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Displaying results 176 to 200 of 330.

  1. Binding the absent body in medieval and modern art
    abject, virtual, and alternate bodies
    Contributor: Kelley, Emily (HerausgeberIn); Rivenbark, Elizabeth Richards (HerausgeberIn)
    Published: 2018
    Publisher:  Routledge, Taylor & Francis Group, London

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    Universitätsbibliothek Leipzig
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    323151 - A
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    Source: Union catalogues
    Contributor: Kelley, Emily (HerausgeberIn); Rivenbark, Elizabeth Richards (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367200169; 9781472459367
    RVK Categories: LH 65020 ; LH 84120 ; LH 81000
    Edition: First issued in paperback
    Series: An Ashgate book
    Subjects: Human beings in art; Human body
    Scope: xii, 199 Seiten, Illustrationen
  2. Realism and role-play
    the human figure in French art from Callot to the brothers Le Nain
    Author: Knowles, Marika
    Published: 2020; ©2011
    Publisher:  University of Delaware Press, Newark, Delaware ; University of Virginia Press, [Charlottesville]

    After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to... more

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    Orient-Institut Beirut
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    Proquest
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    Hochschulbibliothek Friedensau
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    Deutsches Historisches Institut Paris, Bibliothek
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    After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781644531822
    Series: Studies in Seventeenth- and Eighteenth-Century Art and Culture
    Subjects: Human beings in art; Figurative art, French; Social status in art; Role playing in art; Electronic books
    Scope: 1 online resource (327 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  3. Georg Baselitz
    Author: Calvocoressi, Richard
    Published: 2021
    Publisher:  Thames & Hudson Ltd, London

    A prolific artist with a protean output, Georg Baselitz has rethought the conventions of a range of media in both painting and sculpture, over the course of a career of some sixty years. Born in 1938, Baselitz was expelled from art school in East... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Hochschule für Bildende Künste Braunschweig, Bibliothek
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    K 5.1 Baselitz,G 27
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    Staatliche Kunstsammlungen Dresden, Kunstbibliothek
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    Sächsische Bibliografie
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    Universitätsbibliothek Heidelberg
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    A prolific artist with a protean output, Georg Baselitz has rethought the conventions of a range of media in both painting and sculpture, over the course of a career of some sixty years. Born in 1938, Baselitz was expelled from art school in East Berlin in 1956 for 'socio-political immaturity', and moved to the western half of the city. By the late 1950s, he had rejected the dominant tendencies of both sides of the country and his singular achievement was to reintroduce the figure, compromised and discredited though it was by both Nazism and Communism, into art. By drawing attention to art by 'outsiders', such as psychiatric patients, and invoking a Parisian model of existentialist art and literature, Baselitz proposed an alternative European tradition that did not eliminate the human subject. In alluding later to movements in German painting such as Expressionism as well as to artists like Munch, he also consciously rehabilitated the kind of art that was condemned by Hitler as 'degenerate'. The book follows the development of Baselitz's unique style from his earliest work through to the most recent creations of his eighth decade. Calvocoressi's masterful construction of a chronological narrative helps us to evaluate Baselitz's work in terms of the disruptions of his life - historical upheavals witnessed alongside an astonishing career

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Baselitz, Georg (KünstlerIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780500094396; 9780500094150; 0500094152
    RVK Categories: LI 13760
    Subjects: Human beings in art; Human figure in art; Existentialism in art; Art brut; Entartete Kunst; Painting, German; Sculpture, German; Sculpture, German; Painting, German; Human figure in art; Human beings in art; Existentialism in art; Entartete Kunst; Art brut
    Other subjects: Baselitz, Georg (1938-); Baselitz, Georg
    Scope: 391 Seiten, 32 cm
    Notes:

    Includes bibliographical references and index
  4. Humans
    Author: Antoine, Jean-Philippe; Arscott, Caroline; Braddock, Alan C.; Abse Gogarty, Larne; Horton, Jessica L.; Leja, Michael; Smith, Cherise
    Published: [2021]
    Publisher:  Terra Foundation for American Art, Chicago

    Humanitas. Literae. Fruges. : Humboldt, Empire, and Humanity in the Anthropocene / Alan C. Braddock -- The Inhumanity of the Mass Subject / Michael Leja -- "Monsters of Mutilation, Death and Decay" : The Tragic Figures of Monster Roster / Larne Abse... more

