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Displaying results 1 to 11 of 11.

  1. American graphic
    disgust and data in contemporary literature
    Author: Clark, Rebecca B
    Published: [2023]
    Publisher:  Stanford University Press, Stanford, California

    Location:
    Universitäts- und Landesbibliothek Bonn
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    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Location:
    Universitätsbibliothek Paderborn
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  2. We are all monsters
    how deviant organisms came to define us
    Author: Mangham, Andrew
    Published: [2023]
    Publisher:  The MIT Press, Cambridge, Massachusetts ; London, England

    Location:
    Universitätsbibliothek Koblenz
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    Location:
    Universitätsbibliothek Paderborn
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780262047524
    Other subjects: Abnormalities, Human, in literature; Monsters in literature; Grotesque in literature; Literature and science; Literature, Modern / 19th century / History and criticism
    Scope: 329 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  3. We are all monsters
    how deviant organisms came to define us
    Author: Mangham, Andrew
    Published: [2023]
    Publisher:  The MIT Press, Cambridge, Massachusetts

    Location:
    Universitätsbibliothek Paderborn
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    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780262047524
    Other subjects: Abnormalities, Human, in literature; Monsters in literature; Grotesque in literature; Literature and science; Literature, Modern / 19th century / History and criticism
    Scope: 329 Seiten
    Notes:

    Includes bibliographical references and index
  4. American graphic
    disgust and data in contemporary literature
    Author: Clark, Rebecca B.
    Published: [2023]; © 2023
    Publisher:  Stanford University Press, Stanford, California

    "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the... more

    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    Signature:
    13/HU 1095 C594
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    No inter-library loan

     

    "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the geometrically streamlined in the form of graphs, diagrams, and user interfaces. Clark's innovation is to ask what happens when the same moment in a work of literature is graphic in both ways at once. Her answer suggests that the graphic turn in contemporary literature is intimately implicated in the fraught dynamics of identification. As Clark reveals, this double graphic indexes the unseemliness of a lust in our current culture of information for cool epistemological mastery over the bodies of others. Clark analyzes the contemporary graphic along three specific axes: the ethnographic, the pornographic, and the infographic. In each chapter, her explication of the double graphic hinges on pairing a canonical author--Edgar Allan Poe, Vladimir Nabokov, Thomas Pynchon--read against the grain with literary, visual and/or performance works by black and/or female creators--Mat Johnson, Kara Walker, Fran Ross, Narcissister, Teju Cole--in order to test the effects and affects of the double graphic across racialized and gendered axes of differences. American Graphic forces us to face how closely and uncomfortably yoked together disgust and data--identification with and identification of the other--have become in our increasingly graph-ick world

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503630970; 9781503634237
    Other identifier:
    9781503634237
    RVK Categories: HU 1095
    Series: Post 45
    Subjects: Literatur; Ästhetik; Affekt; Das Groteske; Poetik; American fiction; Grotesque in literature; Affect (Psychology) in literature; Aesthetics, American; ART / Criticism; LITERARY CRITICISM / American / General; Literary studies: from c 1900 -; Literaturwissenschaft, allgemein; PHILOSOPHY / Aesthetics; Philosophie Ästhetik; Philosophy: aesthetics
    Scope: viii, 294 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  5. We are all monsters
    how deviant organisms came to define us
    Author: Mangham, Andrew
    Published: [2023]
    Publisher:  The MIT Press, Cambridge, Massachusetts ; London, England

    Location:
    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780262047524
    Other subjects: Abnormalities, Human, in literature; Monsters in literature; Grotesque in literature; Literature and science; Literature, Modern / 19th century / History and criticism
    Scope: 329 Seiten
    Notes:

    Includes bibliographical references and index
  6. American graphic
    disgust and data in contemporary literature
    Author: Clark, Rebecca B.
    Published: [2023]; © 2023
    Publisher:  Stanford University Press, Stanford, California

