Results for *

Displaying results 1 to 25 of 30.

  1. Monstrosity
    the human monster in visual culture
    Published: 2019
    Publisher:  I.B. Tauris, London, England ; Bloomsbury Publishing, [London, England]

    Hochschulbibliothek der Fachhochschule Aachen
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der RWTH Aachen
    Unlimited inter-library loan, copies and loan
    Fachhochschule Bielefeld, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bielefeld
    Unlimited inter-library loan, copies and loan
    Hochschule Bochum, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Ruhr-Universität Bochum, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan
    Fachhochschule Dortmund, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Dortmund
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Düsseldorf
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Duisburg-Essen
    Unlimited inter-library loan, copies and loan
    Fachhochschule Südwestfalen, Elektronische Ressourcen
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der Fernuniversität
    Unlimited inter-library loan, copies and loan
    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Köln, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Unlimited inter-library loan, copies and loan
    Zentralbibliothek der Sportwissenschaften der Deutschen Sporthochschule Köln
    Unlimited inter-library loan, copies and loan
    Hochschule Niederrhein, Bibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Ruhr West, Hochschulbibliothek, Zweigbibliothek Bottrop
    Unlimited inter-library loan, copies and loan
    Hochschule Ruhr West, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Münster
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Paderborn
    Unlimited inter-library loan, copies and loan
    Hochschul- und Kreisbibliothek Bonn-Rhein-Sieg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Siegen
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Wuppertal
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780755603503
    Other identifier:
    Edition: First edition
    Other subjects: Abnormalities, Human / Social aspects; Identity (Philosophical concept); Monsters in art; Monsters / Social aspects; Other (Philosophy); Social comparison; Art styles not defined by date; Electronic books
    Scope: 1 online resource (224 pages)
    Notes:

    Includes bibliographical references (pages 193-208) and index

    Also available in print

  2. Monstrosity
    the human monster in visual culture
    Published: 2019
    Publisher:  I.B. Tauris, London, England ; Bloomsbury Publishing, [London, England]

    From the 'Monster of Ravenna' to the 'Elephant Man', Myra Hindley and Ted Bundy, the visualisation of 'real', human monsters has always played a part in how society sees itself. But what is the function of a monster? Why do we need to embody and... more

    Access:
    Resolving-System (lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    From the 'Monster of Ravenna' to the 'Elephant Man', Myra Hindley and Ted Bundy, the visualisation of 'real', human monsters has always played a part in how society sees itself. But what is the function of a monster? Why do we need to embody and represent what is monstrous? This book investigates the appearance of the human monster in Western culture, both historically and in our contemporary society. It argues that images of real (rather than fictional) human monsters help us both to identify and to interrogate what constitutes normality; we construct what is acceptable in humanity by depicting what is not quite acceptable Illustrations; Acknowledgements; Introduction; 1. Monstrous strangers at the edge of the world -- 2. Blurring the boundaries of nature and culture -- 3. Bodies and the order of society -- 4. Monsters in proximity -- 5. A monstrous subject -- 6. Monstrous images of evil -- 7. Modern monsters and the image of normality -- Afterword.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0857722409; 0857733354; 1299730485; 1780763352; 1780763360; 9780755603503; 9781299730489; 9780857733351; 9781780763354; 9781780763361; 9780857722409
    Other identifier:
    Edition: First edition
    Subjects: Monsters in art; Social comparison; Identity (Philosophical concept); Monsters; Abnormalities, Human; Other (Philosophy); Art styles not defined by date
    Scope: 1 Online-Ressource (224 pages)
    Notes:

    Includes bibliographical references (pages 193-208) and index

    Also available in print.

  3. Monsters and the monstrous
    myths and metaphors of enduring evil
    Published: 2007
    Publisher:  Rodopi, Amsterdam

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1435612051; 9042022531; 9401204810; 9781435612051; 9789042022539; 9789401204811
    RVK Categories: AP 50300 ; EC 5410 ; LC 32000 ; LC 33000
    Series: At the interfaces, probing the boundaries ; 38
    Subjects: Social Science; SOCIAL SCIENCE / Folklore & Mythology; Ungeheuer; Animals, Mythical; Monsters; Monsters in art; Monsters in literature; Monsters in mass media; Monsters in motion pictures; Monsters; Monsters in literature; Monsters in mass media; Monsters in art; Monsters in motion pictures; Animals, Mythical; Ungeheuer
    Scope: 1 Online-Ressource (228 pages)
    Notes:

    Includes bibliographical references and filmography (page 147)

