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  1. Postmodern Plagiarisms
    Cultural Agenda and Aesthetic Strategies of Appropriation in US-American Literature (1970-2010)
    Author: Horn, Mirjam
    Published: [2015]; ©2015
    Publisher:  De Gruyter, Berlin ; Boston

    This monograph takes on the question of how literary plagiarism is defined, exposed, and sanctioned in Western culture and how appropriating language assigned to another author can be considered a radical subversive act in postmodern US-American... more

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    This monograph takes on the question of how literary plagiarism is defined, exposed, and sanctioned in Western culture and how appropriating language assigned to another author can be considered a radical subversive act in postmodern US-American literature. While various forms of art such as music, painting, or theater have come to institutionalize appropriation as a valid mode to ventilate what authorship, originality, and the anxiety of influence may mean, the literary sphere still has a hard time acknowledging the unmarked acquisition of words, ideas, and manuscripts. The author shows how postmodern plagiarism in particular serves as a literary strategy of appropriation at the interface between literary economics, law, and theoretical discourses of literature. She investigates the complex expectations surrounding the strong link between an individual author subject and its alienable text, a link that several postmodern writers powerfully question and violate. Identifying three distinct practices of postmodern plagiarism, the book examines their specific situatedness, precepts, and subversive potential as litmus tests for the literary market, and the ongoing dynamic notion of the concepts authorship, originality, and creativity

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110379105
    Other identifier:
    Series: Buchreihe der Anglia / Anglia Book Series ; 49
    Other subjects: Authorship; Autorschaft; Geistiges Eigentum; Intellectual Property; Literarischer Markt; Literary Market; Plagiarism; Plagiat; Postmodern Literature; Subversion; Plagiat; Postmoderne; Schriftsteller; Literatur; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Scope: 1 online resource (293 p.)
  2. Postmodern Plagiarisms
    Cultural Agenda and Aesthetic Strategies of Appropriation in US-American Literature (1970-2010)
    Author: Horn, Mirjam
    Published: [2015]; ©2015
    Publisher:  De Gruyter, Berlin ; Boston

    This monograph takes on the question of how literary plagiarism is defined, exposed, and sanctioned in Western culture and how appropriating language assigned to another author can be considered a radical subversive act in postmodern US-American... more

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    This monograph takes on the question of how literary plagiarism is defined, exposed, and sanctioned in Western culture and how appropriating language assigned to another author can be considered a radical subversive act in postmodern US-American literature. While various forms of art such as music, painting, or theater have come to institutionalize appropriation as a valid mode to ventilate what authorship, originality, and the anxiety of influence may mean, the literary sphere still has a hard time acknowledging the unmarked acquisition of words, ideas, and manuscripts. The author shows how postmodern plagiarism in particular serves as a literary strategy of appropriation at the interface between literary economics, law, and theoretical discourses of literature. She investigates the complex expectations surrounding the strong link between an individual author subject and its alienable text, a link that several postmodern writers powerfully question and violate. Identifying three distinct practices of postmodern plagiarism, the book examines their specific situatedness, precepts, and subversive potential as litmus tests for the literary market, and the ongoing dynamic notion of the concepts authorship, originality, and creativity

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110379105
    Other identifier:
    Series: Buchreihe der Anglia / Anglia Book Series ; 49
    Subjects: Authorship; Autorschaft; Geistiges Eigentum; Intellectual Property; Literarischer Markt; Literary Market; Plagiarism; Plagiat; Postmodern Literature; Subversion; Postmoderne; Schriftsteller; Literatur; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Scope: 1 online resource (293 p.)
  3. Postmodern Plagiarisms
    Cultural Agenda and Aesthetic Strategies of Appropriation in US-American Literature (1970–2010)
    Author: Horn, Mirjam
    Published: 2015; ©2015
    Publisher:  De Gruyter, Berlin [u.a.]

    Postmodern Plagiarisms investigates literary plagiarism and how it serves as a strategic act in several postmodern US-American texts. The book discusses the strong link between author and text at the interface between economics, law, and literary... more

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    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Postmodern Plagiarisms investigates literary plagiarism and how it serves as a strategic act in several postmodern US-American texts. The book discusses the strong link between author and text at the interface between economics, law, and literary theory, and the complex process of its subversive violation. As a consequence, literary plagiarism is seen as a cultural litmus test for the dynamic notions of authorship, originality, and creativity

     
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110379105
    Other identifier:
    RVK Categories: HU 1680
    Edition: Online-Ausg.
    Series: Buchreihe der Anglia / Anglia Book Series ; v.49
    De Gruyter eBook-Paket Literatur- und Kulturwissenschaft, Area Studies
    Subjects: Plagiarism; American literature; Plagiarism; American literature; Imitation in literature; Plagiat; Postmoderne; Schriftsteller; Literatur; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Other subjects: Authorship; Intellectual Property; Literary Market; Plagiarism; Postmodern Literature; Subversion
    Scope: Online-Ressource (VI, 286 S.)
    Notes:

    Description based upon print version of record

    Zugl.: Giessen, Univ., Diss., 2012

    2.2.1 ""Everything can be said and must be said in any possible way"": Stealing Away With Critifiction and Playgiarism2.2.2 Disowning Meaning and Male Authority: Feminist Plagiarist ConText; 2.2.3 NeoConceptual Uncreative Writing of the TwentyFirst Century; 3 Plagiarism as Writing Practice in US Postmodern Literature; 3.1 Practicing Theory With Critifiction: Raymond Federman's Double or Nothing (1971/1991); 3.2 ConText as Dissident Feminist Writing: Kathy Acker's Empire] of the Senseless (1988); 3.3 NeoConceptual Appropriate Writing.

