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Displaying results 1 to 25 of 148.

  1. Hollywood by Hollywood
    the backstudio picture and the mystique of making movies
    Author: Cohan, Steven
    Published: 2018
    Publisher:  Oxford University Press, New York, NY

    The backstudio picture, or the movie about movie-making, harks back to the silent era and extends to the present day. Covering the hundred-year timespan of feature length film production, this original study of a longstanding yet unrecognized genre... more

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    The backstudio picture, or the movie about movie-making, harks back to the silent era and extends to the present day. Covering the hundred-year timespan of feature length film production, this original study of a longstanding yet unrecognized genre offers an illuminating perspective for considering anew the history of American movies

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190865818
    Other identifier:
    Subjects: Filmwirtschaft <Motiv>; Film; Los Angeles- Hollywood <Motiv>
    Other subjects: Motion picture industry in motion pictures; Motion pictures / United States / History; Motion picture industry in motion pictures; Motion pictures ; United States ; History; Hollywood (Los Angeles, Calif.) ; In motion pictures; Hollywood (Los Angeles, Calif.) / In motion pictures
    Scope: 1 Online-Ressource (X, 270 Seiten), illustrations (black and white)
    Notes:

    Includes bibliographical references, filmography and index. - Previously issued in print: 2018. - Zielgruppe - Audience: Specialized
  2. Egyptian cinema and the 2011 revolution
    film production and representing dissent
    Author: Ghazal, Ahmed
    Published: 2020
    Publisher:  Bloomsbury Publishing, London

    "Egypt's film industry is the largest in the Middle East, with an output that spreads across the region and the world. In the run-up to and throughout the 2011 Revolution, a complex relationship formed between the industry and the people's uprising.... more

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    "Egypt's film industry is the largest in the Middle East, with an output that spreads across the region and the world. In the run-up to and throughout the 2011 Revolution, a complex relationship formed between the industry and the people's uprising. Both a form of political expression and a documentation of historical events, 'revolutionary' film techniques have contributed to the cultural memory of 2011. At the same time, these films and their makers have been the target of increasing state control and intervention. Ahmed Ghazal, drawing upon his own background in film-making, looks at the way in which Egyptian film has shaped, and been shaped by, the events leading up to and beyond Egypt's 2011 revolution. Drawing on interviews with protagonists in the industry, analysis of films, and archival research, he analyses the critical issues affecting the political economy of the industry. He also explores the technological developments of independent productions and the cinematic themes of dictatorship, poverty, corruption and police brutality that have accompanied the people's calls for freedom - and the counterrevolution that has tried to suppress them"--...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780755603169; 9780755603152; 9780755603176
    Other identifier:
    Subjects: Filmwirtschaft; Arabischer Frühling <Motiv>; Revolution <Motiv>
    Scope: 1 Online-Ressource (vii, 195 pages)), illustrations
    Notes:

    Middle East 2020
  3. Film England
    culturally English filmmaking since the 1990s
    Author: Higson, Andrew
    Published: ©2011
    Publisher:  I.B. Tauris & Co. Ltd, London [England] ; Bloomsbury Publishing, London

    Andrew Higson demonstrates how a variety of Englishnesses have appeared on screen since 1990, and surveys the genres and production modes that have captured those representations. He examines several contemporary 'English' dramas that embody the... more

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    Andrew Higson demonstrates how a variety of Englishnesses have appeared on screen since 1990, and surveys the genres and production modes that have captured those representations. He examines several contemporary 'English' dramas that embody the transnationalism of contemporary cinema, from 'Notting Hill' to 'The Constant Gardener'.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0857718975; 9780755698097; 9780857718976
    Other identifier:
    Edition: First edition
    Subjects: Filmwirtschaft; Englisch; Literatur; Verfilmung
    Scope: 1 Online-Ressource (viii, 296 pages)), illustrations
    Notes:

    I.B. Tauris Film Studies Archive 1998-2015
  4. Egyptian Cinema and the 2011 Revolution
    Film Production and Representing Dissent
    Author: Ghazal, Ahmed
    Published: 2020
    Publisher:  I. B. Tauris & Company, London ; ProQuest, Ann Arbor, Michigan

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780755603169
    Subjects: Filmwirtschaft; Arabischer Frühling <Motiv>; Revolution <Motiv>
    Scope: 1 Online-Ressource (209 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  5. Euro-visions
    Europe in contemporary cinema
    Author: Liz, Mariana
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

    "Examines the meaning of Europe in contemporary art-house and popular films from across the continent"... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    "Examines the meaning of Europe in contemporary art-house and popular films from across the continent"...

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501304774
    Other identifier:
    RVK Categories: AP 59406
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; Film; Geschichte; Motion pictures; Europe; PERFORMING ARTS / Film & Video / History & Criticism; Europa <Motiv>; Film; Filmwirtschaft
    Scope: 1 Online-Ressource (xvi, 182 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  6. Gaze regimes
    film and feminisms in Africa
    Contributor: Mistry, Jyoti (Herausgeber); Schuhmann, Antje (Herausgeber)
    Published: 2015
    Publisher:  Wits University Press, Johannesburg ; Cambridge University Press, Cambridge, UK

    Gaze Regimes is a bricolage of essays and interviews showcasing the experiences of women working in film, either directly as practitioners or in other areas as curators, festival programme directors or fundraisers. It does not shy away from... more

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    Gaze Regimes is a bricolage of essays and interviews showcasing the experiences of women working in film, either directly as practitioners or in other areas as curators, festival programme directors or fundraisers. It does not shy away from questioning the relations of power in the practice of filmmaking and the power invested in the gaze itself. Who is looking and who is being looked at, who is telling women's stories in Africa and what governs the mechanics of making those films on the continent? The interviews with film practitioners such as Tsitsi Dangarembga, Taghreed Elsanhouri, Jihan El-Tahri, Anita Khanna, Isabel Noronhe, Arya Lalloo and Shannon Walsh demonstrate the contradictory points of departure of women in film - from their understanding of feminisms in relation to lived-experiences and the realpolitik of women working as cultural practitioners. The disciplines of gender studies, postcolonial theory, and film theory provide the framework for the book's essays. Jyoti Mistry, Antje Schuhmann, Nobunye Levin, Dorothee Wenner and Christina von Braun are some of the contributors who provide valuable context, analysis and insight into, among other things, the politics of representation, the role of film festivals and the collective and individual experiences of trauma and marginality which contribute to the layered and complex filmic responses of Africa's film practitioners.

     
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    Source: Union catalogues
    Contributor: Mistry, Jyoti (Herausgeber); Schuhmann, Antje (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781868148592
    Subjects: Filmwirtschaft; Film; Frau <Motiv>; Feminismus
    Scope: 1 Online-Ressource (xxxiv, 229 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 09 May 2018)
  7. Gaze Regimes
    Film and Feminism in Africa
    Author: Mistry, Jyoti
    Published: 2015
    Publisher:  Witwatersrand University Press, Johannesburg ; ProQuest, Ann Arbor, Michigan

    A bricolage of essays and interviews of the experiences of women working in film. Who is telling women's stories in Africa and what governs the mechanics of making those films? Analysis and insight into the politics of representation, role of film... more

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    A bricolage of essays and interviews of the experiences of women working in film. Who is telling women's stories in Africa and what governs the mechanics of making those films? Analysis and insight into the politics of representation, role of film festivals and experiences of the layered and complex filmic responses of Africa's film practitioners.

