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  1. Network aesthetics
    Published: 2016
    Publisher:  The University of Chicago Press, Chicago ; London

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226346489; 9780226346519
    RVK Categories: AP 13550
    Subjects: Arts / Philosophy; Aesthetics; Cognitive science; Ästhetik; Philosophie; Fernsehen; Film; Kunst; Literatur; Computerspiel; Netzwerk; Soziales Netzwerk
    Scope: xiii, 314 Seiten, Illustrationen
  2. Thinking with literature
    towards a cognitive criticism
    Published: 2016
    Publisher:  Oxford University Press, Oxford

    To speak of 'thinking with literature' is to make the assumption that literature (in the broadest sense) is neither a side-show nor a side-issue in human cultures: it belongs to the spectrum of imaginative modes that includes both philosophical and... more

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    To speak of 'thinking with literature' is to make the assumption that literature (in the broadest sense) is neither a side-show nor a side-issue in human cultures: it belongs to the spectrum of imaginative modes that includes both philosophical and scientific thought. Whether one regards it as a practice or as an archive, literature is highly pervasive, robust, enduring, and pregnant with values. Thinking with Literature argues that what it affords above allis a way of thinking, whether for writer, reader, or critic. Literature constitutes one of the prime instruments of cultural improvisation; it is the embodiment of a powerful, inventive, and ever-changing cognitive agency. As such, it invites a cognitive mode of criticism, one which asserts the priority ofthe individual literary work as a unique product of human cognition. In this book, discussions of topics, arguments, and hypotheses from the cognitive sciences, philosophy, and the theory of communication are woven into the fabric of a critical analysis which insists on the value of close reading: a poem by Yeats, a scene from Shakespeare, novels by Mme de Lafayette, Conrad, Frantzen, stories from Winnie-the-Pooh, and many others appear here on their own terms, with their own cognitiveenergies. Written in an accessible style, Thinking with Literature speaks both to mainstream readers of literature and to specialists in cognitive studies.

     

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  3. Interprétation littéraire et sciences cognitives
    Contributor: Lavocat, Françoise (Publisher)
    Published: [2016]
    Publisher:  Hermann, Paris

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Lavocat, Françoise (Publisher)
    Language: French
    Media type: Book
    ISBN: 9782705691592
    RVK Categories: EC 1620
    Subjects: Literature and science; Cognitive science; Reading, Psychology of; Literatur; Kognitionswissenschaft; Interpretation
    Scope: 222 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references (pages [195]-220)

  4. Network aesthetics
    Published: 2016
    Publisher:  The University of Chicago Press, Chicago

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226346489; 9780226346519
    RVK Categories: AP 13550
    Subjects: Arts / Philosophy; Aesthetics; Cognitive science
    Scope: xiii, 314 Seiten, Illustrationen
  5. Thinking with literature
    towards a cognitive criticism
    Published: 2016
    Publisher:  Oxford University Press, Oxford

    To speak of 'thinking with literature' is to make the assumption that literature (in the broadest sense) is neither a side-show nor a side-issue in human cultures: it belongs to the spectrum of imaginative modes that includes both philosophical and... more

    Universitätsbibliothek Trier
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    To speak of 'thinking with literature' is to make the assumption that literature (in the broadest sense) is neither a side-show nor a side-issue in human cultures: it belongs to the spectrum of imaginative modes that includes both philosophical and scientific thought. Whether one regards it as a practice or as an archive, literature is highly pervasive, robust, enduring, and pregnant with values. Thinking with Literature argues that what it affords above allis a way of thinking, whether for writer, reader, or critic. Literature constitutes one of the prime instruments of cultural improvisation; it is the embodiment of a powerful, inventive, and ever-changing cognitive agency. As such, it invites a cognitive mode of criticism, one which asserts the priority ofthe individual literary work as a unique product of human cognition. In this book, discussions of topics, arguments, and hypotheses from the cognitive sciences, philosophy, and the theory of communication are woven into the fabric of a critical analysis which insists on the value of close reading: a poem by Yeats, a scene from Shakespeare, novels by Mme de Lafayette, Conrad, Frantzen, stories from Winnie-the-Pooh, and many others appear here on their own terms, with their own cognitiveenergies. Written in an accessible style, Thinking with Literature speaks both to mainstream readers of literature and to specialists in cognitive studies

     

