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  1. Petrarch and sixteenth-century italian portraiture
    Contributor: Bernocchi, Ilaria (Herausgeber); Morelli, Nicoló (Herausgeber); Pich, Federica (Herausgeber)
    Published: [2024]; © 2024
    Publisher:  Amsterdam University Press, Amsterdam

    The volume presents a wide-ranging investigation of the ways in which Petrarch’s legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch’s vast literary production influenced the intellectual... more

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    The volume presents a wide-ranging investigation of the ways in which Petrarch’s legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch’s vast literary production influenced the intellectual framework in which new models of representation and self-representation developed during the Renaissance. His two sonnets on Laura’s portrait by Simone Martini and his ambivalent fascination with the illusionary power of portraiture in his Latin texts — such as the Secretum, the Familiares and De remediis utriusque fortune — constituted the theoretical reference for artists and writers alike. In a century dominated by the rhetorical comparison between art and literature (ut pictura poësis) and by the paragone debate, the interplay between Petrarch’s oeuvre, Petrarchism and portraiture shaped the discourse on the relationship between the sitters’ physical image and their inner life. The volume brings together diverse interdisciplinary contributions that explore the subject through a rich body of literary and visual sources

     

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    Source: Union catalogues
    Contributor: Bernocchi, Ilaria (Herausgeber); Morelli, Nicoló (Herausgeber); Pich, Federica (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789463727242
    Other identifier:
    9789463727242
    Series: Visual and material culture, 1300-1700
    Subjects: Literary studies: classical, early and medieval; ART / Subjects & Themes / Portraits; LITERARY CRITICISM / Renaissance; Portrait, Petrarch, Italy, Paragone, Sixteenth Century
    Other subjects: History, Art History, and Archaeology; Art and Material Culture; Kunstgeschichte: Renaissance, Manierismus; Literaturgeschichte und Literaturkritik; Early Modern Studies; Gender and Sexuality Studies; Literary Theory, Criticism, and History
    Scope: 278 Seiten, Illustrationen
    Notes:

    1. Introduction (Ilaria Bernocchi, Nicolò Morelli, Federica Pich) ; 2. Widows, Poetry, and Portraits. Livia Spinola and Francesca Turina on the Portraits of their Dead Husbands (Simone Monti) ; 3. In Medusa’s Eyes. Petrification and Marble Portraits in Late Sixteenth-Century Poetry (Martina Dal Cengio) ; 4. The Portrait of the Ideal Woman. Petrarch in Conduct Literature Texts for and about Women (Francesco Lucioli) ; 5. Anti-Petrarchist Portraiture or a Different Petrarchist Portraiture? A Literary Outlook on Some Non-Idealised Female Sitters in Renaissance Art (Diletta Gamberini) ; 6. The Shadow of Petrarch. Benedetto Varchi and Agnolo Bronzino on Portraiture (Antonio Geremicca) ; 7. Double Portraits of Petrarch and Laura in Print (c. 1544–1600) (Gemma Cornetti) ; 8. Double Portraits and Sonnet Diptychs. Figurative Allusions in the Encomiastic Poetry of the Sixteenth Century (Muriel M.S. Barbero) ; 9. Images of Women from Subject to Frame in Printed Portrait Books (Susan Gaylard) ; Index

  2. Gifting translation in early modern England
    women writers and the politics of authorship
    Published: [2023]
    Publisher:  Amsterdam University Press, Amsterdam

    Translation was a critical mode of discourse for early modern writers. Gifting Translation in Early Modern England: Women Writers and the Politics of Authorship examines the intersection of translation and the culture of gift-giving in early modern... more

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    Translation was a critical mode of discourse for early modern writers. Gifting Translation in Early Modern England: Women Writers and the Politics of Authorship examines the intersection of translation and the culture of gift-giving in early modern England, arguing that this intersection allowed women to subvert dominant modes of discourse through acts of linguistic and inter-semiotic translation and conventions of gifting. The book considers four early modern translators: Mary Bassett, Jane Lumley, Jane Seager, and Esther Inglis. These women negotiate the rhetorics of translation and gift-culture in order to articulate political and religious affiliations and beliefs in their carefully crafted manuscript gift-books. This book offers a critical lens through which to read early modern translations in relation to the materiality of early modern gift culture

