Contents: Wendy Everett: Mapping Colour: An Introduction to the Theories and Practices of Colour - Joshua Yumibe: Silent Cinema Colour Aesthetics - Raphaëlle Costa-de-Beauregard: From Screen to Flesh: The Language of Colour in The Belly of an Architect - Isabelle Vanderschelden: Digital Painting: Colour Treatment in the Cinema of Jean-Pierre Jeunet - Andrea Rinke: Sonnenallee - Rock’n’ Roll and Passport Control: How an East German Comedy Colours the Past - Wendy Everett: Colour as Space and Time: Alternative Visions in European Film - Laure Brost: On Seeing Red: The Figurative Movement of Film Colour - Ben McCann: ‘Bliss in Blueness’: Colour Strategies in the Films of Michael Mann - Richard Misek: ‘Last of the Kodak’: Andrei Tarkovsky’s Struggle with Colour - Hilaria Loyo: Blinding Blondes: Whiteness, Femininity, and Stardom - Liz Watkins: The (Dis)Articulation of Colour: Cinematography, Femininity, and Desire in Jane Campion’s In the Cut.