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  6. Computational and cognitive approaches to narratology
    Contributor: Ogata, Takashi (Herausgeber); Akimoto, Taisuke (Herausgeber)
    Published: 2016
    Publisher:  IGI Global, Hershey, PA

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    Source: Union catalogues
    Contributor: Ogata, Takashi (Herausgeber); Akimoto, Taisuke (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781522504337
    Other identifier:
    Other subjects: Narration (Rhetoric) / Data processing; Artificial intelligence; Cognitive science
    Scope: Online-Ressource (PDFs (466 pages))
  7. Network aesthetics
    Published: 2016
    Publisher:  The University of Chicago Press, Chicago

    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226346656
    Subjects: Cognitive science; Arts; Aesthetics
    Scope: 1 Online-Ressource (xiii, 314 Seiten), Illustrationen
    Notes:

    Includes bibliographical references (pages 229-298) and index

  8. Computational and cognitive approaches to narratology
    Contributor: Ogata, Takashi (HerausgeberIn); Akimoto, Taisuke (HerausgeberIn)
    Published: [2016]
    Publisher:  Information Science Reference, Hershey, Pennsylvania

    "[This book] discusses issues of narrative-related information and communication technologies, cognitive mechanism and analyses, and theoretical perspectives on narratives and the story generation process. Focusing on emerging research as well as... more

    Staats- und Universitätsbibliothek Bremen
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    "[This book] discusses issues of narrative-related information and communication technologies, cognitive mechanism and analyses, and theoretical perspectives on narratives and the story generation process. Focusing on emerging research as well as applications in a variety of fields including marketing, philosophy, psychology, art, and literature, this timely publication is an essential reference source for researchers, professionals, and graduate students in various information technology, cognitive studies, design, and creative fields"--Provided by publisher Computational and cognitive approaches to narratology from the perspective of narrative generation / Takashi Ogata -- The possibility of the literary work generation by computer / Akinori Abe -- Designing a socially open narrative generation system / Taisuke Akimoto, Takashi Ogata -- An attempt of the commercial film production support system based on the image rhetoric of commercial film / Yoji Kawamura -- Applying digital storytelling to business planning / Yoko Takeda -- Can computers create comics and animations? / Miki Ueno, Kiyohito Fukuda, Naoki Mori -- Thesaurus with predicate-argument structure to provide base framework to determine states, actions, and change-of-states / Koichi Takeuchi -- The word order flexibility in Japanese novels: a dynamic syntax perspective / Tohru Seraku, Akira Ohtani -- The employment status and support needs of persons with disabilities in Japan: an analysis of narrative using narratology and text mining on a national survey / Kai Seino, Yuichiro Haruna, Shun Ishizaki -- Quantitative research into narrative: statistical analysis of "The Tale of Genji" / Gen Tsuchiyama -- Assessing the appeal power of narrative performance by using eyeblink synchronization among audience / Ryota Nomura, Takeshi Okada -- The dilemma of suspense: neuronarratology, cognitive neurosciences, and computer technology / Sara Uboldi, Stefano Calabrese Fact, narrative, visualization as fiction, and love: analysis of the Japanese film The Land of Hope / Yukiko Ogawa -- You tell me in emojis / Tüge T. Gülsen -- Non-story, nostalgia, and film cognition: nostalgia-based narrative rhetoric composition / Akihito Kanai -- Kabuki as multiple narrative structures / Takashi Ogata

     

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    Source: Union catalogues
    Contributor: Ogata, Takashi (HerausgeberIn); Akimoto, Taisuke (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Series: Advances in linguistics and communication studies (ALCS) book series
    Subjects: Narration (Rhetoric); Cognitive science; Artificial intelligence
    Scope: 1 Online-Ressource (466 pages), illustrations
    Notes:

    Includes bibliographical references and index

  9. Adapted Brains and Imaginary Worlds
    Cognitive Science and the Literature of the Renaissance
    Published: [2016]; © 2016
    Publisher:  McGill-Queen's University Press, Montreal ; Kingston ; London ; Chicago

    In Adapted Brains and Imaginary Worlds, Donald Beecher explores the characteristics and idiosyncrasies of the brain as they affect the study of fiction. He builds upon insights from the cognitive sciences to explain how we actualize imaginary... more

