EOOS, the internationally known design office, has redefined the kitchen cosmos with 40 kitchen utensils. EOOS has abandoned the beaten paths of design theory and design history and used a poetic analysisa (TM) to describe creative design and use...
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EOOS, the internationally known design office, has redefined the kitchen cosmos with 40 kitchen utensils. EOOS has abandoned the beaten paths of design theory and design history and used a poetic analysisa (TM) to describe creative design and use processes. This design philosophy searches for intuitive images, rituals and myths that serve as starting points for EOOSa (TM) design process. Ancient rites meet up with high tech today. EOOS meets the demands of this complex theoretical and practical design starting point with their approach. Kitchen images from different times (wood cuts, paintings
"CONTENTS"; "IMAGES, RITUALS, MYTHS"; "The Wiener Schnitzel in the Rorschach Test"; "Dough as Primal Form"; "The Bough as the First Fork"; "The Devil's Fork"; "The Hand as a Tool"; "Skeleton of a Dish for the Eyes Only"; "Ritual Dress"; "The Fish Club as a Can Opener"; "The Cooking Spoon as a Scepter"; "The Stewpot as the Picture's Substrate"; "Krippendorff's Cup"; "Barthes' Chopsticks"; "Murals of the Rich and Poor"; "Cleaning Rituals"; "Dreyfuss' Cake Server"; "Kitchen Decor"; "Workshop Kitchen"; "Rabbit or Duck (based on Wittgenstein)"
"Kandinsky's Cooking Spoon" "The Sink as a Cultural Code"; "Hole or Hook"; "Separating and Collecting"; "The Clothespin in the Kitchen"; "Drawer and Tool Wall"; "Rustic Farmhouse Room"; "Swedish Kitchen"; "Cooking Box"; "Fire Myth"; "Doing Away with Design"; "The Futurists' Kitchen"; "Taylor in the Kitchen"; "Bottle Dryer"; "Ladder Chair"; "KITCHEN CONVERSATIONS"; "The Kitchen as a Workshop"; "The Branch in the Kitchen"; "The Gender of the Corkscrew"; "Pastry Board"; "Kitchen Credenza"; "High-Heeled Shoes in the Kitchen"; "The Carp in the Bathtub"
"THEORY" "Poetical Analysis"; "Index"; "Bibliography"; "List of Illustrations"; "Acknowledgements"
""CONTENTS""; ""IMAGES, RITUALS, MYTHS""; ""The Wiener Schnitzel in the Rorschach Test""; ""Dough as Primal Form""; ""The Bough as the First Fork""; ""The Devil's Fork""; ""The Hand as a Tool""; ""Skeleton of a Dish for the Eyes Only""; ""Ritual Dress""; ""The Fish Club as a Can Opener""; ""The Cooking Spoon as a Scepter""; ""The Stewpot as the Picture's Substrate""; ""Krippendorff's Cup""; ""Barthes' Chopsticks""; ""Murals of the Rich and Poor""; ""Cleaning Rituals""; ""Dreyfuss' Cake Server""; ""Kitchen Decor""; ""Workshop Kitchen""; ""Rabbit or Duck (based on Wittgenstein)""
""Kandinsky's Cooking Spoon""""The Sink as a Cultural Code""; ""Hole or Hook""; ""Separating and Collecting""; ""The Clothespin in the Kitchen""; ""Drawer and Tool Wall""; ""Rustic Farmhouse Room""; ""Swedish Kitchen""; ""Cooking Box""; ""Fire Myth""; ""Doing Away with Design""; ""The Futurists' Kitchen""; ""Taylor in the Kitchen""; ""Bottle Dryer""; ""Ladder Chair""; ""KITCHEN CONVERSATIONS""; ""The Kitchen as a Workshop""; ""The Branch in the Kitchen""; ""The Gender of the Corkscrew""; ""Pastry Board""; ""Kitchen Credenza""; ""High-Heeled Shoes in the Kitchen""; ""The Carp in the Bathtub""
""THEORY""""Poetical Analysis""; ""Index""; ""Bibliography""; ""List of Illustrations""; ""Acknowledgements""