    Monstrous origins : histories from the deep and transformed humans (where ever they come from, they keep coming) -- "Monster sewers" : experiencing London's main drainage system / Pual Dobraszczyk -- Ontological anxiety made flesh : the zombie in literature, film and culture / Kevin Alexander Boon -- The zombie as barometer of cultural anxiety / Peter Dendle -- The monster and the political (once they get into politics you can't get rid of them) -- Dracula as ethnic conflict : the technologies of "humanitarian intervention" in the Balkans during the 1999 NATO bombing of Serbia and Kosovo / Neda Atanasoski -- Kultur-terror : the composite monster in Nazi visual propaganda / Kristen Williams Backer -- The anarchist as monster in fin-de-siècle Europe / Elun Gabriel -- Familial monsters (maybe some of them are regular folk like you and me) -- Family, race, and citizenship in Disney's Lilo and Stitch / Emily Cheng -- The enemy within : the child as terrorist in the contemporary American horror fillm / Colette Balmain -- 'Monstrous mothers' and the media / Nicola Goc -- Of monsters, masturbators and markets : autoerotic desire, sexual exchange and the cinematic serial killer / Greg Tuck -- Miscellaneous monsters (they can be evil, male, female, but most importantly beware, they can be cute.) -- Nobody's meat : freedom through monstrosity in contemporary British fiction / Ben Barootes -- God hates us all : Kant, radical evil and the diabolical monstrous human in heavy metal / Niall Scott -- Monstrous/cute : notes on the ambivalent nature of cuteness / Maja Brzozowska-Brywczyńska

    Emerging from depths comes a series of papers dealing with one of the most significant creations that reflects on and critiques human existence. Both a warning and a demonstration, the monster as myth and metaphor provides an articulation of human imagination that toys with the permissible and impermissible. Monsters from zombies to cuddly cartoon characters, emerging from sewers, from pages of literature, propaganda posters, movies and heavy metal, all are covered in this challenging, scholarly collection. This volume the third in the series presents a marvellous collection of studies on the metaphor of the monster in literature, cinema, music, culture, philosophy, history and politics. Both historical reflection and concerns of our time are addressed with clarity and written in an accessible manner providing appeal for the scholar and lay reader alike. This eclectic collection will be of interest to academics and students working in a range of disciplines, such as cultural studies, film studies, political theory, philosophy and literature studies

  4. Portraits of human monsters in the Renaissance
    dwarves, hirsutes, and castrati as idealized anatomical anomalies
    Published: [2018]
    Publisher:  Medieval Institute Publications, Western Michigan University, Kalamazoo

    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781580442763
    RVK Categories: LH 70350
    Series: Monsters, prodigies, and demons - medieval and early modern constructions of alterity
    Subjects: People with disabilities in art; Abnormalities, Human, in art; Monsters in art; Courts and courtiers in art; Portraits, Renaissance; Behinderung <Motiv>; Kunst; Minderwuchs <Motiv>; Missbildung <Motiv>
    Other subjects: Bronzino, Agnolo (1503-1572): Hofzwerg
    Scope: 1 Online-Ressource, Illustrationen, Porträts
    Notes:

    Includes bibliographical references and index

  5. Monsters and their meanings in early modern culture
    mighty magic
    Published: 2011
    Publisher:  Oxford University Press, Oxford

    Wes Williams explores the place of monsters in the early modern imagination, charting the migration of the monstrous from natural history to moral philosophy, from descriptions of creatures found in the external world to the drama of human... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Wes Williams explores the place of monsters in the early modern imagination, charting the migration of the monstrous from natural history to moral philosophy, from descriptions of creatures found in the external world to the drama of human motivation, of sexual and political identity.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191728662
    Other identifier:
    Subjects: French literature; French literature; Monsters in literature; European literature; European literature; Science; Science; Art, European; Art, European; Monsters in art
    Scope: 1 online resource (xv, 344 p.), ill.
    Notes:

    Includes bibliographical references and index. - Description based on print version record

  6. Monster im Mittelalter
    die phantastische Welt der Wundervölker und Fabelwesen
    Published: 2015
    Publisher:  Böhlau, Köln

    Wissenschaftliche, aber verständliche Darstellung der "Wundervölker" im Mittelalter, die als "wunderliche", "monströse" menschliche und menschenähnliche Wesen mit körperlichen oder sonstigen Abweichungen in fremden Gebieten definiert werden.... more

    Access:
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan

     

    Wissenschaftliche, aber verständliche Darstellung der "Wundervölker" im Mittelalter, die als "wunderliche", "monströse" menschliche und menschenähnliche Wesen mit körperlichen oder sonstigen Abweichungen in fremden Gebieten definiert werden. Rezension (ekz): Der Untertitel weist darauf hin, dass es hier vor allem um "Wundervölker" geht: "wunderliche", "monströse" menschliche oder menschenähnliche Wesen mit körperlichen oder sonstigen Abweichungen in fernen, fremden Gebieten; sie gehören aber zur Vielfalt der Schöpfung. Es geht also nicht um singuläre und gar übernatürliche, gefährliche Wesen wie Dämonen. Der Bonner Professor (zum mittelalterlichen Weltbild schon) beschreibt den Platz dieser "Monster" in der Welt des Mittelalters, die zeitgemäe︢n Erklärungen für ihre Herkunft, die Ursachen für den Glauben an diese Wesen und schlägt schliesslich den Bogen zu "Wundervölkern" in der frühen Neuzeit bis in die Gegenwart (Stichwort: "Science-Fiction"). Ein 79-seitiges Lexikon dieser Wesen beschliesst den Band, der mit ca. 150 Abbildungen gut illustriert ist. Über 40 Seiten Anmerkungen, Quellen- und Literaturverzeichnis. Die wissenschaftliche, aber verständliche Arbeit öffnet den Blick für eine besondere mittelalterliche Spezies jenseits der üblichen Monster- und Dämonengestalten und ist für eine entsprechend interessierte Leserschaft von Gewinn. (3)

