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  1. Incriminations
    guilty women/telling stories
    Published: c 1994
    Publisher:  Princeton University Press, Princeton, N.J

    Universitätsbibliothek Greifswald
    310/EC 6795 M172
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    97 A 8745
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0691032521
    Subjects: Fiction; Fiction; Guilt in literature; Women and literature; Feminism and literature
    Scope: 215 p, 25 cm
    Notes:

    Includes bibliographical references (p. [181]-210) and index

  2. Incriminations
    Guilty Women/Telling Stories
    Published: [2021]; © 1994
    Publisher:  Princeton University Press, Princeton, NJ

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska),... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska), Virginia Woolf (Mrs. Dalloway), and Nicole Brossard (Le désert mauve). She finds in the vocabulary and atmosphere of these novels a linking of female protagonists to crime and culpability. The guilt, however, is not clearly imputed or assumed; it tends to trouble the conscience of the entire narrative. Through critical close readings and an inquiry into the interrelations among narration, transgression, and gender, McPherson explores how the women in the stories come under suspicion and how they attempt to reverse or rewrite the guilty sentence.The author examines the complex process and language of incrimination, reflecting on its literary, philosophical, social, and political manifestations in the texts and contexts of the five novels. She looks for signs of possible subversion of the incriminating process within the texts: Can female protagonists (and women writers) escape the vicious circling of the story that would incriminate them? In the course of this book, the stories are made to reveal their strikingly modern and postmodern preoccupations with survival

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400821310
    Other identifier:
    Subjects: LITERARY CRITICISM / Women Authors; Feminism and literature; Fiction; Fiction; Guilt in literature; Women in literature
    Scope: 1 online resource (232 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021)

  3. Incriminations
    Guilty Women/Telling Stories
    Published: [2021]; © 1994
    Publisher:  Princeton University Press, Princeton, NJ

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska),... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska), Virginia Woolf (Mrs. Dalloway), and Nicole Brossard (Le désert mauve). She finds in the vocabulary and atmosphere of these novels a linking of female protagonists to crime and culpability. The guilt, however, is not clearly imputed or assumed; it tends to trouble the conscience of the entire narrative. Through critical close readings and an inquiry into the interrelations among narration, transgression, and gender, McPherson explores how the women in the stories come under suspicion and how they attempt to reverse or rewrite the guilty sentence.The author examines the complex process and language of incrimination, reflecting on its literary, philosophical, social, and political manifestations in the texts and contexts of the five novels. She looks for signs of possible subversion of the incriminating process within the texts: Can female protagonists (and women writers) escape the vicious circling of the story that would incriminate them? In the course of this book, the stories are made to reveal their strikingly modern and postmodern preoccupations with survival

     

    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400821310
    Other identifier:
    Subjects: LITERARY CRITICISM / Women Authors; Feminism and literature; Fiction; Fiction; Guilt in literature; Women in literature
    Scope: 1 online resource (232 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021)

  4. Incriminations
    guilty women, telling stories
    Published: 1994
    Publisher:  Princeton Univ. Press, Princeton, NJ [u.a.]

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers - Simone de Beauvoir (L'Invitee), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hebert (Kamouraska),... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der LMU München
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    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers - Simone de Beauvoir (L'Invitee), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hebert (Kamouraska), Virginia Woolf (Mrs. Dalloway), and Nicole Brossard (Le desert mauve). She finds in the vocabulary and atmosphere of these novels a linking of female protagonists to crime and culpability. The guilt, however, is not clearly imputed or assumed; it tends to trouble the conscience of the entire narrative. Through critical close readings and an inquiry into the interrelations among narration, transgression, and gender, McPherson explores how the women in the stories come under suspicion and how they attempt to reverse or rewrite the guilty sentence The author examines the complex process and language of incrimination, reflecting on its literary, philosophical, social, and political manifestations in the texts and contexts of the five novels. She looks for signs of possible subversion of the incriminating process within the texts: Can female protagonists (and women writers) escape the vicious circling of the story that would incriminate them? In the course of this book, the stories are made to reveal their strikingly modern and postmodern preoccupations with survival

     

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  5. Incriminations
    guilty women/telling stories
    Published: c1994
    Publisher:  Princeton University Press, Princeton, N.J.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0691032521
    Subjects: Fiction; Fiction; Guilt in literature; Women in literature; Feminism and literature; Frau; Schuld <Motiv>; Schuld; Literatur; Frauenroman
    Scope: 215 p
    Notes:

    Includes bibliographical references (p. [181]-210) and index

  6. Incriminations
    Guilty Women/Telling Stories
    Published: [1994]; ©1994
    Publisher:  Princeton University Press, Princeton, NJ ; Walter de Gruyter GmbH, Berlin

