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  1. Paradigms of Renaissance grotesques
    Contributor: Acciarino, Damiano (Publisher)
    Published: 2019
    Publisher:  Centre for Reformation and Renaissance Studies, Toronto

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking incongruities, ingenious hybrids, and creative deformities of nature and culture, it is profoundly implicated in early modern debates on the theological, philosophical, and ethical role of images. This consideration serves as the central focus from which the articles in the collection then move outward along different lines of conceptualization, chronology, cultural relevance, place, and site. They cover a wide spectrum of artistic media, from prints to drawings, from sculptures to gardens, from paintings to stuccos. As they do this, they engage with, and bring together, theoretical perspectives from writers as diverse as Plato and Paleotti, Vitruvius and Vasari, Molanus to Montaigne. Whether travelling a short distance from Nero's Domus Aurea to Raphael's Vatican logge, or across the ocean from Italy to New Spain, this volume goes further than any previous study in defining the historic understanding of grotesque and, in so doing, providing us with a more nuanced resource for our understanding of an art form once viewed as peripheral."--

     
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    Source: Union catalogues
    Contributor: Acciarino, Damiano (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780772721952
    RVK Categories: LN 89260 ; LN 10250 ; EC 8640 ; EC 8640
    Series: Publications of the Centre for Reformation and Renaissance Studies. Essays and studies ; 43
    Subjects: Kunst; Das Groteske; Ästhetik
    Other subjects: Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in art; Grotesque in architecture; Grotesque in literature; Esthétique de la Renaissance; Art de la Renaissance; Grotesque; Grotesque dans l'art; Grotesque en architecture; Grotesque dans la littérature; Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in architecture; Grotesque in art; Grotesque in literature; Conference papers and proceedings
    Scope: 597 Seiten, Illustrationen, 23 cm
    Notes:

    Einführung (S. 49): "... the present volume, which gathers contributions from the conference sessions "Between Allegory and Natural Philosophy: New Perspectives on Renaissance Grotesques" held at the annual meetings of the Renaissance Society of America (New Orleans, 22–24 March 2018)..."
  2. Paradigms of Renaissance grotesques
    Contributor: Acciarino, Damiano (Herausgeber)
    Published: [2019]; © 2019
    Publisher:  Centre for Reformation and Renaissance Studies, Toronto

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking... more

    Location:
    Universitätsbibliothek Gießen
    Signature:
    000 LN 89260 A171
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking incongruities, ingenious hybrids, and creative deformities of nature and culture, it is profoundly implicated in early modern debates on the theological, philosophical, and ethical role of images. This consideration serves as the central focus from which the articles in the collection then move outward along different lines of conceptualization, chronology, cultural relevance, place, and site. They cover a wide spectrum of artistic media, from prints to drawings, from sculptures to gardens, from paintings to stuccos. As they do this, they engage with, and bring together, theoretical perspectives from writers as diverse as Plato and Paleotti, Vitruvius and Vasari, Molanus to Montaigne. Whether travelling a short distance from Nero’s Domus Aurea to Raphael’s Vatican logge, or across the ocean from Italy to New Spain, this volume goes further than any previous study in defining the historic understanding of grotesque and, in so doing, providing us with a more nuanced resource for our understanding of an art form once viewed as peripheral.

     
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    Source: Union catalogues
    Contributor: Acciarino, Damiano (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780772721952; 0772721955
    RVK Categories: LN 89260 ; LN 10250 ; EC 8640
    Series: Publications of the Centre for Reformation and Renaissance studies. Essays and studies ; 43
    Subjects: Renaissance; Groteske <Kunst>; Groteske <Literatur>; Ästhetik; Das Groteske; Kunst; Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in art; Grotesque in architecture; Grotesque in literature; Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in architecture; Grotesque in art; Grotesque in literature; Conference papers and proceedings
    Scope: 597 Seiten, Illustrationen
    Notes:

    Literaraturangaben
  3. Paradigms of Renaissance grotesques
    Contributor: Acciarino, Damiano (Publisher)
    Published: 2019
    Publisher:  Centre for Reformation and Renaissance Studies, Toronto

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking incongruities, ingenious hybrids, and creative deformities of nature and culture, it is profoundly implicated in early modern debates on the theological, philosophical, and ethical role of images. This consideration serves as the central focus from which the articles in the collection then move outward along different lines of conceptualization, chronology, cultural relevance, place, and site. They cover a wide spectrum of artistic media, from prints to drawings, from sculptures to gardens, from paintings to stuccos. As they do this, they engage with, and bring together, theoretical perspectives from writers as diverse as Plato and Paleotti, Vitruvius and Vasari, Molanus to Montaigne. Whether travelling a short distance from Nero's Domus Aurea to Raphael's Vatican logge, or across the ocean from Italy to New Spain, this volume goes further than any previous study in defining the historic understanding of grotesque and, in so doing, providing us with a more nuanced resource for our understanding of an art form once viewed as peripheral."--