    "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the... more

    Location:
    Universitätsbibliothek Regensburg
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
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    Unlimited inter-library loan, copies and loan

     

    "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the geometrically streamlined in the form of graphs, diagrams, and user interfaces. Clark's innovation is to ask what happens when the same moment in a work of literature is graphic in both ways at once. Her answer suggests that the graphic turn in contemporary literature is intimately implicated in the fraught dynamics of identification. As Clark reveals, this double graphic indexes the unseemliness of a lust in our current culture of information for cool epistemological mastery over the bodies of others. Clark analyzes the contemporary graphic along three specific axes: the ethnographic, the pornographic, and the infographic. In each chapter, her explication of the double graphic hinges on pairing a canonical author--Edgar Allan Poe, Vladimir Nabokov, Thomas Pynchon--read against the grain with literary, visual and/or performance works by black and/or female creators--Mat Johnson, Kara Walker, Fran Ross, Narcissister, Teju Cole--in order to test the effects and affects of the double graphic across racialized and gendered axes of differences. American Graphic forces us to face how closely and uncomfortably yoked together disgust and data--identification with and identification of the other--have become in our increasingly graph-ick world."

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781503634237
    RVK Categories: HU 1095
    Series: Post*45
    Subjects: Das Groteske; Affekt; Poetik; Groteske <Literatur>; Ästhetik; Literatur
    Other subjects: American fiction / History and criticism; Grotesque in literature; Affect (Psychology) in literature; Aesthetics, American
    Scope: viii, 294 Seiten
  7. We are all monsters
    how deviant organisms came to define us
    Author: Mangham, Andrew
    Published: [2023]
    Publisher:  The MIT Press, Cambridge, Massachusetts

    Monstrous germs and perpetual formation -- "Monster that I am" : Frankenstein's filthy creation -- Arrested developments and aborted archetypes -- "Fantastic and monkey-like" : Dickens's curiosities -- Recapitulations, leaps, and memories -- Lucas... more

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    Aggregator (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

     

    Monstrous germs and perpetual formation -- "Monster that I am" : Frankenstein's filthy creation -- Arrested developments and aborted archetypes -- "Fantastic and monkey-like" : Dickens's curiosities -- Recapitulations, leaps, and memories -- Lucas Malet's "faculty of actualising" -- Coda: Modern difference. "How the idea of monstrosity, as "other" in critical research, was central to nineteenth-century scientific understandings of "natural" or "normal" biology"--

     
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  8. American graphic
    disgust and data in contemporary literature
    Author: Clark, Rebecca B.
    Published: [2023]; © 2023
    Publisher:  Stanford University Press, Stanford, California

    "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the... more

    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 2023/2426
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    Unlimited inter-library loan, copies and loan

    Location:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Location:
    Universitätsbibliothek Mannheim
    Signature:
    500 HU 1095 C594
    Inter-library loan:
    No inter-library loan

     

    "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the geometrically streamlined in the form of graphs, diagrams, and user interfaces. Clark's innovation is to ask what happens when the same moment in a work of literature is graphic in both ways at once. Her answer suggests that the graphic turn in contemporary literature is intimately implicated in the fraught dynamics of identification. As Clark reveals, this double graphic indexes the unseemliness of a lust in our current culture of information for cool epistemological mastery over the bodies of others. Clark analyzes the contemporary graphic along three specific axes: the ethnographic, the pornographic, and the infographic. In each chapter, her explication of the double graphic hinges on pairing a canonical author--Edgar Allan Poe, Vladimir Nabokov, Thomas Pynchon--read against the grain with literary, visual and/or performance works by black and/or female creators--Mat Johnson, Kara Walker, Fran Ross, Narcissister, Teju Cole--in order to test the effects and affects of the double graphic across racialized and gendered axes of differences. American Graphic forces us to face how closely and uncomfortably yoked together disgust and data--identification with and identification of the other--have become in our increasingly graph-ick world"--

