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  1. Scham und Schuld
    Geschlechter(sub)texte der Shoah
    Contributor: Figge, Maja (Publisher); Hanitzsch, Konstanze (Publisher); Teuber, Nadine (Publisher)
    Published: [2010]; © 2010
    Publisher:  transcript Verlag, Bielefeld

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Evangelische Hochschule Nürnberg, Bibliothek
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    Source: Union catalogues
    Contributor: Figge, Maja (Publisher); Hanitzsch, Konstanze (Publisher); Teuber, Nadine (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839412459
    Other identifier:
    Series: GenderCodes - Transkriptionen zwischen Wissen und Geschlecht ; 11
    Subjects: Deutsche Literatur; Gefühl (Motiv); Guilt in literature; Held; Scham (Motiv); Schuld (Motiv); Shame in literature; Scham; Schuld; Scham; Nationalsozialistischer Verbrecher; Nationalsozialistisches Verbrechen; Religion; Schuld; Geschlechterrolle; Geschlechterstereotyp; Täter; Judenvernichtung; Nationalsozialismus; Familie
    Scope: 1 online resource (328 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    »Scham« und »Schuld« - zentrale Narrationen, in denen die Verbrechen der Shoah verhandelt werden. Ihre geschlechtliche Codierung und strategisch-diskursive Verwendung in Bezug auf nationalsozialistische Täterschaft steht im Zentrum dieses Bandes. Aus unterschiedlichen wissenschaftlichen Perspektiven fragen die Beiträger_innen unter anderem: Welche Bedeutung kommt der Verschränkung von Geschlecht und Religion bei der Auseinandersetzung mit nationalsozialistischer Schuld zu? In welchem diskursiven Geflecht stehen juristische/moralische Schuld und weibliche Täterschaft? Welche Bedeutungen haben Schamgefühle für die Weitergabe von Schuld in familiären Zusammenhängen?
  2. Issues of shame and guilt in the modern novel
    Conrad, Ford, Greene, Kafka, Camus, Wilde, Proust, and Mann
    Author: Tenenbaum, David
    Published: ©2009
    Publisher:  Edwin Mellen Press, Lewiston, N.Y.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780773443969; 0773443967; 9780773447004; 0773447008
    Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Literary; Guilt in literature; Modernism (Literature); Shame in literature; Scham <Motiv>; Schuld <Motiv>; Literatur; Shame in literature; Guilt in literature; Modernism (Literature); Schuld <Motiv>; Literatur; Scham <Motiv>
    Other subjects: Mann, Thomas; Kafka, Franz
    Scope: xiv, 238 pages
    Notes:

    Includes bibliographical references and index

    Survivor guilt: Conrad's anti-heroes -- Keeping up appearances: aristocratic anxiety in the novels of Ford Madox Ford -- The modern confessional: Catholic guilt in the novels of Graham Greene And François Mauriac -- Elders, institutions and existential guilt in the fiction of Franz Kafka and Albert Camus -- Queer imaginings: l'amour d'impossible in Wilde, James, Proust and Mann -- Afterword: the great escape: the reverence and regret of the American dream

    This study addresses the changes in literary depictions of remorse fostered by modernist literature's response to normative ethical standards. Certain twentieth-century authors believed that the High Modern Period demanded a reconsideration of how individuals may hope to achieve the same social responsibility dictated by traditional values in light of a greater awareness of fundamental human impulses
  3. Incriminations
    Guilty Women/Telling Stories
    Author: McPherson, Karen S.
    Published: [2021]; © 1994
    Publisher:  Princeton University Press, Princeton, NJ

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska),... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Technische Hochschule Augsburg
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    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska), Virginia Woolf (Mrs. Dalloway), and Nicole Brossard (Le désert mauve). She finds in the vocabulary and atmosphere of these novels a linking of female protagonists to crime and culpability. The guilt, however, is not clearly imputed or assumed; it tends to trouble the conscience of the entire narrative. Through critical close readings and an inquiry into the interrelations among narration, transgression, and gender, McPherson explores how the women in the stories come under suspicion and how they attempt to reverse or rewrite the guilty sentence.The author examines the complex process and language of incrimination, reflecting on its literary, philosophical, social, and political manifestations in the texts and contexts of the five novels. She looks for signs of possible subversion of the incriminating process within the texts: Can female protagonists (and women writers) escape the vicious circling of the story that would incriminate them? In the course of this book, the stories are made to reveal their strikingly modern and postmodern preoccupations with survival

