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  1. Visual aggression
    images of martyrdom in late medieval Germany
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Introduction : weep not for me ... but weep on yourselves -- Visual rhetoric -- Between theological and juridical positions -- Bodily imagination, imagined bodies -- Eroticized and sexualized bodies -- The body reincarnated -- Epilogue : effect and... more

    Freie Universität Berlin, Universitätsbibliothek
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    Introduction : weep not for me ... but weep on yourselves -- Visual rhetoric -- Between theological and juridical positions -- Bodily imagination, imagined bodies -- Eroticized and sexualized bodies -- The body reincarnated -- Epilogue : effect and response to violence imagery "Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780271083797
    RVK Categories: LK 83340 ; LK 10205
    Subjects: Folter <Motiv>; Kunst; Martyrium; Motiv; Gewalt <Motiv>; Märtyrerin; Märtyrer <Motiv>
    Other subjects: Violence in art; Martyrdom in art; Art, Medieval / Germany
    Scope: xii, 178 Seiten, 24 ungezählte Seiten Tafeln, Illustrationen
  2. Visual aggression
    images of martyrdom in late medieval Germany
    Published: [2021]
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Zusammenfassung: "Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--(Provided by publisher.) more

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    Zusammenfassung: "Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--(Provided by publisher.)

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780271083797
    RVK Categories: LK 83340
    Subjects: Violence in art; Martyrdom in art; Art, Medieval
    Scope: xii, 178 Seiten, 25 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Literaturverzeichnis: Seiten 145-160

  3. Visual aggression
    images of martyrdom in late medieval Germany
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Introduction : weep not for me ... but weep on yourselves -- Visual rhetoric -- Between theological and juridical positions -- Bodily imagination, imagined bodies -- Eroticized and sexualized bodies -- The body reincarnated -- Epilogue : effect and... more

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    Introduction : weep not for me ... but weep on yourselves -- Visual rhetoric -- Between theological and juridical positions -- Bodily imagination, imagined bodies -- Eroticized and sexualized bodies -- The body reincarnated -- Epilogue : effect and response to violence imagery "Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780271083797
    RVK Categories: LK 83340 ; LK 10205
    Subjects: Folter <Motiv>; Kunst; Martyrium; Motiv; Gewalt <Motiv>; Märtyrerin; Märtyrer <Motiv>
    Other subjects: Violence in art; Martyrdom in art; Art, Medieval / Germany
    Scope: xii, 178 Seiten, 24 ungezählte Seiten Tafeln, Illustrationen
  4. Visual aggression
    images of martyrdom in late medieval Germany
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context... more

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    Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers' bodies and minds so violently that they amounted to what Pinkus describes as "visual aggressions." Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus's research for years to come

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    Other identifier:
    RVK Categories: LK 83340 ; LK 10205
    Subjects: ART / History / Medieval; Art, Medieval; Martyrdom in art; Violence in art; Folter <Motiv>; Märtyrerin; Motiv; Gewalt <Motiv>; Martyrium; Kunst; Märtyrer <Motiv>
    Scope: 1 Online-Ressource (xii, 178 Seiten), Illustrationen
  5. Visual aggression
    images of martyrdom in late medieval Germany
    Published: 2021; ©2021
    Publisher:  Penn State University Press, University Park

    Intro -- COVER Front -- Copyright Page -- Acknowledgments -- Introduction -- Notes to Introduction -- Chapter 1: Visual Rhetoric -- Notes to Chapter 1 -- Chapter 2: Between Theological and Juridical Positions -- Notes to Chapter 2 -- Chapter 3:... more