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Acciarino, Damiano (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780772721952
    RVK Categories: LN 89260 ; LN 10250 ; EC 8640 ; EC 8640
    Series: Publications of the Centre for Reformation and Renaissance Studies. Essays and studies ; 43
    Subjects: Kunst; Das Groteske; Ästhetik
    Other subjects: Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in art; Grotesque in architecture; Grotesque in literature; Esthétique de la Renaissance; Art de la Renaissance; Grotesque; Grotesque dans l'art; Grotesque en architecture; Grotesque dans la littérature; Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in architecture; Grotesque in art; Grotesque in literature; Conference papers and proceedings
    Scope: 597 Seiten, Illustrationen, 23 cm
    Notes:

    Einführung (S. 49): "... the present volume, which gathers contributions from the conference sessions "Between Allegory and Natural Philosophy: New Perspectives on Renaissance Grotesques" held at the annual meetings of the Renaissance Society of America (New Orleans, 22–24 March 2018)..."
  4. Paradigms of Renaissance grotesques /
    Contributor: Acciarino, Damiano, (Publisher)
    Published: 2019.
    Publisher:  Centre for Reformation and Renaissance Studies,, Toronto :

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking incongruities, ingenious hybrids, and creative deformities of nature and culture, it is profoundly implicated in early modern debates on the theological, philosophical, and ethical role of images. This consideration serves as the central focus from which the articles in the collection then move outward along different lines of conceptualization, chronology, cultural relevance, place, and site. They cover a wide spectrum of artistic media, from prints to drawings, from sculptures to gardens, from paintings to stuccos. As they do this, they engage with, and bring together, theoretical perspectives from writers as diverse as Plato and Paleotti, Vitruvius and Vasari, Molanus to Montaigne. Whether travelling a short distance from Nero's Domus Aurea to Raphael's Vatican logge, or across the ocean from Italy to New Spain, this volume goes further than any previous study in defining the historic understanding of grotesque and, in so doing, providing us with a more nuanced resource for our understanding of an art form once viewed as peripheral."--

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Acciarino, Damiano, (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 978-0-7727-2195-2
    RVK Categories: LN 89260 ; LN 10250 ; EC 8640
    Series: Publications of the Centre for Reformation and Renaissance Studies. Essays and studies ; 43
    Subjects: Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in art; Grotesque in architecture; Grotesque in literature; Esthétique de la Renaissance; Art de la Renaissance; Grotesque dans l'art; Grotesque en architecture; Grotesque dans la littérature; <<Das>> Groteske.; Kunst.; Ästhetik.
    Scope: 597 Seiten :, Illustrationen ;, 23 cm.
    Notes:

    Einführung (S. 49): "... the present volume, which gathers contributions from the conference sessions “Between Allegory and Natural Philosophy: New Perspectives on Renaissance Grotesques” held at the annual meetings of the Renaissance Society of America (New Orleans, 22–24 March 2018)..."
  5. Paradigms of Renaissance grotesques
    Contributor: Acciarino, Damiano (HerausgeberIn)
    Published: 2019
    Publisher:  Centre for Reformation and Renaissance Studies, Toronto

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking incongruities, ingenious hybrids, and creative deformities of nature and culture, it is profoundly implicated in early modern debates on the theological, philosophical, and ethical role of images. This consideration serves as the central focus from which the articles in the collection then move outward along different lines of conceptualization, chronology, cultural relevance, place, and site. They cover a wide spectrum of artistic media, from prints to drawings, from sculptures to gardens, from paintings to stuccos. As they do this, they engage with, and bring together, theoretical perspectives from writers as diverse as Plato and Paleotti, Vitruvius and Vasari, Molanus to Montaigne. Whether travelling a short distance from Nero’s Domus Aurea to Raphael’s Vatican logge, or across the ocean from Italy to New Spain, this volume goes further than any previous study in defining the historic understanding of grotesque and, in so doing, providing us with a more nuanced resource for our understanding of an art form once viewed as peripheral."--

     
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    Content information
    Source: Union catalogues
    Contributor: Acciarino, Damiano (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780772721952; 0772721955
    RVK Categories: EC 8640 ; LN 10250 ; LN 89260
    Series: Array ; 43
    Subjects: Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in art; Grotesque in architecture; Grotesque in literature; Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in architecture; Grotesque in art; Grotesque in literature; Conference papers and proceedings
    Scope: 597 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  6. Schwarzer Karneval - Heiner Müllers Poetik des Grotesken
    Author: Meuser, Mirjam
    Published: [2019]
    Publisher:  De Gruyter, Berlin

