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  1. Tainted souls and painted faces
    the rhetoric of fallenness in Victorian culture
    Published: 1993
    Publisher:  Cornell University Press, Ithaca

    Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy:... more

    Hochschulbibliothek der Fachhochschule Aachen
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    Hochschule Koblenz, Bibliothek RheinMoselCampus
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    Landesbibliothekszentrum Rheinland-Pfalz / Rheinische Landesbibliothek
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    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
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    Mid-Victorian conceptions of character, agency, and reform: social science and the "great social evil" -- "The taint the very tale conveyed": self-reading, suspicion, and falleness in Dickens -- Melodrama, morbidity, and unthinking sympathy: Gaskell's Mary Barton and Ruth -- Dramatic monologue in crisis: agency and exchange in G.G. Rossetti's "Jenny" -- Reproduced in finer motions: encouraging the fallen in Barrett Browning's Aurora Leigh -- Afterword: intersubjectivity and the politics of poststructuralism

     

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    Volltext (Kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801427817; 1501722670
    Other identifier:
    Series: Reading women writing
    Other subjects: Prostitutes in literature; Sex role in literature; English literature; Moral conditions in literature; Women and literature; Prostitution
    Scope: 1 Online-Ressource (x, 250 pages)
    Notes:

    Includes bibliographical references (pages 235-236) and index. - Use copy Restrictions unspecified star MiAaHDL.

  2. Literature, rhetoric and values
    selected proceedings of a conference held at the University of Waterloo, 3-5 June 2011
    Published: 2012
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne, UK

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443841757; 1443865060; 9781443841757; 9781443865067
    Corporations / Congresses:
    Literature, Rhetoric and Values Conference <2011, University of Waterloo> (Verfasser)
    Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Literary; Values in literature; Moral conditions in literature; Wert <Motiv>; Rhetorik; Literatur
    Scope: 1 online resource (xi, 261 pages)
    Notes:

    Description based on print version record

  3. Shakespeare and Renaissance ethics
    Contributor: Gray, Patrick (Publisher); Cox, John D. (Publisher)
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    Written by a distinguished international team of contributors, this volume explores Shakespeare's vivid depictions of moral deliberation and individual choice in light of Renaissance debates about ethics. Examining the intellectual context of... more

    Universitätsbibliothek Bamberg
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    Written by a distinguished international team of contributors, this volume explores Shakespeare's vivid depictions of moral deliberation and individual choice in light of Renaissance debates about ethics. Examining the intellectual context of Shakespeare's plays, the essays illuminate Shakespeare's engagement with the most pressing moral questions of his time, considering the competing claims of politics, Christian ethics and classical moral philosophy, as well as new perspectives on controversial topics such as conscience, prayer, revenge and suicide. Looking at Shakespeare's responses to emerging schools of thought such as Calvinism and Epicureanism, and assessing comparisons between Shakespeare and his French contemporary Montaigne, the collection addresses questions such as: when does laughter become cruel? How does style reflect moral perspective? Does shame lead to self-awareness? This book is of great interest to scholars and students of Shakespeare studies, Renaissance studies and the history of ethics

     

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    Source: Union catalogues
    Contributor: Gray, Patrick (Publisher); Cox, John D. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107786158
    Other identifier:
    RVK Categories: HI 3320 ; HI 3390
    Subjects: Geschichte; Moral conditions in literature; Ethics, Renaissance, in literature; Literature and morals / History / 16th century; Literature and morals / History / 17th century; Moral; Ethik
    Other subjects: Shakespeare, William / 1564-1616 / Ethics; Shakespeare, William (1564-1616)
    Scope: 1 online resource (x, 309 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction : rethinking Shakespeare and ethics / Patrick Gray and John D. Cox -- Fame, eternity, and Shakespeare's Romans / Gordon Braden -- Shakespeare and the ethics of laughter / Indira Ghose -- Aristotelian shame and Christian mortification in Love's Labour's Lost / Jane Kingsley-Smith -- Shakespeare's Virgil : empathy and The Tempest / Leah Whittington -- Shakespeare's prayers / John D. Cox -- The morality of milk : Shakespeare and the ethics of nursing / Beatrice Groves -- Hamlet the rough-hewer : moral agency and the consolations of Reformation thought / Russell M. Hillier -- "Wrying but a little"? : marriage, punishment, and forgiveness in Cymbeline / Robert S. Miola -- "HIDE THY SELFE" : Montaigne, Hamlet, and Epicurean ethics / Patrick Gray -- Conscience and the god-surrogate in Montaigne and Measure for Measure / William M. Hamlin -- Shakespeare, Montaigne, and classical reason / Peter Holbrook -- Madness, proverbial wisdom, and philosophy in King Lear / Peter Mack