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    RVK Categories: EC 5410 ; LC 33000 ; EC 5127 ; NM 1400
    DDC Categories: 940#DNB
    Subjects: Monsters; Abnormalities, Human; Monsters in art; Monsters in literature
    Scope: 1 Online-Ressource (345 Seiten), Illustrationen, Karten
    Notes:

    Literaturverzeichnis Seite 311-333

    Die Zeitlosen Monster : Wundervölker und Fabelrassen von der Antike bis zur Gegenwart -- Monster allerorten -- Monster im Mittelalter -- Die Lange Geschichte der Monster in der Europäischen Kultur -- Antike Monster -- Der Durchbruch zu universeller Bekanntheit : die Fabelrassen bei Plinius -- Die Popularisierung der Wundervölker durch Solinus -- Die Alexanderdichtung -- Was sahen die antiken Autoren in den Monstern? -- Monster im Mittelalter -- Wundervölker und christliche Theologie -- Naturkunde und Monster -- Wissenssammlungen bis zur Frühen Neuzeit -- Die Monster und die Welt im Mittelalter -- Die Erde im Mittelalter -- Die drei Kontinente und die Weltkarten -- Die Monster und der vierte Kontinent -- Arten der Wunderwesen -- Kriterien der Wunderlichkeit -- Was ist ein menschlicher Körper und was ein monströser? -- Diäten als Ausgrenzungskriterium -- Sexualphantasien als Mittel der Ausgrenzung -- Gegenwelten und Sozialutopien -- Exotische Wohnorte -- Die Sprachlosigkeit der Monster -- Sonderformen der Monster -- Halbwesen der antiken Mythologie -- Drolerien, Grillen und Chimären -- Die Wilden Menschen -- Monstra Marina : die Meerwunder -- Animalische Meermonster -- Männliche menschliche Meermonster -- Meerfrauen, Meerfeen und Sirenen -- Mittelalterliche Erklärungen für Ursachen und Bedeutungen der Monster -- Die Frage nach der Menschlichkeit der Wundervölker -- Woher kamen die Monster nach mittelalterlicher Ansicht? -- Die menschlichen Monster als kollektive Missgeburten -- Die Fabelrassen als verfluchtes Geschlecht -- Medizinisch-genetische Erklärungen von Wundervölkern und Missgeburten -- Deutungen und Bedeutungen der monströsen Menschen im Mittelalter -- Warum Glaubte Man im Mittelalter an Monströse Wesen? -- Ethnologische Aspekte -- Medizinische Aspekte -- Mythologische Aspekte -- Monster in der Neuzeit -- Die Wundervölker in der Frühen Neuzeit -- Die literarischen Wunderwesen der Neuzeit : von der Utopie zur Science Fiction -- Lexikon der Menschlichen Monster im Mittelalter -- Anmerkungen -- Antike und Mittelalterliche Quellen für die Monster -- Literatur -- Abbildungsverzeichnis -- Dank.

  7. Monstrosity, Disability, and the Posthuman in the Medieval and Early Modern World
    Published: 2019
    Publisher:  Springer International Publishing AG, Cham ; ProQuest, Ann Arbor, Michigan

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Mittman, Asa Simon
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030254582
    Series: The New Middle Ages Ser.
    Subjects: Literatur; Kunst; Behinderung <Motiv>; Ungeheuer; Literature, Modern-15th and 16th centuries-History and criticism; Literature, Medieval-History and criticism; Art, Renaissance-Themes, motives; Art, Medieval-Themes, motives; People with disabilities in literature; People with disabilities in art; Disabilities in literature; Monsters in literature; Monsters in art
    Scope: 1 Online-Ressource (364 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  8. Ornament and monstrosity in early modern art
    Contributor: Hammeken, Chris Askholt (Publisher); Hansen, Maria Fabricius (Publisher)
    Published: [2019]; © 2019
    Publisher:  Amsterdam University Press, Amsterdam

    Early modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Hochschule Coburg, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Unlimited inter-library loan, copies and loan
    Deutsches Forum für Kunstgeschichte, Bibliothek
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    Early modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often include layers of disquieting paradoxes, creating tensions - monstrosities even - that manifest themselves in a variety of ways. In some cases, dichotomies (between order and chaos, artificiality and nature, rational logic and imaginative creativity, etc.) may emerge. Elsewhere, a sense of agitation undermines structures of statuesque control or erupts into wild, unruly displays of constant genesis. The monstrosity of ornament is brought into play through strategies of hybridity and metamorphosis, or by the handling of scale, proportion, and space in ambiguous and discomforting ways that break with the laws of physical reality. An interest in strange exaggeration and curious artifice allows for such colossal ornamental attitude to thrive within early modern art

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Hammeken, Chris Askholt (Publisher); Hansen, Maria Fabricius (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048535873
    Other identifier:
    Series: Visual and Material Culture, 1300 –1700
    Subjects: ART / History / Renaissance; Art; Art, European; Art, Renaissance; Decoration and ornament; Monsters in art; Das Groteske; Ornament; Groteske <Kunst>; Kunst
    Scope: 1 Online-Ressource (281 Seiten), Illustrationen
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2020)

