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  1. Collecting and Appreciating
    Author: Francescato, Simone
    Published: 2011
    Publisher:  Peter Lang AG, Bern ; Peter Lang International Academic Publishers

    This book examines the role and the meaning of collecting in the fiction of Henry James. Emerging as a refined consumerist practice at the end of the nineteenth century, collecting not only set new rules for appreciating art, but also helped to shape... more

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    Universitätsbibliothek Gießen
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    Universität Marburg, Universitätsbibliothek
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    This book examines the role and the meaning of collecting in the fiction of Henry James. Emerging as a refined consumerist practice at the end of the nineteenth century, collecting not only set new rules for appreciating art, but also helped to shape the aesthetic tenets of major literary movements such as naturalism and aestheticism. Although he befriended some of the greatest collectors of the age, in his narrative works James maintained a sceptical, if not openly critical, position towards collecting and its effects on appreciation. Likewise, he became increasingly reluctant to follow the fashionable trend of classifying and displaying art objects in the literary text, resorting to more complex forms of representation. Drawing from classic and contemporary aesthetics, as well as from sociology and material culture, this book fills a gap in Jamesian criticism, explaining how and why James’s aversion towards collecting was central to the development of his fiction from the beginning of his career to the so-called major phase.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035300529
    Other identifier:
    RVK Categories: HT 5855
    DDC Categories: 810
    Edition: 1st, New ed.
    Series: Cultural Interactions: Studies in the Relationship between the Arts ; 21
    Subjects: Kunst <Motiv>; Sammeln <Motiv>; Sachkultur <Motiv>; Ästhetik; Kunstsammler <Motiv>
    Other subjects: James, Henry (1843-1916)
    Scope: 1 Online-Ressource
  2. Antiques
    the history of an idea
    Author: Rosenstein, Leon
    Published: 2009
    Publisher:  Cornell University Press, Ithaca

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0801463823; 9780801463822
    Subjects: PHILOSOPHY / Aesthetics; ART / Folk & Outsider Art; CRAFTS & HOBBIES / Folkcrafts; Aesthetics / Philosophy; Antiques; Antiques business; Collectors and collecting; Antiquität; Begriff; Sammlung; Kunstsammler; Antikviteter / historia; Antikviteter / samlare och samlarverksamhet; Idé- och lärdomshistoria; Antiquität; Begriff; Sammlung; Kunstsammler; Geschichte; Philosophie; Ästhetik; Antiques; Antiques business; Collectors and collecting; Aesthetics; Antiquität; Kunsthandel; Sammlung; Begriff; Kunstsammler
    Scope: 1 Online-Ressource (xi, 263 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 205-251) and index

    Understanding antiques -- An antique's story : the Nef -- A definition of the antique -- An archeology of antiques : a history of antique collecting and connoisseurship -- Collecting and connoisseurship in the Greco-Roman world -- The Chinese analogue -- Medieval survival -- Renaissance -- The seventeenth and eighteenth centuries -- Revolutions Romantic and industrial : the nineteenth century -- The American century -- Archeological conclucions -- The ten criteria of antiques -- Antiques and civilization

    "In Antiques: The History of an Idea, Leon Rosenstein, a distinguished philosopher who has also been an antiques dealer for more than twenty years, offers a sweeping and lively account of the origin and development of the antique as both a cultural concept and an aesthetic category. He shows that the appeal of antiques is multifaceted: it concerns their value as commodities, their age and historical and cultural associations, their uniqueness, their sensuous and tactile values, their beauty."--Jacket
  3. Imagining the Americas in Medici Florence
    Author: Markey, Lia
    Published: [2016]; © 2016
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    "Studies the impact of the discovery of the Americas on Italian Renaissance art and culture, focusing on the Medici engagement with the New World and its effects on collecting and art production in Florence during the sixteenth and early seventeenth... more