     
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    Source: Union catalogues
    Contributor: Schuhmann, Antje; Ruckteschell, Katharina; Annas, Max; Dangarembga, Tsitsi; El-Tahri, Jihan; Ellerson, Beti; Elsanhouri, Taghreed; Gunkel, Henriette; Hedrén, Katarina
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781868148578
    Subjects: Filmwirtschaft; Film; Frau <Motiv>; Feminismus
    Scope: 1 Online-Ressource (215 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  8. Film Production and Consumption in Contemporary Taiwan
    Cinema as a Sensory Circuit
    Author: Mon, Ya-Feng
    Published: [2016]
    Publisher:  Amsterdam University Press, Amsterdam ; Walter de Gruyter GmbH, Berlin

    This book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience's freedom to choose and respond to culture on its... more

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    This book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience's freedom to choose and respond to culture on its own terms. Interweaving in-depth interviews with filmmakers, producers, marketers, and spectators, Ya-Fong Mon takes a biopolitical approach to the question, showing how the industry uses investments in technoscience, ancillary marketing, and media convergence to seduce and control the sensory experience of the audience—yet that control only extends so far: volatility remains a key component of the filmgoing experience. ...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048527526
    Other identifier:
    Series: Acumen Research Editions ; 1
    Subjects: Filmwirtschaft; Filmproduktion; Film; Publikum; Homosexualität <Motiv>
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)
  9. Gaze Regimes
    Film and Feminisms in Africa
    Author: Braun, Christina von
    Published: 2005
    Publisher:  Wits University Press, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    Gaze Regimes is a bricolage of essays and interviews showcasing the experiences of women working in film, either directly as practitioners or in other areas such as curators, festival programme directors or fundraisers. It does not shy away from... more

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    Universitätsbibliothek Gießen
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    Gaze Regimes is a bricolage of essays and interviews showcasing the experiences of women working in film, either directly as practitioners or in other areas such as curators, festival programme directors or fundraisers. It does not shy away from questioning the relations of power in the practice of filmmaking and the power invested in the gaze itself. Who is looking and who is being looked at, who is telling women’s stories in Africa and what governs the mechanics of making those films on the continent?The interviews with film practitioners such as Tsitsi Dangarembga, Taghreed Elsanhouri, Jihan El-Tahri, Anita Khanna, Isabel Noronhe, Arya Lalloo and Shannon Walsh demonstrate the contradictory points of departure of women in film – from their understanding of feminisms in relation to lived-experiences and the realpolitik of women working as cultural practitioners. Jyoti Mistry, Antje Schuhmann, Nobunye Levin, Dorothee Wenner and Christina von Braun are some of the contributors...

     
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    Source: Union catalogues
    Contributor: Mistry, Jyoti; Levin, Nobunye
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781868148561
    Subjects: Filmwirtschaft; Film; Frau <Motiv>; Feminismus
    Scope: 1 Online-Ressource (1 Online-Ressource ( p.)
  10. Gaze Regimes
    Film and feminisms in Africa
    Contributor: Ruckteschell, Katharina; Schuhmann, Antje; Mistry, Jyoti
    Published: 2015
    Publisher:  Wits University Press, Johannesburg ; Project MUSE, Baltimore, Md.

    Essays and interviews on the contemporary state of women's representation, roles and engagements in the film world ... either directly as practitioners or in other areas such as curators, festival programme directors or fundraisers. Who is looking... more

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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Universitätsbibliothek Gießen
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    Essays and interviews on the contemporary state of women's representation, roles and engagements in the film world ... either directly as practitioners or in other areas such as curators, festival programme directors or fundraisers. Who is looking and who is being looked at, who is telling women's stories in Africa and what governs the mechanics of making those films on the continent? The disciplines of gender studies, postcolonial theory, and film theory provide the famework for the book's essays. Contributors ... provide valuable context, analysis and insights into, among other things, the politics of representation, the role of film festivals and the collective and individual experiences of trauma and marginality which contribute to the layered and complex filmic responses of Africa's film practitioners.--Edited information from back cover.