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    In Adapted Brains and Imaginary Worlds, Donald Beecher explores the characteristics and idiosyncrasies of the brain as they affect the study of fiction. He builds upon insights from the cognitive sciences to explain how we actualize imaginary persons, read the clues to their intentional states, assess their representations of selfhood, and empathize with their felt experiences in imaginary environments. He considers how our own faculty of memory, in all its selective particularity and planned oblivion, becomes an increasingly significant dimension of the critical act, and how our own emotions become aggressive readers of literary experience, culminating in states which define the genres of literature. Beecher illustrates his points with examples from major works of the Renaissance period, including Dr Faustus, The Faerie Queene, Measure for Measure, The Yorkshire Tragedy, Menaphon, The Dialogue of Solomon and Marcolphus, and The Moral Philosophy of Doni. In this volume, studies in the science of mind come into their own in explaining the architectures of the brain that shape such emergent properties as empathy, suspense, curiosity, the formation of communities, gossip, rationalization, confabulation, and so much more that pertains to the behaviour of characters, the orientation of readers, and the construction of meaning. Discussing a breadth of topics - from the mysteries of the criminal mind to the psychology of tears - Adapted Brains and Imaginary Worlds is the most comprehensive work available on the study of fictional worlds and their relation to the constitution of the human brain

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780773598522
    Other identifier:
    Subjects: LITERARY CRITICISM / Semiotics & Theory; Cognition in literature; Cognitive science; Emotions in literature; English literature; Memory in literature; Psychology in literature; Self in literature
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023)

  10. Adapted brains and imaginary worlds
    cognitive science and the literature of the Renaissance
    Published: 2016
    Publisher:  McGill-Queen's University Press, Montreal & Kingston ; London ; Chicago

    "The literary discipline is based on principles of structure and language, is concerned with interpreting the emotions in characters comprising humanity in all its variety reacting to the provocations of their imaginary worlds, and encompasses our... more

    Universitätsbibliothek Augsburg
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    "The literary discipline is based on principles of structure and language, is concerned with interpreting the emotions in characters comprising humanity in all its variety reacting to the provocations of their imaginary worlds, and encompasses our cognitive and affective reactions to those representations. So much of what we take from reading, though, is not linked to language: linguistic prompts merely set in motion the associations, memories, and images through which we generate meaning and emotionalize experience. Reading, if it is to understand how and why our minds complete fictive worlds, must take an interest in what the emotions are, where they originate, and what they are for. The cognitive sciences offer valuable perspectives on the feeling brain, perspectives which reveal much about the emotions of imaginary persons and the feelings they arouse in readers. This work aims to connect textual interpretation and brain science. In so doing, it furthers the understanding of literary experience and opens up new approaches to literature in general through philosophical insights into the human brain. Each of the book's eleven chapters sets out to bring a relevant cognitive perspective into the spotlight: memory, the emotions, the self, intentionality, laughter, crying, conversion experience, the psychology of suspense, criminal deviancy, binary ethics--the narrative brain in perceptual and imaginative modes--by analyzing these experiences and emotions in relevant works of Renaissance literature. The texts are both minor but characteristic and canonical, from The Dialogue of Solomon and Marcolphus and The Moral Philosophy of Doni, to Spenser's Faerie Queene and Shakespeare's Measure for Measure."--

     

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  11. Network aesthetics
    Published: [2016]
    Publisher:  The University of Chicago Press, Chicago and London

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226346489; 9780226346519
    RVK Categories: AP 13550
    Subjects: Philosophie; Ästhetik; Arts / Philosophy; Aesthetics; Cognitive science; Philosophie; Film; Soziales Netzwerk; Fernsehen; Computerspiel; Literatur; Netzwerk; Ästhetik; Kunst
    Scope: xiii, 314 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Maximal aesthetics: network novels. Emergent aesthetics : network films. Realist aesthetics : televisual networks. Participatory aesthetics : network games. Improvisational aesthetics : alternate reality games. Coda : after networks (comes ambivalence)

  12. Network aesthetics
    Published: [2016]
    Publisher:  The University of Chicago Press, Chicago and London

    Freie Universität Berlin, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780226346489; 9780226346519
    RVK Categories: AP 13550
    Subjects: Philosophie; Ästhetik; Arts / Philosophy; Aesthetics; Cognitive science; Philosophie; Film; Soziales Netzwerk; Fernsehen; Computerspiel; Literatur; Netzwerk; Ästhetik; Kunst
    Scope: xiii, 314 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Maximal aesthetics: network novels. Emergent aesthetics : network films. Realist aesthetics : televisual networks. Participatory aesthetics : network games. Improvisational aesthetics : alternate reality games. Coda : after networks (comes ambivalence)