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska),... more

    Universitätsbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
    Universität Mainz, Zentralbibliothek
    No inter-library loan
    Universität Marburg, Universitätsbibliothek
    No inter-library loan

     

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska), Virginia Woolf (Mrs. Dalloway), and Nicole Brossard (Le désert mauve). She finds in the vocabulary and atmosphere of these novels a linking of female protagonists to crime and culpability. The guilt, however, is not clearly imputed or assumed; it tends to trouble the conscience of the entire narrative. Through critical close readings and an inquiry into the interrelations among narration, transgression, and gender, McPherson explores how the women in the stories come under suspicion and how they attempt to reverse or rewrite the guilty sentence.The author examines the complex process and language of incrimination, reflecting on its literary, philosophical, social, and political manifestations in the texts and contexts of the five novels. She looks for signs of possible subversion of the incriminating process within the texts: Can female protagonists (and women writers) escape the vicious circling of the story that would incriminate them? In the course of this book, the stories are made to reveal their strikingly modern and postmodern preoccupations with survival.

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400821310
    Other identifier:
    Subjects: Feminism and literature; Fiction; Fiction; Guilt in literature; Women in literature; LITERARY CRITICISM / Women Authors
    Scope: 1 Online-Ressource (232 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021)

  7. Incriminations
    guilty women, telling stories
    Published: 1994
    Publisher:  Princeton Univ. Press, Princeton, NJ [u.a.]

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers - Simone de Beauvoir (L'Invitee), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hebert (Kamouraska),... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers - Simone de Beauvoir (L'Invitee), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hebert (Kamouraska), Virginia Woolf (Mrs. Dalloway), and Nicole Brossard (Le desert mauve). She finds in the vocabulary and atmosphere of these novels a linking of female protagonists to crime and culpability. The guilt, however, is not clearly imputed or assumed; it tends to trouble the conscience of the entire narrative. Through critical close readings and an inquiry into the interrelations among narration, transgression, and gender, McPherson explores how the women in the stories come under suspicion and how they attempt to reverse or rewrite the guilty sentence The author examines the complex process and language of incrimination, reflecting on its literary, philosophical, social, and political manifestations in the texts and contexts of the five novels. She looks for signs of possible subversion of the incriminating process within the texts: Can female protagonists (and women writers) escape the vicious circling of the story that would incriminate them? In the course of this book, the stories are made to reveal their strikingly modern and postmodern preoccupations with survival

     

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  8. Incriminations
    guilty women - telling stories
    Published: 1994
    Publisher:  Princeton Univ. Press, Princeton, N.J. [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 217231
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Freiburg
    GE 94/9609
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Greifswald
    310/EC 6795 M172
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    97 A 8745
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    95 A 7417
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Leipzig
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0691032521
    RVK Categories: EC 6690 ; EC 6795
    Subjects: Fiction; Fiction; Guilt in literature; Women and literature; Feminism and literature
    Scope: 215 S.
    Notes:

    Includes bibliographical references (p. [181]-210) and index

  9. Incriminations :
    guilty women, telling stories /
    Published: 1994.
    Publisher:  Princeton Univ. Press,, Princeton, NJ [u.a.] :

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers - Simone de Beauvoir (L'Invitee), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hebert (Kamouraska),... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers - Simone de Beauvoir (L'Invitee), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hebert (Kamouraska), Virginia Woolf (Mrs. Dalloway), and Nicole Brossard (Le desert mauve). She finds in the vocabulary and atmosphere of these novels a linking of female protagonists to crime and culpability. The guilt, however, is not clearly imputed or assumed; it tends to trouble the conscience of the entire narrative. Through critical close readings and an inquiry into the interrelations among narration, transgression, and gender, McPherson explores how the women in the stories come under suspicion and how they attempt to reverse or rewrite the guilty sentence The author examines the complex process and language of incrimination, reflecting on its literary, philosophical, social, and political manifestations in the texts and contexts of the five novels. She looks for signs of possible subversion of the incriminating process within the texts: Can female protagonists (and women writers) escape the vicious circling of the story that would incriminate them? In the course of this book, the stories are made to reveal their strikingly modern and postmodern preoccupations with survival

     

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  10. Incriminations
    guilty women - telling stories
    Published: 1994
    Publisher:  Princeton Univ. Press, Princeton, N.J. [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0691032521
    RVK Categories: EC 6690 ; EC 6795
    Subjects: Fiction; Fiction; Guilt in literature; Women and literature; Feminism and literature
    Scope: 215 S.
    Notes:

    Includes bibliographical references (p. [181]-210) and index