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Displaying results 1 to 9 of 9.

  1. Guilt and extenuation in tragedy
    variations on Racinian excuses
    Author: Forman, Edward
    Published: [2021]
    Publisher:  Brill Rodopi, Leiden ; Boston

    "This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus,... more

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    Universitäts- und Landesbibliothek Bonn
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    W 2020/4366
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    Universitätsbibliothek Duisburg-Essen
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    FAWS1075
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    "This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus, Clytemnestra, Medea and others) through the lenses of performance theory and modern attitudes towards blame. Tragic drama and legal systems both aim to evaluate the merits of excuses provided on behalf of perpetrators of catastrophic acts. Edward Forman wittily and provocatively explores modern judicial concepts - diminished responsibility, provocation, trauma, ignorance, scapegoating - through the responses of characters in tragedy. Attention is paid to the way in which classical plays (ancient Greek and seventeenth-century French) have been re-interpreted in performance in the light of modern perceptions of human responsibility and helplessness"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9789004442771
    Series: Faux titre ; volume 445
    Subjects: Drama; Tragödie; Griechisch; Französisch; Rezeption; Schuld <Motiv>
    Other subjects: Racine, Jean (1639-1699); Array; Array; Array; Array; Guilt in literature; Blame in literature
    Scope: XI, 229 Seiten
    Notes:

    Includes bibliographical references and index

    2012
  2. Guilt and extenuation in tragedy
    variations on Racinian excuses
    Author: Forman, Edward
    Published: [2021]
    Publisher:  Brill Rodopi, Leiden ; Boston

    "This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus,... more

    Location:
    Universitäts- und Landesbibliothek Bonn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Duisburg-Essen
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    Unlimited inter-library loan, copies and loan

     

    "This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus, Clytemnestra, Medea and others) through the lenses of performance theory and modern attitudes towards blame. Tragic drama and legal systems both aim to evaluate the merits of excuses provided on behalf of perpetrators of catastrophic acts. Edward Forman wittily and provocatively explores modern judicial concepts - diminished responsibility, provocation, trauma, ignorance, scapegoating - through the responses of characters in tragedy. Attention is paid to the way in which classical plays (ancient Greek and seventeenth-century French) have been re-interpreted in performance in the light of modern perceptions of human responsibility and helplessness"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004442771
    Series: Faux titre ; volume 445
    Subjects: French drama (Tragedy) / History and criticism; French drama / 17th century / History and criticism; French drama (Tragedy) / Greek influences; Greek drama (Tragedy) / History and criticism; Guilt in literature; Blame in literature
    Scope: XI, 229 Seiten
    Notes:

    Includes bibliographical references and index
  3. Incriminations
    Guilty Women/Telling Stories
    Author: McPherson, Karen S.
    Published: [2021]; © 1994
    Publisher:  Princeton University Press, Princeton, NJ

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska),... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska), Virginia Woolf (Mrs. Dalloway), and Nicole Brossard (Le désert mauve). She finds in the vocabulary and atmosphere of these novels a linking of female protagonists to crime and culpability. The guilt, however, is not clearly imputed or assumed; it tends to trouble the conscience of the entire narrative. Through critical close readings and an inquiry into the interrelations among narration, transgression, and gender, McPherson explores how the women in the stories come under suspicion and how they attempt to reverse or rewrite the guilty sentence.The author examines the complex process and language of incrimination, reflecting on its literary, philosophical, social, and political manifestations in the texts and contexts of the five novels. She looks for signs of possible subversion of the incriminating process within the texts: Can female protagonists (and women writers) escape the vicious circling of the story that would incriminate them? In the course of this book, the stories are made to reveal their strikingly modern and postmodern preoccupations with survival

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400821310
    Other identifier:
    Subjects: LITERARY CRITICISM / Women Authors; Feminism and literature; Fiction; Fiction; Guilt in literature; Women in literature
    Scope: 1 online resource (232 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021)
  4. Incriminations
    Guilty Women/Telling Stories
    Author: McPherson, Karen S.
    Published: [2021]; © 1994
    Publisher:  Princeton University Press, Princeton, NJ

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska),... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska), Virginia Woolf (Mrs. Dalloway), and Nicole Brossard (Le désert mauve). She finds in the vocabulary and atmosphere of these novels a linking of female protagonists to crime and culpability. The guilt, however, is not clearly imputed or assumed; it tends to trouble the conscience of the entire narrative. Through critical close readings and an inquiry into the interrelations among narration, transgression, and gender, McPherson explores how the women in the stories come under suspicion and how they attempt to reverse or rewrite the guilty sentence.The author examines the complex process and language of incrimination, reflecting on its literary, philosophical, social, and political manifestations in the texts and contexts of the five novels. She looks for signs of possible subversion of the incriminating process within the texts: Can female protagonists (and women writers) escape the vicious circling of the story that would incriminate them? In the course of this book, the stories are made to reveal their strikingly modern and postmodern preoccupations with survival

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400821310
    Other identifier:
    Subjects: LITERARY CRITICISM / Women Authors; Feminism and literature; Fiction; Fiction; Guilt in literature; Women in literature
    Scope: 1 online resource (232 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021)
  5. Guilt and extenuation in tragedy
    variations on Racinian excuses
    Author: Forman, Edward
    Published: [2021]
    Publisher:  Brill Rodopi, Leiden ; Boston

    "This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus,... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus, Clytemnestra, Medea and others) through the lenses of performance theory and modern attitudes towards blame. Tragic drama and legal systems both aim to evaluate the merits of excuses provided on behalf of perpetrators of catastrophic acts. Edward Forman wittily and provocatively explores modern judicial concepts - diminished responsibility, provocation, trauma, ignorance, scapegoating - through the responses of characters in tragedy. Attention is paid to the way in which classical plays (ancient Greek and seventeenth-century French) have been re-interpreted in performance in the light of modern perceptions of human responsibility and helplessness"