  4. Commerce, morality and the eighteenth-century novel
    Author: Bellamy, Liz
    Published: 1998
    Publisher:  Cambridge University Press, Cambridge

    British culture underwent radical change in the eighteenth century with the emergence of new literary genres and new discourses of social analysis. As novelists developed new forms of fiction, writers of economic tracts and treatises sought a new... more

    Universitätsbibliothek Bamberg
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    British culture underwent radical change in the eighteenth century with the emergence of new literary genres and new discourses of social analysis. As novelists developed new forms of fiction, writers of economic tracts and treatises sought a new language and a conceptual framework to describe the modern commercial state. In Commerce, Morality and the Eighteenth-Century Novel, Liz Bellamy argues that the evolution of the novel in eighteenth-century Britain needs to be seen in the context of the discursive conflict between economics and more traditional systems of social analysis. In a series of fresh readings of a wide range of novels, Bellamy shows how the novel contributed to the debate over public and private virtues and had to negotiate between commercial and anti-commercial ethics. The resulting choices were crucial in determining the structure as well as the moral content of the novel

     

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  5. Moral authority, men of science, and the Victorian novel
    Author: DeWitt, Anne
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    Nineteenth-century men of science aligned scientific practice with moral excellence as part of an endeavor to secure cultural authority for their discipline. Anne DeWitt examines how novelists from Elizabeth Gaskell to H. G. Wells responded to this... more

    Universitätsbibliothek Bamberg
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    Nineteenth-century men of science aligned scientific practice with moral excellence as part of an endeavor to secure cultural authority for their discipline. Anne DeWitt examines how novelists from Elizabeth Gaskell to H. G. Wells responded to this alignment. Revising the widespread assumption that Victorian science and literature were part of one culture, she argues that the professionalization of science prompted novelists to deny that science offered widely accessible moral benefits. Instead, they represented the narrow aspirations of the professional as morally detrimental while they asserted that moral concerns were the novel's own domain of professional expertise. This book draws on works of natural theology, popular lectures, and debates from the pages of periodicals to delineate changes in the status of science and to show how both familiar and neglected works of Victorian fiction sought to redefine the relationship between science and the novel

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139566384
    Other identifier:
    RVK Categories: HL 1031 ; HL 1101 ; HL 1331
    Series: Cambridge studies in nineteenth-century literature and culture ; 84
    Subjects: Geschichte; English fiction / 19th century / History and criticism; Literature and science / Great Britain / History / 19th century; Literature and society / Great Britain / History / 19th century; Moral conditions in literature; Wissenschaft <Motiv>; Roman; Wissenschaftler <Motiv>; Englisch
    Scope: 1 online resource (ix, 273 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 24 Feb 2016)

    The religion of science from natural theology to scientific naturalism -- Moral uses, narrative effects: natural history in the novels of George Eliot and Elizabeth Gaskell -- "The actual sky is a horror": Thomas Hardy and the problems of scientific thinking -- "The moral influence of those cruelties": the vivisection debate, antivivisection fiction, and the status of Victorian science -- Science, aestheticism, and the literary career of H.G. Wells

  6. The politics of immorality in ancient Rome
    Published: 1993
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    This book addresses the question not how immoral the ancient Romans were but why the literature they produced is so preoccupied with immorality. The modern image of immoral Rome derives from ancient accounts which are largely critical rather than... more