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    Humanitas. Literae. Fruges. : Humboldt, Empire, and Humanity in the Anthropocene / Alan C. Braddock -- The Inhumanity of the Mass Subject / Michael Leja -- "Monsters of Mutilation, Death and Decay" : The Tragic Figures of Monster Roster / Larne Abse Gogarty -- Follow the Figure : Cauleen Smith Confronts Land Art / Cherise Smith -- Fire Oppression : Burning and Weaving in Indigenous California / Jessica L. Horton -- James McNeill Whistler : Memory, the Canvas, and the Human Mind / Caroline Arscott -- The Human, Too Human Shape of Time : George Kubler on Arts and Stars / Jean-Philippe Antoine. "Humans are organisms, but "the human being" is a term referring to a complicated, self-contradictory, and historically evolving set of concepts and practices. Humans explores competing versions, constructs, and ideas of the human being that have figured prominently in the arts of the United States. These essays consider a range of artworks from the colonial period to the present, examining how they have reflected, shaped, and modeled ideas of the human in American culture and politics. The book addresses to what extent artworks have conferred more humanity on some human beings than others, how art has shaped ideas about the relationships between humans and other beings and things, and in what ways different artistic constructions of the human being evolved, clashed, and intermingled over the course of American history. Humans both tells the history of a concept foundational to US civilization and proposes new means for its urgently needed rethinking"--

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Bieger, Laura (HerausgeberIn); Shannon, Joshua (HerausgeberIn); Weems, Jason (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780932171726
    Series: Terra Foundation essays ; volume 5
    Subjects: Human beings in art; Humanity in art; Art and society
    Scope: 200 pages, illustrations
    Notes:

    Includes bibliographical references
  5. Indecent bodies in early modern visual culture
    Contributor: Jonietz, Fabian (HerausgeberIn); Richter, Mandy (HerausgeberIn); Stewart, Alison G. (HerausgeberIn)
    Published: [2023]; © 2023
    Publisher:  Amsterdam University Press, Amsterdam

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatliche Kunstsammlungen Dresden, Kunstbibliothek
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    Universität Freiburg, Kunstgeschichtliches Institut, Bibliothek
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    Frei 13: I-7-3-36
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    Franckesche Stiftungen, Studienzentrum August Hermann Francke, Archiv und Bibliothek
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    Universitätsbibliothek Heidelberg
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    Institut für Europäische Kunstgeschichte der Universität, Bibliothek
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    Ik 2404
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    Source: Union catalogues
    Contributor: Jonietz, Fabian (HerausgeberIn); Richter, Mandy (HerausgeberIn); Stewart, Alison G. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789463725835
    Series: Visual and material culture, 1300-1700 ; 40
    Subjects: Human beings in art; Obscenity (Aesthetics); Art, European
    Scope: 292 Seiten, Illustrationen, 24 cm
    Notes:

    Zählung der Reihe von Buchrücken übernommen
  6. Visibility
    Author: Pitts, Johny
    Published: 2022
    Publisher:  Tate, London

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    Universitätsbibliothek Heidelberg
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    2022 R 854
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781849768252
    Series: Look again
    Subjects: Human beings in art; Visibility in art; Art and society; Art and society; Human beings in art; Visibility in art
    Scope: 48 Seiten, Illustrationen, 18 cm
  7. Indecent Bodies in Early Modern Visual Culture
    Contributor: Cuneo, Pia F. (MitwirkendeR); De Mambro Santos, Ricardo (MitwirkendeR); Emerson, Catherine (MitwirkendeR); Jonietz, Fabian (MitwirkendeR); Jonietz, Fabian (HerausgeberIn); Kirch, Miriam Hall (MitwirkendeR); Meurer, Susanne (MitwirkendeR); Richter, Mandy (MitwirkendeR); Richter, Mandy (HerausgeberIn); Sammern, Romana (MitwirkendeR); Stewart, Alison G. (MitwirkendeR); Stewart, Alison (HerausgeberIn); Talvacchia, Bette (MitwirkendeR)
    Published: 2022; ©2022
    Publisher:  Amsterdam University Press, Amsterdam

    The life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered ‘decent’ and representable, and... more

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    The life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered ‘decent’ and representable, and which disapproved, censored, or prohibited. Simultaneously, artists and the public became increasingly interested in the depiction of specific body parts or excretions. This book explores the concept of indecency and its relation to the human body across drawings, prints, paintings, sculptures, and texts. The ten essays investigate questions raised by such objects about practices and social norms regarding the body, and they look at the particular function of those artworks within this discourse. The heterogeneous media, genres, and historical contexts north and south of the Alps studied by the authors demonstrate how the alleged indecency clashed with artistic intentions and challenges traditional paradigms of the historiography of Early Modern visual culture