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    Intro -- COVER Front -- Copyright Page -- Acknowledgments -- Introduction -- Notes to Introduction -- Chapter 1: Visual Rhetoric -- Notes to Chapter 1 -- Chapter 2: Between Theological and Juridical Positions -- Notes to Chapter 2 -- Chapter 3: Bodily Imagination, Imagined Bodies -- Notes to Chapter 3 -- Chapter 4: Eroticized and Sexualized Bodies -- Notes to Chapter 4 -- Chapter 5: The Body Reincarnated -- Notes to Chapter 5 -- Notes -- Bibliography -- Index.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    RVK Categories: LK 83340
    Subjects: Violence in art; Martyrdom in art; Art, Medieval; Electronic books
    Scope: 1 online resource (215 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  6. Visual aggression
    images of Martyrdom in late medieval Germany
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Weep Not for Me . . . But Weep on Yourselves -- Chapter 1. Visual Rhetoric -- Chapter 2. Between Theological and Juridical Positions -- Chapter 3. Bodily Imagination,... more

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    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Weep Not for Me . . . But Weep on Yourselves -- Chapter 1. Visual Rhetoric -- Chapter 2. Between Theological and Juridical Positions -- Chapter 3. Bodily Imagination, Imagined Bodies -- Chapter 4. Eroticized and Sexualized Bodies -- Chapter 5. The Body Reincarnated -- Epilogue. Effect and Response to Violence Imagery -- Notes -- Bibliography -- Index Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers’ bodies and minds so violently that they amounted to what Pinkus describes as “visual aggressions.” Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus’s research for years to come

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    Other identifier:
    RVK Categories: LK 83340
    Subjects: Art, Medieval; Martyrdom in art; Violence in art; ART / History / Medieval
    Other subjects: Gothic painting; Gothic sculpture; courtly literature; gender; legal and juridical history; martyrdom; materiality; philosophy; response theory; rites of punishment; somaesthetics; theology; tortures; violence; visual culture
    Scope: 1 Online-Ressource (xii, 178 Seiten, 25 ungezählte Seiten Tafeln), Illustrationen
  7. Visual aggression
    images of martyrdom in late medieval Germany
    Published: [2021]
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Zusammenfassung: "Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--(Provided by publisher.) more

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    Zusammenfassung: "Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--(Provided by publisher.)

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780271083797
    RVK Categories: LK 83340
    Subjects: Violence in art; Martyrdom in art; Art, Medieval
    Scope: xii, 178 Seiten, 25 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Literaturverzeichnis: Seiten 145-160

  8. Grenzgänger der Religionskulturen
    kulturwissenschaftliche Beiträge zu Gegenwart und Geschichte der Märtyrer
    Contributor: Horsch, Silvia (Hrsg.)
    Published: 2011
    Publisher:  Fink, München

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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Horsch, Silvia (Hrsg.)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783770550760
    Other identifier:
    9783770550760
    RVK Categories: BE 1630 ; BM 8170
    Series: Trajekte
    Subjects: Martyrdom; Martyrs; Martyrdom in literature; Martyrdom in art; Martyrs in literature; Martyrs in art
    Scope: 401 S., Ill.
  9. Visual aggression :
    images of martyrdom in late medieval Germany /
    Published: [2021].; © 2021.
    Publisher:  The Pennsylvania State University Press,, University Park, Pennsylvania :

    Introduction : weep not for me ... but weep on yourselves -- Visual rhetoric -- Between theological and juridical positions -- Bodily imagination, imagined bodies -- Eroticized and sexualized bodies -- The body reincarnated -- Epilogue : effect and... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Introduction : weep not for me ... but weep on yourselves -- Visual rhetoric -- Between theological and juridical positions -- Bodily imagination, imagined bodies -- Eroticized and sexualized bodies -- The body reincarnated -- Epilogue : effect and response to violence imagery "Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--

     

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    Content information
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 978-0-271-08379-7
    RVK Categories: LK 83340 ; LK 10205
    Subjects: Violence in art; Martyrdom in art; Art, Medieval / Germany; Kunst; Martyrium; Folter <Motiv>; Märtyrerin; Motiv; Märtyrer <Motiv>; Gewalt <Motiv>
    Scope: xii, 178 Seiten, 24 ungezählte Seiten Tafeln :, Illustrationen.
  10. Visual aggression
    images of Martyrdom in late medieval Germany
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Weep Not for Me . . . But Weep on Yourselves -- Chapter 1. Visual Rhetoric -- Chapter 2. Between Theological and Juridical Positions -- Chapter 3. Bodily Imagination,... more