     
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    Source: Union catalogues
    Contributor: Ruckteschell, Katharina; Schuhmann, Antje; Mistry, Jyoti
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781868148592
    Subjects: Filmwirtschaft; Film; Frau <Motiv>; Feminismus
    Scope: 1 Online-Ressource (xxxiv, 229 pages :), Illustrations
    Notes:

    Includes bibliographical references (pages 215-217) and index

    Description based on print version record
  11. Routledge Handbook of Indian Cinemas
    Author: Gokulsing, K. Moti.
    Published: 2013
    Publisher:  Routledge, London ; ProQuest, Ann Arbor, Michigan

    India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a... more

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    Universität Frankfurt, Elektronische Ressourcen
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    India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.

     
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    Source: Union catalogues
    Contributor: Dissanayake, Wimal
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781136772849
    RVK Categories: AP 44965
    Edition: 1st ed.
    Subjects: Film; Motiv; Filmwirtschaft
    Scope: 1 Online-Ressource (488 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  12. Euro-visions
    Europe in contemporary cinema
    Author: Liz, Mariana
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

    "Examines the meaning of Europe in contemporary art-house and popular films from across the continent"... more

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    Universitätsbibliothek der LMU München
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    "Examines the meaning of Europe in contemporary art-house and popular films from across the continent"...

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501304774
    Other identifier:
    RVK Categories: AP 59406
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; Film; Geschichte; Motion pictures; Europe; PERFORMING ARTS / Film & Video / History & Criticism; Europa <Motiv>; Film; Filmwirtschaft
    Scope: 1 Online-Ressource (xvi, 182 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  13. Hollywood in Crisis or: The Collapse of the Real
    Author: Dixon, Wheeler Winston
    Published: 2016
    Publisher:  Springer International Publishing, Cham

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Passau
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    Volltext (URL des Erstveröffentlichers)
  14. Gaze regimes
    film and feminisms in Africa
    Contributor: Mistry, Jyoti (Herausgeber); Schuhmann, Antje (Herausgeber)
    Published: 2015
    Publisher:  Wits University Press, Johannesburg

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Volltext (kostenfrei)
    Source: Union catalogues
    Contributor: Mistry, Jyoti (Herausgeber); Schuhmann, Antje (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781868148592; 9781776141654; 9781868146888
    Subjects: Frau; Feminismus; Frau <Motiv>; Filmwirtschaft; Film
    Scope: 1 Online-Ressource (xxxiv, 229 Seiten), Illustrationen
    Notes:

    Der Titel ist Teil des Projekts Knowledge Unlatched
  15. Rethinking Jewishness in Weimar cinema
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Herausgeber)
    Published: 2021
    Publisher:  Berghahn, New York ; Oxford

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781789208733
    Series: Film Europa ; volume 24
    Subjects: Weimarer Republik; Juden; Juden <Motiv>; Filmwirtschaft; Film; Judentum
    Other subjects: Motion pictures / Germany / History / 20th century; Jews in the motion picture industry / Germany; Jewish motion picture producers and directors / Germany; Electronic books; Germany / Civilization / Jewish influences
    Scope: 1 Online-Ressource (viii, 355 Seiten)
  16. A Piece of the Action
    Race and Labor in Post–Civil Rights Hollywood
    Author: Quinn, Eithne
    Published: [2019]
    Publisher:  Columbia University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    Hollywood is often thought of—and certainly by Hollywood itself—as a progressive haven. However, in the decade after the passage of the Civil Rights Act, the film industry grew deeply conservative when it came to conflicts over racial justice. Amid... more