  9. Monsters and the monstrous
    myths and metaphors of enduring evil
    Published: 2007
    Publisher:  Rodopi, Amsterdam

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9042022531; 9789042022539
    RVK Categories: AP 50300 ; EC 5410 ; LC 32000 ; LC 33000
    Series: At the interface/probing the boundaries ; v. 38
    Subjects: Animals, Mythical; Monsters in art; Monsters in literature; Monsters in mass media; Monsters in motion pictures; Ungeheuer
    Scope: 228 p.
    Notes:

    Includes bibliographical references and filmography (p. 147)

  10. Monstrosity
    the human monster in visual culture
    Published: 2013
    Publisher:  I.B. Tauris, London

    From the 'Monster of Ravenna' to the 'Elephant Man', Myra Hindley and Ted Bundy, the visualisation of 'real', human monsters has always played a part in how society sees itself. But what is the function of a monster? Why do we need to embody and... more

    Access:
    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    From the 'Monster of Ravenna' to the 'Elephant Man', Myra Hindley and Ted Bundy, the visualisation of 'real', human monsters has always played a part in how society sees itself. But what is the function of a monster? Why do we need to embody and represent what is monstrous? This book investigates the appearance of the human monster in Western culture, both historically and in our contemporary society. It argues that images of real (rather than fictional) human monsters help us both to identify and to interrogate what constitutes normality; we construct what is acceptable in humanity by depicting what is not quite acceptable Illustrations; Acknowledgements; Introduction; 1. Monstrous strangers at the edge of the world -- 2. Blurring the boundaries of nature and culture -- 3. Bodies and the order of society -- 4. Monsters in proximity -- 5. A monstrous subject -- 6. Monstrous images of evil -- 7. Modern monsters and the image of normality -- Afterword.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Subjects: Monsters in art; Social comparison; Identity (Philosophical concept); Monsters; Abnormalities, Human; Other (Philosophy); ART ; Subjects & Themes ; General; Abnormalities, Human ; Social aspects; Identity (Philosophical concept); Monsters in art; Other (Philosophy); Social comparison
    Scope: 1 Online-Ressource (224 pages)
    Notes:

    Includes bibliographical references (pages 193-208) and index

  11. Monstrosity
    the human monster in visual culture
    Published: 2019
    Publisher:  I.B. Tauris, London, England ; Bloomsbury Publishing, [London, England]

    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
    No inter-library loan
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    No inter-library loan
    Universitätsbibliothek Siegen
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780755603503
    Other identifier:
    Edition: First edition
    Subjects: Abnormalities, Human / Social aspects; Identity (Philosophical concept); Monsters in art; Monsters / Social aspects; Other (Philosophy); Social comparison; Art styles not defined by date
    Scope: 1 online resource (224 pages)
    Notes:

    Includes bibliographical references (pages 193-208) and index

    Also available in print

  12. Monstrous births and visual culture in sixteenth-century Germany
    Published: 2009
    Publisher:  Pickering & Chatto, London

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781851966301; 9781851969654
    Series: Religious cultures in the early modern world ; 5
    Subjects: Geschichte; Abnormalities, Human; Abnormalities, Human, in art; Abnormalities, Severe Teratoid; Art and religion; Broadsides; History, 16th Century; Medicine in Art; Monsters in art; Prints, German; Reformation and art; Religion and Medicine; Religion and culture; Visual communication; Druckgrafik; Missbildung <Motiv>
    Scope: 1 Online-Ressource (XII, 207 S.), Ill.
  13. Ornament and monstrosity in early modern art
    Contributor: Hammeken, Chris Askholt (Publisher); Hansen, Maria Fabricius (Publisher)
    Published: [2019]; © 2019
    Publisher:  Amsterdam University Press, Amsterdam

    Early modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often... more

    Access:
    Verlag (lizenzpflichtig)
    Verlag (lizenzpflichtig)
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Early modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often include layers of disquieting paradoxes, creating tensions - monstrosities even - that manifest themselves in a variety of ways. In some cases, dichotomies (between order and chaos, artificiality and nature, rational logic and imaginative creativity, etc.) may emerge. Elsewhere, a sense of agitation undermines structures of statuesque control or erupts into wild, unruly displays of constant genesis. The monstrosity of ornament is brought into play through strategies of hybridity and metamorphosis, or by the handling of scale, proportion, and space in ambiguous and discomforting ways that break with the laws of physical reality. An interest in strange exaggeration and curious artifice allows for such colossal ornamental attitude to thrive within early modern art

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Contributor: Hammeken, Chris Askholt (Publisher); Hansen, Maria Fabricius (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048535873
    Other identifier:
    Series: Visual and Material Culture, 1300 –1700
    Subjects: ART / History / Renaissance; Art; Art, European; Art, Renaissance; Decoration and ornament; Monsters in art; Das Groteske; Ornament; Groteske <Kunst>; Kunst
    Scope: 1 Online-Ressource (281 Seiten), Illustrationen
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2020)

  14. Portraits of Human Monsters in the Renaissance
    Dwarves, Hirsutes, and Castrati As Idealized Anatomical Anomalies
    Published: 2018
    Publisher:  Medieval Institute Publications, Kalamazoo