     
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    Source: Union catalogues
    Contributor: Cuneo, Pia F. (MitwirkendeR); De Mambro Santos, Ricardo (MitwirkendeR); Emerson, Catherine (MitwirkendeR); Jonietz, Fabian (MitwirkendeR); Jonietz, Fabian (HerausgeberIn); Kirch, Miriam Hall (MitwirkendeR); Meurer, Susanne (MitwirkendeR); Richter, Mandy (MitwirkendeR); Richter, Mandy (HerausgeberIn); Sammern, Romana (MitwirkendeR); Stewart, Alison G. (MitwirkendeR); Stewart, Alison (HerausgeberIn); Talvacchia, Bette (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048551774
    Other identifier:
    Series: Visual and Material Culture, 1300 –1700 ; 40
    Subjects: Art, European; Human beings in art; Obscenity (Aesthetics); ART / History / Renaissance
    Other subjects: Decorum, Body History, Sex, Ugliness, Beauty
    Scope: 1 Online-Ressource (292 p.)
  8. Figuring faith and female power in the art of Rubens
    Author: Lyon, J. Vanessa
    Published: [2020]
    Publisher:  Amsterdam University Press, Amsterdam

    This book argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens's paintings continue... more

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    This book argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens's paintings continue to be used-and abused-to prescribe and proscribe certain forms of femininity. Repositioning some of the artist's best-known works within seventeenth-century Catholic theology and female court culture provides a feminist corrective to a body of art historical scholarship in which studies of gender and religion are often mutually exclusive. Moving chronologically through Rubens's lengthy career, the author shows that, in relation to the powerful women in his life, Rubens figured the female form as a transhistorical carrier of meaning whose devotional and rhetorical efficacy was heightened rather than diminished by notions of female difference and particularity

     
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  9. Striking a pose
    a handy guide to the male nude
    Author: Kunz, Anita
    Published: Fall 2023
    Publisher:  Fantagraphics, Seattle, WA

    What would Jimi Hendrix, Clint Eastwood, Ricky Gervais, Stephen King, and over a hundred other pop culture icons look like if they posed for your Live Drawing Class? Inspired by her own art students' struggles and triumphs with nude life drawing,... more

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    What would Jimi Hendrix, Clint Eastwood, Ricky Gervais, Stephen King, and over a hundred other pop culture icons look like if they posed for your Live Drawing Class? Inspired by her own art students' struggles and triumphs with nude life drawing, Anita Kunz turns her brushes to nearly 150 speculative portraits of famous figures, stripped of their vanities and as unpretentiously posed as life models. Alone or grouped, male marvels and monsters and musicians stand, lean and sit for the imaginary eye of the acclaimed painter and illustrator. Drawn with a casual wit, Kunz's caricatures combine with naturalism to undercut the mystique of her subjects. The well-known faces become less significant than the unknown bodies, as though the celebrities and creators are descending from their pedestals in order to pose. Less directly comic or polemical than her previous Another History Of Art (Fantagraphics, 2021) Striking a Pose nevertheless includes a feminist flip on the role of the nude model, Kunz upends historical gender prejudices within the fine art world while also finding a welcoming humor in the bathos of the naked body

     
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  10. Beauty and monstrosity in art and culture
    Contributor: Kokkiou, Chara (HerausgeberIn); Malakasioti, Angeliki (HerausgeberIn)
    Published: 2024
    Publisher:  Routledge Taylor & Francis Group, New York

    "This edited volume takes a new look at an old question: what is the relationship between beauty and monstrosity? How has the notion of beauty transformed through the years and how does it coincide with monstrous ontologies? Contributors offer an... more

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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    "This edited volume takes a new look at an old question: what is the relationship between beauty and monstrosity? How has the notion of beauty transformed through the years and how does it coincide with monstrous ontologies? Contributors offer an interdisciplinary approach to how these two concepts are interlinked and emphasizes the ways the beautiful and the monstrous pervade human experience. The two notions are explored through the axis of human transformation, focusing on body, identity and gender, while questioning both how humans transform their body and space as well as how humans themselves are gradually transformed in different contexts. The pandemic, gender crisis, moral crisis, sociocultural instability, and environmental issues have redefined beauty and the relationship we have with it. Exploring these concepts through the lens of human transformation can yield valuable insights into what it means to be human in a world of constant change. The book will be of interest to scholars working in art history, archaeology, philosophy, architecture, and cultural studies"--

