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Displaying results 1 to 6 of 6.

  1. Lyric Wonder
    Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period.By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres.Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501741272
    Other identifier:
    Series: Rhetoric and Society
    Subjects: Poetry & Criticism; POETRY / Medieval; English language; English poetry; English wit and humor; Renaissance; Rhetoric, Renaissance; Poetik; Concetto; Lyrik; Renaissance; Metaphysical poets; Englisch; Rhetorik
    Scope: 1 online resource (240 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  2. Lyric wonder
    rhetoric and wit in Renaissance English poetry
    Author: Biester, James
    Published: 1997
    Publisher:  Cornell Univ. Pr., Ithaca [u.a.]

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style - metaphysical wit and strong lines - as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the... more

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style - metaphysical wit and strong lines - as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wondercabinets of the period. By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the "admirable" style, as Biester shows in his close readings of the First and Fourth Satyres. Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event.

     
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  3. Lyric Wonder
    Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period.By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres.Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501741272
    Other identifier:
    Series: Rhetoric and Society
    Subjects: Poetry & Criticism; POETRY / Medieval; English language; English poetry; English wit and humor; Renaissance; Rhetoric, Renaissance; Poetik; Concetto; Lyrik; Renaissance; Metaphysical poets; Englisch; Rhetorik
    Scope: 1 online resource (240 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  4. Lyric wonder
    rhetoric and wit in Renaissance English poetry
    Author: Biester, James
    Published: 1997
    Publisher:  Cornell Univ. Press, Ithaca, NY [u.a.]

    Location:
    Universitätsbibliothek Duisburg-Essen
    Signature:
    DTB3296
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    Location:
    Englisches Seminar der Universität, Bibliothek
    Signature:
    LIT EG 1997:3
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    ISBN: 0801433134
    RVK Categories: HI 1249
    Series: Rhetoric & society
    Subjects: Lyrik; Englisch; Concetto; Rhetorik; Metaphysical poets; Poetik; Renaissance
    Scope: X, 226 S.
  5. Lyric wonder
    rhetoric and wit in Renaissance English poetry
    Author: Biester, James
    Published: 1997
    Publisher:  Cornell Univ. Pr., Ithaca [u.a.]

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style - metaphysical wit and strong lines - as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style - metaphysical wit and strong lines - as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wondercabinets of the period. By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the "admirable" style, as Biester shows in his close readings of the First and Fourth Satyres. Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event.

     
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  6. Lyric wonder :
    rhetoric and wit in Renaissance English poetry /
    Author: Biester, James
    Published: 1997.
    Publisher:  Cornell Univ. Pr.,, Ithaca [u.a.] :

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style - metaphysical wit and strong lines - as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style - metaphysical wit and strong lines - as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wondercabinets of the period. By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the "admirable" style, as Biester shows in his close readings of the First and Fourth Satyres. Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event.

     
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