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    This book addresses the question not how immoral the ancient Romans were but why the literature they produced is so preoccupied with immorality. The modern image of immoral Rome derives from ancient accounts which are largely critical rather than celebratory. Far from being empty commonplaces these accusations constituted a powerful discourse through which Romans negotiated conflicts and tensions in their social and political order. This study proceeds by a detailed examination of a wide range of ancient texts (all of which are translated), exploring the dynamics of their rhetoric, as well as the ends to which they were deployed. Roman moralising discourse, the author suggests, may be seen as especially concerned with the articulation of anxieties about gender, social status and political power. Individual chapters focus on adultery, effeminacy, the immorality of the Roman theatre, luxurious buildings and the dangers of pleasure

     

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9780511518553
    Other identifier:
    RVK Categories: FB 4068 ; FB 5875 ; NH 8500 ; NH 8575
    Subjects: Latin literature / History and criticism; Moral conditions in literature; Politics and literature / Rome; Literature and society / Rome; Ethics in literature; Sex in literature; Latein; Griechisch; Literatur; Amoral <Motiv>; Amoral; Antike
    Scope: 1 Online-Ressource (XI, 229 S.)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Erscheinungsjahr des E-Books: 2009

    Zugl.: Diss.

    1: A moral revolution? The law against adultery -- 2: Mollitia: reading the body -- 3: Playing Romans: representations of actors and the theatre -- 4: Structures of immorality: rhetoric, building and social hierarchy -- 5: Prodigal pleasures

  7. Hypocrisy and the politics of politeness
    manners and morals from Locke to Austen
    Published: 2004
    Publisher:  Cambridge University Press, Cambridge

    In Hypocrisy and the Politics of Politeness, Jenny Davidson considers the arguments that define hypocrisy as a moral and political virtue in its own right. She shows that these were arguments that thrived in the medium of eighteenth-century Britain's... more

    Universitätsbibliothek Bamberg
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    In Hypocrisy and the Politics of Politeness, Jenny Davidson considers the arguments that define hypocrisy as a moral and political virtue in its own right. She shows that these were arguments that thrived in the medium of eighteenth-century Britain's culture of politeness. In the debate about the balance between truthfulness and politeness, Davidson argues that eighteenth-century writers from Locke to Austen come down firmly on the side of politeness. This is the case even when it is associated with dissimulation or hypocrisy. These writers argue that the open profession of vice is far more dangerous for society than even the most glaring discrepancies between what people say in public and what they do in private. This book explores what happens when controversial arguments in favour of hypocrisy enter the mainstream, making it increasingly hard to tell the difference between hypocrisy and more obviously attractive qualities like modesty, self-control and tact

     

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  8. Sin sick
    moral injury in war and literature
    Published: [2021]; © 2021
    Publisher:  Cornell University Press, Ithaca, NY

    In Sin Sick, Joshua Pederson draws on the latest research about identifying and treating the pain of perpetration to advance and deploy a literary theory of moral injury that addresses fictional representations of the mental anguish of those who have... more

    Technische Hochschule Augsburg
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    In Sin Sick, Joshua Pederson draws on the latest research about identifying and treating the pain of perpetration to advance and deploy a literary theory of moral injury that addresses fictional representations of the mental anguish of those who have injured or killed others. Pederson's work foregrounds the concept of moral injury, a recent psychological concept distinct from trauma that is used to describe the psychic wounds suffered by those who breach their own deeply held ethical principles.Complementing writings on trauma theory that posit the textual manifestation of trauma as absence, Sin Sick draws argues that moral injury appears in literature in a variety of forms of excess. Pederson closely reads works by Dostoevsky (Crime and Punishment), Camus (The Fall), and veterans of the wars in Iraq and Afghanistan (Brian Turner's Here, Bullet; Kevin Powers' The Yellow Birds; Phil Klay's Redeployment; and Roy Scranton's War Porn), contending that recognizing and understanding the suffering of perpetrators, without condoning their crimes, enriches the experience of reading-and of being human

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501755897
    Other identifier:
    RVK Categories: EC 5410 ; CC 7250
    Subjects: Literary Studies; Philosophy; Psychology & Psychiatry; PHILOSOPHY / Ethics & Moral Philosophy; Moral conditions in literature; Psychic trauma in literature; War in literature
    Scope: 1 Online-Ressource (x, 190 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)