     
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    Source: Union catalogues
    Contributor: Kokkiou, Chara (HerausgeberIn); Malakasioti, Angeliki (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781032355825; 9781032355849
    RVK Categories: CC 6900
    Series: Routledge research in art history
    Subjects: Human body (Philosophy); Human beings in art; Aesthetics; Monstrosity; ART / History / General; Cultural studies; Geschichtsschreibung, Historiographie; HISTORY / Historiography; Historiography; History of art / art & design styles; Kulturwissenschaften; Kunstgeschichte; LIT025060; LITERARY CRITICISM / Semiotics & Theory; Literary studies: general; Literary theory; Literaturtheorie; Literaturwissenschaft, allgemein; SOCIAL SCIENCE / Anthropology / Cultural
    Scope: xvi, 246 Seiten, Illustrationen
    Notes:

    Literaturangaben

    Infernal women : polysemic winged figures in Etruscan art / Bice Peruzzi -- Beauties and beasts : a personal lens to the backstage of story-creation / Alexandra Antonopoulou -- Truth, beauty, and hungry monsters / Chris Hables Gray.
  11. Beauty and monstrosity in art and culture
    Contributor: Kokkiou, Chara (HerausgeberIn); Malakasioti, Angeliki (HerausgeberIn)
    Published: 2024
    Publisher:  Routledge, New York

    Infernal women : polysemic winged figures in Etruscan art / Bice Peruzzi -- Beauties and beasts : a personal lens to the backstage of story-creation / Alexandra Antonopoulou -- Truth, beauty, and hungry monsters / Chris Hables Gray. more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitätsbibliothek der Eberhard Karls Universität
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    Infernal women : polysemic winged figures in Etruscan art / Bice Peruzzi -- Beauties and beasts : a personal lens to the backstage of story-creation / Alexandra Antonopoulou -- Truth, beauty, and hungry monsters / Chris Hables Gray.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Kokkiou, Chara (HerausgeberIn); Malakasioti, Angeliki (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003327516; 1003327516; 9781003845645; 1003845649; 9781003845652; 1003845657
    Other identifier:
    RVK Categories: CC 6900
    Series: Routledge research in art history
    Subjects: Human body (Philosophy); Human beings in art; Aesthetics; Monstrosity; ART / Popular Culture; HISTORY / Ancient / General
    Scope: 1 Online ressource (256 Seiten), Illustrationen
  12. Realism and role-play
    the human figure in French art from Callot to the brothers Le Nain
    Author: Knowles, Marika
    Published: 2020
    Publisher:  University of Delaware Press, Newark, Delaware ; University of Virginia Press, [Charlottesville]

    "After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Universitätsbibliothek Heidelberg
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    2021 C 8
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    "After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Fascinated by the intricate politics of the encounter between two human beings, artists such as Jacques Callot, Daniel Rabel, Abraham Bosse, Claude Vignon, Georges de la Tour, Jean de Saint-Igny, the Brothers Le Nain, Pierre Brebiette, Jean I Le Blond, and Charles David represented the human figure as a performer who acted out his or her social role. The resulting figures were everyday types whose representations in series of prints, painted galleries, and illustrated books created a repertoire of contemporary social roles. The Real Performer draws upon literature, social history, and affect theory in order to understand the way that figuration performed social positions"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781644531815; 9781644531808
    Series: Studies in seventeenth- and eighteenth-century art and culture
    Subjects: Human beings in art; Figurative art, French; Social status in art; Role playing in art
    Scope: xiv, 308 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  13. Presence of the body
    awareness in and beyond experience
    Published: [2017]
    Publisher:  Brill, Leiden

    Preliminary Material /Gert Hofmann and Snježana Zorić -- Introduction: Presence of the Body—Awareness in and beyond Experience /Gert Hofmann and Snježana Zorić -- Bodies and Their Matter /Leonida Kovač -- Losing the Plot: Inappropriate Fictions and... more