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    Hollywood is often thought of—and certainly by Hollywood itself—as a progressive haven. However, in the decade after the passage of the Civil Rights Act, the film industry grew deeply conservative when it came to conflicts over racial justice. Amid black self-assertion and white backlash, many of the most heated struggles in film were fought over employment. In A Piece of the Action, Eithne Quinn reveals how Hollywood catalyzed wider racial politics, through representation on screen as well as in battles over jobs and resources behind the scenes.Based on extensive archival research and detailed discussions of films like In the Heat of the Night, Sweet Sweetback’s Baadasssss Song, Super Fly, Claudine, and Blue Collar, this volume considers how issues of race and labor played out on the screen during the tumultuous early years of affirmative action. Quinn charts how black actors leveraged their performance capital to force meaningful changes to employment and film content. She examines the emergence of Sidney Poitier and other African Americans as A-list stars; the careers of black filmmakers such as Melvin Van Peebles and Ossie Davis; and attempts by the federal government and black advocacy groups to integrate cinema. Quinn also highlights the limits of Hollywood’s liberalism, showing how predominantly white filmmakers, executives, and unions hid the persistence of racism behind feel-good stories and public-relations avowals of tolerance. A rigorous analysis of the deeply rooted patterns of racial exclusion in American cinema, A Piece of the Action sheds light on why conservative and corporate responses to antiracist and labor activism remain pervasive in today’s Hollywood.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231551014
    Other identifier:
    Subjects: Film; Rasse <Motiv>; Schwarzenbild; Filmwirtschaft; Schwarze
    Scope: 1 Online-Ressource, 18 b&w photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Dez 2019)
  17. Rethinking Jewishness in Weimar cinema
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Herausgeber)
    Published: 2021
    Publisher:  Berghahn Books, New York ; ProQuest, Oxford

    Location:
    Universitätsbibliothek Gießen
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    Source: Union catalogues
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781789208733
    Other identifier:
    9781789208733
    RVK Categories: AP 59711 ; AP 44910
    DDC Categories: 380; 791
    Series: Film Europa ; volume 24
    Subjects: Weimarer Republik; Juden; Filmproduzent; Film; Juden <Motiv>; Filmwirtschaft; Adaption <Literatur>
    Other subjects: Zweig, Stefan (1881-1942): Brennendes Geheimnis
    Scope: 1 Online-Ressource (viii, 355 Seiten), Illustrationen
    Notes:

    Literaturangaben
  18. Derek Paget: No other way to tell it. Dramadoc/docudrama on television
    Author: Keilbach, Judith
    Published: 1998
    Publisher:  Philipps-Universität Marburg, Marburg ; Schüren

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    Hochschul- und Landesbibliothek RheinMain, Rheinstraße
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    DDC Categories: 791
    Subjects: Filmwirtschaft; Drama; Fiktion
    Scope: 1 Online-Ressource
    Notes:

    In: Keilbach, Judith: Derek Paget: No other way to tell it. Dramadoc/docudrama on television. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 15 (1998) Nr. 4, S. 496–497
  19. The Road
    Author: Penhall, Joe
    Published: 2010
    Publisher:  Bloomsbury Publishing Plc, London ; ProQuest, Ann Arbor, Michigan

    Screenplay for the film version of Cormac McCarthy's hit novel The Road, adapted by award-winning playwright Joe Penhall. more

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    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Universitätsbibliothek Gießen
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    Screenplay for the film version of Cormac McCarthy's hit novel The Road, adapted by award-winning playwright Joe Penhall.

     
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    Source: Union catalogues
    Contributor: McCarthy, Cormac
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781408138724
    Edition: 1st ed.
    Series: Screen and Cinema Ser.
    Subjects: Multiplex <Kino>; Filmwirtschaft; McCarthy, Cormac, -- 1933- -- Road.; Fathers and sons -- Fiction.; Voyages and travels -- Fiction.; Regression (Civilization) -- Fiction.; Survival -- Fiction
    Scope: 1 Online-Ressource (77 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  20. Film production and consumption in contemporary Taiwan
    cinema as a sensory circuit
    Author: Mon, Ya-Feng
    Published: 2016
    Publisher:  Amsterdam University Press, Amsterdam ; Cambridge University Press, Cambridge, UK

    This book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience's freedom to choose and respond to culture on its... more