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400821310
    Other identifier:
    Subjects: LITERARY CRITICISM / Women Authors; Feminism and literature; Fiction; Fiction; Guilt in literature; Women in literature
    Scope: 1 online resource (232 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021)
  4. Guilt by descent
    moral inheritance and decision making in Greek tragedy
    Author: Sewell-Rutter, Neil J.
    Published: 2007
    Publisher:  Oxford University Press, Oxford

    Blighted and accursed families are an inescapable feature of Greek tragedy. The author gives the familiar issues of inherited guilt, curses, and divine causation a fresh appraisal, with particular reference to Aeschylus' Seven against Thebes and the... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Blighted and accursed families are an inescapable feature of Greek tragedy. The author gives the familiar issues of inherited guilt, curses, and divine causation a fresh appraisal, with particular reference to Aeschylus' Seven against Thebes and the Phoenician Women of Euripides. All Greek quotations are translated

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191711152
    Other identifier:
    Series: Oxford classical monographs
    Subjects: Decision making in literature; Guilt in literature; Greek literature; Blessing and cursing in literature; Guilt in literature; Blessing and cursing in literature; Decision making in literature; Greek literature ; History and criticism
    Scope: 1 Online-Ressource (xiii, 202p)
    Notes:

    Includes bibliographical references and index
  5. Incriminations
    Guilty Women/Telling Stories
    Author: McPherson, Karen S.
    Published: [2021]; © 1994
    Publisher:  Princeton University Press, Princeton, NJ

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska),... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska), Virginia Woolf (Mrs. Dalloway), and Nicole Brossard (Le désert mauve). She finds in the vocabulary and atmosphere of these novels a linking of female protagonists to crime and culpability. The guilt, however, is not clearly imputed or assumed; it tends to trouble the conscience of the entire narrative. Through critical close readings and an inquiry into the interrelations among narration, transgression, and gender, McPherson explores how the women in the stories come under suspicion and how they attempt to reverse or rewrite the guilty sentence.The author examines the complex process and language of incrimination, reflecting on its literary, philosophical, social, and political manifestations in the texts and contexts of the five novels. She looks for signs of possible subversion of the incriminating process within the texts: Can female protagonists (and women writers) escape the vicious circling of the story that would incriminate them? In the course of this book, the stories are made to reveal their strikingly modern and postmodern preoccupations with survival

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400821310
    Other identifier:
    Subjects: LITERARY CRITICISM / Women Authors; Feminism and literature; Fiction; Fiction; Guilt in literature; Women in literature
    Scope: 1 online resource (232 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021)
  6. Guilty creatures
    Renaissance poetry and the ethics of authorship
    Author: Kezar, Dennis
    Published: 2001
    Publisher:  Oxford University Press, Oxford

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195142950; 1280531290; 1423762231; 9780195142952; 9781280531293; 9781423762232
    Subjects: POETRY / English, Irish, Scottish, Welsh; Psychologie; English literature; Death in literature; English drama (Tragedy); Poetry; Renaissance; Violence in literature; Guilt in literature; Literatur; Mord; Schuld; Englisch
    Other subjects: Milton, John (1608-1674): Samson Agonistes; Spenser, Edmund (1552-1599): The faerie queene; Shakespeare, William (1564-1616): Julius Caesar; Skelton, John (1460-1529)
    Scope: 1 Online-Ressource (viii, 268 pages)
    Notes:

    Includes bibliographical references and index

    Courting heresy and taking the subject: John Skelton's precedent -- Spenser and the poetics of indiscretion -- The properties of Shakespeare's Globe -- The witch of Edmonton and the guilt of possession -- Samson's death by theater and Milton's art of dying -- Guilt and the constitution of authorship in Henry V and the antitheatrical elegies of W.S. and Milton