  13. Adapted brains and imaginary worlds
    cognitive science and the literature of the Renaissance
    Published: 2016
    Publisher:  McGill-Queen's University Press, Montreal

    "The literary discipline is based on principles of structure and language, is concerned with interpreting the emotions in characters comprising humanity in all its variety reacting to the provocations of their imaginary worlds, and encompasses our... more

    Hochschulbibliothek Friedensau
    Online-Ressource
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    "The literary discipline is based on principles of structure and language, is concerned with interpreting the emotions in characters comprising humanity in all its variety reacting to the provocations of their imaginary worlds, and encompasses our cognitive and affective reactions to those representations. So much of what we take from reading, though, is not linked to language: linguistic prompts merely set in motion the associations, memories, and images through which we generate meaning and emotionalize experience. Reading, if it is to understand how and why our minds complete fictive worlds, must take an interest in what the emotions are, where they originate, and what they are for. The cognitive sciences offer valuable perspectives on the feeling brain, perspectives which reveal much about the emotions of imaginary persons and the feelings they arouse in readers. This work aims to connect textual interpretation and brain science. In so doing, it furthers the understanding of literary experience and opens up new approaches to literature in general through philosophical insights into the human brain. Each of the book's eleven chapters sets out to bring a relevant cognitive perspective into the spotlight: memory, the emotions, the self, intentionality, laughter, crying, conversion experience, the psychology of suspense, criminal deviancy, binary ethics--the narrative brain in perceptual and imaginative modes--by analyzing these experiences and emotions in relevant works of Renaissance literature. The texts are both minor but characteristic and canonical, from The Dialogue of Solomon and Marcolphus and The Moral Philosophy of Doni, to Spenser's Faerie Queene and Shakespeare's Measure for Measure."--

     

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  14. Network aesthetics
    Published: 2016
    Publisher:  The University of Chicago Press, Chicago, [Illinois] ;

    Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction: Network Aesthetics -- Part 1: Linear Forms -- 1. Maximal Aesthetics: Network Novels -- 2. Emergent Aesthetics: Network Films -- 3. Realist Aesthetics: Televisual Networks --... more

    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction: Network Aesthetics -- Part 1: Linear Forms -- 1. Maximal Aesthetics: Network Novels -- 2. Emergent Aesthetics: Network Films -- 3. Realist Aesthetics: Televisual Networks -- Part 2: Distributed Forms -- 4. Participatory Aesthetics: Network Games -- 5. Improvisational Aesthetics: Alternate Reality Games -- Coda: After Networks (Comes Ambivalence) -- Notes -- Index.

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226346489; 9780226346656
    Subjects: Cognitive science; Arts; Aesthetics; Arts - Philosophy; Aesthetics; Cognitive science; Arts; Electronic books
    Scope: 1 online resource (329 pages)
    Notes:

    Description based upon print version of record

  15. Network aesthetics
    Published: [2016]
    Publisher:  University of Chicago Press, Chicago

    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- Introduction: Network Aesthetics -- Part 1: Linear Forms -- 1. Maximal Aesthetics: Network Novels -- 2. Emergent Aesthetics: Network Films -- 3. Realist Aesthetics: Televisual Networks... more

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    Frontmatter -- Contents -- List of Figures -- Acknowledgments -- Introduction: Network Aesthetics -- Part 1: Linear Forms -- 1. Maximal Aesthetics: Network Novels -- 2. Emergent Aesthetics: Network Films -- 3. Realist Aesthetics: Televisual Networks -- Part 2: Distributed Forms -- 4. Participatory Aesthetics: Network Games -- 5. Improvisational Aesthetics: Alternate Reality Games -- Coda: After Networks (Comes Ambivalence) -- Notes -- Index The term “network” is now applied to everything from the Internet to terrorist-cell systems. But the word’s ubiquity has also made it a cliché, a concept at once recognizable yet hard to explain. Network Aesthetics, in exploring how popular culture mediates our experience with interconnected life, reveals the network’s role as a way for people to construct and manage their world—and their view of themselves. Each chapter considers how popular media and artistic forms make sense of decentralized network metaphors and infrastructures. Patrick Jagoda first examines narratives from the 1990s and 2000s, including the novel Underworld, the film Syriana, and the television series The Wire, all of which play with network forms to promote reflection on domestic crisis and imperial decline in contemporary America. Jagoda then looks at digital media that are interactive, nonlinear, and dependent on connected audiences to show how recent approaches, such as those in the videogame Journey, open up space for participatory and improvisational thought. Contributing to fields as diverse as literary criticism, digital studies, media theory, and American studies, Network Aesthetics brilliantly demonstrates that, in today’s world, networks are something that can not only be known, but also felt, inhabited, and, crucially, transformed

