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  1. George Herbert's pattern poems
    in their tradition
    Published: 1977
    Publisher:  Unpublished Editions, West Glover, Vt

    Staats- und Universitätsbibliothek Bremen
    03.b.4471
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0914162233
    Subjects: Christian poetry, English; Concrete poetry; Poetics
    Other subjects: Herbert, George
    Scope: 79 p, ill, 23 cm
    Notes:

    A revision of the author's thesis (M.A.), New York University

    Bibliography: p. 75-79

  2. Women in concrete poetry, 1959-1979
    Contributor: Balgiu, Alex (Herausgeber); Torre, Mónica de la (Herausgeber)
    Published: [2020]
    Publisher:  Primary Information, Brooklyn, NY

    Sonja Åkesson -- Annalisa Alloatti and Mirella Bentivoglio -- Lenora de Barros -- Mirella Bentivoglio -- Amanda Berenguer -- Suzanne Bernard -- Gay Beste -- Alison Bielski -- Tomaso Binga -- Irma Blank -- Marianna Bocian -- Blanca Calparsoro -- Paula... more

    Kunst- und Museumsbibliothek der Stadt Köln
    KMB/CUF 2020
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    Sonja Åkesson -- Annalisa Alloatti and Mirella Bentivoglio -- Lenora de Barros -- Mirella Bentivoglio -- Amanda Berenguer -- Suzanne Bernard -- Gay Beste -- Alison Bielski -- Tomaso Binga -- Irma Blank -- Marianna Bocian -- Blanca Calparsoro -- Paula Claire -- Betty Danon -- Agnes Denes -- Mirtha Dermisache -- Amelia Etlinger -- Ilse Garnier -- Anna Bella Geiger -- Madeline Gins -- Bohumila Grögerová -- Ana Hatherly -- Susan Howe -- Ruth Jacoby -- Tamara Janković -- Annalies Klophaus -- Marzenna Kosińska -- Barbara Kozlowska -- Katalin Ladik -- Liliana Landi -- Liliane Lijn -- Françoise Mairey -- Giulia Niccolai -- Ry Nikonova -- Anna Oberto -- Jennifer Pike -- Bogdanka Poznanović -- Betty Radin -- Giovanna Sandri -- Mira Schendel -- Mary Ellen Solt -- Chima Sunada -- Salette Tavares -- Colleen Thibaudeau -- Biljana Tomić -- Silvia Trevale -- Patrizia Vicinelli -- Rosmarie Waldrop -- Hannah Weiner -- Ruth Wolf-Rehfeldt. This volume presents works by fifty women who may not have identified themselves as concrete poets, but whose work focused on multiplying the possibilities opened up by attending to language's materiality, and on challenging the very constructs that support the binaries divorcing a poem's physical properties from its more subjective ones. Their work may very well represent the "tension of word-things in space-time" that the Brazilian Noigandres group saw as unique to concrete poetry in 1958, but they are less concerned with using "graphic space as structural agent" than with liberating letters from words, and words from the conventions that dictate how they should function in ordinary language and in traditional literary texts. "Women in Concrete Poetry" is a kaleidoscope, traversed by many views and perspectives that defy any attempt to define concrete poetry in strict terms "This expansive volume is the first collection of concrete poetry by women, with artists and poets from the US, Latin America, Europe and Japan, whose work departs from more programmatic approaches to the genre. Their word-image compositions are unified by an experimental impetus and a radical questioning of the transparency of the word and its traditional arrangement on the page. Owing, perhaps, to the fact that concrete poetry's attempt to revolutionize poetry foregrounded the male-dominated channels in which it circulated, some of the women in this volume--Ilse Garnier or Giulia Niccolai, for instance--were active in the movement's epicenters, yet failed to attain a visibility or ample representation in international anthologies such as Emmett Williams's Anthology of Concrete Poetry (1967) and Mary Ellen Solt's Concrete Poetry: A World View (1968). This anthology celebrates their legacy and recontextualizes word-image compositions by other figures working independently. It gathers work by over 40 writers and artists, including Lenora de Barros (Brazil), Mirella Bentivoglio (Italy), Amanda Berenguer (Uruguay), Suzanne Bernard (France), Tomaso Binga (Italy), Blanca Calparsoro (Spain), Paula Claire (UK), Betty Danon (Turkey), Mirtha Dermisache (Argentina), Ilse Garnier (France), Anna Bella Geiger (Brazil), Bohumila Grögerová (Czech Republic), Ana Hatherly (Portugal), Susan Howe (USA), Tamara Jankovic (Serbia), Annalies Klophaus (Germany), Barbara Kozlowska (Poland), Liliana Landi (Italy), Liliane Lijn (USA), Françoise Mairey (France), Giulia Niccolai (Italy), Jennifer Pike (UK), Giovanna Sandri (Italy), Mira Schendel (Brazil), Chima Sunada (Japan), Mary Ellen Solt (USA), Salette Tavares (Portugal), Colleen Thibaudeau (Canada), Rosmarie Waldrop (USA) and Ruth Wolf-Rehfeldt (Germany)."--Amazon website (viewed on October 22, 2020)

