecies in literature; Tragedy; Thebanischer Sagenkreis; Schicksal; Weissagung; Prophetie; Tragödie
    Other subjects: Sophocles (ca. 497/496 v. Chr.-406 v. Chr.); Sophocles (ca. 497/496 v. Chr.-406 v. Chr.): Oedipus Coloneus; Sophocles (ca. 497/496 v. Chr.-406 v. Chr.): Oedipus tyrannus; Sophocles (ca. 497/496 v. Chr.-406 v. Chr.): Antigone
    Scope: 1 online resource (168 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  23. Freak performances
    dissidence in Latin American theater
    Author: Santana, Analola
    Published: 2018; © 2018
    Publisher:  University of Michigan Press, Ann Arbor

    "The figure of the freak as perceived by the Western gaze has always been a part of the Latin American imaginary, from the letters that Columbus wrote about his encounters with dog-faced people to Shakespeare's Caliban. The freak acquires greater... more

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    "The figure of the freak as perceived by the Western gaze has always been a part of the Latin American imaginary, from the letters that Columbus wrote about his encounters with dog-faced people to Shakespeare's Caliban. The freak acquires greater significance in a globalized, neoliberal world that defines the "abnormal" as one who does not conform mentally, physically, or emotionally and is unable or unwilling to follow the economic and cultural norms of the institutions in power. Freak Performances examines the continuing effects of colonialism on modern Latin American identities, with a particular focus on the way it has constructed the body of the other through performance. Theater questions the representations of these bodies, as it enables the empowerment of the silenced other; the freak as a spectacle of otherness finds in performance an opportunity for re-appropriation by artists resisting the dominant authority. Through an analysis of experimental theater, dance theater, performance art, and gallery-based installation art across eight countries, Analola Santana explores the theoretical issues shaped by the encounters and negotiations between different bodies in the current Latin American landscape"...

     
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  24. Theatre-fiction in Britain from Henry James to Doris Lessing
    writing in the wings
    Author: Wolfe, Graham
    Published: 2019
    Publisher:  Routledge, New York ; London

    This volume posits and explores an intermedial genre called theatre-fiction, understood in its broadest sense as referring to novels and stories that engage in concrete and sustained ways with theatre. Though theatre has made star appearances in... more

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    This volume posits and explores an intermedial genre called theatre-fiction, understood in its broadest sense as referring to novels and stories that engage in concrete and sustained ways with theatre. Though theatre has made star appearances in dozens of literary fictions, including many by modern history's most influential authors, no full-length study has dedicated itself specifically to theatre-fiction--in fact there has not even been a recognized name for the phenomenon. Focusing on Britain, where most of the world's theatre-novels have been produced, and commencing in the late-nineteenth century, when theatre increasingly took on major roles in novels, Theatre-Fiction in Britain argues for the benefits of considering these works in relation to each other, to a history of development, and to the theatre of their time. New modes of intermedial analysis are modelled through close studies of Henry James, Somerset Maugham, Virginia Woolf, J. B. Priestley, Ngaio Marsh, Angela Carter, and Doris Lessing, all of whom were deeply involved in the theatre-world as playwrights, directors, reviewers, and theorists. Drawing as much on theatre scholarship as on literary theory, Theatre-Fiction in Britain presents theatre-fiction as one of the past century's most vital means of exploring, reconsidering, and bringing forth theatre's potentials

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429318535
    RVK Categories: HG 260 ; HN 1274
    Series: Routledge studies in twentieth-century literature
    Subjects: Literatur; Theater <Motiv>; Englisch
    Other subjects: Theater / Great Britain / History; PERFORMING ARTS / Theater / General; LITERARY COLLECTIONS / General; LITERARY CRITICISM / General; Theater; Great Britain; History
    Scope: 1 Online-Ressource (ix, 204 Seiten)
  25. Lachen, huilen, bevrijden
    De weerspiegeling van de Surinaamse samenleving in het werk van het Doe-theater, 1970-1983
    Author: Ockhorst, Annika
    Published: 2012
    Publisher:  BRILL, Leiden

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: Dutch
    Media type: Ebook
    Format: Online
    ISBN: 9004249125; 9789004249127
    Series: Caribbean Series
    Subjects: Creole dialects, English / Suriname / Paramaribo / Morphology; PERFORMING ARTS / Theater / General; Theatrical companies; Theater; Theater; Gesellschaft <Motiv>
    Scope: 1 Online-Ressource (156 pages)
    Notes:

    Lachen, huilen, bevrijden; Copyright; Inhoudsopgave; Thuis in het theater; Inleiding; Het Doe-theater,1970-1983; Ontmoeting van twee creatieve geesten; De oprichting van het Doe-theater; De ambities van het Doe-theater; Onafhankelijkheid en overheidsdienst; Een zelfstandige doorstart; Professionalisering; De invloed van de coup; Het succes van het Doe-theater; Het begin van het Doe-theater,1970-1974; Van verbroedering naar polarisatie; Frrrek; Hare Lach; Land te koop; Onafhankelijkheid in zicht, 1974-1975; De onrustige weg naar onafhankelijkheid; Libi span ini na ati foe Sranan

    De onafhankelijkheidsstukkenFri Libi; De falende opbouw,1976-1980; De opbouw van een nieuw land; Anansi kontra Masra Bobo, Masra Babari, Misi Fes'koki, Misi Sabiman nanga Masra Konflaw; Lafoe a no sjen; Prisiri Stari; Na krakti foe Mama Sranan; Keskesi Sani; Ik hoor, ik zie, ik zwijg; Het Doe-theateren de militaire staatsgreep,1980-1983; Van ingreep tot revolutie; Ba Uzi; Stages; Rebirth; De heropening van Thalia; Linkse Lucie; Roy nanga den foefoeroeman; Beestachtig; Nawoord; Verklarende woordenlijst; Lijst met afkortingen; Index theaterteksten; Noten; Bibliografie

    Lachen, huilen, bevrijden beschrijft het reilen en zeilen van het Doe-theater tegen de achtergrond van een veelbewogen Surinaamse geschiedenis. Het portret dat zo ontstaat, is gebaseerd op het privéarchief van Thea Doelwijt, interviews met voormalige Doe-theaterleden en andere betrokkenen en Surinaamse en Nederlandse krantenartikelen