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  1. Form and feeling :
    the making of concretism in Brazil /
    Contributor: Bessa, Antonio Sergio, (editor.)
    Published: 2021
    Publisher:  Fordham University Press,, New York :

    "A significant contribution on the development and aftermath of post-World War II Concretism in Brazil Form and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    "A significant contribution on the development and aftermath of post-World War II Concretism in Brazil Form and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country's wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists today-namely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics. The fourteen essays collected in this volume consider the ramifications of modernist abstraction in the second half of the twentieth century and contribute to a growing academic field in postwar Brazilian and Latin American art history. Contributions to this anthology examine the development of modernist ideas that flourished in Brazil during a controversial period interspersed by dictatorial regimes. The global aspect of Brazilian art is especially evident in these studies, presenting the relational complexity of their subjects as transcultural, transnational actors while simultaneously contributing to a growing, increasingly nuanced understanding of visual and material culture, performance, and criticism in Brazil. Form and Feeling continues the important process of re-analyzing the intersections of Concretism and Neo concretism, arguing for greater affinities between the primary and lesser-known cast of characters while equally redistributing the strict geographical divisions of São Paulo and Rio de Janeiro. This anthology broadly situates this extraordinary period of artistic experimentation in direct relationship to contemporary factors, such as psychoanalysis, educational systems, poetry, politics, and feminism. It crafts innovative relationships about the constructive hierarchies of form and space, poetry and painting, and mathematics and philosophy, thus engendering new positions for a deeply ensconced period in Brazilian history"--

     

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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Bessa, Antonio Sergio, (editor.)
    Media type: Book
    ISBN: 0-8232-8912-5
    Subjects: Concrete art; Concrete poetry; Arts, Brazilian; Brazilian poetry.; Concrete art.; Concrete poetry.
    Notes:

    Array: Array

  2. Form and feeling
    the making of concretism in Brazil
    Contributor: Bessa, Antonio Sergio (HerausgeberIn)
    Published: 2021
    Publisher:  Fordham University Press, New York

    "A significant contribution on the development and aftermath of post-World War II Concretism in Brazil Form and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2021:2690:
    No inter-library loan

     

    "A significant contribution on the development and aftermath of post-World War II Concretism in Brazil Form and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country's wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists today-namely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics. The fourteen essays collected in this volume consider the ramifications of modernist abstraction in the second half of the twentieth century and contribute to a growing academic field in postwar Brazilian and Latin American art history. Contributions to this anthology examine the development of modernist ideas that flourished in Brazil during a controversial period interspersed by dictatorial regimes. The global aspect of Brazilian art is especially evident in these studies, presenting the relational complexity of their subjects as transcultural, transnational actors while simultaneously contributing to a growing, increasingly nuanced understanding of visual and material culture, performance, and criticism in Brazil. Form and Feeling continues the important process of re-analyzing the intersections of Concretism and Neo concretism, arguing for greater affinities between the primary and lesser-known cast of characters while equally redistributing the strict geographical divisions of São Paulo and Rio de Janeiro. This anthology broadly situates this extraordinary period of artistic experimentation in direct relationship to contemporary factors, such as psychoanalysis, educational systems, poetry, politics, and feminism. It crafts innovative relationships about the constructive hierarchies of form and space, poetry and painting, and mathematics and philosophy, thus engendering new positions for a deeply ensconced period in Brazilian history"--

     

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    Content information
    Source: Union catalogues
    Contributor: Bessa, Antonio Sergio (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0823289117; 9780823289110; 0823289109; 9780823289103
    Edition: First edition
    Subjects: Concrete art; Brazilian poetry; Concrete poetry; Brazilian poetry; Concrete art; Concrete poetry; Criticism, interpretation, etc; History
    Scope: 260 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index

  3. The Princeton Handbook of Multicultural Poetries
    Contributor: Brogan, Terry V.F. (HerausgeberIn)
    Published: [2021]; ©1996
    Publisher:  Princeton University Press, Princeton, NJ

    Drawn from the acclaimed New Princeton Encyclopedia of Poetry and Poetics, the articles in this concise new reference book provide a complete survey of the poetic history and practice in every major national literature or cultural tradition in the... more

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    Staats- und Universitätsbibliothek Bremen
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    Drawn from the acclaimed New Princeton Encyclopedia of Poetry and Poetics, the articles in this concise new reference book provide a complete survey of the poetic history and practice in every major national literature or cultural tradition in the world. As with the parent volume, which has sold over 10,000 copies since it was first published in 1993, the intended audience is general readers, journalists, students, teachers, and researchers. The editor's principle of selection was balance, and his goal was to embrace in a structured and reasoned way the diversity of poetry as it is known across the globe today. In compiling material on 106 cultures in 92 national literatures, the book gives full coverage to Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, as well as other obscure ones such as Hittite), the ancient middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian), subcontinental Indian poetries (the widest linguistic diversity), Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, and half a dozen others), continental American poetries (all the modern Western cultures and native Indian in North, Central, and South American regions), and African poetries (ancient and emergent, oral and written)

     