     

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    Source: Union catalogues
    Contributor: Balgiu, Alex (Herausgeber); Torre, Mónica de la (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 1734489723; 9781734489729
    Subjects: Konkrete Poesie; Frau
    Other subjects: Concrete poetry; Typewriter art; Women poets; Women in literature; Women artists; Women in art; Concrete poetry
    Scope: 479 Seiten, Illustrationen, 23 cm
    Notes:

    Includes biographies of the artists, pages 464-479. - Includes bibliographical references

  3. Designed words for a designed world
    the international concrete poetry movement, 1955-1971
    Published: 2016
    Publisher:  McGill-Queen's University Press, Montreal & Kingston, London, Chicago

    "Sometimes image, sometimes word, and often both or neither, concrete poetry emerged out of an era of ground-breaking social and technological developments. Television, nuclear weapons, radio transistors, space travel, and colour photography all... more

    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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    "Sometimes image, sometimes word, and often both or neither, concrete poetry emerged out of an era of ground-breaking social and technological developments. Television, nuclear weapons, radio transistors, space travel, and colour photography all combined to drastically alter the representation of the world in the period following the Second World War. While never fully embraced as poetry or as visual art, and often criticized for an aesthetic that veers too closely to commercial design, concrete poetry is an ambitious critical project that strives to break free of national languages and narrow literary traditions. Crossing national and disciplinary borders to highlight connections between poems and a variety of other cultural material, in this book--the first major study of concrete poetry's international character--Jamie Hilder asks fundamental questions about the ways in which the work has been critically received over the past fifty years. Designed Words for a Designed World positions the work of the movement within a new global context, pointing out how its international character predates and initiates some trends now associated with globalization. Hilder places concrete poetry alongside such transformative projects as the modernist city of Brasília, the development of computers, and the rise of conceptual art in order to accentuate its significance as one of the major poetic movements of the twentieth century."--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780773547339; 9780773547346
    RVK Categories: EC 6410
    Subjects: Concrete poetry / History and criticism; Concrete poetry; Konkrete Poesie
    Scope: xvi, 277 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  4. Border blurs
    concrete poetry in England and Scotland
    Author: Thomas, Greg
    Published: 2022
    Publisher:  Liverpool University Press, Liverpool

    This is an excellent, well-researched and up-to-date account of the development of concrete poetry in England and Scotland from the 1950s onwards. It will make an outstanding contribution to knowledge in the related fields of concrete poetry, late... more

    Universitätsbibliothek Regensburg
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    This is an excellent, well-researched and up-to-date account of the development of concrete poetry in England and Scotland from the 1950s onwards. It will make an outstanding contribution to knowledge in the related fields of concrete poetry, late modernism, the history of the 1960s counter-culture and the British Poetry Revival.'Dr Steve Willey, Birkbeck, University of LondonThis book offers the first in-depth account of the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s to the 1970s. Concrete poetry was a literary and artistic style which reactivated early twentieth-century modernist impulses towards the merging of artistic media, while simultaneously speaking to a gamut of contemporary contexts, from post-1945 reconstruction to cybernetics, mass media and the sixties counter-culture. The terms of its development in England and Scotland suggest new ways of mapping ongoing complexities in the relationship between the two national cultures, and of tracing broader sociological and cultural trends in Britain during the 1960s and 1970s. Focusing especially on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard and Bob Cobbing, Border Blurs is based on new and extensive archival and primary research, and will fill a vital gap in contemporary understandings of an important but much misunderstood genre: concrete poetry. It will also serve as a vital document for scholars and students of twentieth-century British literature, modern intermedia art and modernism, especially those interested in understanding modernism's wide geographical spread and late twentieth-century legacies.