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    Preliminary Material /Gert Hofmann and Snježana Zorić -- Introduction: Presence of the Body—Awareness in and beyond Experience /Gert Hofmann and Snježana Zorić -- Bodies and Their Matter /Leonida Kovač -- Losing the Plot: Inappropriate Fictions and the Art of the Theatre /Franc Chamberlain -- Examining Body Limits /Milica Ivić -- Ritualised Corporeality in Contemporary Croatian Art /Josip Zanki -- Body and Awareness as Reflected in the Wife of Bath: A Historical Study Based on Chaucer’s Canterbury Tales /Lidija Štrmelj -- Lost in Isolation: Ulrike Meinhof’s Body in Poetry /Karin Bauer -- Foreign Language—Foreign Body: The Embodiment of Sprachfremde in Dimitré Dinev’s Engelszungen and Terézia Mora’s Alle Tage /Anja K. Seiler -- Putting Hell on Paper: Chronic Pain Patients and the Challenge of Illness Narratives /Elisa Primavera-Lévy -- Neuroethical Reflections on Body and Awareness in Kazuo Ishiguro’s Never Let Me Go and Ian McEwan’s Saturday /Sara Strauß -- Self, Interrupted: Body, Awareness, and Continuity in Oliver Sacks’s A Leg to Stand On /Tanja Reiffenrath -- Performances in the Anthropocene: Embodiment and Environment(s) in Ilija Trojanow’s Climate Change Novel /Sabine Wilke -- Disintegrating Identities: Bodily Presence in Contemporary Writing /Gert Hofmann -- Awe and Humility in the Face of Things: Somatic Practice in East-Asian Philosophies /Graham Parkes -- The Silent Performance of Mindfulness: Aware Corporeality / Corporeal Awareness of No-Self /Snježana Zorić -- Index /Gert Hofmann and Snježana Zorić. Presence of the Body provides an interdisciplinary forum for the dialogue between theory and practice about the impact of the body on human awareness in the fields of art, writing, meditative practice, and performance. This dialogue benefits from the neuro-systematic integration of “embodied” knowledge in the cognitive sciences, but it also suggests creative and transformative dynamics of embodiment which, beyond conceptualisation, emerge in sophisticated acts of writing, performing and meditating. Exploring the presence and experience character of the body-awareness relationship, a double perspective beyond cognitive fixations is suggested: 1) a body-centred touch of the world which inspires life as a creative ‘writing’ process, and 2) in line with Buddhist thought, an empty space of ‘pure presence’ from which all conscious processes originate

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004334748
    Other identifier:
    Series: Consciousness, literature and the arts ; v. 50
    Subjects: Human body in literature; Human beings in art; Human body in mass media; Human body (Philosophy); Human body
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Includes bibliographical references and index
  14. Going dark
    the contemporary figure at the edge of visibility
    Contributor: James, Ashley (HerausgeberIn); Carter, Jordan (VerfasserIn von ergänzendem Text); Cortez, Rio (VerfasserIn von ergänzendem Text); Dozier, Ayanna (VerfasserIn von ergänzendem Text)
    Published: [2023]
    Publisher:  Guggenheim, New York, NY ; Artbook | D.A.P.

    "Going Dark brings together a multigenerational group of contemporary artists who engage the "semi-visible" figure-representations that are partially (or fully) obscured, including, in some cases, literally darkened-and suggests that the concept of... more

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    "Going Dark brings together a multigenerational group of contemporary artists who engage the "semi-visible" figure-representations that are partially (or fully) obscured, including, in some cases, literally darkened-and suggests that the concept of going dark is a tool that has been used by artists for decades to probe enduring questions surrounding both the potential and the discontents of social visibility. Across mediums-painting, photography, sculpture, video and installation-Going Dark names, charts and makes meaning of the semi-visible figure, arguing for its significance in contemporary art as a genre of unique conceptual and formal power. More than 125 works in all of these mediums by more than 25 artists are featured. Essays by such curators as Legacy Russell and Jordan Carter, and professor Abbe Schriber, among others, contextualize the histories that inspired these works. In addition, four award-winning poets and three acclaimed graphic designers have contributed works. Artists include: American Artist, Kevin Beasley, Rebecca Belmore, Dawoud Bey, John Edmonds, Ellen Gallagher, David Hammons, Lyle Ashton Harris, Tomashi Jackson, Titus Kaphar, Glenn Ligon, Kerry James Marshall, Tiona Nekkia McClodden, Joiri Minaya, Sandra Mujinga, Chris Ofili, Sondra Perry, Farah Al Qasimi, Faith Ringgold, Doris Salcedo, Lorna Simpson, Sable Elyse Smith, Stephanie Syjuco, Hank Willis Thomas, WangShui, Carrie Mae Weems and Charles White"--

     
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    Source: Union catalogues
    Contributor: James, Ashley (HerausgeberIn); Carter, Jordan (VerfasserIn von ergänzendem Text); Cortez, Rio (VerfasserIn von ergänzendem Text); Dozier, Ayanna (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780892075638
    RVK Categories: LH 65020
    Subjects: Human beings in art; Shades and shadows in art; Absence in art; Art, Modern
    Scope: 253 Seiten
    Notes:

    Seite [254]: "Published on the occasion of the exhibition 'Going Dark: The Comtemporary Fibure at the Edge of Visibility' [...] Solomon R. Guggenheim Museum, New York, October 20, 2023 - April 7, 2024"

    Includes bibliographical references

    Beyond Opacity: Obscuring Figuration in David Hammons's Body Prints / Abbe Schriber -- Coming into the Light: Exertion, Delay, and Illumination of the Semi-Visible Figure / Ashley James -- Ghosts of a Chance / Harmony Holiday.
  15. Archeologia delle immagini
    style, agency e significato
    Author: Pappalardo, Eleonora
    Published: [2023]
    Publisher:  Edizioni Quasar, Roma