    This is a study of how poets treat the theme of killing and various other depravities and immoralities in Renaissance poetry. The book explores the self-consciousness of the poet that accompanies literary killing, and explores fundamental moments in particular writings in which Renaissance poets admit themselves accountable and to a degree guilty of a process whereby the literary subject is brought to some kind of destruction. Included among the many poems Kezar uses to explore the concept of authorial guilt raised by violent representations are Skelton's Phyllyp Sparowe, Spenser's Faerie Queene, Shakespeare's Julius Caesar, and Milton's Samson Agonistes
  7. The power of love and guilt
    representations of the mother and woman in the literature of Ivan Cankar
    Author: Avsenik Nabergoj, Irena
    Published: c2013
    Publisher:  Peter Lang, Frankfurt am Main

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783631622322; 9783653026696
    Subjects: Love in literature; Guilt in literature; Frau <Motiv>; Mutter <Motiv>
    Other subjects: Cankar, Ivan (1876-1918); Cankar, Ivan (1876-1918)
    Scope: 463 p.
    Notes:

    Includes bibliographical references and index
  8. Incriminations
    guilty women/telling stories
    Author: McPherson, Karen S.
    Published: c1994
    Publisher:  Princeton University Press, Princeton, N.J.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0691032521
    Subjects: Fiction; Fiction; Guilt in literature; Women in literature; Feminism and literature; Frau; Schuld <Motiv>; Schuld; Literatur; Frauenroman
    Scope: 215 p
    Notes:

    Includes bibliographical references (p. [181]-210) and index
  9. Guilty creatures
    Renaissance poetry and the ethics of authorship
    Author: Kezar, Dennis
    Published: 2001
    Publisher:  Oxford University Press, Oxford

  10. Guilt and shame
    essays in French literature, thought and visual culture
    Published: 2010
    Publisher:  Peter Lang, New York

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783039115631; 9783035300918
    Series: Modern French identities ; v. 79
    Subjects: French literature; Ethics in literature; Literature and morals; Art and morals; Guilt in literature; Shame in literature; Schuld <Motiv>; Scham <Motiv>; Französisch; Moral <Motiv>; Literatur
    Scope: vi, 223 p
    Notes:

    Includes bibliographical references and index
  11. Wandering through Guilt
    the Cain Archetype in the Twentieth-Century Novel
    Author: Gennaro, Paola Di
    Published: 2015
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom

    TABLE OF CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; PART II; CHAPTER THREE; CHAPTER FOUR; PART III; CHAPTER FIVE; CHAPTER SIX; EPILOGUE; BIBLIOGRAPHY; INDEX. The first comprehensive study on the pattern of guilt and... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    TABLE OF CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; PART II; CHAPTER THREE; CHAPTER FOUR; PART III; CHAPTER FIVE; CHAPTER SIX; EPILOGUE; BIBLIOGRAPHY; INDEX. The first comprehensive study on the pattern of guilt and wandering in literature, this book examines the relationship between the two complex concepts as they appear in twentieth-century novels, positing its methodological premises on archetypal criticism and both close and distant reading, but also drawing on psychology, anthropology, mythology, and religion. This research deciphers a common paradigm and literary representation whose archetype within Western literature is found in the bibli

     
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  12. Guilt by descent
    moral inheritance and decision making in Greek tragedy
    Published: 2008
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199227334
    Other identifier:
    RVK Categories: FE 4451
    Edition: 1. publ.
    Series: Oxford Scholarship Online
    Oxford classical monograph series
    Subjects: Blessing and cursing in literature; Decision making in literature; Greek literature - History and criticism; Guilt in literature; Guilt in literature; Blessing and cursing in literature; Decision making in literature; Greek literature; Fluch <Motiv>; Schuld <Motiv>; Griechisch; Tragödie
    Scope: 1 Online-Ressource (XIII, 202 S.)
    Notes:

    Zugl.: Oxford, Univ., Diss., 2004
  13. Incriminations
    Guilty Women/Telling Stories
    Author: McPherson, Karen S.
    Published: [1994]; ©1994
    Publisher:  Princeton University Press, Princeton, NJ ; Walter de Gruyter GmbH, Berlin

    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska),... more

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska), Virginia Woolf (Mrs. Dalloway), and Nicole Brossard (Le désert mauve). She finds in the vocabulary and atmosphere of these novels a linking of female protagonists to crime and culpability. The guilt, however, is not clearly imputed or assumed; it tends to trouble the conscience of the entire narrative. Through critical close readings and an inquiry into the interrelations among narration, transgression, and gender, McPherson explores how the women in the stories come under suspicion and how they attempt to reverse or rewrite the guilty sentence.The author examines the complex process and language of incrimination, reflecting on its literary, philosophical, social, and political manifestations in the texts and contexts of the five novels. She looks for signs of possible subversion of the incriminating process within the texts: Can female protagonists (and women writers) escape the vicious circling of the story that would incriminate them? In the course of this book, the stories are made to reveal their strikingly modern and postmodern preoccupations with survival.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400821310
    Other identifier:
    Subjects: Feminism and literature; Fiction; Fiction; Guilt in literature; Women in literature; LITERARY CRITICISM / Women Authors
    Scope: 1 Online-Ressource (232 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021)
  14. Scham und Schuld
    Geschlechter(sub)texte der Shoah
    Contributor: Figge, Maja (Publisher); Hanitzsch, Konstanze (Publisher); Teuber, Nadine (Publisher)
    Published: [2010]; © 2010
    Publisher:  transcript Verlag, Bielefeld

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    Alice Salomon Hochschule Berlin, Bibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Contributor: Figge, Maja (Publisher); Hanitzsch, Konstanze (Publisher); Teuber, Nadine (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839412459
    Other identifier:
    RVK Categories: BK 2150 ; CU 2000 ; EC 1876 ; EC 2450 ; MR 6600 ; CP 3000 ; NQ 6020
    Series: GenderCodes - Transkriptionen zwischen Wissen und Geschlecht ; 11
    Subjects: Deutsche Literatur; Gefühl (Motiv); Guilt in literature; Held; Scham (Motiv); Schuld (Motiv); Shame in literature; Scham; Schuld; Scham; Nationalsozialistischer Verbrecher; Nationalsozialistisches Verbrechen; Religion; Schuld; Geschlechterrolle; Geschlechterstereotyp; Täter; Judenvernichtung; Nationalsozialismus; Familie
    Scope: 1 online resource (328 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    »Scham« und »Schuld« - zentrale Narrationen, in denen die Verbrechen der Shoah verhandelt werden. Ihre geschlechtliche Codierung und strategisch-diskursive Verwendung in Bezug auf nationalsozialistische Täterschaft steht im Zentrum dieses Bandes. Aus unterschiedlichen wissenschaftlichen Perspektiven fragen die Beiträger_innen unter anderem: Welche Bedeutung kommt der Verschränkung von Geschlecht und Religion bei der Auseinandersetzung mit nationalsozialistischer Schuld zu? In welchem diskursiven Geflecht stehen juristische/moralische Schuld und weibliche Täterschaft? Welche Bedeutungen haben Schamgefühle für die Weitergabe von Schuld in familiären Zusammenhängen?
  15. Tribunal der Blicke
    Kulturtheorien von Scham und Schuld und die Tragödie um 1800
    Author: Benthien, Claudia
    Published: 2011
    Publisher:  Böhlau Verlag, Köln/Wien

    Location:
    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783412213794
    Series: Literatur - Kultur - Geschlecht. Studien zur Literatur- und Kulturgeschichte. Kleine Reihe ; v.30
    Subjects: German drama (Tragedy) ; 19th century ; History and criticism; Guilt in literature; Shame in literature; Electronic books
    Scope: 1 Online-Ressource (272 p)
    Notes:

    Description based upon print version of record
  16. Guilty creatures
    Renaissance poetry and the ethics of authorship
    Published: 2001
    Publisher:  Oxford University Press, Oxford

