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Visualizing atrocity
Arendt, Evil, and the optics of thoughtlessness
Location:
Haus der Wannsee-Konferenz, Joseph-Wulf-Mediothek
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Location:
Stiftung Topographie des Terrors, Bibliothek
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No inter-library loan
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Visualizing atrocity
Arendt, evil, and the optics of thoughtlessness
Location:
Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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Location:
Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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Der Begriff des Bösen bei Hannah Arendt
Location:
Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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Location:
Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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Visualizing Atrocity
Arendt, Evil, and the Optics of Thoughtlessness
Visualizing Atrocity takes Hannah Arendt’s provocative and polarizing account of the 1961 trial of Nazi official Adolf Eichmann as its point of departure for reassessing some of the serviceable myths that have come to shape and limit our...
more
Location:
Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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Visualizing Atrocity takes Hannah Arendt’s provocative and polarizing account of the 1961 trial of Nazi official Adolf Eichmann as its point of departure for reassessing some of the serviceable myths that have come to shape and limit our understanding both of the Nazi genocide and totalitarianism’s broader, constitutive, and recurrent features. These myths are inextricably tied to and reinforced viscerally by the atrocity imagery that emerged with the liberation of the concentration camps at the war’s end and played an especially important, evidentiary role in the postwar trials of perpetrators. At the 1945 Nuremberg Tribunal, particular practices of looking and seeing were first established with respect to these images that were later reinforced and institutionalized through Eichmann’s trial in Jerusalem as simply part of the fabric of historical fact. They have come to constitute a certain visual rhetoric that now circumscribes the moral and political fields and powerfully assists in contemporary mythmaking about how we know genocide and what is permitted to count as such. In contrast, Arendt’s claims about the "banality of evil" work to disrupt this visual rhetoric. More significantly still, they direct our attention well beyond the figure of Eichmann to a world organized now as then by practices and processes that while designed to sustain and even enhance life work as well to efface it
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Der Begriff des Bösen bei Hannah Arendt
Location:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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Thüringer Universitäts- und Landesbibliothek
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Landesbibliothek Oldenburg
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Theaters of justice
judging, staging, and working through in Arendt, Brecht, and Delbo
Introduction : coming to terms with the past : trial, therapy, and the theater -- Arendt's laughter : theatricality, pedagogy, and comedy in Eichmann in Jerusalem -- Founding a nation, healing a wound : on crimes against humanity -- A cry for justice...
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Location:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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Introduction : coming to terms with the past : trial, therapy, and the theater -- Arendt's laughter : theatricality, pedagogy, and comedy in Eichmann in Jerusalem -- Founding a nation, healing a wound : on crimes against humanity -- A cry for justice : Charlotte Delbo's Auschwitz and after and Days and memory -- Brecht on trial : the courtroom, the theater, and The measures taken -- Conclusion : judging, staging, and working through
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Theaters of justice
judging, staging, and working through in Arendt, Brecht, and Delbo
Location:
Universitäts- und Landesbibliothek Düsseldorf
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Unlimited inter-library loan, copies and loan
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Visualizing Atrocity
Arendt, Evil, and the Optics of Thoughtlessness
Visualizing Atrocity takes Hannah Arendt’s provocative and polarizing account of the 1961 trial of Nazi official Adolf Eichmann as its point of departure for reassessing some of the serviceable myths that have come to shape and limit our...
more
Location:
Universitätsbibliothek Gießen
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No inter-library loan
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Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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Universität Mainz, Zentralbibliothek
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Universität Marburg, Universitätsbibliothek
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No inter-library loan
Visualizing Atrocity takes Hannah Arendt’s provocative and polarizing account of the 1961 trial of Nazi official Adolf Eichmann as its point of departure for reassessing some of the serviceable myths that have come to shape and limit our understanding both of the Nazi genocide and totalitarianism’s broader, constitutive, and recurrent features. These myths are inextricably tied to and reinforced viscerally by the atrocity imagery that emerged with the liberation of the concentration camps at the war’s end and played an especially important, evidentiary role in the postwar trials of perpetrators. At the 1945 Nuremberg Tribunal, particular practices of looking and seeing were first established with respect to these images that were later reinforced and institutionalized through Eichmann’s trial in Jerusalem as simply part of the fabric of historical fact. They have come to constitute a certain visual rhetoric that now circumscribes the moral and political fields and powerfully assists in contemporary mythmaking about how we know genocide and what is permitted to count as such. In contrast, Arendt’s claims about the “banality of evil” work to disrupt this visual rhetoric. More significantly still, they direct our attention well beyond the figure of Eichmann to a world organized now as then by practices and processes that while designed to sustain and even enhance life work as well to efface it.
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Visualizing atrocity
Arendt, evil, and the optics of thoughtlessness
This work re-assesses the myths that have come to shape and limit our understanding of the Nazi genocide as well as totalitarianism's broader, constitutive, and recurrent features.
more
Location:
Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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No inter-library loan
This work re-assesses the myths that have come to shape and limit our understanding of the Nazi genocide as well as totalitarianism's broader, constitutive, and recurrent features.
|
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Visualizing Atrocity
Arendt, Evil, and the Optics of Thoughtlessness
Visualizing Atrocity takes Hannah Arendt’s provocative and polarizing account of the 1961 trial of Nazi official Adolf Eichmann as its point of departure for reassessing some of the serviceable myths that have come to shape and limit our...