    Die Studie zielt auf eine literaturhistorisch fundierte Rekonstruktion von Heiner Müllers Poetik des Grotesken, die als Antwort auf die krisenhaften Umbrüche und historischen Katastrophen des 20. Jahrhunderts gelesen wird. Es ist der erste Versuch... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Die Studie zielt auf eine literaturhistorisch fundierte Rekonstruktion von Heiner Müllers Poetik des Grotesken, die als Antwort auf die krisenhaften Umbrüche und historischen Katastrophen des 20. Jahrhunderts gelesen wird. Es ist der erste Versuch dieser Art über einen Autor, der sich zwar in Schriften und Interviews wiederholt poetologisch geäußert, im Unterschied zu Brecht, Dürrenmatt oder Hacks aber keine explizite Poetik hinterlassen hat. Die Autorin geht den Voraussetzungen, Formen und Strukturen des Grotesken in Müllers Dramatik nach. Dazu werden die zahlreich dort auffindbaren, historisch vermittelten Motive und Textverfahren des Grotesken (Karnevalismus, Schwarze Romantik) analysiert, in ihrer Entwicklung dokumentiert und neue Strukturen auf ihre wirkungsästhetischen Implikationen hin untersucht. Darüber hinaus erfährt Müllers Werk eine Verortung im Kontext der dramen- und theaterästhetischen Diskussionen der zweiten Hälfte des 20. Jahrhunderts, die auch seine Hinwendung zur Postmoderne (neu) kontextualisiert. Die Untersuchung leistet somit über die Müller-Forschung hinaus einen wichtigen Beitrag zur Groteskenforschung und will auch einer Kulturgeschichte des Grotesken neue Aspekte hinzuzufügen Frontmatter -- Danksagung -- Inhalt -- I. Heiner Müller und die Konjunktur des Grotesken im 20. Jahrhundert -- II. Das Groteske im dramatischen Werk Heiner Müllers – Transformationen eines ästhetischen Krisenphänomens -- III. Der Schrecken als erste Erscheinung des Neuen – Explosion des Grotesken in ‚Leben Gundlings Friedrich von Preussen Lessings Schlaf Traum Schrei‘ -- IV. Entdeckung der Form als Schrecken – Die 1950er- und 1960er-Jahre -- V. Von ‚Die Umsiedlerin‘ über ‚Leben Gundlings‘ zur ‚Wolokolamsker Chaussee‘ – Wandlungen der müllerschen Poetik des Grotesken als einer Poetik der Utopie -- Siglenverzeichnis -- Bibliographie -- Personenregister

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110615029; 9783110616552
    Other identifier:
    RVK Categories: GN 7881
    Series: Hermaea ; Neue Folge, Band 149
    Subjects: Grotesque in literature; LITERARY CRITICISM / European / German
    Other subjects: Müller, Heiner; the grotesque (in literature)
    Scope: 1 Online-Ressource (XI, 488 Seiten)
    Notes:

    Dissertation, Humboldt-Universität zu Berlin, 2017
  7. Teatro, historia y política en "Martes de Carnaval" de Valle-Inclán
    Author: Aznar Soler, Manuel
    Published: [2019]
    Publisher:  Renacimiento, Valencina de la Concepción (Sevilla)

    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 2019/7892
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    ZIV fIII l 327/90
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    No inter-library loan
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    Source: Union catalogues
    Contributor: Valle-Inclán, Ramón del (VerfasserIn des Bezugswerks)
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 9788417550790
    Other identifier:
    9788417550790
    RVK Categories: IP 8845
    Series: Los cuatro vientos ; 146
    Subjects: Grotesque in literature
    Other subjects: Valle-Inclán, Ramón del (1866-1936): Martes de carnaval; Valle-Inclán, Ramón del (1866-1936)
    Scope: 484 Seiten
    Notes:

    Incluye el texto íntegro de "Martes de Carnaval"
  8. Schwarzer Karneval - Heiner Müllers Poetik des Grotesken
    Author: Meuser, Mirjam
    Published: [2019]
    Publisher:  De Gruyter, Berlin

    Die Studie zielt auf eine literaturhistorisch fundierte Rekonstruktion von Heiner Müllers Poetik des Grotesken, die als Antwort auf die krisenhaften Umbrüche und historischen Katastrophen des 20. Jahrhunderts gelesen wird. Es ist der erste Versuch... more