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    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Weep Not for Me . . . But Weep on Yourselves -- Chapter 1. Visual Rhetoric -- Chapter 2. Between Theological and Juridical Positions -- Chapter 3. Bodily Imagination, Imagined Bodies -- Chapter 4. Eroticized and Sexualized Bodies -- Chapter 5. The Body Reincarnated -- Epilogue. Effect and Response to Violence Imagery -- Notes -- Bibliography -- Index Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers’ bodies and minds so violently that they amounted to what Pinkus describes as “visual aggressions.” Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus’s research for years to come

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    Other identifier:
    RVK Categories: LK 83340
    Subjects: Art, Medieval; Martyrdom in art; Violence in art; ART / History / Medieval
    Other subjects: Gothic painting; Gothic sculpture; courtly literature; gender; legal and juridical history; martyrdom; materiality; philosophy; response theory; rites of punishment; somaesthetics; theology; tortures; violence; visual culture
    Scope: 1 Online-Ressource (xii, 178 Seiten, 25 ungezählte Seiten Tafeln), Illustrationen
  11. Visual aggression
    images of martyrdom in late medieval Germany
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context... more

    Access:
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    TU Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
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    Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers' bodies and minds so violently that they amounted to what Pinkus describes as "visual aggressions." Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus's research for years to come

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    Other identifier:
    RVK Categories: LK 83340 ; LK 10205
    Subjects: ART / History / Medieval; Art, Medieval; Martyrdom in art; Violence in art; Folter <Motiv>; Märtyrerin; Motiv; Gewalt <Motiv>; Martyrium; Kunst; Märtyrer <Motiv>
    Scope: 1 Online-Ressource (xii, 178 Seiten), Illustrationen
  12. Grenzgänger der Religionskulturen
    kulturwissenschaftliche Beiträge zu Gegenwart und Geschichte der Märtyrer
    Contributor: Horsch, Silvia (Hrsg.)
    Published: 2011
    Publisher:  Fink, München

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Horsch, Silvia (Hrsg.)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783770550760
    Other identifier:
    9783770550760
    RVK Categories: BE 1630 ; BM 8170
    Series: Trajekte
    Subjects: Martyrdom; Martyrs; Martyrdom in literature; Martyrdom in art; Martyrs in literature; Martyrs in art
    Scope: 401 S., Ill.
  13. La Gerusalemme celeste di Otranto
    il mito degli ottocento martiri nelle sue riconfigurazioni memoriali
    Published: 2004
    Publisher:  Congedo, [Galatina (Lecce)]

    Universitätsbibliothek Heidelberg
    2006 C 1075
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    Deutsches Historisches Institut in Rom, Bibliothek
    Ld 7161 e : Otranto
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 8880865862
    Other identifier:
    9788880865865
    Series: Saggi e testi / Università degli studi di Lecce, Dipartimento dei beni delle arti e della storia ; 21
    Subjects: Christian art and symbolism; Martyrdom in art; Christian martyrs; Massacres; Turks; Geschichte 1480; Otranto; Eroberung <1480>; Mythos; Kollektives Gedächtnis
    Other subjects: Cattedrale (Otranto, Italy)
    Scope: XVIII, 198 S., Ill., 25 cm
    Notes:

    Bound

    Contains bibl. and indices

  14. Preposterous revelations
    visions of apocalypse and martyrdom in Hollywood cinema 1980 - 2000
    Published: 2012
    Publisher:  Sheffield Phoenix Press, Sheffield

    Diözesanbibliothek Münster
    12:0657
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der Eberhard Karls Universität
    53 A 2628
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781907534249
    Series: The Bible in the modern world ; 39
    Subjects: USA; Film; Apokalyptik <Motiv>; Martyrium <Motiv>; Geschichte 1980-2000;
    Other subjects: Apocalypse in motion pictures; Christianity in motion pictures; Martyrdom in art; Array
    Scope: 192 S., Ill., 24 cm
    Notes:

    Includes index