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    This book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience's freedom to choose and respond to culture on its own terms. Interweaving in-depth interviews with filmmakers, producers, marketers, and spectators, Ya-Fong Mon takes a biopolitical approach to the question, showing how the industry uses investments in techno-science, ancillary marketing, and media convergence to seduce and control the sensory experience of the audience-yet that control only extends so far: volatility remains a key component of the film-going experience.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048527526
    Series: Asian visual cultures ; 1
    Subjects: Filmwirtschaft; Filmproduktion; Film; Publikum; Homosexualität <Motiv>; Motion pictures
    Scope: 1 Online-Ressource (214 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 22 Feb 2021)
  21. The cinema and its shadow
    race and technology in early cinema
    Author: Maurice, Alice
    Published: 2013
    Publisher:  University of Minnesota Press, Minneapolis ; Oxford University Press, Oxford

    Focusing on American cinema, this title argues that 'race' has defined and supplemented the cinematic apparatus since the earliest motion pictures, and especially at times of transition and technological vulnerability. In particular, the book... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Focusing on American cinema, this title argues that 'race' has defined and supplemented the cinematic apparatus since the earliest motion pictures, and especially at times of transition and technological vulnerability. In particular, the book explores how racialised bodies and the rhetoric of race difference became central to the working out of specifically cinematic problems: the problems of the stationary camera, of developing narrative form, of realism, of synchronising image and sound, and, perhaps most fundamentally, of the absent or 'immaterial' image - the cinema's 'shadow'.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781452948256
    Other identifier:
    Subjects: Film; Schwarze <Motiv>; Ethnische Beziehungen <Motiv>; Filmwirtschaft; Minorities in motion pictures; Race in motion pictures; Motion picture industry
    Scope: 1 Online-Ressource (xi, 268 pages), Illustrations (black and white)
    Notes:

    Includes bibliographical references, filmography and index
  22. Film Production and Consumption in Contemporary Taiwan
    Cinema As a Sensory Circuit
    Author: Mon, Ya-Feng
    Published: 2016
    Publisher:  Amsterdam University Press, Amsterdam ; ProQuest, Ann Arbor, Michigan

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    Universität Mainz, Zentralbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048527526
    Series: Acumen Research Editions Ser.
    Subjects: Filmwirtschaft; Filmproduktion; Film; Publikum; Homosexualität <Motiv>
    Scope: 1 Online-Ressource (215 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  23. Cinema of the Arab world
    contemporary directions in theory and practice
    Contributor: Ginsberg, Terri (HerausgeberIn); Lippard, Chris (HerausgeberIn)
    Published: [2020]; © 2020
    Publisher:  Palgrave Macmillan, Cham

    1. Introduction - Chris Lippard and Terri Ginsberg -- BLOC 1: HISTORY, POSITIONALITY, CRITIQUE -- 2. Documentary Diplomacy & Audiovisual Modernization: A Cold War Genealogy of Arab Cinema during the 1950s through American Declassified Archive - Hadi... more