    PortraitsOfHumanMonstersFrontCoverTW -- MIP-MPD_Ghadessi-Portraits_REG (1) more

    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan
    Universität Ulm, Kommunikations- und Informationszentrum, Bibliotheksservices
    No inter-library loan

     

    PortraitsOfHumanMonstersFrontCoverTW -- MIP-MPD_Ghadessi-Portraits_REG (1)

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781580442763
    Series: Monsters, Prodigies, and Demons: Medieval and Early Modern Constructions of Alterity Ser
    Subjects: Courts and courtiers in art; Portraits, Renaissance; Monsters in art; People with disabilities in art; Abnormalities, Human, in art; People with disabilities in art..; Abnormalities, Human, in art..; Monsters in art..; Courts and courtiers in art..; Portraits, Renaissance; Electronic books; Abnormalities, Human, in art; Courts and courtiers in art; Monsters in art; People with disabilities in art; Portraits, Renaissance
    Scope: 1 Online-Ressource (221 pages)
    Notes:

    Description based upon print version of record

    PortraitsOfHumanMonstersFrontCoverTW; MIP-MPD_Ghadessi-Portraits_REG (1)

  15. Monsters and their meanings in early modern culture
    mighty magic
    Published: 2011
    Publisher:  Oxford University Press, Oxford

    Wes Williams explores the place of monsters in the early modern imagination, charting the migration of the monstrous from natural history to moral philosophy, from descriptions of creatures found in the external world to the drama of human... more

    Access:
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    No inter-library loan
    Technische Universität Chemnitz, Universitätsbibliothek
    No inter-library loan
    Hochschule für Musik 'Carl Maria von Weber', Hochschulbibliothek
    No inter-library loan
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    No inter-library loan
    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
    No inter-library loan
    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
    No inter-library loan
    Universitätsbibliothek Leipzig
    No inter-library loan
    Hochschule Mittweida (FH), Hochschulbibliothek
    No inter-library loan
    Universitätsbibliothek Osnabrück
    No inter-library loan
    Hochschule Zittau / Görlitz, Hochschulbibliothek
    No inter-library loan
    Westsächsische Hochschule Zwickau, Bibliothek
    E-Book Oxford EBS
    No inter-library loan

     

    Wes Williams explores the place of monsters in the early modern imagination, charting the migration of the monstrous from natural history to moral philosophy, from descriptions of creatures found in the external world to the drama of human motivation, of sexual and political identity.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191728662
    Other identifier:
    Subjects: French literature; French literature; Monsters in literature; European literature; European literature; Science; Science; Art, European; Art, European; Monsters in art
    Scope: 1 online resource (xv, 344 p.), ill.
    Notes:

    Includes bibliographical references and index. - Description based on print version record

  16. The Monstrous Middle Ages
    Published: 2017
    Publisher:  National Book Network International, [Place of publication not identified]

    Access:
    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
  17. Literarisches Monstrum und Buch der Welt
    Grimmelshausens Titelbild zum »Simplicissimus Teutsch«
    Published: 2015; ©2004
    Publisher:  De Gruyter, s.l.

    Die Untersuchung versteht sich im Rahmen interdisziplinärer Text-und-Bild-Forschung. Sie gilt dem rätselhaftesten Frontispiz des Barock und analysiert es in Gestaltung sowie ikonographischer Tradition und im Kontext des Genres. Dabei kann auch der... more

    Access:
    Verlag (lizenzpflichtig)
    Universitätsbibliothek Braunschweig
    No inter-library loan
    Staats- und Universitätsbibliothek Bremen
    No inter-library loan
    Technische Universität Chemnitz, Universitätsbibliothek
    No inter-library loan
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    No inter-library loan
    Zentrale Hochschulbibliothek Flensburg
    No inter-library loan
    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
    No inter-library loan
    Universitätsbibliothek Greifswald
    No inter-library loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    ebook
    No inter-library loan
    HafenCity Universität Hamburg, Bibliothek
    No inter-library loan
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    No inter-library loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    No inter-library loan
    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
    No inter-library loan
    Technische Universität Hamburg, Universitätsbibliothek
    No inter-library loan
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    No inter-library loan
    Universitätsbibliothek Hildesheim
    No inter-library loan
    Thüringer Universitäts- und Landesbibliothek
    No inter-library loan
    Badische Landesbibliothek
    No inter-library loan
    Hochschulbibliothek Karlsruhe (PH)
    eBook de Gruyter
    No inter-library loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    No inter-library loan
    Universitätsbibliothek Leipzig
    No inter-library loan
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    No inter-library loan
    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
    eBook de Gruyter
    No inter-library loan
    Hochschule Merseburg, Bibliothek
    No inter-library loan
    Hochschule Mittweida (FH), Hochschulbibliothek
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    No inter-library loan
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
    No inter-library loan
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
    No inter-library loan
    Universitätsbibliothek Osnabrück
    No inter-library loan
    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
    eBook de Gruyter
    No inter-library loan
    Universität Potsdam, Universitätsbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Vechta
    No inter-library loan
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
    No inter-library loan
    Hochschule Zittau / Görlitz, Hochschulbibliothek
    No inter-library loan

     