    This is a study of how poets treat the theme of killing and various other depravities and immoralities in Renaissance poetry. The book explores the self-consciousness of the poet that accompanies literary killing, and explores fundamental moments in... more

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    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    This is a study of how poets treat the theme of killing and various other depravities and immoralities in Renaissance poetry. The book explores the self-consciousness of the poet that accompanies literary killing, and explores fundamental moments in particular writings in which Renaissance poets admit themselves accountable and to a degree guilty of a process whereby the literary subject is brought to some kind of destruction. Included among the many poems Kezar uses to explore the concept of authorial guilt raised by violent representations are Skelton's Phyllyp Sparowe, Spenser's Faerie Queene, Shakespeare's Julius Caesar, and Milton's Samson Agonistes

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1280531290; 9781280531293; 1423762231; 9781423762232
    Subjects: English literature; English drama (Tragedy); Poetry; Renaissance; Guilt in literature; Death in literature; Violence in literature; Poetry; Renaissance; English drama (Tragedy); Guilt in literature; English literature; Renaissance; Violence in literature; Guilt in literature; English literature; Poetry; Death in literature; English drama (Tragedy); POETRY ; English, Irish, Scottish, Welsh; Death in literature; English drama (Tragedy); English literature ; Early modern; Guilt in literature; Poetry ; Authorship ; Psychological aspects; Renaissance; Violence in literature; Criticism, interpretation, etc
    Scope: Online Ressource (viii, 268 p.)
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    Includes bibliographical references and index. - Description based on print version record

    Courting heresy and taking the subject: John Skelton's precedentSpenser and the poetics of indiscretion -- The properties of Shakespeare's Globe -- The witch of Edmonton and the guilt of possession -- Samson's death by theater and Milton's art of dying -- Guilt and the constitution of authorship in Henry V and the antitheatrical elegies of W.S. and Milton.
  17. Guilt by descent
    moral inheritance and decision making in Greek tragedy
    Author: Sewell-Rutter, Neil James
    Published: 2007
    Publisher:  Oxford University Press, Oxford

    Blighted and accursed families are an inescapable feature of Greek tragedy. The author gives the familiar issues of inherited guilt, curses, and divine causation a fresh appraisal, with particular reference to Aeschylus' Seven against Thebes and the... more

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    Blighted and accursed families are an inescapable feature of Greek tragedy. The author gives the familiar issues of inherited guilt, curses, and divine causation a fresh appraisal, with particular reference to Aeschylus' Seven against Thebes and the Phoenician Women of Euripides. All Greek quotations are translated

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191711152
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    Series: Oxford classical monographs
    Subjects: Decision making in literature; Guilt in literature; Greek literature; Blessing and cursing in literature; Guilt in literature; Blessing and cursing in literature; Decision making in literature; Greek literature ; History and criticism
    Scope: 1 Online-Ressource (xiii, 202p)
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    Includes bibliographical references and index
  18. Guilt by descent
    moral inheritance and decision making in Greek tragedy
    Author: Sewell-Rutter, N.
    Published: 2007
    Publisher:  Oxford University Press, Oxford

    Blighted and accursed families are an inescapable feature of Greek tragedy. The author gives the familiar issues of inherited guilt, curses, and divine causation a fresh appraisal, with particular reference to Aeschylus' Seven against Thebes and the... more

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    Blighted and accursed families are an inescapable feature of Greek tragedy. The author gives the familiar issues of inherited guilt, curses, and divine causation a fresh appraisal, with particular reference to Aeschylus' Seven against Thebes and the Phoenician Women of Euripides. All Greek quotations are translated.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191711152
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    RVK Categories: FE 4451
    Series: Oxford classical monographs
    Subjects: Guilt in literature; Blessing and cursing in literature; Decision making in literature; Greek literature; Greek literature; Guilt in literature; Blessing and cursing in literature; Decision making in literature
    Scope: 1 online resource (xiii, 202p.).
  19. Incriminations
    Guilty Women/Telling Stories
    Author: McPherson, Karen S
    Published: [2021]
    Publisher:  Princeton University Press, Princeton, NJ