     
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  6. Incriminations
    Guilty Women/Telling Stories
    Author: McPherson, Karen S
    Published: [2021]
    Publisher:  Princeton University Press, Princeton, NJ

    Frontmatter -- Contents -- Acknowledgments -- Prologue -- One The Voice of Reason: L’Invitée -- Two Cries and Lies: Le ravissement de Lol V. Stein -- Three Bearing Witness: Kamouraska -- Four Speaking Madness: Mrs. Dalloway -- Post(modern)script... more

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    Frontmatter -- Contents -- Acknowledgments -- Prologue -- One The Voice of Reason: L’Invitée -- Two Cries and Lies: Le ravissement de Lol V. Stein -- Three Bearing Witness: Kamouraska -- Four Speaking Madness: Mrs. Dalloway -- Post(modern)script D’une langue à l’autre or Speaking in Other Tongues: Le désert mauve -- Notes -- Index Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska), Virginia Woolf (Mrs. Dalloway), and Nicole Brossard (Le désert mauve). She finds in the vocabulary and atmosphere of these novels a linking of female protagonists to crime and culpability. The guilt, however, is not clearly imputed or assumed; it tends to trouble the conscience of the entire narrative. Through critical close readings and an inquiry into the interrelations among narration, transgression, and gender, McPherson explores how the women in the stories come under suspicion and how they attempt to reverse or rewrite the guilty sentence.The author examines the complex process and language of incrimination, reflecting on its literary, philosophical, social, and political manifestations in the texts and contexts of the five novels. She looks for signs of possible subversion of the incriminating process within the texts: Can female protagonists (and women writers) escape the vicious circling of the story that would incriminate them? In the course of this book, the stories are made to reveal their strikingly modern and postmodern preoccupations with survival

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400821310
    Other identifier:
    Subjects: Feminism and literature; Fiction; Fiction; Guilt in literature; Women in literature; LITERARY CRITICISM / Women Authors
    Scope: 1 Online-Ressource (232 p)
  7. Guilt and extenuation in tragedy
    variations on Racinian excuses
    Author: Forman, Edward
    Published: [2021]; ©2021
    Publisher:  Brill Rodopi, Leiden

    "This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus,... more

    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    71.1611
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    Unlimited inter-library loan, copies and loan

     

    "This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus, Clytemnestra, Medea and others) through the lenses of performance theory and modern attitudes towards blame. Tragic drama and legal systems both aim to evaluate the merits of excuses provided on behalf of perpetrators of catastrophic acts. Edward Forman wittily and provocatively explores modern judicial concepts - diminished responsibility, provocation, trauma, ignorance, scapegoating - through the responses of characters in tragedy. Attention is paid to the way in which classical plays (ancient Greek and seventeenth-century French) have been re-interpreted in performance in the light of modern perceptions of human responsibility and helplessness"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004442771
    Series: Faux titre ; volume 445
    Subjects: French drama (Tragedy); French drama; French drama (Tragedy); Greek drama (Tragedy); Guilt in literature; Blame in literature
    Scope: XI, 229 Seiten
    Notes:

    Includes bibliographical references and index
  8. Guilt and extenuation in tragedy
    variations on Racinian excuses
    Author: Forman, Edward
    Published: [2021]
    Publisher:  Brill Rodopi, Leiden

    "This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus,... more

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    "This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus, Clytemnestra, Medea and others) through the lenses of performance theory and modern attitudes towards blame. Tragic drama and legal systems both aim to evaluate the merits of excuses provided on behalf of perpetrators of catastrophic acts. Edward Forman wittily and provocatively explores modern judicial concepts - diminished responsibility, provocation, trauma, ignorance, scapegoating - through the responses of characters in tragedy. Attention is paid to the way in which classical plays (ancient Greek and seventeenth-century French) have been re-interpreted in performance in the light of modern perceptions of human responsibility and helplessness"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004442788
    Other identifier:
    Series: Faux titre ; volume 445
    Subjects: French drama (Tragedy); French drama; French drama (Tragedy); Greek drama (Tragedy); Guilt in literature; Blame in literature; Comparative literature
    Scope: 1 Online-Ressource (xi, 229 Seiten)
    Notes:

    Includes bibliographical references and index
  9. Guilt and extenuation in tragedy
    variations on Racinian excuses
    Author: Forman, Edward
    Published: [2021]
    Publisher:  Brill Rodopi, Leiden

    "This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus,... more

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    Universität Potsdam, Universitätsbibliothek
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    "This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus, Clytemnestra, Medea and others) through the lenses of performance theory and modern attitudes towards blame. Tragic drama and legal systems both aim to evaluate the merits of excuses provided on behalf of perpetrators of catastrophic acts. Edward Forman wittily and provocatively explores modern judicial concepts - diminished responsibility, provocation, trauma, ignorance, scapegoating - through the responses of characters in tragedy. Attention is paid to the way in which classical plays (ancient Greek and seventeenth-century French) have been re-interpreted in performance in the light of modern perceptions of human responsibility and helplessness"--

     
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004442788
    Other identifier:
    Series: Faux titre ; volume 445
    Subjects: French drama (Tragedy); French drama; French drama (Tragedy); Greek drama (Tragedy); Guilt in literature; Blame in literature; Comparative literature
    Scope: 1 Online-Ressource (xi, 229 Seiten)
    Notes:

    Includes bibliographical references and index