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  1. Narrative Transvestism
    Rhetoric and Gender in the Eighteenth-Century English Novel
    Published: [2018]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    Many of the earliest canonical novels—including Defoe's Moll Flanders and Roxana and Richardson's Pamela and Clarissa—were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write his "autobiography"... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Many of the earliest canonical novels—including Defoe's Moll Flanders and Roxana and Richardson's Pamela and Clarissa—were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write his "autobiography" as if he were a woman? What did early novelists have to gain from it, in a period when woman's realm was devalued and woman's voice rarely heard in public? How does the male author behind the voice reveal himself to readers, and how do our glimpses of him affect our experience of the novel? Does it matter if the woman he has created is believable as a woman? Why does "she" inevitably rail against the perfidy of men?Kahn maintains that the answers to such questions lie in the nature of "narrative transvestism" -her term for the device through which a male author directs the reader's interpretation by temporarily abandoning himself to a culturally defined female voice and sensibility and then reasserting his male voice.In her innovative readings of key eighteenth-century English novels, Kahn draws upon a range of contemporary critical approaches. Lucid and witty, Narrative Transvestism will serve as a model of analysis for readers interested in issues of gender in narrative, including feminist theorists, students and scholars of the eighteenth-century novel, and critics interested in the applications of psychoanalysis to literature

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501721854
    Other identifier:
    Series: Reading Women Writing
    Subjects: LITERARY CRITICISM / Subjects & Themes / Women; First person narrative; Narration (Rhetoric); Sex role in literature; Women in literature; Crossdressing <Motiv>; Crossdressing
    Other subjects: Richardson, Samuel (1689-1761): Clarissa; Defoe, Daniel (1661-1731): The fortunate mistress
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)

  2. Narrative Transvestism
    Rhetoric and Gender in the Eighteenth-Century English Novel
    Published: [2018]; © 1992
    Publisher:  Cornell University Press, Ithaca, NY

    Many of the earliest canonical novels—including Defoe's Moll Flanders and Roxana and Richardson's Pamela and Clarissa—were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write his "autobiography"... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Hochschule Coburg, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    Many of the earliest canonical novels—including Defoe's Moll Flanders and Roxana and Richardson's Pamela and Clarissa—were written by men who assumed the first-person narrative voice of women. What does it mean for a man to write his "autobiography" as if he were a woman? What did early novelists have to gain from it, in a period when woman's realm was devalued and woman's voice rarely heard in public? How does the male author behind the voice reveal himself to readers, and how do our glimpses of him affect our experience of the novel? Does it matter if the woman he has created is believable as a woman? Why does "she" inevitably rail against the perfidy of men?Kahn maintains that the answers to such questions lie in the nature of "narrative transvestism" -her term for the device through which a male author directs the reader's interpretation by temporarily abandoning himself to a culturally defined female voice and sensibility and then reasserting his male voice.In her innovative readings of key eighteenth-century English novels, Kahn draws upon a range of contemporary critical approaches. Lucid and witty, Narrative Transvestism will serve as a model of analysis for readers interested in issues of gender in narrative, including feminist theorists, students and scholars of the eighteenth-century novel, and critics interested in the applications of psychoanalysis to literature

     

    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501721854
    Other identifier:
    Series: Reading Women Writing
    Subjects: LITERARY CRITICISM / Subjects & Themes / Women; First person narrative; Narration (Rhetoric); Sex role in literature; Women in literature; Crossdressing <Motiv>; Crossdressing
    Other subjects: Richardson, Samuel (1689-1761): Clarissa; Defoe, Daniel (1661-1731): The fortunate mistress
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)

  3. Nan Goldin, Die andere Seite
    1972 - 1992 ; [dieses Buch erscheint anläßlich der Ausstellung Nan Goldin 1972 - 1992 in der daad Galerie, Berlin vom 8.9. - 4.10.1992]
    Contributor: Goldin, Nan (Ill.); Armstrong, David (Hrsg.); Keller, Walter (Hrsg.)
    Published: 1992
    Publisher:  Der Alltag/Parkett, Zürich [u.a.] ; Steidl, Göttingen

    Städel Museum, Bibliothek
    R/GOLDin, Nan 5/1992
    No inter-library loan
    Universitätsbibliothek Gießen
    000 LI 34515 G619
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Kassel, Standort Kunsthochschulbibliothek
    75 Kun 471 GOLDIN
    Unlimited inter-library loan, copies and loan
    Gutenberg-Museum Mainz, Bibliothek
    18:4° /6965
    No inter-library loan
    Universität Mainz, Kunsthochschule
    GOLD 2
    No inter-library loan
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    Source: Union catalogues
    Contributor: Goldin, Nan (Ill.); Armstrong, David (Hrsg.); Keller, Walter (Hrsg.)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3905080338
    RVK Categories: AP 95740 ; LH 40790 ; LI 34515
    Edition: 1. Aufl.
    Subjects: Transsexueller; Crossdressing <Motiv>; Porträtfotografie; Fotografie; Crossdresser
    Other subjects: Goldin, Nan (1953-); Goldin, Nan (1953-)
    Scope: 143 S., überwiegend Ill.