  9. Fatal Autonomy
    Romantic Drama and the Rhetoric of Agency
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language and politics as it is depicted in Romantic drama.'-Julie Carlson, University of California, Santa BarbaraDescribing an enduring moral puzzle and explaining how it helped to shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an individual's actions and failures to act, William Jewett argues; that is why the stubborn belief in such a relationship gives rise to tragedy.Jewett maintains that tragic drama forces its readers and viewers to confront the ways in which the use of language grants agency. The Romantic poets saw a moral challenge in that confrontation and followed its generic implications toward a new kind of poetry. Fatal Autonomy thus looks to Romantic drama to explain how Romantic poetry came to hold a permanent grip on conceptions of moral life. Tracing the source of major strains in British Romanticism to a politically charged body of dramatic poems, Jewett focuses on two historical moments: 1794-97, which he describes as the political turning point in the careers of William Wordsworth and Samuel Taylor Coleridge, and 1819-22, the years in which he believes Percy Bysshe Shelley and Lord Byron wrote their best poetry

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744525
    Other identifier:
    Subjects: Performing Arts & Drama; DRAMA / General; Agent (Philosophy) in literature; Autonomy (Psychology) in literature; English drama (Tragedy); English drama; Moral conditions in literature; Political plays, English; Romanticism; Self in literature; Verse drama, English; Englisch; Politisches Handeln; Drama
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019)

  10. Coleridge the Moralist
    Published: [2019]; © 1977
    Publisher:  Cornell University Press, Ithaca, NY

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744181
    Other identifier:
    Subjects: Musical Arts & Ethnomusicology; BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians; Didactic poetry, English; Ethics in literature; Moral conditions in literature; Ethik; Ethos; Religion
    Other subjects: Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 online resource (272 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)

  11. Walking the Victorian streets
    women, representation, and the city
    Published: 1995; © 1995
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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  12. Sin Sick
    Moral Injury in War and Literature
    Published: [2021]; ©2021
    Publisher:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    In Sin Sick, Joshua Pederson draws on the latest research about identifying and treating the pain of perpetration to advance and deploy a literary theory of moral injury that addresses fictional representations of the mental anguish of those who have... more

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    In Sin Sick, Joshua Pederson draws on the latest research about identifying and treating the pain of perpetration to advance and deploy a literary theory of moral injury that addresses fictional representations of the mental anguish of those who have injured or killed others. Pederson's work foregrounds the concept of moral injury, a recent psychological concept distinct from trauma that is used to describe the psychic wounds suffered by those who breach their own deeply held ethical principles.Complementing writings on trauma theory that posit the textual manifestation of trauma as absence, Sin Sick draws argues that moral injury appears in literature in a variety of forms of excess. Pederson closely reads works by Dostoevsky (Crime and Punishment), Camus (The Fall), and veterans of the wars in Iraq and Afghanistan (Brian Turner's Here, Bullet; Kevin Powers' The Yellow Birds; Phil Klay's Redeployment; and Roy Scranton's War Porn), contending that recognizing and understanding the suffering of perpetrators, without condoning their crimes, enriches the experience of reading—and of being human.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501755897
    Other identifier:
    Subjects: Literaturtheorie; Literatur; Krieg; Trauma; Moral; Moral conditions in literature; Psychic trauma in literature; War in literature; Literary Studies; Philosophy; Psychology & Psychiatry; PHILOSOPHY / Ethics & Moral Philosophy
    Other subjects: trauma theory, camus, dostoevsky, psychology in literature, mental illness, literary theory, breaking moral codes
    Scope: 1 Online-Ressource (204 p.), 1 chart
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)

  13. Sin sick
    moral injury in war and literature
    Published: 2021
    Publisher:  Cornell University Press, Ithaca ; Oxford University Press, Oxford

    Joshua Pederson draws on the latest research about identifying and treating the pain of perpetration to advance and deploy a literary theory of moral injury that addresses fictional representations of the mental anguish of those who have injured or... more