    3.3.1 Uncreative Writing as Constrained Transcription: Kenneth Goldsmith's £>oy(2003)3.3.2 Appropriating Legal Texts: Vanessa Place's Tragodia I: Statement of Facts (2010); 3.3.3 Appropriate and Erase: Yedda Morrison's Darkness (chapter 1) (2009); 4 Conclusion: The Present and Future of Strategic Appropriation in the Arts; Bibliography; Index.

    Contents; 1 Introducing Plagiarism Beyond Illegitimate Plunder; 2 Framing Plagiarism as a Postmodern Negotiation of Authorship and Text Sovereignty; 2.1 Authorship and Its Nemeses: Plagiarism as Unoriginal Practice; 2.1.1 The Commodification of Literature and the Economic Value of Authorial Attribution; 2.1.2 The ExtraAesthetic Notion of Plagiarism: The Case of Literary Theft; 2.1.3 Under Siege: Challenging Textual Integrity and Individual Authorship; 2.2 Writing Beyond Petty Theft: Critifiction, ConText, and NeoConceptual Writing.
  4. Postmodern Plagiarisms
    Cultural Agenda and Aesthetic Strategies of Appropriation in US-American Literature (1970–2010)
    Author: Horn, Mirjam
    Published: 2015; ©2015
    Publisher:  De Gruyter, Berlin [u.a.]

    Postmodern Plagiarisms investigates literary plagiarism and how it serves as a strategic act in several postmodern US-American texts. The book discusses the strong link between author and text at the interface between economics, law, and literary... more

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    Postmodern Plagiarisms investigates literary plagiarism and how it serves as a strategic act in several postmodern US-American texts. The book discusses the strong link between author and text at the interface between economics, law, and literary theory, and the complex process of its subversive violation. As a consequence, literary plagiarism is seen as a cultural litmus test for the dynamic notions of authorship, originality, and creativity

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110379105
    Other identifier:
    RVK Categories: HU 1680
    Edition: Online-Ausg.
    Series: Buchreihe der Anglia / Anglia Book Series ; v.49
    De Gruyter eBook-Paket Literatur- und Kulturwissenschaft, Area Studies
    Subjects: Plagiarism; American literature; Plagiarism; American literature; Imitation in literature; Plagiat; Postmoderne; Schriftsteller; Literatur; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Other subjects: Authorship; Intellectual Property; Literary Market; Plagiarism; Postmodern Literature; Subversion
    Scope: Online-Ressource (VI, 286 S.)
    Notes:

    Description based upon print version of record

    Zugl.: Giessen, Univ., Diss., 2012

    2.2.1 ""Everything can be said and must be said in any possible way"": Stealing Away With Critifiction and Playgiarism2.2.2 Disowning Meaning and Male Authority: Feminist Plagiarist ConText; 2.2.3 NeoConceptual Uncreative Writing of the TwentyFirst Century; 3 Plagiarism as Writing Practice in US Postmodern Literature; 3.1 Practicing Theory With Critifiction: Raymond Federman's Double or Nothing (1971/1991); 3.2 ConText as Dissident Feminist Writing: Kathy Acker's Empire] of the Senseless (1988); 3.3 NeoConceptual Appropriate Writing.

    3.3.1 Uncreative Writing as Constrained Transcription: Kenneth Goldsmith's £>oy(2003)3.3.2 Appropriating Legal Texts: Vanessa Place's Tragodia I: Statement of Facts (2010); 3.3.3 Appropriate and Erase: Yedda Morrison's Darkness (chapter 1) (2009); 4 Conclusion: The Present and Future of Strategic Appropriation in the Arts; Bibliography; Index.

    Contents; 1 Introducing Plagiarism Beyond Illegitimate Plunder; 2 Framing Plagiarism as a Postmodern Negotiation of Authorship and Text Sovereignty; 2.1 Authorship and Its Nemeses: Plagiarism as Unoriginal Practice; 2.1.1 The Commodification of Literature and the Economic Value of Authorial Attribution; 2.1.2 The ExtraAesthetic Notion of Plagiarism: The Case of Literary Theft; 2.1.3 Under Siege: Challenging Textual Integrity and Individual Authorship; 2.2 Writing Beyond Petty Theft: Critifiction, ConText, and NeoConceptual Writing.