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Regensburg
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    "Studies the impact of the discovery of the Americas on Italian Renaissance art and culture, focusing on the Medici engagement with the New World and its effects on collecting and art production in Florence during the sixteenth and early seventeenth centuries"--Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780271071152
    RVK Categories: LN 84604 ; NN 1585
    Subjects: Indian art / Collectors and collecting / Italy / Florence / History / 16th century; Indian art / Collectors and collecting / Italy / Florence / History / 17th century; Indian art / Influence; Art, Renaissance / Italy / Florence / Themes, motives; Art, Italian / Italy / Florence / Themes, motives; Geschichte; Amerika <Motiv>; Auftraggeber; Kunstsammler; Rezeption; Kunst; Indianer <Motiv>
    Other subjects: Medici, House of / Art collections / History; Buti, Lodovico (1550-1611); Medici Familie : 13.-18. Jahrhundert; Straet, Jan van der (1523-1605)
    Scope: xvii, 241 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    The New World and Italy in the early sixteenth century -- A turkey in a Medici tapestry -- The Americas in the Guardaroba Nuova -- Francesco's exchange and documentation of American nature -- The Stanzino and the representation of the New World -- Between ethnography and fantasy in Ferdinando's New World -- The Florentine codex and Buti's frescoes of Amerindians -- Stradano's invention of the Americas -- The Americas both real and imagined
  4. Vers une histoire élargie des collections?
    les annuaires artistiques des collectionneurs au prisme des humanités numériques
    Author: Saint-Raymond, Léa
    Published: juin 2021

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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  5. Erotica & sapientia - Rudolf II's early years at Prague castle
    Author: Uličný, Petr
    Published: 2021

    In 1579 Rudolf II envisaged the construction of a grand royal palace at Prague Castle, with an extensive sculptural programme that he undoubtedly planned to commission from Giambologna’s pupil Hans Mont. This idea was probably inspired by the... more

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    In 1579 Rudolf II envisaged the construction of a grand royal palace at Prague Castle, with an extensive sculptural programme that he undoubtedly planned to commission from Giambologna’s pupil Hans Mont. This idea was probably inspired by the interiors of the towers in the Neugebäude, which had been richly decorated by Mont under Maximilian II in 1575–1576. However, Rudolf shelved the project and Mont left the Prague court in exasperation. In the early years of his reign, Rudolf was clearly looking for a style, and also the painter Bartholomeus Spranger, who waited for several years in Vienna for the emperor’s commission, fell victim to this search. His biographer Karel van Mander even wrote that Rudolf had little interest in art at that time. Thanks to a valuable report by Hans Ulrich Krafft in 1584, however, we know that the emperor already possessed a collection of art, but which had a distinctly erotic content. This was the reason why Rudolf concealed it from his wider society, and perhaps why he did not make his fondness for art known. It was not until 1588 that envoys at the Prague court began to report Rudolf’s preference for ‘lascivious’ art. It was also at the same time that the emperor decided to build a large picture gallery at the castle, called the Spanish Hall, the present Rudolf Gallery and finally found a strategy that would establish his magnificence and his reputation as one of the greatest patrons of art in Europe. On his way to it, he built the Summer House near his palace at the castle in about 1579–1582, and this became the home of his ‘erotic Kunstkammer’. Around 1586 he also had a studiolo created on the second floor of the White Tower, which shows that Rudolf was again inspired by the towers of Neugebäude, but unlike this model, he kept the decoration in Prague modest, like in his summer palace in the Imperial Mill, which was completed in 1594. While in the older Habsburg architecture there was a contrast between the austere palaces and richly decorated leisure structures, Rudolf seems to have come up with a new concept: buildings with a representational function were to be elaborately articulated, whereas private structures, including summer houses, were to be of modest form. Spranger’s fresco of Hermathena in the vault of the studiolo, inspired by the studiolo in the Palazzo Farnese in Caprarola, was intended to symbolise the abode of a wise monarch, as were other planned frescos. It was thus erotica & sapientia that defined Rudolf’s programme in his early years at Prague Castle, and later also played a crucial role in his subsequent magnificent period.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Parent title:
    Umění; Praha, 2021; Band 69, Heft 4 (2021), Seite 390-415
    Subjects: Kunstsammler; Wandmalerei; Ausstattung; Auftraggeber; Erotische Kunst
    Other subjects: Rudolf Heiliges Römisches Reich, Kaiser (1552-1612); Spranger, Bartholomäus (1546-1611); Mont, Johannes de (1545-)
    Scope: Illustrationen, Plan
  6. Metropolitan Fetish
    African Sculpture and the Imperial French Invention of Primitive Art
    Author: Monroe, John Warne
    Published: [2019]; © 2019
    Publisher:  Cornell University Press, Ithaca, NY