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Joshua Pederson draws on the latest research about identifying and treating the pain of perpetration to advance and deploy a literary theory of moral injury that addresses fictional representations of the mental anguish of those who have injured or killed others. Pederson's work foregrounds moral injury, a recent psychological concept distinct from trauma that is used to describe the psychic wounds suffered by those who breach their own deeply held ethical principles.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501755897
    Other identifier:
    Series: Cornell scholarship online
    Subjects: Literaturtheorie; Literatur; Krieg; Trauma; Moral; Moral injuries in literature; Psychic trauma in literature; Moral conditions in literature; War in literature
    Scope: 1 Online-Ressource (x, 190 pages), Illustrations (black and white).
    Notes:

    Also issued in print: 2021

    Includes bibliographical references and index

  14. Coleridge the Moralist
    Published: [2019]
    Publisher:  Cornell University Press, Ithaca, NY

    Frontmatter -- Contents -- Acknowledgments -- Abbreviations Used in Notes -- Introduction -- 1. Freedom and Alienation -- 2. The Problem of Duty -- 3. The Evolution of the Self -- 4. Coleridge and the British Moral Traditioji -- 5. Theory and... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Frontmatter -- Contents -- Acknowledgments -- Abbreviations Used in Notes -- Introduction -- 1. Freedom and Alienation -- 2. The Problem of Duty -- 3. The Evolution of the Self -- 4. Coleridge and the British Moral Traditioji -- 5. Theory and Contexts -- Appendix: A Note on Coleridge's Vlagiarisms -- Index

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744181
    Other identifier:
    Subjects: Didactic poetry, English; Ethics in literature; Moral conditions in literature; BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians
    Scope: 1 Online-Ressource (272 p)
    Notes:

    restricted access online access with authorization star

  15. Fatal Autonomy
    Romantic Drama and the Rhetoric of Agency
    Published: [2019]
    Publisher:  Cornell University Press, Ithaca, NY

    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language and politics as it is depicted in Romantic drama.'-Julie Carlson, University of California, Santa BarbaraDescribing an enduring moral puzzle and explaining how it helped to shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an individual's actions and failures to act, William Jewett argues; that is why the stubborn belief in such a relationship gives rise to tragedy.Jewett maintains that tragic drama forces its readers and viewers to confront the ways in which the use of language grants agency. The Romantic poets saw a moral challenge in that confrontation and followed its generic implications toward a new kind of poetry. Fatal Autonomy thus looks to Romantic drama to explain how Romantic poetry came to hold a permanent grip on conceptions of moral life. Tracing the source of major strains in British Romanticism to a politically charged body of dramatic poems, Jewett focuses on two historical moments: 1794-97, which he describes as the political turning point in the careers of William Wordsworth and Samuel Taylor Coleridge, and 1819-22, the years in which he believes Percy Bysshe Shelley and Lord Byron wrote their best poetry Frontmatter -- Contents -- Preface -- Introduction -- Part One. Tragic Agents And The Origins Of Romanticism, 1794-1797 -- 1. The Sublime Machine Of History: The Fall Of Robespierre And Wat Tyler -- 2. The Claim Of Compulsion: The Borderers -- 3. Fancy And The Spell Of Enlightenment: Osorio -- Part Two. Shelley, Byron, And The Body Politic, 1819-1822 -- 4. Performing Skepticism: The Cenci -- 5. Fatal Autonomy: Marino Faliero -- 6. History's Lethean Song: Charles The First And The Triumph Of Life -- Index

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744525
    Other identifier:
    Subjects: Verse drama, English; Romanticism; Political plays, English; Moral conditions in literature; Agent (Philosophy) in literature; Autonomy (Psychology) in literature; English drama (Tragedy); English drama; Self in literature; DRAMA / General
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    restricted access online access with authorization star

  16. Walking the Victorian Streets
    Women, Representation, and the City
    Published: [2018]
    Publisher:  Cornell University Press, Ithaca, NY