more
Location:
Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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Technische Hochschule Augsburg
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Universitätsbibliothek Bamberg
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Hochschule Coburg, Zentralbibliothek
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Hochschule Kempten, Hochschulbibliothek
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Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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Universitätsbibliothek Passau
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Visualizing Atrocity takes Hannah Arendt’s provocative and polarizing account of the 1961 trial of Nazi official Adolf Eichmann as its point of departure for reassessing some of the serviceable myths that have come to shape and limit our understanding both of the Nazi genocide and totalitarianism’s broader, constitutive, and recurrent features. These myths are inextricably tied to and reinforced viscerally by the atrocity imagery that emerged with the liberation of the concentration camps at the war’s end and played an especially important, evidentiary role in the postwar trials of perpetrators. At the 1945 Nuremberg Tribunal, particular practices of looking and seeing were first established with respect to these images that were later reinforced and institutionalized through Eichmann’s trial in Jerusalem as simply part of the fabric of historical fact. They have come to constitute a certain visual rhetoric that now circumscribes the moral and political fields and powerfully assists in contemporary mythmaking about how we know genocide and what is permitted to count as such. In contrast, Arendt’s claims about the "banality of evil" work to disrupt this visual rhetoric. More significantly still, they direct our attention well beyond the figure of Eichmann to a world organized now as then by practices and processes that while designed to sustain and even enhance life work as well to efface it
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Theaters of justice
judging, staging, and working through in Arendt, Brecht, and Delbo
Location:
Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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Theaters of justice
judging, staging, and working through in Arendt, Brecht, and Delbo
Location:
Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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Location:
Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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Visualizing atrocity
Arendt, evil, and the optics of thoughtlessness
Location:
Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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Bayerische Staatsbibliothek
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Io che sono uno solo
giudicare il male dopo Eichmann
Location:
Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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Theaters of justice
judging, staging, and working through in Arendt, Brecht, and Delbo
Location:
Staats- und Stadtbibliothek Augsburg
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Bayerische Staatsbibliothek
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Theaters of justice
judging, staging, and working through in Arendt, Brecht, and Delbo
Location:
Universitäts- und Landesbibliothek Düsseldorf
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Theaters of justice
judging, staging, and working through in Arendt, Brecht, and Delbo
Introduction : coming to terms with the past : trial, therapy, and the theater -- Arendt's laughter : theatricality, pedagogy, and comedy in Eichmann in Jerusalem -- Founding a nation, healing a wound : on crimes against humanity -- A cry for justice...
more
Location:
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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Introduction : coming to terms with the past : trial, therapy, and the theater -- Arendt's laughter : theatricality, pedagogy, and comedy in Eichmann in Jerusalem -- Founding a nation, healing a wound : on crimes against humanity -- A cry for justice : Charlotte Delbo's Auschwitz and after and Days and memory -- Brecht on trial : the courtroom, the theater, and The measures taken -- Conclusion : judging, staging, and working through
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Visualizing atrocity
Arendt, evil, and the optics of thoughtlessness
Location:
Freie Universität Berlin, Universitätsbibliothek
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Visualizing atrocity
Arendt, Evil, and the optics of thoughtlessness
Location:
Stiftung Topographie des Terrors, Bibliothek
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Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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Visualizing Atrocity
Arendt, Evil, and the Optics of Thoughtlessness
Visualizing Atrocity takes Hannah Arendt's provocative and polarizing account of the 1961 trial of Nazi official Adolf Eichmann as its point of departure for reassessing some of the serviceable myths that have come to shape and limit our...
more
Location:
Universität Frankfurt, Elektronische Ressourcen
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Universitätsbibliothek Gießen
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Visualizing Atrocity takes Hannah Arendt's provocative and polarizing account of the 1961 trial of Nazi official Adolf Eichmann as its point of departure for reassessing some of the serviceable myths that have come to shape and limit our understanding both of the Nazi genocide and totalitarianism's broader, constitutive, and recurrent features. These myths are inextricably tied to and reinforced viscerally by the atrocity imagery that emerged with the liberation of the concentration camps at the war's end and played an especially important, evidentiary role in the postwar trials of perpetrato...
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The affective life of law
legal modernism and the literary imagination
Location:
Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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Universität Gießen, Bibliothek Anglistik
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Theaters of justice
judging, staging, and working through in Arendt, Brecht, and Delbo
What role do legal trials have in collective processes of coming to terms with a history of mass violence? How does the theatrical structure of a criminal trial facilitate and limit national processes of healing and learning from the past? This study...
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Location:
Bibliothek der Hochschule Mainz, Untergeschoss
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What role do legal trials have in collective processes of coming to terms with a history of mass violence? How does the theatrical structure of a criminal trial facilitate and limit national processes of healing and learning from the past? This study begins with the widely publicized, historic trials of three Nazi war criminals, Eichmann, Barbie, and Priebke, whose explicit goal was not only to punish, but also to establish an officially sanctioned version of the past. The Truth and Reconciliation commissions in South America and South Africa added a therapeutic goal, acting on the belief that.
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Cold War criticism and the politics of skepticism
Claiming that a Cold War mentality has impaired the ability of literary theorists to talk about the politics of criticism effectively, the author of this treatise argues that modern criticism is a child of the Cold War.
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Location:
Bibliothek der Hochschule Mainz, Untergeschoss
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Claiming that a Cold War mentality has impaired the ability of literary theorists to talk about the politics of criticism effectively, the author of this treatise argues that modern criticism is a child of the Cold War.
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Cuando los ogros se quedan solos
Location:
Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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Theaters of justice
judging, staging, and working through in Arendt, Brecht, and Delbo
Location:
Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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Location:
Universität Mainz, Zentralbibliothek
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