    Die Untersuchung versteht sich im Rahmen interdisziplinärer Text-und-Bild-Forschung. Sie gilt dem rätselhaftesten Frontispiz des Barock und analysiert es in Gestaltung sowie ikonographischer Tradition und im Kontext des Genres. Dabei kann auch der philologische Nachweis geführt werden, daß die Vorlage für den Kupferstich von Grimmelshausens eigener Hand stammt. Sein Frontispiz wird als poetologisches Sinnbild entschlüsselt, das bildliches Zitat und Variation jenes literarischen Monstrums ist, das Horaz am Anfang seiner »Ars poetica« als ein Karikaturbild einer zu großen Varietas skizziert. Im Vergleich erscheint Grimmelshausens literarisches Monstrum umgearbeitet zu einem rechtfertigenden Sinnbild für den »Simplicissimus«-Roman und seine Komplexität. Zusammen mit den zusätzlichen Darstellungselementen eines Satyrs beansprucht das programmatische Frontispiz die von der Poetik eingeräumte Stoff- und Formfreiheit der satirischen Schreibart. Die gilt dem Großfolianten des Titelbildes, der als Buch der Welt zu verstehen ist, das durch das Monstrum, den »Simplicissimus«-Roman, satirisch offenbart wird. Doch nicht Gottes Buch seiner geordneten Schöpfung gibt es da zu sehen, sondern deren Entstellung durch die Umtriebe der Menschen, wie Deformationen und Verkehrtheiten jener ›menschlichen Dingen‹ im Welt-Buch erkennen lassen The most enigmatic frontispiece in baroque literature is analyzed in terms of design, iconographic tradition, and in the context of the genre. This analysis produces philological evidence that the original drawing on which the engraving is based stems from Grimmelshausen himself. The frontispiece is decoded as a poetological symbol designed, in each and every detail, to justify the »Simplicissimus« and its complexity, not least by presenting it as a satirical novel that opens the book of the world in such a way that human failings can be recognized for what they are

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110915150
    Other identifier:
    RVK Categories: GH 5502
    Series: Untersuchungen Zur Deutschen Literaturgeschichte ; 119
    Untersuchungen zur deutschen Literaturgeschichte ; 119
    Subjects: Frontispiece; Illumination of books and manuscripts, German; Monsters in art; LITERARY CRITICISM / European / German
    Scope: Online-Ressource (158)
  18. Ornament and monstrosity in early modern art
    Contributor: Hammeken, Chris Askholt (HerausgeberIn); Hansen, Maria Fabricius (HerausgeberIn)
    Published: [2019]; ©2019
    Publisher:  Amsterdam University Press, Amsterdam

    Early modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often... more

    Universitätsbibliothek Freiburg
    No inter-library loan
    Kompetenzzentrum für Lizenzierung
    No inter-library loan
    No loan of volumes, only paper copies will be sent

     

    Early modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often include layers of disquieting paradoxes, creating tensions -- monstrosities even -- that manifest themselves in a variety of ways. In some cases, dichotomies (between order and chaos, artificiality and nature, rational logic and imaginative creativity, etc.) may emerge. Elsewhere, a sense of agitation undermines structures of statuesque control or erupts into wild, unruly displays of constant genesis. The monstrosity of ornament is brought into play through strategies of hybridity and metamorphosis, or by the handling of scale, proportion, and space in ambiguous and discomforting ways that break with the laws of physical reality. An interest in strange exaggeration and curious artifice allows for such colossal ornamental attitude to thrive within early modern art

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
  19. Portraits of human monsters in the Renaissance
    dwarves, hirsutes, and castrati as idealized anatomical anomalies
    Published: 2022
    Publisher:  Medieval Institute Publications, Western Michigan University, Kalamazoo

    At the center of this interdisciplinary study are court monsters - dwarves, hirsutes, and misshapen individuals - who, by their very presence, altered Renaissance ethics vis-à-vis anatomical difference, social virtues, and scientific knowledge. These... more

    Access:
    Verlag (lizenzpflichtig)
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    bestellt
    No inter-library loan
    Universitätsbibliothek Leipzig
    No inter-library loan
    Hochschule Mittweida (FH), Hochschulbibliothek
    No inter-library loan

     

    At the center of this interdisciplinary study are court monsters - dwarves, hirsutes, and misshapen individuals - who, by their very presence, altered Renaissance ethics vis-à-vis anatomical difference, social virtues, and scientific knowledge. These monsters evolved from objects of curiosity, to scientific cases, to legally independent beings. Although many images of and writings about these individuals depict them as jokes of nature or indices of courtly wit, others transcend these categories, combining a vocabulary of courtly self-fashioning with close observations akin to dissections that humanize monsters, while simultaneously stressing their anatomical difference. More importantly, the works examined in this book point to the intricate cultural, religious, ethical, and scientific perceptions of monstrous individuals who were fixtures in contemporary courts. From entertainers to advisors, and from faithful companions to collectible objects, monsters at court held liminal positions used by rulers to create and shape their own personae.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781580442763; 9781501512803
    Series: Monsters, prodigies, and demons : medieval and early modern constructions of alterity
    Subjects: Abnormalities, Human, in art; Courts and courtiers in art; Monsters in art; People with disabilities in art; Portraits, Renaissance
    Scope: 1 Online-Ressource (ca. 220 Seiten)
  20. Monstrosity
    the human monster in visual culture
    Published: 2019
    Publisher:  I.B. Tauris, London, England ; Bloomsbury Publishing, [London, England]