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781802077087
    RVK Categories: HN 1161
    Edition: Paperback edition
    Series: Liverpool English texts and studies ; 79
    Subjects: Englisch
    Other subjects: Concrete poetry / History and criticism; English poetry / 20th century / History and criticism; English poetry / Scottish authors / History and criticism; Concrete poetry; English poetry; English poetry ; Scottish authors; Criticism, interpretation, etc
    Scope: xiii, 299 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index

  5. Women in concrete poetry, 1959-1979
    Contributor: Balgiu, Alex (Herausgeber); Torre, Mónica <<de la>> (Herausgeber)
    Published: [2020]
    Publisher:  Primary Information, Brooklyn, NY

    Sonja Åkesson -- Annalisa Alloatti and Mirella Bentivoglio -- Lenora de Barros -- Mirella Bentivoglio -- Amanda Berenguer -- Suzanne Bernard -- Gay Beste -- Alison Bielski -- Tomaso Binga -- Irma Blank -- Marianna Bocian -- Blanca Calparsoro -- Paula... more

    Kunst- und Museumsbibliothek der Stadt Köln
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    Sonja Åkesson -- Annalisa Alloatti and Mirella Bentivoglio -- Lenora de Barros -- Mirella Bentivoglio -- Amanda Berenguer -- Suzanne Bernard -- Gay Beste -- Alison Bielski -- Tomaso Binga -- Irma Blank -- Marianna Bocian -- Blanca Calparsoro -- Paula Claire -- Betty Danon -- Agnes Denes -- Mirtha Dermisache -- Amelia Etlinger -- Ilse Garnier -- Anna Bella Geiger -- Madeline Gins -- Bohumila Grögerová -- Ana Hatherly -- Susan Howe -- Ruth Jacoby -- Tamara Janković -- Annalies Klophaus -- Marzenna Kosińska -- Barbara Kozlowska -- Katalin Ladik -- Liliana Landi -- Liliane Lijn -- Françoise Mairey -- Giulia Niccolai -- Ry Nikonova -- Anna Oberto -- Jennifer Pike -- Bogdanka Poznanović -- Betty Radin -- Giovanna Sandri -- Mira Schendel -- Mary Ellen Solt -- Chima Sunada -- Salette Tavares -- Colleen Thibaudeau -- Biljana Tomić -- Silvia Trevale -- Patrizia Vicinelli -- Rosmarie Waldrop -- Hannah Weiner -- Ruth Wolf-Rehfeldt This volume presents works by fifty women who may not have identified themselves as concrete poets, but whose work focused on multiplying the possibilities opened up by attending to language's materiality, and on challenging the very constructs that support the binaries divorcing a poem's physical properties from its more subjective ones. Their work may very well represent the "tension of word-things in space-time" that the Brazilian Noigandres group saw as unique to concrete poetry in 1958, but they are less concerned with using "graphic space as structural agent" than with liberating letters from words, and words from the conventions that dictate how they should function in ordinary language and in traditional literary texts. "Women in Concrete Poetry" is a kaleidoscope, traversed by many views and perspectives that defy any attempt to define concrete poetry in strict terms "This expansive volume is the first collection of concrete poetry by women, with artists and poets from the US, Latin America, Europe and Japan, whose work departs from more programmatic approaches to the genre. Their word-image compositions are unified by an experimental impetus and a radical questioning of the transparency of the word and its traditional arrangement on the page. Owing, perhaps, to the fact that concrete poetry's attempt to revolutionize poetry foregrounded the male-dominated channels in which it circulated, some of the women in this volume--Ilse Garnier or Giulia Niccolai, for instance--were active in the movement's epicenters, yet failed to attain a visibility or ample representation in international anthologies such as Emmett Williams's Anthology of Concrete Poetry (1967) and Mary Ellen Solt's Concrete Poetry: A World View (1968). This anthology celebrates their legacy and recontextualizes word-image compositions by other figures working independently. It gathers work by over 40 writers and artists, including Lenora de Barros (Brazil), Mirella Bentivoglio (Italy), Amanda Berenguer (Uruguay), Suzanne Bernard (France), Tomaso Binga (Italy), Blanca Calparsoro (Spain), Paula Claire (UK), Betty Danon (Turkey), Mirtha Dermisache (Argentina), Ilse Garnier (France), Anna Bella Geiger (Brazil), Bohumila Grögerová (Czech Republic), Ana Hatherly (Portugal), Susan Howe (USA), Tamara Jankovic (Serbia), Annalies Klophaus (Germany), Barbara Kozlowska (Poland), Liliana Landi (Italy), Liliane Lijn (USA), Françoise Mairey (France), Giulia Niccolai (Italy), Jennifer Pike (UK), Giovanna Sandri (Italy), Mira Schendel (Brazil), Chima Sunada (Japan), Mary Ellen Solt (USA), Salette Tavares (Portugal), Colleen Thibaudeau (Canada), Rosmarie Waldrop (USA) and Ruth Wolf-Rehfeldt (Germany)."--Amazon website (viewed on October 22, 2020)