    Access:
    Verlag (lizenzpflichtig)
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Die Studie zielt auf eine literaturhistorisch fundierte Rekonstruktion von Heiner Müllers Poetik des Grotesken, die als Antwort auf die krisenhaften Umbrüche und historischen Katastrophen des 20. Jahrhunderts gelesen wird. Es ist der erste Versuch dieser Art über einen Autor, der sich zwar in Schriften und Interviews wiederholt poetologisch geäußert, im Unterschied zu Brecht, Dürrenmatt oder Hacks aber keine explizite Poetik hinterlassen hat. Die Autorin geht den Voraussetzungen, Formen und Strukturen des Grotesken in Müllers Dramatik nach. Dazu werden die zahlreich dort auffindbaren, historisch vermittelten Motive und Textverfahren des Grotesken (Karnevalismus, Schwarze Romantik) analysiert, in ihrer Entwicklung dokumentiert und neue Strukturen auf ihre wirkungsästhetischen Implikationen hin untersucht. Darüber hinaus erfährt Müllers Werk eine Verortung im Kontext der dramen- und theaterästhetischen Diskussionen der zweiten Hälfte des 20. Jahrhunderts, die auch seine Hinwendung zur Postmoderne (neu) kontextualisiert. Die Untersuchung leistet somit über die Müller-Forschung hinaus einen wichtigen Beitrag zur Groteskenforschung und will auch einer Kulturgeschichte des Grotesken neue Aspekte hinzuzufügen Frontmatter -- Danksagung -- Inhalt -- I. Heiner Müller und die Konjunktur des Grotesken im 20. Jahrhundert -- II. Das Groteske im dramatischen Werk Heiner Müllers – Transformationen eines ästhetischen Krisenphänomens -- III. Der Schrecken als erste Erscheinung des Neuen – Explosion des Grotesken in ‚Leben Gundlings Friedrich von Preussen Lessings Schlaf Traum Schrei‘ -- IV. Entdeckung der Form als Schrecken – Die 1950er- und 1960er-Jahre -- V. Von ‚Die Umsiedlerin‘ über ‚Leben Gundlings‘ zur ‚Wolokolamsker Chaussee‘ – Wandlungen der müllerschen Poetik des Grotesken als einer Poetik der Utopie -- Siglenverzeichnis -- Bibliographie -- Personenregister

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110615029; 9783110616552
    Other identifier:
    RVK Categories: GN 7881
    Series: Hermaea ; Neue Folge, Band 149
    Subjects: Grotesque in literature; LITERARY CRITICISM / European / German
    Other subjects: Müller, Heiner; the grotesque (in literature)
    Scope: 1 Online-Ressource (XI, 488 Seiten)
    Notes:

    Dissertation, Humboldt-Universität zu Berlin, 2017
  9. Paradigms of Renaissance grotesques
    Contributor: Acciarino, Damiano (HerausgeberIn)
    Published: 2019
    Publisher:  Centre for Reformation and Renaissance Studies, Toronto

    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2021:4430:
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    No inter-library loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitätsbibliothek Heidelberg
    Signature:
    2021 C 3297
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    Germanisches Nationalmuseum, Bibliothek
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    Herzog August Bibliothek Wolfenbüttel
    Signature:
    72.3061
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    "This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking incongruities, ingenious hybrids, and creative deformities of nature and culture, it is profoundly implicated in early modern debates on the theological, philosophical, and ethical role of images. This consideration serves as the central focus from which the articles in the collection then move outward along different lines of conceptualization, chronology, cultural relevance, place, and site. They cover a wide spectrum of artistic media, from prints to drawings, from sculptures to gardens, from paintings to stuccos. As they do this, they engage with, and bring together, theoretical perspectives from writers as diverse as Plato and Paleotti, Vitruvius and Vasari, Molanus to Montaigne. Whether travelling a short distance from Nero’s Domus Aurea to Raphael’s Vatican logge, or across the ocean from Italy to New Spain, this volume goes further than any previous study in defining the historic understanding of grotesque and, in so doing, providing us with a more nuanced resource for our understanding of an art form once viewed as peripheral."--

     
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    Content information
    Source: Union catalogues
    Contributor: Acciarino, Damiano (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780772721952; 0772721955
    RVK Categories: EC 8640 ; LN 10250 ; LN 89260
    Series: Array ; 43
    Subjects: Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in art; Grotesque in architecture; Grotesque in literature; Aesthetics, Renaissance; Art, Renaissance; Grotesque; Grotesque in architecture; Grotesque in art; Grotesque in literature; Conference papers and proceedings
    Scope: 597 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index