Publisher:
Peter Lang Edition,, Frankfurt am Main, Germany :
This book is a compendium of texts by international authors which reflect on Tadeusz Kantor''s art in a broad range of contexts. The studies include works of prominent art historians, theatrologists and artists. The present revisiting of Kantor''s...
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Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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This book is a compendium of texts by international authors which reflect on Tadeusz Kantor''s art in a broad range of contexts. The studies include works of prominent art historians, theatrologists and artists. The present revisiting of Kantor''s artistic oeuvre reflects a contemporary historiographic approach. The authors place value on individual memory and consider contemporary art outside the traditional boundaries of particular artistic genres. The studies employ the latest strategies for researching theatrical performance as autonomous statements, without a literary anchor. Thanks to th
Cover; Table of Contents; Tadeusz Kantor - Yesterday and Today; 1. Actors and Witnesses Make a Grand Entrance; Kantor's Greatness: An Inconvenient Heritage; Tadeusz Kantor, Krakow, 8th December 1990 - 8th December 2010; The Actor in Kantor's Theatre: A Visionary's Questions, a Practitioner's Answers and a Contemporary Post Script; Post Script; Function and Significance of the Theatre Company in the Development of Cricot 2 Productions; 1. The structure and modus operandi of the company, or the unique theatrical concept; 1a. The company of actors and its tradition
1b. Cricot 2 and its actors1c. Exhibitions of artists from the Cricot 2 circle; 1d. A peripatetic circus troupe; 2. Group work as a method; 2a. Creating the protagonists; 2b. Co-creating the concept of the production; 2c. The roles, the texts, the music; 3. What remains from Cricot 2; 4. Actors of the Cricot 2 Theatre; 4a. Manjacy (1993), Actors of the Cricot 2 Theatre; 4b. Ameryka czyli nie oglądaj się za siebie (1995), Actors of the Cricot 2 Theatre; 4c. 'Minęło, minęło i tak przeminą wszystkie historie' (2007), Actors of the Cricot 2 Theatre, the MIST Theatre
4d. Przeciągi (2009), Actors of the Cricot 2 Theatre5. Performances produced jointly with other companies; 5a. Demon Ruchu (1996), Teatr Polski, Bydgoszcz; 5b. Schmelzpunkt (1996), Theater Rampe, Stuttgart; 5c. The Abattoir, after Mrożek (1997), Teatr Polski, Bydgoszcz; 5d. Da Liegt der Hund begraben - Germania Halluzinationen (1997), Theater Rampe, Stuttgart; 5e. Hydromaschinen Prozession (2005), the WLB Actors; 5f. ...and Ravens Have Not Returned to Their Nests, Tehran (2011); 5g. Traumatikon (2011), Rose Bruford College, London; 6. Workshops
2. Paintings and Objects: Etymologies and EvolutionsThe Role of Drawing in the Creation of Tadeusz Kantor's Self-mythology; Tadeusz Kantor's Mannequin and Edward G. Craig's Über-Marionette: An Outline of an Idea; Returns of the Rhinoceros; 1. The Rhinoceros leaves Lisbon; 2. The rhinoceros in Krakow; 3. The rhinoceros in Nuremberg; Don Quixote according to Kantor: Between Reality and Fiction; Tadeusz Kantor: ... Velázquez's Infantas as Sacred Relics or Madonnas; Tadeusz Kantor's Theatre of Emotions: Apropos the Spanish Reception of the Artist
The Door, Frame or Transcendental Threshold in the Work of Tadeusz Kantor1. Real place; 2. A reality transfigured; 3. And above the man, the cross; 3. Revisiting Scenes from the Theatre: Between Life and History; Anthropology of History and Memory in the Theatrical Work of Tadeusz Kantor; 1. The Experience of Memory in the Theatre Space; 2. From the Paradigm of Linear Development to the Time of Return; 3. Turning to the Culture of Memory; 4. The Theatre of Death as a 'Memory Place'; Anxiety and What Next...; 1.; 2.; 3.; 4.; 5.; The Theatre of Dreams in The Theatre of Death
La Machine de l'Amour et de la Mort de Tadeusz Kantor