    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction: Rambling in the Nineteenth Century -- PART ONE. STROLLER INTO NOVELIST -- CHAPTER ONE. The City as Theater: London in the 1820s -- CHAPTER TWO. Sketches by Boz: The... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction: Rambling in the Nineteenth Century -- PART ONE. STROLLER INTO NOVELIST -- CHAPTER ONE. The City as Theater: London in the 1820s -- CHAPTER TWO. Sketches by Boz: The Middle-Class City and the Quarantine of Urban Suffering -- CHAPTER THREE. "Vitiated Air": The Polluted City and Female Sexuality in Dombey and Son and Bleak House -- PART TWO. FALLEN WOMEN -- CHAPTER FOUR. The Female Pariah: Flora Tristan's London Promenades -- CHAPTER FIVE. Elbowed in the Streets: Exposure and Authority in Elizabeth Gaskell's Urban Fictions -- PART THREE. NEW WOMEN -- CHAPTER SIX. "Neither Pairs Nor Odd": Women, Urban Community, and Writing in the 188os -- CHAPTER SEVEN. The Female Social Investigator: Matemalism, Feminism, and Women's Work -- Conclusion: Esther Summerson's Veil -- Bibliography -- Index Literary traditions of urban description in the nineteenth century revolve around the figure of the stroller, a man who navigates and observes the city streets with impunity. Whether the stroller appears as fictional character, literary persona, or the nameless, omnipresent narrator of panoramic fiction, he casts the woman of the streets in a distinctive role. She functions at times as a double for the walker's marginal and alienated self and at others as connector and contaminant, carrier of the literal and symbolic diseases of modern urban life. In Walking the Victorian Streets, Deborah Epstein Nord explores the way in which the female figure is used as a marker for social suffering, poverty, and contagion in texts by De Quincey, Lamb, Pierce Egan, and Dickens.What, then, of the female walker and urban chronicler? While the male spectator enjoyed the ability to see without being seen, the female stroller struggled to transcend her role as urban spectacle and her association with sexual transgression. In novels, nonfiction, and poetry by Elizabeth Gaskell1 Flora Tristan, Margaret Harkness, Amy Levy, Maud Pember Reeves, Beatrice Webb, Helen Bosanquet, and others, Nord locates the tensions felt by the female spectator conscious of herself as both observer and observed. Finally, Walking the Victorian Streets considers the legacy of urban rambling and the uses of incognito in twentieth-century texts by George Orwell and Virginia Woolf

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501729232
    Other identifier:
    Subjects: Marginality, Social, in literature; Moral conditions in literature; Mimesis in literature; Sex role in literature; Women and literature; City and town life in literature; English fiction; Feminism and literature; Social problems in literature; Prostitutes in literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource (284 p), 18 halftones
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    restricted access online access with authorization star

  17. Hypocrisy and the politics of politeness
    manners and morals from Locke to Austen
    Published: 2004
    Publisher:  Cambridge University Press, Cambridge, UK

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511193998; 0521835232
    Subjects: Geschichte; English literature; Courtesy in literature; Literature and society; Moral conditions in literature; Etiquette in literature; Hypocrisy in literature; Ethics in literature; Englisch; Ethik <Motiv>; Höflichkeit <Motiv>; Literatur
    Other subjects: Austen, Jane (1775-1817); Locke, John (1632-1704)
    Scope: x, 242 p
    Notes:

    Includes bibliographical references (p. 213-229) and index

  18. Mayhem and murder
    narrative and moral problems in the detective story
    Published: 1999; © 1999
    Publisher:  University of Toronto Press, Toronto, [Ontario] ; Buffalo, [New York] ; London, [England]

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442677128
    Subjects: Detective and mystery stories, American; Detective and mystery stories, English; Popular literature; Didactic fiction; Moral conditions in literature; Good and evil in literature; Literature and morals; Ethics in literature; Narration (Rhetoric)
    Scope: 1 online resource (347 pages)
    Notes:

    Description based on print version record

  19. Fatal Autonomy
    Romantic Drama and the Rhetoric of Agency
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language and politics as it is depicted in Romantic drama.'-Julie Carlson, University of California, Santa BarbaraDescribing an enduring moral puzzle and explaining how it helped to shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an individual's actions and failures to act, William Jewett argues; that is why the stubborn belief in such a relationship gives rise to tragedy.Jewett maintains that tragic drama forces its readers and viewers to confront the ways in which the use of language grants agency. The Romantic poets saw a moral challenge in that confrontation and followed its generic implications toward a new kind of poetry. Fatal Autonomy thus looks to Romantic drama to explain how Romantic poetry came to hold a permanent grip on conceptions of moral life. Tracing the source of major strains in British Romanticism to a politically charged body of dramatic poems, Jewett focuses on two historical moments: 1794-97, which he describes as the political turning point in the careers of William Wordsworth and Samuel Taylor Coleridge, and 1819-22, the years in which he believes Percy Bysshe Shelley and Lord Byron wrote their best poetry