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek, Archäologische Bibliothek
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    LG 1500 P218
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    Institut für Archäologische Wissenschaften, Abt. Klassische Archäologie, Bibliothek
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    Frei 11: 10 A/PAPP/2
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    Universitätsbibliothek Heidelberg
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    2023 C 2768
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    Bereichsbibliothek Altertumswissenschaften, Abteilung Archäologie
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Verlag (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788854913585
    RVK Categories: LG 1500 ; NG 1525 ; NG 1600
    Series: Antico
    Subjects: Art, Ancient; Human beings in art; Art, Ancient; Human beings in art
    Scope: 208 Seiten, Illustrationen, Diagramme, 21 cm
    Notes:

    Includes bibliographical references (pages 183-205) and index
  16. Das Menschenbild im 20. Jahrhundert
    zusammengestellt aus der Sammlung des Karl-Ernst-Osthaus-Museums Hagen, 21. September - 20. Oktober 1974
    Published: [1974]
    Publisher:  Karl-Ernst-Osthaus-Museum, Hagen

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2009:4428:
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    Ku A 7565
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    Corporations / Congresses:
    Karl-Ernst-Osthaus-Museum Hagen
    Subjects: Karl-Ernst-Osthaus-Museum Hagen; Kunst; Mensch <Motiv>;
    Other subjects: Array; Array
    Scope: 37 S, Ill, 20 x 21 cm
  17. La représentation du corps dans la culture italienne
    actes du colloque de 1980, Centre d'Études Italiennes d'Aix-en-Provence
    Published: 1982
    Publisher:  Univ. de Provence, Aix-en-Provence

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    Universitätsbibliothek Osnabrück
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    4320-997 8
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    Source: Union catalogues
    Language: French; Italian
    Media type: Book
    Format: Print
    ISBN: 2853990524
    Subjects: Italian literature; Human body in literature; Figurative art, Italian; Human beings in art
    Scope: 104 p, 22 cm
    Notes:

    French and Italian

    Includes bibliographical references
  18. La représentation du corps dans la culture italienne
    [actes du colloque de 1982, Centre d'Études Italiennes d'Aix-en-Provence]
    Published: 1983
    Publisher:  Univ. de Provence, Aix-en-Provence

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    Universitätsbibliothek Osnabrück
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    4320-999 4
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    Source: Union catalogues
    Language: French; Italian
    Media type: Book
    Format: Print
    ISBN: 285399080X
    Subjects: Italian literature; Human body in literature; Figurative art; Human beings in art
    Scope: 170 p, ill, 22 cm
    Notes:

    French and Italian

    Includes bibliographical references

    On spine: "3
  19. Ansichtssachen, Menschenbilder ; [anlässlich der Ausstellung fokus sammlung 02, Ansichtssachen. Menschenbilder, Museum Moderner Kunst Kärnten 9. Juni bis 4. September 2011]
    Published: 2011
    Publisher:  Museum Moderner Kunst Kärnten, Klagenfurt am Wörthersee

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783950295030
    RVK Categories: LH 84123
    Edition: 1., Aufl.
    Series: Fokus Sammlung / Museum Moderner Kunst Kärnten ; 2
    Subjects: Nude in art; Painting; Painting, Austrian; Human beings in art
    Scope: 71 S., Ill.
  20. Embodied knowledge
    perspectives on belief and technology
    Contributor: Sørensen, Marie Louise Stig (Hrsg.)
    Published: 2013
    Publisher:  Oxbow, Oxford [u.a.]

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    Universität Freiburg, Orientalisches Seminar, Bibliothek
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    Frei 29: CG/jc/SØRE/1
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    Universitätsbibliothek Heidelberg
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    2013 D 281
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    Bereichsbibliothek Altertumswissenschaften, Abteilung Ur- und Frühgeschichte und Vorderasiatische Archäologie
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    11 / SOR
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Institut für Ur- und Frühgeschichte und Archäologie des Mittelalters, Abteilung Jüngere Urgeschichte und Frühgeschichte und Abteilung für Archäologie des Mittelalters, Bibliothek
    Signature:
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    Source: Union catalogues
    Contributor: Sørensen, Marie Louise Stig (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1842174908; 9781842174906
    Other identifier:
    9781842174906
    Subjects: Social archaeology; Archaeology and history; Human body; Senses and sensation; Learning; Belief and doubt; Technology; Material culture; Antiquities; Social epistemology; Arts, Ancient; Human beings in art; Industries, Primitive; Technology
    Scope: 154 S., Ill., graph. Darst.
    Notes:

    Embodied knowledge : reflections on belief and technology : introduction / Marie Louise Stig Sørensen and Katharina Rebay-SalisburyPart I -- Introduction to Part I: Belief as practice / Marie Louise Stig Sørensen -- Inhumation and cremation : how burial practices are linked to beliefs / Katharina Rebay-Salisbury -- Delusion and disclosure : human disposal and the aesthetics of vagueness / Tim Flohr Sørensen -- Material culture, embodiment and the construction of religious knowledge / Mads Dengsø Jessen -- Sealed by the cross : protecting the body in Anglo-Saxon England / Helen Foxhall Forbes -- The role of healing in the Jesuit mission to China, 1582-1610 / Mary Laven -- Protest re-embodied : shifting technologies of moral suasion in India / Jacob Copeman -- Part II -- Introduction to Part II: Technology as practice / Lise Bender Jørgensen -- The language of craftsmanship / Harald Bentz Høgseth -- Conceptual knowledge as technologically materialised : a case study of pottery production, consumption and community practice / Sheila Kohring -- Many hands make light work : potting and embodied knowledge at the Bronze Age tell at Százhalombatta, Hungary / Joanna Sofaer and Sandy Budden -- Spinning faith / Lise Bender Jørgensen -- The sound of fire, taste of copper, feel of bronze, and colours of the cast : sensory aspects of metalworking technology / Maikel Henricus Gerardus Kuijpers -- Authors' short biographies and contact details.
  21. Figura Umana
    Normkonzepte der Menschendarstellung in der italienischen Kunst 1919-1939
    Contributor: Leuschner, Eckhard (HerausgeberIn)
    Published: [2012]; @ 2012
    Publisher:  Michael Imhof Verlag, Petersberg

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    K 7.31 Fig 1
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    LN 81490 L654
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Leuschner, Eckhard (HerausgeberIn)
    Language: German; English; Italian
    Media type: Book
    Format: Print
    ISBN: 9783865687777
    RVK Categories: LN 81490
    Subjects: Arts, Italian; Human beings in art; Human beings in literature; Fascism and art; Fascist aesthetics
    Scope: 247 Seiten, zahlreiche Illustrationen, 240 mm x 170 mm
    Notes:

    Beiträge teilweise deutsch, teilweise englisch, teilweise italienisch

    Reinhold Baumstark: Vorwort I

    Alessandro Nova: Vorwort II

    Eckhard Leuschner: Danksagung

    Eckhard Leuschner: Einleitung

    Eckhard Leuschener: Rechte Winkel und Lineale: Masskonzepte in der italienischen Kunst von der Pittura metafisica bis zur Scuola romana

    Susanna Ragionieri: Dal manichino alla statua e oltre: la figura umana nell'opera del de Chirico fiorentino e di altri artisti italiani della sua epoca

    Piero Pacini: Gino Severini: la riscoperta della "divina proporzione" e del "numero d'oro"

    Christoph Wagner: Gino Severini und das Bauhaus: auf der Suche nach einem "neuen Pythagoras"

    Maria Cristina Galli: Arte come ricerca, scienza come creazione: il territorio dell'anatomia artistica a Brera tra le due Guerre

    Karen Pinkus: Selling Gasoline in autarchic Italy

    Annalisa Viati Navone: L'esibizione del corpo lungo i nuovi percorsi dell'architettura

    Franziska Meier: Jugendkult im Faschismus: Wege aus der Dekadenz. Zur Figurendarstellung in der italienischen Prosa der zwanziger und dreissiger Jahre

    Irmbert Schenk: Normvorstellungen, Schönheitsideale und Widersprüche im italienischen Film der Zwischenkriegszeit

    Giuliana Pieri: The body of the dictator: iconography and aesthetics in the cult of Mussolini

    Eckhard Leuschner: "Der Mensch" als Thema in Kunst und Architektur der Zwischenkriegszeit: Schlemmer, Le Corbusier, Melotti und B.B.P.R.
  22. Pissarro's people ; [on the occasion of the Exhibition Pissarro's People Sterling and Francine Clark Art Institute, Williamstown June 12 - October 2, 2011; Legion of Honor, San Francisco October 22, 2011 - January 22, 2012]
    Contributor: Brettell, Richard R. (Hrsg.); Pissarro, Camille (Ill.)
    Published: c2011
    Publisher:  DelMonico Books/Prestel, Munich