    Frontmatter -- Contents -- Acknowledgments -- Prologue -- One The Voice of Reason: L’Invitée -- Two Cries and Lies: Le ravissement de Lol V. Stein -- Three Bearing Witness: Kamouraska -- Four Speaking Madness: Mrs. Dalloway -- Post(modern)script... more

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    Frontmatter -- Contents -- Acknowledgments -- Prologue -- One The Voice of Reason: L’Invitée -- Two Cries and Lies: Le ravissement de Lol V. Stein -- Three Bearing Witness: Kamouraska -- Four Speaking Madness: Mrs. Dalloway -- Post(modern)script D’une langue à l’autre or Speaking in Other Tongues: Le désert mauve -- Notes -- Index Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska), Virginia Woolf (Mrs. Dalloway), and Nicole Brossard (Le désert mauve). She finds in the vocabulary and atmosphere of these novels a linking of female protagonists to crime and culpability. The guilt, however, is not clearly imputed or assumed; it tends to trouble the conscience of the entire narrative. Through critical close readings and an inquiry into the interrelations among narration, transgression, and gender, McPherson explores how the women in the stories come under suspicion and how they attempt to reverse or rewrite the guilty sentence.The author examines the complex process and language of incrimination, reflecting on its literary, philosophical, social, and political manifestations in the texts and contexts of the five novels. She looks for signs of possible subversion of the incriminating process within the texts: Can female protagonists (and women writers) escape the vicious circling of the story that would incriminate them? In the course of this book, the stories are made to reveal their strikingly modern and postmodern preoccupations with survival

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400821310
    Other identifier:
    Subjects: Feminism and literature; Fiction; Fiction; Guilt in literature; Women in literature; LITERARY CRITICISM / Women Authors
    Scope: 1 Online-Ressource (232 p)
  20. Literature of Guilt
    From Gulliver to Golding
    Author: Reilly, Patrick
    Published: 1988; ©1988
    Publisher:  Palgrave Macmillan UK, London

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781349095599
    Subjects: English fiction-History and criticism; Guilt in literature; Electronic books
    Scope: 1 online resource (185 pages)
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    Description based on publisher supplied metadata and other sources
  21. Tribunal der Blicke
    Kulturtheorien von Scham und Schuld und die Tragödie um 1800
    Author: Benthien, Claudia
    Published: 2011
    Publisher:  Böhlau Verlag, Köln

    In der Tragödientheorie von der Antike bis zur Gegenwart fehlt bislang eine Auseinandersetzung mit der Kategorie der Scham – ihr kommt, im Unterschied zur extensiv behandelten Kategorie der Schuld, kaum Beachtung zu. Zwar gilt Schuld als der edlere,... more

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    In der Tragödientheorie von der Antike bis zur Gegenwart fehlt bislang eine Auseinandersetzung mit der Kategorie der Scham – ihr kommt, im Unterschied zur extensiv behandelten Kategorie der Schuld, kaum Beachtung zu. Zwar gilt Schuld als der edlere, ethisch wertvollere und für »das Tragische« maßgebliche Affekt, doch ist es eigentlich die Scham, die in Kulturtheorien so eng mit dem für die Tragödie leitenden Konzept autonomer Subjektivität und deren existenzieller Beschädigung verbunden wird, denn Scham betrifft immer die ganze Person. Um 1800 entstand überdies mit der Philosophie des Tragischen eine Auf­fassung der menschlichen Existenz, die die der Tragödie entnommene Schuldkonzeption anthropologisiert und universalisiert. Das Buch erörtert aktuelle kulturtheoretische Ansätze zu Scham und Schuld und nimmt sie zur Grundlage einer Neuinterpretation bedeutender Tragödien von Fried­rich Schiller (»Die Jungfrau von Orleans«, »Die Braut von Messina«) und Heinrich von Kleist (»Die Familie Schroffen­stein«, »Penthesilea«). Angaben zur beteiligten Person Benthien: Claudia Benthien ist Professorin für Neuere deutsche Literatur mit dem Schwerpunkt Gender-Forschung im Rahmen kulturwissenschaftlicher Ansätze in der Literaturwissenschaft an der Universität Hamburg.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783412213794
    Other identifier:
    RVK Categories: GK 2062 ; GK 2019 ; GK 2020
    Edition: 1. Auflage 2011
    Series: Literatur-Kultur-Geschlecht, Kleine Reihe ; Band 30
    Subjects: German drama (Tragedy); Guilt in literature; Shame in literature; Schillers: Braut von Messina; Kleists: Penthesilea; Kleists: Familie Schroffenstei; Schillers: Jungfrau von Orlean; Heinrich von Kleists Dramen; Friedrich Schillers Dramen
    Scope: 1 Online-Ressource (267 Seiten)
  22. Guilt and extenuation in tragedy
    variations on Racinian excuses
    Author: Forman, Edward
    Published: [2021]
    Publisher:  Brill Rodopi, Leiden