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789463721202
    Other identifier:
    9789463721202
    Series: Gendering the late medieval and early modern world ; 21
    Subjects: Early modern history: c 1450/1500 to c 1700; Gender studies: women; LITERARY CRITICISM / Renaissance; LITERARY CRITICISM / Subjects & Themes / Women *; Translation (history), Renaissance women writers, gift-giving (history), early modern political culture, material culture, manuscript circulation
    Other subjects: History, Art History, and Archaeology; Early Modern Studies; Literaturgeschichte und Literaturkritik; Vereinigtes Königreich, Großbritannien; Gender Studies, Geschlechtersoziologie; Gender and Sexuality Studies; Literary Theory, Criticism, and History
    Scope: 215 Seiten, Illustrationen
    Notes:

    Bandzählung auf dem Buchrücken

    List of Illustrations ; Acknowledgements ; Introduction: ‘Transformance’: Renaissance Women’s Translation and the Performance of Gift Exchange ; Chapter 1: ‘Thys my poore labor to present’: Mary Bassett’s Translation of Eusebius’s Ecclesiastical History ; Chapter 2: ‘For the comodite of my countrie’: Nation, Gift, and Family in Lady Jane Lumley’s Tragedie of Iphigeneia ; Chapter 3: ‘Graced both with my pen and pencell’: Prophecy and Politics in Jane Seager’s Divine Prophecies of the Ten Sibills ; Chapter 4: ‘The fruits of my pen’: Esther Inglis’s Translation of Georgette de Montenay’s Emblemes ou Devises Chrestiennes ; Conclusion: ‘Shall I Apologize Translation?’ ; Bibliography ; Appendix 1: Table of Emblems and Dedicatees in Esther Inglis’s Cinquante Emblemes Chrestiens (1624)

  3. Petrarch and the making of gender in Renaissance Italy
    Published: [2023]
    Publisher:  Amsterdam University Press, Amsterdam

    This book is a new history of early modern gender, told through the lyric poetry of Renaissance Italy. In the evolution of Western gender roles, the Italian Renaissance was a watershed moment, when a confluence of cultural developments disrupted... more

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    This book is a new history of early modern gender, told through the lyric poetry of Renaissance Italy. In the evolution of Western gender roles, the Italian Renaissance was a watershed moment, when a confluence of cultural developments disrupted centuries of Aristotelian, binary thinking. Men and women living through this upheaval exploited Petrarchism’s capacity for subjective expression and experimentation - as well as its status as the most accessible of genres - in order to imagine new gendered possibilities in realms such as marriage, war, and religion. One of the first studies to examine writing by early modern Italian men and women together, it is also a revolutionary testament to poetry’s work in the world. These poets’ works challenge the traditional boundaries drawn around lyric’s utility. They show us how poems could be sites of resistance against the pervading social order - how they are texts capable not only of recording social history, but also of shaping it

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789463720274
    Series: Gendering the late medieval and early modern world ; 18
    Subjects: Petrarchism, lyric, gender, women writers, masculinity
    Other subjects: History, Art History, and Archaeology; Early Modern Studies; Literaturgeschichte und Literaturkritik; Literaturwissenschaft: Lyrik und Dichter; Gender and Sexuality Studies; Literary Theory, Criticism, and History
    Scope: 296 Seiten, Illustrationen
    Notes:

    Introduction ; Acknowledgments ; PART I ; 1.The People’s Petrarch: Early Modern Italian Readers and the Gender of Celebrity ; 2.Context: Men and Women in Dialogue in Late-Renaissance Italy ; PART II ; 1.Ventriloquized Lyric ; 2.Correspondence Lyric ; 3.Religious Lyric ; 4.Conjugal Lyric ; Afterword

  4. Coups de maître
    studies in medieval and early modern literature and culture, in honour of John D. Lyons
    Contributor: McConnell, Kelly Fender (Herausgeber); Lyons, John D. (Gefeierter)
    Published: [2021]
    Publisher:  Peter Lang, Oxford

  5. Poets laureate in the Holy Roman Empire
    Volume 5., Supplement