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2013:1851:
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    Universitätsbibliothek Heidelberg
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    2013 D 414
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    Thüringer Universitäts- und Landesbibliothek
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    KUN:YP:5690:::2011
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    Staatsgalerie Stuttgart, Bibliothek
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    W Pissarro, C. 2011
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    Source: Union catalogues
    Contributor: Brettell, Richard R. (Hrsg.); Pissarro, Camille (Ill.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 3791351184; 088401133X; 9783791351186; 9780884011330
    Subjects: Human beings in art
    Other subjects: Pissarro, Camille (1830-1903)
    Scope: 319 S, zahlr. Ill, 28 cm
    Notes:

    Includes bibliographical references and index
  23. Figurationer
    romantik och realism i norskt samtidsmåleri
    Author: Lundberg, Johan; Rådlund, Christopher
    Published: 2009
    Publisher:  Atlantis, Stockholm

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2011:1707:
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Source: Union catalogues
    Language: Swedish
    Media type: Book
    Format: Print
    ISBN: 9789173533072
    Other identifier:
    9789173533072
    RVK Categories: LO 68550 ; LO 68555 ; LO 63070 ; LO 63075
    Subjects: Human beings in art; Painting, Norwegian; Realism in art
    Scope: 180 S., zahlr. Ill.
  24. The art of the body
    antiquity and its legacy
    Author: Squire, Michael
    Published: c2011
    Publisher:  Oxford University Press, New York

    "The classical human body is perhaps the single most important and wide-ranging legacy bequeathed to the modern world by antiquity. Not only has it directed the evolutionary trajectory of western art; it has also saturated almost every aspect of the... more

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    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
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    704.9 S774a
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    ARCH-A5A SQUI
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    Herzog August Bibliothek Wolfenbüttel
    Signature:
    63.1892
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    "The classical human body is perhaps the single most important and wide-ranging legacy bequeathed to the modern world by antiquity. Not only has it directed the evolutionary trajectory of western art; it has also saturated almost every aspect of the contemporary subconscious, as ideal, anti-type and point of departure. This short book represents the first concerted attempt to grapple with the complex nature of that legacy. Writing in an attractive and accessible style, and supplementing his text with a rich array of illustrations, Michael Squire guides his readers through a multifaceted range of modern interactions with ancient visual representations of the body. From Byzantine diptych to Hollywood cinema screen, and from Aphrodite to the Venus de Milo, The Art of the Body demonstrates the wide range of cultural ideas and anxieties that were explored by the figure of the body both in antiquity and in the various cultural landscapes that came afterwards. In exploring the fascinating connections between ancient and modern in the broadest sense, the book offers an ideal starting point and a stimulating textbook for undergraduate students of ancient history, classical archaeology and classical civilization"-- "The classical human body is perhaps the single most important and wide-ranging legacy bequeathed to the modern world by antiquity. Not only has it directed the evolutionary trajectory of western art; it has also saturated almost every aspect of the contemporary subconscious, as ideal, anti-type and point of departure. This short book represents the first concerted attempt to grapple with the complex nature of that legacy. Writing in an attractive and accessible style, and supplementing his text with a rich array of illustrations, Michael Squire guides his readers through a multifacted range of modern interactions with ancient visual representations of the body. From Byzantine diptych to Hollywood cinema screen, and from Aphrodite to the Venus da Milo, The Art of the Body demonstrates the wide range of cultural ideas and anxieties that were explored by the figure of the body both in antiquity and in the various cultural landscapes that came afterwards. In exploring the fascinating connections between ancient and modern in the broadest sense, the book offers an ideal starting point and a stimulating textbook for undergraduate students of ancient history, classical archaeology and classical civilization"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780195380804; 9780195380811
    Series: Ancients and moderns
    Subjects: Human beings in art; Art, Classical; Art and society; Civilization, Modern
    Scope: xv, 240 p., [8] Bl., ill. (some col.), 22 cm
    Notes:

    Includes bibliographical references and index

    Embodying the classical -- Figuring what comes naturally? Writing the 'art history' of the body -- The ancient female nude (and other modern fictions) -- Stripping down and undressing up -- On gods made men made images.
  25. Wiener Gesichter
    Interkulturelle Gespräche
    Author: Hui, Yu
    Published: 2010
    Publisher:  Projekte-Verl. Cornelius, Halle (Saale)

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    10 A 1226
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: German; Chinese
    Media type: Book
    Format: Print
    ISBN: 9783866349834
    Other identifier:
    9783866349834
    RVK Categories: LI 99999
    Edition: 1. Aufl.
    Subjects: Cultural pluralism; Human beings in art
    Other subjects: Yu, Hui (Artist)
    Scope: 155 S., zahlr. Ill., 200 mm x 260 mm, 590 gr.
    Notes:

    Parallelsacht. in chines. Sprache. - Text dt. und chines. - Teilw. in chines. Schr