    From the 'Monster of Ravenna' to the 'Elephant Man', Myra Hindley and Ted Bundy, the visualisation of 'real', human monsters has always played a part in how society sees itself. But what is the function of a monster? Why do we need to embody and... more

    Access:
    Resolving-System (lizenzpflichtig)
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan
    Universität Potsdam, Universitätsbibliothek
    No inter-library loan

     

    From the 'Monster of Ravenna' to the 'Elephant Man', Myra Hindley and Ted Bundy, the visualisation of 'real', human monsters has always played a part in how society sees itself. But what is the function of a monster? Why do we need to embody and represent what is monstrous? This book investigates the appearance of the human monster in Western culture, both historically and in our contemporary society. It argues that images of real (rather than fictional) human monsters help us both to identify and to interrogate what constitutes normality; we construct what is acceptable in humanity by depicting what is not quite acceptable Illustrations; Acknowledgements; Introduction; 1. Monstrous strangers at the edge of the world -- 2. Blurring the boundaries of nature and culture -- 3. Bodies and the order of society -- 4. Monsters in proximity -- 5. A monstrous subject -- 6. Monstrous images of evil -- 7. Modern monsters and the image of normality -- Afterword.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0857722409; 0857733354; 1299730485; 1780763352; 1780763360; 9780755603503; 9781299730489; 9780857733351; 9781780763354; 9781780763361; 9780857722409
    Other identifier:
    Edition: First edition
    Subjects: Monsters in art; Social comparison; Identity (Philosophical concept); Monsters; Abnormalities, Human; Other (Philosophy); Art styles not defined by date
    Scope: 1 Online-Ressource (224 pages)
    Notes:

    Includes bibliographical references (pages 193-208) and index

    Also available in print.

  21. Monstrous births and visual culture in sixteenth-century Germany /
    Published: 2009.
    Publisher:  Pickering & Chatto,, London :

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 978-1-85196-630-1; 9781851969654
    Series: Religious cultures in the early modern world ; 5
    Subjects: Geschichte; Abnormalities, Human; Abnormalities, Human, in art; Abnormalities, Severe Teratoid; Art and religion; Broadsides; History, 16th Century; Medicine in Art; Monsters in art; Prints, German; Reformation and art; Religion and Medicine; Religion and culture; Visual communication; Missbildung <Motiv>; Druckgrafik
    Scope: 1 Online-Ressource (XII, 207 S.) :, Ill.
  22. Monsters and their meanings in early modern culture
    mighty magic
    Published: 2011
    Publisher:  Oxford University Press, Oxford

    Wes Williams explores the place of monsters in the early modern imagination, charting the migration of the monstrous from natural history to moral philosophy, from descriptions of creatures found in the external world to the drama of human... more

     

    Wes Williams explores the place of monsters in the early modern imagination, charting the migration of the monstrous from natural history to moral philosophy, from descriptions of creatures found in the external world to the drama of human motivation, of sexual and political identity

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191728662
    Other identifier:
    RVK Categories: IF 2050
    Subjects: Science; Art, European; Art, European; Monsters in art; Science; French literature; Monsters in literature; European literature; European literature; French literature
    Scope: 1 Online-Ressource (xv, 344 Seiten), Illustrationen
    Notes:

    Literaturverzeichnis Seite [317]-337

  23. Ornament and monstrosity in early modern art /
    Contributor: Hammeken, Chris Askholt, (Publisher); Hansen, Maria Fabricius, (Publisher)
    Published: [2019].; © 2019.
    Publisher:  Amsterdam University Press,, Amsterdam :

    Early modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often... more

    Access:
    Verlag (lizenzpflichtig)
    Verlag (lizenzpflichtig)
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Early modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often include layers of disquieting paradoxes, creating tensions - monstrosities even - that manifest themselves in a variety of ways. In some cases, dichotomies (between order and chaos, artificiality and nature, rational logic and imaginative creativity, etc.) may emerge. Elsewhere, a sense of agitation undermines structures of statuesque control or erupts into wild, unruly displays of constant genesis. The monstrosity of ornament is brought into play through strategies of hybridity and metamorphosis, or by the handling of scale, proportion, and space in ambiguous and discomforting ways that break with the laws of physical reality. An interest in strange exaggeration and curious artifice allows for such colossal ornamental attitude to thrive within early modern art

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: Hammeken, Chris Askholt, (Publisher); Hansen, Maria Fabricius, (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 978-90-485-3587-3
    Other identifier:
    Series: Visual and Material Culture, 1300 –1700
    Subjects: ART / History / Renaissance; Art; Art, European; Art, Renaissance; Decoration and ornament; Monsters in art; <<Das>> Groteske.; Kunst.; Ornament.; Groteske <Kunst>
    Scope: 1 Online-Ressource (281 Seiten) :, Illustrationen.
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2020)

  24. Von Monstern und Menschen
    Begegnungen der anderen Art in kulturwissenschaftlicher Perspektive
    Contributor: Gebhard, Gunther (HerausgeberIn); Geisler, Oliver (HerausgeberIn); Schröter, Steffen (HerausgeberIn)
    Published: [2009]; © 2009
    Publisher:  transcript Verlag, Bielefeld