    From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels from sub-Saharan Africa to Parisian art galleries; from the pages of fashion magazines, through the doors of the Louvre, to world fairs and international auction rooms; into the apartments of avant-garde critics and poets; to the streets of Harlem, and then full-circle back to colonial museums and schools in Dakar, Bamako, and Abidjan. John Warne Monroe guides us on this journey, one that goes far beyond the world of Picasso, Matisse, and Braque, to show how the Modernist avant-garde and the European colonial project influenced each other in profound and unexpected ways. Metropolitan Fetish reveals the complex trajectory of African material culture in the West and provides a map of that passage, tracing the interaction of cultural and imperial power. A broad and far-reaching history of the French reception of African art, it brings to life an era in which the aesthetic category of "primitive art" was invented

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501736360
    Other identifier:
    Subjects: African Art, Primitive Art, Tribal Art, Modernism, Colonialism, Black Diaspora; African Hist & Diaspora; Anthropology; HISTORY / Europe / France; Art critics; Art; Art, African; Art, Primitive; Modernism (Art); Holzplastik; Primitivismus; Imperialismus; Kunsthandel; Kolonialismus; Naturvolk; Kultgegenstand; Plastik; Avantgarde; Primitivität <Motiv>; Maske; Kunstsammler; Rezeption
    Scope: 1 online resource, 117 b&w halftones, 1 map, 10 color plates
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  7. Metropolitan fetish
    African sculpture and the imperial French invention of primitive art
    Author: Monroe, John Warne
    Published: 2019
    Publisher:  Cornell University Press, Ithaca ; London

    Location:
    Universitätsbibliothek Bielefeld
    Signature:
    FC950 M753
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  8. Collecting and appreciating
    Henry James and the transformation of aesthetics in the age of consumption
    Author: Francescato, Simone
    Published: 2010
    Publisher:  Lang, Oxford [u.a.]

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    Universitäts- und Landesbibliothek Bonn
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    2010/4729
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    Universitäts- und Landesbibliothek Düsseldorf
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    angr34404.f815
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    Universitäts- und Landesbibliothek Münster
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    3K 25725
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    Universitätsbibliothek Paderborn
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    EKBS1298
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9783034301633; 3034301634
    Series: Cultural interactions ; 21
    Subjects: Ästhetik; Kunst <Motiv>; Kunstsammler <Motiv>; Sammeln <Motiv>; Sachkultur <Motiv>
    Other subjects: James, Henry (1843-1916)
    Scope: VI, 209 S.
  9. Past and present in art and taste
    selected essays
    Author: Haskell, Francis
    Published: 1987
    Publisher:  Yale Univ. Pr., New Haven u.a.

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Bayerisches Nationalmuseum, Bibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0300036078
    RVK Categories: LH 61040 ; LH 65780
    Subjects: Aesthetics; Konstestetik; arts; Ästhetik; Ästhetik; Apotheose; Kunst; Kunstsammler
    Other subjects: Newton, Isaac (1643-1727)
    Scope: XV, 255 S., Ill.
  10. The discovery of painting
    the growth of interest in the arts in England, 1680 - 1768
    Author: Pears, Iain
    Published: 1991
    Publisher:  Yale Univ. Press, New Haven [u.a.]

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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0300038291; 0300051476
    RVK Categories: HD 505 ; LH 60400 ; LO 62140
    Edition: 2. print.
    Subjects: kunsthandel; Ästhetik; Kunstbetrachtung; Malerei; Kunstsammler; Kunst; Geistesleben; Auftraggeber; Kunstsoziologie
    Scope: X, 291 S., Ill.
  11. Metropolitan Fetish
    African Sculpture and the Imperial French Invention of Primitive Art
    Author: Monroe, John Warne
    Published: [2019]; © 2019
    Publisher:  Cornell University Press, Ithaca, NY

    From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universität der Bundeswehr München, Universitätsbibliothek
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    Universitätsbibliothek Passau
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    From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels from sub-Saharan Africa to Parisian art galleries; from the pages of fashion magazines, through the doors of the Louvre, to world fairs and international auction rooms; into the apartments of avant-garde critics and poets; to the streets of Harlem, and then full-circle back to colonial museums and schools in Dakar, Bamako, and Abidjan. John Warne Monroe guides us on this journey, one that goes far beyond the world of Picasso, Matisse, and Braque, to show how the Modernist avant-garde and the European colonial project influenced each other in profound and unexpected ways. Metropolitan Fetish reveals the complex trajectory of African material culture in the West and provides a map of that passage, tracing the interaction of cultural and imperial power. A broad and far-reaching history of the French reception of African art, it brings to life an era in which the aesthetic category of "primitive art" was invented