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    Universität Potsdam, Universitätsbibliothek
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    1. Introduction - Chris Lippard and Terri Ginsberg -- BLOC 1: HISTORY, POSITIONALITY, CRITIQUE -- 2. Documentary Diplomacy & Audiovisual Modernization: A Cold War Genealogy of Arab Cinema during the 1950s through American Declassified Archive - Hadi Gharabaghi -- 3. Making the Final Cut: Filmmaking and Complicating National Identity in Qatar and the GCC States - Suzi Mirgani -- 4. Lebanese Cinema and the French Co-production System: The Postcard Strategy - Wissam Mouawad -- BLOC 2: FESTIVAL AND NATION RECONSIDERED -- 5. Amateur Filmmaking in Tunisia: A Political Film Culture Eliding Contradictions in National Cinema - Patricia Caillé -- 6. “Not-Yet” an Industry: The Temporalities of Contemporary Palestinian Cinema - Viviane Saglier -- 7. Mobilities of Cinematic Identity in the Western Sahara - Chris Lippard -- BLOC 3: FROM RESISTANCE TO ENTRENCHMENT AND BACK AGAIN -- 8. Amiralay and Sabbagh in the Post-cinematic Age - Samirah Alkassim -- 9. Family Resemblance: An Anthropologist Looks at Moroccan Documentary - Kevin Dwyer -- 10. Affective Alternatives to Sectarianism in Maroun Baghdadi’s Documentaries - Jeremy Randall -- BLOC 4: POLITICAL AESTHETICS OF STATE AND REVOLUTION IN EGYPT -- 11. Terrorism and Kebab: The Administrative Grotesque and the “Egyptian Chaplin”‒‒Notes on Humor, Resistance, and Biopolitics - Isabelle Freda -- 12. Exceptions to the Rule: The Mechanics of War and the Institution in Egyptian Cinema - Iman Hamam -- 13. Teaching Egypt Cinematically -Terri Ginsberg. "Ginsberg and Lippard have managed something rare: a riveting collection of essays with a consistently strong voice throughout. These chapters treat a diverse archive of films, filmmakers, and contexts with theoretical and historical depth and an urgency of interpretation, challenging the enormous gaps in our knowledge of Arab cinematic expression. Not only is this book indispensable for courses on Arab cinema, it will undoubtedly prompt new routes of inquiry for researchers, teachers, and viewers alike." — Peter Limbrick, University of California-Santa Cruz, USA “Cinema of the Arab World fills gaps in the literature and re-envisions the ways in which Arab cinema has been looked at previously. It succeeds by avoiding conforming to the stereotypical molds that guide some scholarship about the region. The mix of established scholars as well as young researchers, and the inclusion of different philosophical and critical theories and methodologies, make this book indispensable to anyone interested in understanding contemporary Arab cinema. Highly recommended." — Orayb Najjar, Northern Illinois University, USA This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world. The volume considers the relationship of Arab cinema to transnational film production, distribution, and exhibition, in turn recontextualizing the works of acknowledged as well as new directorial figures, and country-specific phenomena. New documentary and experimental practices are referenced and critiqued, while commercial cinema is covered both as an industrial product and as one of several instances of contestation. The volume thus showcases the breadth and depth of Arab film culture and its multilayered connections to local conditions, regional affiliations, and the tendencies and aesthetics of global cinema.

     
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    Source: Union catalogues
    Contributor: Ginsberg, Terri (HerausgeberIn); Lippard, Chris (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030300814
    Other identifier:
    Series: Global cinema
    Springer eBook Collection
    Subjects: Motion pictures.; Ethnology—Middle East .; Communication.; Motion pictures; Film; Filmwirtschaft; Soziokultureller Faktor; Theorie; Praxis
    Scope: 1 Online-Ressource (xxiv, 422 Seiten)
  24. Reel power
    Hollywood cinema and American supremacy
    Author: Alford, Matthew
    Published: 2010
    Publisher:  Pluto Press, London

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781849645560
    RVK Categories: AP 50300
    Subjects: Film; Politik; Motion picture industry; Motion pictures; Filmwirtschaft; Politik; Kriegsfilm; Propaganda; Film; Rüstungswirtschaft
    Scope: xiii, 218 p
    Notes:

    Includes bibliographical references and indexes

    Filmography: p. 205-210

    Pt. 1. Controlling the dream factory -- pt. 2. Power projected -- pt. 3. Reel violence
  25. The screen is red
    hollywood, communism, and the cold war
    Author: Dick, Bernard F.
    Published: 2016; © 2016
    Publisher:  University Press of Mississippi, Jackson, [Mississippi]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781496805409; 9781496805416
    RVK Categories: AP 44984 ; AP 50300 ; AP 59784 ; HU 1774
    Subjects: Film; Geschichte; Politik; Motion pictures; Motion picture industry; Communism and motion pictures; Cold War in motion pictures; Ost-West-Konflikt; Filmwirtschaft; Kommunismus <Motiv>; Film
    Scope: 1 online resource (265 pages)
    Notes:

    Includes index

    Description based on print version record