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    Content information
    Source: Union catalogues
    Contributor: Brogan, Terry V.F. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691228211
    Other identifier:
    Subjects: Poesie; Poesie; Poetics; Poetics; Poetique; Poetry; Poetry; Poetry; LITERARY CRITICISM / Poetry
    Other subjects: Existentialism; Farce; Free verse; G. (novel); Genre; Hexameter; Humour; Idyll; Imagery; Intelligentsia; Internal rhyme; Irony; Jews; Lament; Literature; Long poem; Lyric poetry; Lyricism; Metaphysical poets; Modernism; N. (novella); Narrative poetry; Narrative; Neo-romanticism; Neoclassicism; New Generation (Malayalam film movement); Novelist; Of Modern Poetry; Oral poetry; Panegyric; Parody; Pessimism; Petrarch; Picturesque; Poet; Poetic diction; Poetry; Political poetry; Prose poetry; Prose; Proverb; Pseudonym; Quatrain; Rainer Maria Rilke; Rhetoric; Rhyme scheme; Rhyme; Romantic poetry; Romanticism; S. (Dorst novel); Sanskrit; Satire; Sensibility; Sonnet sequence; Sonnet; Stanza; Strophe; Surrealism; Symbolism (arts); T. S. Eliot; The New Poetry; The Other Hand; The Song of Roland; The Various; Treatise; Troubadour; V; World War II; Writer; Writing; Abbreviation; Aeneid; Aestheticism; Allegory; Alliteration; Allusion; Aphorism; Art for art's sake; Arthur Rimbaud; Artifice; Assonance; Blank verse; Caesura; Charles Baudelaire; Classicism; Comparative literature; Concrete poetry; Couplet; Courtly love; Despair (novel); Diction; Didacticism; Digression; Dramatic monologue; Eclogue; Epic Cycle; Epic poetry; Epigram; Epistle; Evocation
    Scope: 1 Online-Ressource (352 p.)
  4. Form and feeling :
    the making of concretism in Brazil /
    Contributor: Bessa, Antonio Sergio, (editor.)
    Published: 2021
    Publisher:  Fordham University Press,, New York :

    "A significant contribution on the development and aftermath of post-World War II Concretism in Brazil Form and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    "A significant contribution on the development and aftermath of post-World War II Concretism in Brazil Form and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country's wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists today-namely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics. The fourteen essays collected in this volume consider the ramifications of modernist abstraction in the second half of the twentieth century and contribute to a growing academic field in postwar Brazilian and Latin American art history. Contributions to this anthology examine the development of modernist ideas that flourished in Brazil during a controversial period interspersed by dictatorial regimes. The global aspect of Brazilian art is especially evident in these studies, presenting the relational complexity of their subjects as transcultural, transnational actors while simultaneously contributing to a growing, increasingly nuanced understanding of visual and material culture, performance, and criticism in Brazil. Form and Feeling continues the important process of re-analyzing the intersections of Concretism and Neo concretism, arguing for greater affinities between the primary and lesser-known cast of characters while equally redistributing the strict geographical divisions of São Paulo and Rio de Janeiro. This anthology broadly situates this extraordinary period of artistic experimentation in direct relationship to contemporary factors, such as psychoanalysis, educational systems, poetry, politics, and feminism. It crafts innovative relationships about the constructive hierarchies of form and space, poetry and painting, and mathematics and philosophy, thus engendering new positions for a deeply ensconced period in Brazilian history"--

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Philologische Bibliothek, FU Berlin
    Contributor: Bessa, Antonio Sergio, (editor.)
    Media type: Book
    ISBN: 0-8232-8912-5
    Subjects: Concrete art; Concrete poetry; Arts, Brazilian; Brazilian poetry.; Concrete art.; Concrete poetry.
    Notes:

    Array: Array

  5. Form and feeling
    the making of concretism in Brazil
    Contributor: Bessa, Antonio Sergio (HerausgeberIn)
    Published: 2021
    Publisher:  Fordham University Press, New York

    "A significant contribution on the development and aftermath of post-World War II Concretism in Brazil Form and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    "A significant contribution on the development and aftermath of post-World War II Concretism in Brazil Form and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country's wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists today-namely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics. The fourteen essays collected in this volume consider the ramifications of modernist abstraction in the second half of the twentieth century and contribute to a growing academic field in postwar Brazilian and Latin American art history. Contributions to this anthology examine the development of modernist ideas that flourished in Brazil during a controversial period interspersed by dictatorial regimes. The global aspect of Brazilian art is especially evident in these studies, presenting the relational complexity of their subjects as transcultural, transnational actors while simultaneously contributing to a growing, increasingly nuanced understanding of visual and material culture, performance, and criticism in Brazil. Form and Feeling continues the important process of re-analyzing the intersections of Concretism and Neo concretism, arguing for greater affinities between the primary and lesser-known cast of characters while equally redistributing the strict geographical divisions of São Paulo and Rio de Janeiro. This anthology broadly situates this extraordinary period of artistic experimentation in direct relationship to contemporary factors, such as psychoanalysis, educational systems, poetry, politics, and feminism. It crafts innovative relationships about the constructive hierarchies of form and space, poetry and painting, and mathematics and philosophy, thus engendering new positions for a deeply ensconced period in Brazilian history"--

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Bessa, Antonio Sergio (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0823289117; 9780823289110; 0823289109; 9780823289103
    Edition: First edition
    Subjects: Concrete art; Brazilian poetry; Concrete poetry; Brazilian poetry; Concrete art; Concrete poetry; Criticism, interpretation, etc; History
    Scope: 260 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index