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501736360
    Other identifier:
    RVK Categories: LH 60100
    Subjects: African Art, Primitive Art, Tribal Art, Modernism, Colonialism, Black Diaspora; African Hist & Diaspora; Anthropology; HISTORY / Europe / France; Art critics; Art; Art, African; Art, Primitive; Modernism (Art); Holzplastik; Primitivismus; Imperialismus; Kunsthandel; Kolonialismus; Naturvolk; Kultgegenstand; Plastik; Avantgarde; Primitivität <Motiv>; Maske; Kunstsammler; Rezeption
    Scope: 1 online resource, 117 b&w halftones, 1 map, 10 color plates
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  12. The Dreyfus Rembrandts: smoke with no gun
    Author: Schwartz, Gary
    Published: [2019]

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Parent title:
    Making waves / edited by Laurinda S. Dixon & Gabriel P. Weisberg; Turnhout, Belgium, [2019]; Seite 31-40
    Subjects: Mann <Motiv>; Bildnismalerei; Juden <Motiv>; Kunstsammler; Juden; Sammlung; Rezeption; Jüdische Kunst
    Other subjects: Kann, Rudolf (1845-1905); Rembrandt Harmensz van Rijn (1606-1669)
    Scope: Illustrationen
  13. Collecting and appreciating
    Henry James and the transformation of aesthetics in the age of consumption
    Author: Francescato, Simone
    Published: 2010
    Publisher:  Peter Lang, New York

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783034301633; 9783035300529
    Series: Cultural interactions ; v. 21
    Subjects: Ästhetik; Collectors and collecting in literature; Art in literature; Object (Aesthetics) in literature; Material culture in literature; Ästhetik; Kunst <Motiv>; Sachkultur <Motiv>; Kunstsammler <Motiv>; Sammeln <Motiv>
    Other subjects: James, Henry (1843-1916); James, Henry (1843-1916); James, Henry (1843-1916)
    Scope: vi, 209 p
    Notes:

    Includes bibliographical references (p. [195]-205) and index

    Appreciation in the age of consumption. The rise of consumption as an aesthetic revolution; Collecting as a modern form of art appreciation; The problem of art consumption for John Ruskin -- Henry James's early response to collecting. Henry James and the Ruskinian picturesque; Picturesque relics vs. renovated collectibles -- Between aestheticism and naturalism. The aesthete and the naturalist as cultural commodifiers; The impossible painting and the ugly statuettes -- The princess Casamassima. Unmasking the naturalist collector: Zola, Turgenev and James; A youth upon whom nothing was lost; The last sacrifice; The extending of one's horizon -- Henry James's aesthetics of desire. Georg Simmel's "value-increasing process"; The ambiguities of a fin-de-siecle connoisseur: Bernard Berenson; The most exquisite economy: Henry James's aesthetics of desire; Appreciation and interpretation -- The spoils of Poynton. The buried bone and the tiny nuggets; A hindrance in the quality of the material; The method at the heart of madness -- The golden bowl. Rounding off the corners of life; Small shining diamonds out of the sweepings of an ordered house; The steel hoop and the silken rope
  14. The evolution of taste in American collecting
    Author: Brimo, René; Haltman, Kenneth
    Published: [2016]; © 2016
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    "A critical translation of René Brimo's 1938 French study of eighteenth- and nineteenth-century patronage and art collecting in the United States"...Provided by publisher more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "A critical translation of René Brimo's 1938 French study of eighteenth- and nineteenth-century patronage and art collecting in the United States"...Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780271073248
    RVK Categories: LH 60400
    Subjects: Geschichte; Kunst; Ästhetik; Art; Art; Art museums; Aesthetics; Geschmack <Ästhetik>; Sammlung; Kunstsammler; Kunst
    Scope: x, 405 Seiten, 8 ungezählte Seiten Bildtafeln, Illustrationen
    Notes:

    "Originally published as L'évolution du goût aux États-Unis d'après l'histoire des collections by René Brimo (Paris, 1938).". - Includes bibliographical references and index
  15. Metropolitan fetish
    African sculpture and the imperial French invention of primitive art
    Author: Monroe, John Warne
    Published: 2019
    Publisher:  Cornell University Press, Ithaca ; London

    Introduction : the French paradox of primitive art -- The making of a metropolitan fetish -- Inventing antiquity : Henri Clouzot, André Level and the universal history of primitive art -- The wings of snobbery : Paul Guillaume and the launch of art... more

    Location:
    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

     

    Introduction : the French paradox of primitive art -- The making of a metropolitan fetish -- Inventing antiquity : Henri Clouzot, André Level and the universal history of primitive art -- The wings of snobbery : Paul Guillaume and the launch of art nègre -- From art nègre to art primitif : black deco, ethnology and surrealism in the late 1920s -- Selling "the art of the ancestors" : Charles Ratton, the art market, and the black diaspora -- Authenticity wars : primitive art between metropole and colony -- Conclusion, with an archival prophecy "A history of the French reception of African art, especially wooden masks and figures, in the first four decades of the twentieth century, and how that reception led to the creation of the broader aesthetic category Westerners now know as "primitive art"--

     
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  16. Antiques
    the history of an idea
    Author: Rosenstein, Leon
    Published: 2009
    Publisher:  Cornell University Press, Ithaca

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801463822
    Subjects: Geschichte; Philosophie; Ästhetik; Antiques; Antiques business; Collectors and collecting; Aesthetics; Antiquität; Kunsthandel; Sammlung; Begriff; Kunstsammler
    Scope: xi, 263 p
    Notes:

    Includes bibliographical references (p. [205]-251) and index
  17. Vom Besitzen zum Rezipieren - oder: Warum es nicht leicht ist, Kunst von Privatsammlern in öffentliche Museen zu überführen
    = From owning to receiving, or: Why it isn't easy to bring art from private collectors into public museums
    Author: Ullrich, Wolfgang
    Published: 2016

    Location:
    Städtische Galerie im Lenbachhaus und Kunstbau München, Bibliothek
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  18. Peggy Guggenheim in photographs
    [Ikona Gallery, Venice, June 10-November 27, 2016]
    Published: 2016; © 2016
    Publisher:  Peggy Guggenheim Collection, Venice

    Location:
    Kunstsammlungen und Museen Augsburg, Bibliothek
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    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English; Italian
    Media type: Book
    ISBN: 9788897913634
    Subjects: Kunstsammler <Motiv>; Porträtfotografie
    Other subjects: Guggenheim, Peggy (1898-1979)
    Scope: 60 Seiten, Illustrationen, 24 cm
    Notes:

    Catalog of an exhibition held at the Ikona Gallery, Venice, Italy, June 10-November 27, 2016. - Bound. - P. Guggenheim (1898-1979), art collector. - Includes bibliographical references. - Text in English and Italian
  19. Collecting and Appreciating
    Henry James and the Transformation of Aesthetics in the Age of Consumption
    Author: Francescato, Simone
    Published: 2011; © 2010
    Publisher:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Bayerische Staatsbibliothek
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035300529
    Other identifier:
    9783035300529
    RVK Categories: HT 5855
    Edition: 1st, New ed
    Subjects: Kunst <Motiv>; Kunstsammler <Motiv>; Sammeln <Motiv>; Sachkultur <Motiv>; Ästhetik
    Other subjects: James, Henry (1843-1916)
    Scope: 1 Online-Ressource (217 Seiten)
    Notes:

    Online resource; title from title screen (viewed June 27, 2019)

    This book examines the role and the meaning of collecting in the fiction of Henry James. Emerging as a refined consumerist practice at the end of the nineteenth century, collecting not only set new rules for appreciating art, but also helped to shape the aesthetic tenets of major literary movements such as naturalism and aestheticism. Although he befriended some of the greatest collectors of the age, in his narrative works James maintained a sceptical, if not openly critical, position towards collecting and its effects on appreciation. Likewise, he became increasingly reluctant to follow the fashionable trend of classifying and displaying art objects in the literary text, resorting to more complex forms of representation. Drawing from classic and contemporary aesthetics, as well as from sociology and material culture, this book fills a gap in Jamesian criticism, explaining how and why James's aversion towards collecting was central to the development of his fiction from the beginning of his career to the so-called major phase
  20. Collecting and appreciating
    Henry James and the transformation of aesthetics in the age of consumption
    Author: Francescato, Simone
    Published: 2010
    Publisher:  Lang, Oxford [u.a.]