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503630970; 9781503634237
    Other identifier:
    9781503634237
    RVK Categories: HU 1095
    Series: Post*45
    Subjects: American fiction; Grotesque in literature; Affect (Psychology) in literature; Aesthetics, American; ART / Criticism; LITERARY CRITICISM / American / General; Literary studies: from c 1900 -; Literaturwissenschaft, allgemein; PHILOSOPHY / Aesthetics; Philosophie Ästhetik; Philosophy: aesthetics
    Scope: viii, 294 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Interessenniveau: 06, Professional and scholarly: For an expert adult audience, including academic research. (06)
  9. We are all monsters
    how deviant organisms came to define us
    Author: Mangham, Andrew
    Published: [2023]; © 2023
    Publisher:  The MIT Press, Cambridge, Massachusetts

    "How the idea of monstrosity, as "other" in critical research, was central to nineteenth-century scientific understandings of "natural" or "normal" biology"-- more

    Location:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signature:
    EC 5177 M277
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "How the idea of monstrosity, as "other" in critical research, was central to nineteenth-century scientific understandings of "natural" or "normal" biology"--

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780262047524
    Subjects: Abnormalities, Human, in literature; Monsters in literature; Grotesque in literature; Literature and science; Literature, Modern
    Scope: 329 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index

    Monstrous germs and perpetual formation -- "Monster that I am" : Frankenstein's filthy creation -- Arrested developments and aborted archetypes -- "Fantastic and monkey-like" : Dickens's curiosities -- Recapitulations, leaps, and memories -- Lucas Malet's "faculty of actualising" -- Coda: Modern difference.
  10. We are all monsters
    how deviant organisms came to define us
    Author: Mangham, Andrew
    Published: [2023]; © 2023
    Publisher:  The MIT Press, Cambridge, Massachusetts

    "How the idea of monstrosity, as "other" in critical research, was central to nineteenth-century scientific understandings of "natural" or "normal" biology"-- more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universitätsbibliothek Osnabrück
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    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    No inter-library loan
    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    No inter-library loan

     

    "How the idea of monstrosity, as "other" in critical research, was central to nineteenth-century scientific understandings of "natural" or "normal" biology"--

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780262372473
    Other identifier:
    Subjects: Abnormalities, Human, in literature; Monsters in literature; Grotesque in literature; Literature and science; Literature, Modern
    Other subjects: SCIENCE / History; LITERARY CRITICISM / Gothic & Romance; SOCIAL SCIENCE / Popular Culture
    Scope: 1 Online-Ressource (329 Seiten)
    Notes:

    Includes bibliographical references and index

    Monstrous germs and perpetual formation -- "Monster that I am" : Frankenstein's filthy creation -- Arrested developments and aborted archetypes -- "Fantastic and monkey-like" : Dickens's curiosities -- Recapitulations, leaps, and memories -- Lucas Malet's "faculty of actualising" -- Coda: Modern difference.
  11. We are all monsters
    how deviant organisms came to define us
    Author: Mangham, Andrew
    Published: [2023]
    Publisher:  The MIT Press, Cambridge, Massachusetts

    Monstrous germs and perpetual formation -- "Monster that I am" : Frankenstein's filthy creation -- Arrested developments and aborted archetypes -- "Fantastic and monkey-like" : Dickens's curiosities -- Recapitulations, leaps, and memories -- Lucas... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Monstrous germs and perpetual formation -- "Monster that I am" : Frankenstein's filthy creation -- Arrested developments and aborted archetypes -- "Fantastic and monkey-like" : Dickens's curiosities -- Recapitulations, leaps, and memories -- Lucas Malet's "faculty of actualising" -- Coda: Modern difference. "How the idea of monstrosity, as "other" in critical research, was central to nineteenth-century scientific understandings of "natural" or "normal" biology"--

     
    Export to reference management software   RIS file
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