    "This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus,... more

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    "This comparative literary study re-evaluates the reciprocal relationship between tragic drama and current approaches to guilt and extenuation. Focussing on Racine but ranging widely, it sheds original light on tragic archetypes (Phaedra, Oedipus, Clytemnestra, Medea and others) through the lenses of performance theory and modern attitudes towards blame. Tragic drama and legal systems both aim to evaluate the merits of excuses provided on behalf of perpetrators of catastrophic acts. Edward Forman wittily and provocatively explores modern judicial concepts - diminished responsibility, provocation, trauma, ignorance, scapegoating - through the responses of characters in tragedy. Attention is paid to the way in which classical plays (ancient Greek and seventeenth-century French) have been re-interpreted in performance in the light of modern perceptions of human responsibility and helplessness"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
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    ISBN: 9789004442788
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    Series: Faux titre ; volume 445
    Subjects: French drama (Tragedy); French drama; French drama (Tragedy); Greek drama (Tragedy); Guilt in literature; Blame in literature; Comparative literature
    Scope: 1 Online-Ressource (xi, 229 Seiten)
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    Includes bibliographical references and index
  23. Shakespeare's Big Men
    tragedy and the problem of resentment
    Author: Van Oort, Richard
    Published: [2016]; ©2016
    Publisher:  University of Toronto Press, Toronto

    Shakespeare's Big Men examines five Shakespearean tragedies--Julius Caesar, Hamlet, Othello, Macbeth, and Coriolanus--through the lens of generative anthropology and the insights of its founder, Eric Gans. Generative anthropology's theory of the... more

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    Shakespeare's Big Men examines five Shakespearean tragedies--Julius Caesar, Hamlet, Othello, Macbeth, and Coriolanus--through the lens of generative anthropology and the insights of its founder, Eric Gans. Generative anthropology's theory of the origins of human society explains the social function of tragedy: to defer our resentment against the "big men" who dominate society by letting us first identify with the tragic protagonist and his resentment, then allowing us to repudiate the protagonist's resentful rage and achieve theatrical catharsis. Drawing on this hypothesis, Richard van Oort offers inspired readings of Shakespeare's plays and their representations of desire, resentment, guilt, and evil. His analysis revives the universal spirit in Shakespearean criticism, illustrating how the plays can serve as a way to understand the ethical dilemma of resentment and discover within ourselves the nature of the human experience."--

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442622166; 1442622164
    RVK Categories: HI 3421
    Subjects: Men in literature; Resentment in literature; Desire in literature; Guilt in literature; Good and evil in literature; Protagonists (Persons) in literature; Anthropology in literature; Literature and anthropology; Hommes dans la littérature; Ressentiment dans la littérature; Désir dans la littérature; Culpabilité dans la littérature; Protagonistes (Littérature); Anthropologie dans la littérature; Littérature et anthropologie; DRAMA - English, Irish, Scottish, Welsh; LITERARY CRITICISM - General; Anthropology in literature; Desire in literature; Good and evil in literature; Guilt in literature; Literature and anthropology; Men in literature; Protagonists (Persons) in literature; Resentment in literature
    Other subjects: Shakespeare, William (1564-1616): Julius Caesar; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616): Othello; Shakespeare, William (1564-1616): Macbeth; Shakespeare, William (1564-1616): Coriolanus
    Scope: 1 Online-Ressource
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    Includes bibliographical references and index