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek der LMU München
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9783034301633
    RVK Categories: HT 5855
    DDC Categories: 810
    Series: Cultural interactions ; 21
    Subjects: Sammeln <Motiv>; Kunst <Motiv>; Kunstsammler <Motiv>; Sachkultur <Motiv>; Ästhetik
    Other subjects: James, Henry (1843-1916)
    Scope: VI, 209 S.
    Notes:

    Literaturangaben
  21. Antiques
    the history of an idea
    Author: Rosenstein, Leon
    Published: 2009
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780801447341
    Subjects: Geschichte; Philosophie; Ästhetik; Antiques; Antiques business; Collectors and collecting; Aesthetics; Antiquität; Sammlung; Begriff; Kunstsammler; Kunsthandel
    Scope: XI, 263 S.
    Notes:

    Includes bibliographical references and index
  22. Henry James
    fictional and real-life art collectors
    Author: Mamoli Zorzi, Rosella
    Published: 2011

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Parent title:
    Power underestimated / ed. by Inge Reist and Rosella Mamoli Zorzi; Venezia, 2011; S. 15-36
    Subjects: Kunstsammler <Motiv>
    Other subjects: James, Henry (1843-1916)
  23. The discovery of painting
    the growth of interest in the arts in England, 1680 - 1768
    Author: Pears, Iain
    Published: 1988
    Publisher:  Yale Univ. Pr., New Haven u.a.

    Location:
    Universitätsbibliothek Augsburg
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    Location:
    Universitätsbibliothek Bamberg
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    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek der LMU München
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Universitätsbibliothek Passau
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0300038291
    RVK Categories: LH 60400 ; LO 62140
    Subjects: Konst - Storbritannien - 1680-1768; visual arts; Ästhetik; Malerei; Kunst; Kunstsammler; Kunstbetrachtung; Auftraggeber; Geistesleben; Kunstsoziologie
    Scope: X, 291 S., Ill.
  24. Past and present in art and taste
    selected essays
    Author: Haskell, Francis
    Published: 1987
    Publisher:  Yale Univ. Pr., New Haven u.a.

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0300036078
    RVK Categories: LH 61040 ; LH 65780
    Subjects: Aesthetics; Konstestetik; arts; Ästhetik; Ästhetik; Apotheose; Kunst; Kunstsammler
    Other subjects: Newton, Isaac (1643-1727)
    Scope: XV, 255 S., Ill.
  25. Imagining the Americas in Medici Florence
    Author: Markey, Lia
    Published: [2016]; © 2016
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    "Studies the impact of the discovery of the Americas on Italian Renaissance art and culture, focusing on the Medici engagement with the New World and its effects on collecting and art production in Florence during the sixteenth and early seventeenth... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Studies the impact of the discovery of the Americas on Italian Renaissance art and culture, focusing on the Medici engagement with the New World and its effects on collecting and art production in Florence during the sixteenth and early seventeenth centuries"--Provided by publisher

     
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780271071152
    RVK Categories: LN 84604 ; NN 1585
    Subjects: Indian art / Collectors and collecting / Italy / Florence / History / 16th century; Indian art / Collectors and collecting / Italy / Florence / History / 17th century; Indian art / Influence; Art, Renaissance / Italy / Florence / Themes, motives; Art, Italian / Italy / Florence / Themes, motives; Geschichte; Amerika <Motiv>; Auftraggeber; Kunstsammler; Rezeption; Kunst; Indianer <Motiv>
    Other subjects: Medici, House of / Art collections / History; Buti, Lodovico (1550-1611); Medici Familie : 13.-18. Jahrhundert; Straet, Jan van der (1523-1605)
    Scope: xvii, 241 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    The New World and Italy in the early sixteenth century -- A turkey in a Medici tapestry -- The Americas in the Guardaroba Nuova -- Francesco's exchange and documentation of American nature -- The Stanzino and the representation of the New World -- Between ethnography and fantasy in Ferdinando's New World -- The Florentine codex and Buti's frescoes of Amerindians -- Stradano's invention of the Americas -- The Americas both real and imagined