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Displaying results 1 to 3 of 3.

  1. The Colosseum book
    Author: Giustozzi, Nunzio
    Published: [2017]; © 2017
    Publisher:  Electa, Milan

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9788891813435
    RVK Categories: LN 63116 ; NH 5200
    Subjects: Kolosseum <Rom, Motiv>; Medien; Rezeption; Folgenutzung; Kunst
    Scope: 254 Seiten
  2. Elliott Erwitt's Rome
    Contributor: Erwitt, Elliott
    Published: [2018]; © 2018
    Publisher:  teNeues, Kempen ; Munich ; Berlin ; New York, NY ; London

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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  3. Two spalliera paintings of Roman monuments in the Galleria Colonna
    Author: Freedman, Luba
    Published: 2011

    Two spalliera paintings present, in a singularly innovative fashion, two significant episodes from the history of ancient Rome: the Rape of the Sabine Women, and the subsequent Reconciliation of the Romans and Sabines. This article supports Bernard... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Two spalliera paintings present, in a singularly innovative fashion, two significant episodes from the history of ancient Rome: the Rape of the Sabine Women, and the subsequent Reconciliation of the Romans and Sabines. This article supports Bernard Berenson's attribution of the paintings to Bartolomeo di Giovanni, and dates them to 1488. The innovative character of these paintings consists not only in the inclusion of all'antica costumes and objects, but also in the placement of a series of Roman landmarks in the background. The argument that these paintings were commissioned to celebrate the nozze between Lucrezia di Lorenzo de' Medici and Jacopo di Piero Salviati, makes clear the significance of the choice of monuments and their representation as intact architectural structures (done with the assistance of Giuliano da Sangallo, Lorenzo de' Medici's preferred architect). The paintings reflect the aspirations of the two families to play a significant political as well as financial role in papal Rome.

     
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