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  1. Point of View in the Cinema
    A Theory of Narration and Subjectivity in Classical Film
    Published: 2012; ©1984
    Publisher:  De Gruyter, Berlin

    Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized... more

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    Universitätsbibliothek Braunschweig
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    Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110817591
    Other identifier:
    RVK Categories: AP 45300 ; AP 45000
    Series: Approaches to Semiotics [AS] ; 66
    Subjects: Subjectivity in motion pictures; Motion pictures; Point of view (Literature); Motion picture plays; Motion picture plays.; Motion pictures.; Point of view (Literature).; Subjectivity in motion pictures.; Erzählen.; Film.; Film; Erzählen; LANGUAGE ARTS & DISCIPLINES / Linguistics / General
    Scope: Online-Ressource (XVI, 246 S.)
  2. Literatur, Psychoanalyse, Film :
    Aufs. 1978 bis 1983 /
    Published: 1984.
    Publisher:  Frommann-Holzboog,, Stuttgart-Bad Cannstatt :

    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3-7728-0882-4
    RVK Categories: CX 7500 ; EC 2090 ; EC 1640 ; AP 45600
    Series: Jahrbuch der Psychoanalyse / Beih. ; 9
    Subjects: Literatur.; Film.; Psychoanalyse.
    Scope: 164 S.
  3. Le cinéma, témoin de l'imaginaire dans le roman français contemporain :
    écriture du visuel et transformations d'une culture /
    Published: 1984.
    Publisher:  Lang,, Berne u.a. :

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
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  4. Point of View in the Cinema
    A Theory of Narration and Subjectivity in Classical Film
    Published: 2012; ©1984
    Publisher:  De Gruyter, Berlin

    Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized... more

    Access:
    Verlag (lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110817591
    Other identifier:
    RVK Categories: AP 45300 ; AP 45000
    Series: Approaches to Semiotics [AS] ; 66
    Subjects: Subjectivity in motion pictures; Motion pictures; Point of view (Literature); Motion picture plays; Motion picture plays.; Motion pictures.; Point of view (Literature).; Subjectivity in motion pictures.; Erzählen.; Film.; Film; Erzählen; LANGUAGE ARTS & DISCIPLINES / Linguistics / General
    Scope: Online-Ressource (XVI, 246 S.)