     

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    Source: Union catalogues
    Contributor: Balgiu, Alex (Herausgeber); Torre, Mónica <<de la>> (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1734489723; 9781734489729
    Subjects: Concrete poetry; Typewriter art; Women poets; Women in literature; Women artists; Women in art
    Scope: 479 Seiten, Illustrationen, 23 cm
    Notes:

    Includes biographies of the artists, pages 464-479. - Includes bibliographical references

  6. The new poetics in Canada and Quebec
    from concretism to post-modernism
    Published: 1989
    Publisher:  Univ. of Toronto Pr., Toronto u.a.

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    90 A 10805
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 1990/1896
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    EW/400/640
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    Universitätsbibliothek Kiel, Zentralbibliothek
    As 1161
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    Universitätsbibliothek Kiel, Zentralbibliothek
    CAN | 810.1 | BAY | New
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    Universitätsbibliothek Osnabrück
    EEP L 4502-017 1
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    Source: Union catalogues
    Language: English; French
    Media type: Book
    Format: Print
    ISBN: 0802057268
    Subjects: Canadian poetry; French-Canadian poetry; French-Canadian poetry; Avant-garde (Aesthetics); Experimental poetry; Concrete poetry; Postmodernism (Literature); Avant-garde (Aesthetics); Poetics
    Scope: X, 374 S, Ill
    Notes:

    Text überw. engl., teilw. franz

  7. Earthquakes and Explorations
    Language and Painting from Cubism to Concrete Poetry
    Published: [2016]; © 1997
    Publisher:  University of Toronto Press, Toronto

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442664869
    Other identifier:
    Subjects: Art and literature; Concrete poetry; Cubism and literature; Painting, Modern; Kubismus; Konkrete Poesie; Literatur; Malerei; Sprache; Kunst
    Other subjects: Stein, Gertrude (1874-1946); Finlay, Ian Hamilton (1925-2006); Braque, Georges (1882-1963); Apollinaire, Guillaume (1880-1918)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :

  8. Reading visual poetry after futurism
    Marinetti, Apollinaire, Schwitters, Cummings
    Published: 1995
    Publisher:  Lang, New York [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 253065
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    99 A 21879
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    96/7247
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0820412929
    Series: Literature and the visual arts ; 4
    Subjects: Concrete poetry; Poetry, Modern; Visual poetry; Semiotics and literature
    Other subjects: Marinetti, F. T (1876-1944); Apollinaire, Guillaume (1880-1918); Schwitters, Kurt (1887-1948); Cummings, E. E (1894-1962)
    Scope: XI, 197 S, Ill, 24 cm
  9. The translation and transmission of concrete poetry
    Contributor: Corbett, John (Herausgeber); Huang, Ting (Herausgeber)
    Published: 2020
    Publisher:  Routledge, Taylor & Francis Group, New York

    Universität Mainz, Bereichsbibliothek Translations-, Sprach- und Kulturwissenschaft
    LIT-AM 03:7
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    Source: Union catalogues
    Contributor: Corbett, John (Herausgeber); Huang, Ting (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138503823
    Series: Routledge advances in translation and interpreting studies ; 43
    Subjects: Konkrete Poesie; Übersetzung; Concrete poetry; Poetry
    Scope: xviii, 225 Seiten, Illustrationen
    Notes:

    Based on papers presented at an international round table seminar held by the Department of English, University of Macau, in October 2016

    Literaturangaben

  10. Border blurs
    concrete poetry in England and Scotland
    Author: Thomas, Greg
    Published: 2020
    Publisher:  Liverpool University Press, Liverpool ; Oxford University Press, Oxford

    This volume considers the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s-1970s, focusing on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard and Bob Cobbing. It will be... more

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    This volume considers the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s-1970s, focusing on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard and Bob Cobbing. It will be a vital resource for students and scholars of modernism, intermedia art and British literature.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781789629538
    Other identifier:
    RVK Categories: HN 1161
    Series: Liverpool scholarship online
    Subjects: Concrete poetry, English; Concrete poetry, English; Concrete poetry; English poetry; English poetry
    Scope: 1 Online-Ressource, Illustrations (black and white, and colour).
    Notes:

    Previously issued in print: 2019

    Includes bibliographical references and index

  11. Konkretna poezija
    Published: 1984
    Publisher:  Drž. Zal. Slovenije, Ljubljana

    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English; Slovenian
    Media type: Book
    RVK Categories: EC 6410
    Series: Literarni leksikon ; 23
    Subjects: Concrete poetry; Konkrete Poesie
    Scope: 83 S.
    Notes:

    Zsfassung in engl. Sprache

  12. Digitale Wortbilder
    = Digital word-pictures = Figuras de palabras digitales
    Published: 1987
    Publisher:  Reichenberger, Kassel

    Staats- und Stadtbibliothek Augsburg
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    Technische Hochschule Augsburg
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    Source: Union catalogues
    Language: German; English; Spanish
    Media type: Book
    ISBN: 3923593481
    RVK Categories: AP 17440 ; EC 6410
    Series: Problemata semiotica ; 12
    Subjects: Art - 20e siècle; Art publicitaire - Histoire - 20e siècle; Art typographique; Poésie concrète; Geschichte; Kunst; Art, Modern; Commercial art; Concrete poetry; Typewriter art; Visual poetry; Visuelle Poesie; Computergrafik; Werbeslogan
    Scope: 113 Seiten, Illustrationen
    Notes:

    Text dt., engl. und span.

  13. Texts
    Published: 1985
    Publisher:  Coracle Press u.a., London

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 392276018X
    RVK Categories: LH 65830
    Subjects: Concrete poetry; Visuelle Poesie
    Other subjects: Gappmayr, Heinz (1925-2010)
    Scope: [78] Bl., Ill.
  14. The avantgarde tradition in literature
    Published: 1982
    Publisher:  Prometheus Books, Buffalo, N.Y.

    Universitätsbibliothek Bamberg
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  15. Designed words for a designed world
    the international concrete poetry movement, 1955-1971
    Published: 2016
    Publisher:  McGill-Queen's University Press, Montreal

    Reading concrete poetry as the world's first global literary movement more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Reading concrete poetry as the world's first global literary movement

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780773547339
    RVK Categories: EC 6410
    Subjects: Concrete poetry
    Scope: XVI, 277 Seiten
    Notes:

    Description based upon print version of record

  16. Haroldo de Campos
    a dialogue with the Brazilian concrete poet
    Published: 2005
    Publisher:  Centre for Brazilian Studies, Univ., Oxford

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0954407059
    RVK Categories: IQ 89491
    Subjects: Concrete poetry
    Other subjects: Campos, Haroldo de
    Scope: XVI, 270 S, 23cm
    Notes:

    Includes bibliographical references

  17. Intermedialität im europäischen Kulturzusammenhang
    Beiträge zur Theorie und Geschichte der visuellen Lyrik
    Published: 2002
    Publisher:  Schmidt, Berlin

    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: German; English
    Media type: Book
    ISBN: 3503061509
    RVK Categories: EC 3870 ; EC 6390 ; EC 6410
    Series: Allgemeine Literaturwissenschaft - Wuppertaler Schriften ; 4
    Subjects: Figuurgedichten; Visuele poëzie; Concrete poetry; European poetry; Figurengedicht; Konkrete Poesie; Visuelle Poesie; Geschichte
    Scope: XI, 324 S., Ill.
    Notes:

    Beitr. überw. dt., teil. engl.

  18. Trench town rock
    Published: 1994
    Publisher:  Lost Roads Publ., Providence

    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0918786452
    RVK Categories: HQ 7220
    Series: Lost Roads Publishers ; 40
    Subjects: Concrete poetry; Visual poetry
    Scope: 79 S.
  19. Experimental - visual - concrete
    avant-garde poetry since the 1960s
    Published: 1996
    Publisher:  Rodopi, Amsterdam [u.a.]