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744525
    Other identifier:
    Subjects: Performing Arts & Drama; DRAMA / General; Agent (Philosophy) in literature; Autonomy (Psychology) in literature; English drama (Tragedy); English drama; Moral conditions in literature; Political plays, English; Romanticism; Self in literature; Verse drama, English; Englisch; Politisches Handeln; Drama
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019)

  20. The moral art of Dickens
    essays
    Published: 1985, ©1970
    Publisher:  Athlone Press, London

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780567620309; 0567620301; 0485112744; 9780485112740
    Subjects: Dickens, Charles; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Didactic fiction, English; Ethics; Ethics in literature; Moral conditions in literature; Didactic fiction, English; Moral conditions in literature; Ethics in literature; Ethik; Ethos; Roman
    Other subjects: Dickens, Charles / 1812-1870; Dickens, Charles (1812-1870); Dickens, Charles (1812-1870)
    Scope: 1 Online-Ressource (xiii, 155 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

  21. Eating America
    crisis, sustenance, sustainability
    Contributor: Kociatkiewicz, Justyna (Publisher); Suchostawska, Laura (Publisher); Ferens, Dominika (Publisher)
    Published: 2015; © 2015
    Publisher:  Peter Lang Edition, Frankfurt am Main, [Germany]

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    Contributor: Kociatkiewicz, Justyna (Publisher); Suchostawska, Laura (Publisher); Ferens, Dominika (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783631646625; 9783653041538
    Series: Gdańsk Transatlantic Studies in British and North American Culture ; Volume 7
    Subjects: American literature; Food in literature; Crisis in literature; Consumption (Economics) in literature; Moral conditions in literature; Food habits; Literatur; Krise <Motiv>; Nahrungsaufnahme <Motiv>
    Scope: 1 online resource (308 pages)
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    Description based on print version record

  22. Walking the Victorian streets
    women, representation, and the city
    Published: 1995; © 1995
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Volltext (URL des Erstveröffentlichers)
  23. Coleridge the Moralist
    Published: [2019]; © 1977
    Publisher:  Cornell University Press, Ithaca, NY

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744181
    Other identifier:
    Subjects: Musical Arts & Ethnomusicology; BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians; Didactic poetry, English; Ethics in literature; Moral conditions in literature; Ethik; Ethos; Religion
    Other subjects: Coleridge, Samuel Taylor (1772-1834)
    Scope: 1 online resource (272 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)

  24. Jane Austen's philosophy of the virtues
    Published: c2005
    Publisher:  Palgrave Macmillan, New York

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 140397828X; 1403969663
    Subjects: Geschichte; Women and literature; Didactic fiction, English; Moral conditions in literature; Virtues in literature; Ethics in literature; Virtue in literature; Tugend <Motiv>; Roman
    Other subjects: Austen, Jane (1775-1817); Austen, Jane (1775-1817)
    Scope: xi, 202 p
    Notes:

    Includes bibliographical references and index

    References to Jane Austen's works -- Introduction : how should I live my life? -- Ch. 1. The virtues according to Aristotle, Aquinas, and Austen -- Ch. 2. Propriety's claims on prudence in Lady Susan and Northanger Abbey -- Ch. 3. Sense and sensibility : "know your own happiness" -- Ch. 4. Pride and prejudice and the beauty of justice -- Ch. 5. Fanny price and the contemplative life -- Ch. 6. Learning the art of charity in Emma -- Ch. 7. Balancing the virtues in persuasion -- Conclusion : after Austen

  25. From the way to wealth to the gospel of wealth
    the transformation in the concept of success in American literature from Benjamin Franklin to Theodore Dreiser
    Published: c2012
    Publisher:  Academica Press, Bethesda, Md.

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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