    Tauchen Monster in der Kulturgeschichte des Menschen auf, verbreiten sie Schrecken. Zugleich stellen sie auch Objekte der Faszination dar - eben weil sie anders zu sein scheinen. Die Beiträge dieses Bandes beschäftigen sich mit der jeweiligen... more

    Access:
    Verlag (Array)
    Resolving-System (kostenfrei)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Tauchen Monster in der Kulturgeschichte des Menschen auf, verbreiten sie Schrecken. Zugleich stellen sie auch Objekte der Faszination dar - eben weil sie anders zu sein scheinen. Die Beiträge dieses Bandes beschäftigen sich mit der jeweiligen historischen Gestalt und Konzeptualisierung von Monstern und beleuchten den Facettenreichtum des Monsters und des Monströsen. Besondere Aufmerksamkeit wird dabei der Funktionalität dieser Gestalten für den Menschen eingeräumt, die vom Identitätsgenerator qua Grenzziehung zum nicht-mehr-menschlichen Leben bis hin zur Verheißung einer posthumanistischen Zukunft reicht.

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Gebhard, Gunther (HerausgeberIn); Geisler, Oliver (HerausgeberIn); Schröter, Steffen (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839412350
    Other identifier:
    RVK Categories: AP 53900 ; EC 2410 ; EC 5410 ; LC 41000 ; WX 5700
    Series: Kultur- und Medientheorie
    Subjects: Monsters; Abnormalities; Monsters in mass media; Abnormalities; Abnormalities; Abnormalities; Monsters in art; Abnormalities; Abnormalities; Monsters; Abnormalities; Monsters in mass media; Abnormalities; Monsters in art; Communication. Mass media; Abnormalities.; Künste, Bildende Kunst allgemein.; Monsters in art.; Monsters in mass media.; Monsters.; SOCIAL SCIENCE / Popular Culture
    Other subjects: Body; Cultural History; Cultural Studies; Film; General Literature Studies; Literature
    Scope: 1 Online-Ressource (255 Seiten), Illustrationen
    Notes:

    open access

    Electronic reproduction; Mode of access: World Wide Web

    Gebhard, Gunther ; Geisler, Oliver ; Schröter, Steffen: Frontmatter ; Inhalt ; Vorwort ; Einleitung

  25. Literarisches Monstrum und Buch der Welt
    Grimmelshausens Titelbild zum »Simplicissimus Teutsch«
    Published: 2015; ©2004
    Publisher:  De Gruyter, s.l.

    Die Untersuchung versteht sich im Rahmen interdisziplinärer Text-und-Bild-Forschung. Sie gilt dem rätselhaftesten Frontispiz des Barock und analysiert es in Gestaltung sowie ikonographischer Tradition und im Kontext des Genres. Dabei kann auch der... more

    Access:
    Verlag (lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Die Untersuchung versteht sich im Rahmen interdisziplinärer Text-und-Bild-Forschung. Sie gilt dem rätselhaftesten Frontispiz des Barock und analysiert es in Gestaltung sowie ikonographischer Tradition und im Kontext des Genres. Dabei kann auch der philologische Nachweis geführt werden, daß die Vorlage für den Kupferstich von Grimmelshausens eigener Hand stammt. Sein Frontispiz wird als poetologisches Sinnbild entschlüsselt, das bildliches Zitat und Variation jenes literarischen Monstrums ist, das Horaz am Anfang seiner »Ars poetica« als ein Karikaturbild einer zu großen Varietas skizziert. Im Vergleich erscheint Grimmelshausens literarisches Monstrum umgearbeitet zu einem rechtfertigenden Sinnbild für den »Simplicissimus«-Roman und seine Komplexität. Zusammen mit den zusätzlichen Darstellungselementen eines Satyrs beansprucht das programmatische Frontispiz die von der Poetik eingeräumte Stoff- und Formfreiheit der satirischen Schreibart. Die gilt dem Großfolianten des Titelbildes, der als Buch der Welt zu verstehen ist, das durch das Monstrum, den »Simplicissimus«-Roman, satirisch offenbart wird. Doch nicht Gottes Buch seiner geordneten Schöpfung gibt es da zu sehen, sondern deren Entstellung durch die Umtriebe der Menschen, wie Deformationen und Verkehrtheiten jener ›menschlichen Dingen‹ im Welt-Buch erkennen lassen The most enigmatic frontispiece in baroque literature is analyzed in terms of design, iconographic tradition, and in the context of the genre. This analysis produces philological evidence that the original drawing on which the engraving is based stems from Grimmelshausen himself. The frontispiece is decoded as a poetological symbol designed, in each and every detail, to justify the »Simplicissimus« and its complexity, not least by presenting it as a satirical novel that opens the book of the world in such a way that human failings can be recognized for what they are

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110915150
    Other identifier:
    RVK Categories: GH 5502
    Series: Untersuchungen Zur Deutschen Literaturgeschichte ; 119
    Untersuchungen zur deutschen Literaturgeschichte ; 119
    Subjects: Frontispiece; Illumination of books and manuscripts, German; Monsters in art; LITERARY CRITICISM / European / German
    Scope: Online-Ressource (158)