    Chapter 1 -- Why Shakespeare and Generative Anthropology? -- Chapter 2 -- The Originary Hypothesis: Hierarchy, Resentment, and Tragedy -- Chapter 3 -- Brutus's Neoclassical Irony -- Chapter 4 -- Hamlet's Filthy Imagination -- Chapter 5 -- Iago Our Co-Conspirator Chapter 6 -- Macbeth Unseamed -- Chapter 7 -- Coriolanus's Impotence -- Chapter 8 -- Coda: Rene Girard's Shakespeare.
  24. Guilt by descent
    moral inheritance and decision making in Greek tragedy
    Author: Sewell-Rutter, Neil James
    Published: 2007
    Publisher:  Oxford University Press, Oxford

    Blighted and accursed families are an inescapable feature of Greek tragedy, and many scholars have treated questions of inherited guilt, curses, and divine causation. N.J. Sewell-Rutter gives these familiar issues a fresh appraisal, arguing that... more

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    Hochschulbibliothek Friedensau
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    Blighted and accursed families are an inescapable feature of Greek tragedy, and many scholars have treated questions of inherited guilt, curses, and divine causation. N.J. Sewell-Rutter gives these familiar issues a fresh appraisal, arguing that tragedy is a medium that fuses the conceptual with the provoking and exciting of emotion, neither of which can be ignored if the texts are to be fully understood. He pays particular attention to Aeschylus' Seven against Thebes andthe Phoenician Women of Euripides, both of which dramatize the sorrows of the later generations of the House of Oedipus, but

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199227334
    Series: Oxford classical monograph series
    Subjects: Decision making in literature; Blessing and cursing in literature; Greek literature; Guilt in literature
    Scope: Online-Ressource (xiii, 202p), 23 cm
    Notes:

    Includes bibliographical references (p. [177]-188) and index

    Electronic reproduction; Available via World Wide Web

    Contents; Abbreviations, editions cited, and note on translations; Introduction; 1. Preliminary Studies: The Supernatural and Causation in Herodotus; 2. Inherited Guilt; 3. Curses; 4. Erinyes; 5. Irruption and Insight? The Intangible Burden of the Supernatural in Sophocles' Labdacid Plays and Electra; 6. Fate, Freedom, Decision Making: Eteocles and Others; Conclusion; References; Index Locorum; General Index
  25. Shame and guilt in Chaucer
    Author: McTaggart, Anne
    Published: 2012
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    Shame and Guilt in Chaucer explores the representation of emotions as psychological concepts and cultural constructs in Geoffrey Chaucer's narrative poetry. McTaggart argues that Chaucer's main works, including The Canterbury Tales, are united... more

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    Shame and Guilt in Chaucer explores the representation of emotions as psychological concepts and cultural constructs in Geoffrey Chaucer's narrative poetry. McTaggart argues that Chaucer's main works, including The Canterbury Tales, are united thematically both in their positive view of guilt and in their anxiety about the desire for sacrifice and vengeance that shame can provoke

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137039521
    Series: The new Middle Ages
    Subjects: Guilt in literature; Shame in literature
    Other subjects: Chaucer, Geoffrey (d. 1400)
    Scope: Online-Ressource (192 p)
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    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Cover; Title; Copyright; Dedication; Contents; Acknowledgments; 1. Shame and Guilt, Now and Then; 2. Shamed Guiltless in Chaucer's Pagan Antiquity; 3. Honor, Purity, and Sacrifice in The Knight's Tale and The Physician's Tale; 4. Structures of Reciprocity in Chaucerian Romance; 5. The Ills of Illocution: Shame, Guilt, and Confession in The Pardoner's Tale and The Parson's Tale; Conclusion: Chaucer and Medieval Shame Culture; Notes; Bibliography