    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9051839596; 9051839413
    RVK Categories: EC 6410
    Series: Avantgarde ; 10
    Subjects: Avant-garde; Dichtkunst; Avant-garde (Aesthetics); Concrete poetry; Experimental poetry; Visuelle Poesie; Lyrik; Experimentelle Lyrik; Avantgardeliteratur; Konkrete Poesie
    Scope: 442 S., Ill.
  20. Honey by the water
    Published: 1973
    Publisher:  Black Sparrow Press, Los Angeles

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 087685143X
    Subjects: Concrete poetry
    Scope: 57 S., Ill.
  21. Earthquakes and explorations
    language and painting from Cubism to Concrete Poetry
    Published: 1997
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan
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  22. Sweethearts
    Published: 1967
    Publisher:  Something Else Pr., New York

    Universitätsbibliothek Eichstätt-Ingolstadt
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: HU 9800
    Subjects: Concrete poetry; Konkrete Poesie
    Other subjects: Williams, Emmett <1925-2007>; Williams, Emmett (1925-2007)
    Scope: 300 S. ca
  23. Earthquakes and explorations
    language and painting from cubism to concrete poetry
    Published: 1997; © 1997
    Publisher:  University of Toronto Press, Toronto, [Ontario] ; Buffalo, [New York] ; London, [England]

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442664869
    Series: Theory / Culture
    Subjects: Cubism and literature; Art and literature; Painting, Modern; Concrete poetry; Kubismus; Konkrete Poesie; Literatur; Malerei; Sprache; Kunst
    Other subjects: Stein, Gertrude (1874-1946); Finlay, Ian Hamilton (1925-2006); Braque, Georges (1882-1963); Apollinaire, Guillaume (1880-1918)
    Scope: 1 online resource (250 pages), illustrations
    Notes:

    Description based on print version record

  24. Earthquakes and explorations
    language and painting from cubism to concrete poetry
    Published: c1997
    Publisher:  University of Toronto Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0802041418; 1442613203; 144266486X; 9780802041418; 9781442613201; 9781442664869
    Series: Theory/culture series
    Subjects: Cubisme et littérature; Art et littérature; Peinture moderne / 20e siècle; Poésie concrète / Histoire et critique; Art et littérature; Poésie concrète / Histoire et critique; Cubisme et littérature; Peinture moderne / 20e siècle; Kubismus; Konkrete Poesie; Malerei; Sprache; ART / History / General; LITERARY CRITICISM / Poetry; Art and literature; Concrete poetry; Cubism and literature; Painting, Modern; Geschichte; Cubism and literature; Art and literature; Painting, Modern; Concrete poetry; Kubismus; Konkrete Poesie; Sprache; Kunst; Malerei; Literatur
    Other subjects: Finlay, Ian Hamilton (1925-2006); Apollinaire, Guillaume (1880-1918); Braque, Georges (1882-1963); Stein, Gertrude (1874-1946)
    Scope: 1 Online-Ressource (xiv, 235 p.)
    Notes:

    Includes bibliographical references (p. [219]-227) and index

    The supplement of language -- 'We are a man': the narrativization of painting -- Apollinaire and the naming of Cubism -- The gospel according to Kahnweiler -- The semiotics of Cubism -- Metaphor and metonymy in Cubism and Gertrude Stein -- The window frame: Delaunay and Apollinaire -- Signs of the times -- Gadji Beri Bimba: abstraction in poetry -- Models of order: Ian Hamilton Finlay

    The author's concern is both with a general theoretical question - the relationship between painting and poetry, between the visual and the verbal - and with a specific period of artistic history - the early years of the twentieth century, when Cubism flourished. Rather than seeing any conflict or irreconcilable division between painting and poetry, Scobie proposes, as a model for their relation, the Derridean notion of 'the supplement.' This relation is grounded in the pervasiveness of language, in the ways in which language surrounds, imbues, structures, and supplements both verbal and nonverbal images

  25. Ian Hamilton Finlay
    Selections, Edited and with an Introduction by Alec Finlay
    Published: 2012
    Publisher:  University of California Press, Berkerley

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0520270584; 0520950003; 9780520270589; 9780520950009
    RVK Categories: LI 29500
    Series: Poets for the millennium
    Subjects: Concrete poetry; Finlay, Ian Hamilton; Landscape; Landscape / Poetry; POETRY / General; POETRY / General; POETRY / English, Irish, Scottish, Welsh; Concrete poetry; Landscapes; Poetry
    Other subjects: Finlay, Ian Hamilton; Finlay, Ian Hamilton (1925-2006)
    Scope: 1 Online-Ressource (334 p.)
    Notes:

    Description based upon print version of record

    This volume surveys the life and work of the Scottish poet Ian Hamilton Finlay, who is best known for his extraordinary garden, Little Sparta, a unique "poem of place" in which poetry, sculpture, and horticulture intersect. This book directs sustained attention to Finlay the verbal artist, revealing the full breadth and richness of his poetics. It illuminates the evolution from his early years of composing plays, stories, and lyrical poems to his discovery of Concrete poetry and his emergence as a key figure in the international avant-garde of the 1960s

    Includes bibliographical references