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226346656
    Other identifier:
    Subjects: Aesthetics; Arts; Cognitive science; Kunst; Philosophie; Ästhetik; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource
  16. Adapted brains and imaginary worlds
    cognitive science and the literature of the Renaissance
    Published: 2016
    Publisher:  McGill-Queen's University Press, Montreal

    "The literary discipline is based on principles of structure and language, is concerned with interpreting the emotions in characters comprising humanity in all its variety reacting to the provocations of their imaginary worlds, and encompasses our... more

     

    "The literary discipline is based on principles of structure and language, is concerned with interpreting the emotions in characters comprising humanity in all its variety reacting to the provocations of their imaginary worlds, and encompasses our cognitive and affective reactions to those representations. So much of what we take from reading, though, is not linked to language: linguistic prompts merely set in motion the associations, memories, and images through which we generate meaning and emotionalize experience. Reading, if it is to understand how and why our minds complete fictive worlds, must take an interest in what the emotions are, where they originate, and what they are for. The cognitive sciences offer valuable perspectives on the feeling brain, perspectives which reveal much about the emotions of imaginary persons and the feelings they arouse in readers. This work aims to connect textual interpretation and brain science. In so doing, it furthers the understanding of literary experience and opens up new approaches to literature in general through philosophical insights into the human brain. Each of the book's eleven chapters sets out to bring a relevant cognitive perspective into the spotlight: memory, the emotions, the self, intentionality, laughter, crying, conversion experience, the psychology of suspense, criminal deviancy, binary ethics--the narrative brain in perceptual and imaginative modes--by analyzing these experiences and emotions in relevant works of Renaissance literature. The texts are both minor but characteristic and canonical, from The Dialogue of Solomon and Marcolphus and The Moral Philosophy of Doni, to Spenser's Faerie Queene and Shakespeare's Measure for Measure."--

     

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  17. Network aesthetics /
    Published: [2016].
    Publisher:  The University of Chicago Press,, Chicago and London :

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 978-0-226-34648-9; 978-0-226-34651-9
    RVK Categories: AP 13550
    Subjects: Philosophie; Ästhetik; Arts / Philosophy; Aesthetics; Cognitive science; Kunst.; Philosophie.; Ästhetik.; Soziales Netzwerk.; Literatur.; Computerspiel.; Film.; Fernsehen.; Netzwerk.
    Scope: xiii, 314 Seiten :, Illustrationen.
    Notes:

    Includes bibliographical references and index

    network novels. Emergent aesthetics : network films. Realist aesthetics : televisual networks. Participatory aesthetics : network games. Improvisational aesthetics : alternate reality games. Coda : after networks (comes ambivalence)

  18. Interprétation littéraire et sciences cognitives
    Contributor: Lavocat, Françoise (HerausgeberIn)
    Published: [2016]; © 2016
    Publisher:  Hermann, Paris

    Penser la littérature / par Terence Cave -- Cognition et sensorimotricité, humour et timing chez Cervantès, Sterne et Proust / par Guillemette Bolens -- Le cognitivisme historique est-il possible? / par Mary Crane -- Cognition, mémoire culturelle et... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Penser la littérature / par Terence Cave -- Cognition et sensorimotricité, humour et timing chez Cervantès, Sterne et Proust / par Guillemette Bolens -- Le cognitivisme historique est-il possible? / par Mary Crane -- Cognition, mémoire culturelle et lecture de textes littéraires allusifs / par Ziva Ben-Porat -- Quand l'émotion rencontre la fiction / par Jérôme Pelletier -- La fiction est-elle un instrument d'adaptation? / par Alexandre Gefen

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Lavocat, Françoise (HerausgeberIn)
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782705691592
    Other identifier:
    9782705691592
    RVK Categories: EC 1620
    Subjects: Literature and science; Cognitive science; Reading, Psychology of
    Scope: 222 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references (pages 195-220)

  19. Adapted brains and imaginary worlds
    cognitive science and the literature of the Renaissance
    Published: 2016
    Publisher:  McGill-Queen's University Press, Montreal

    "The literary discipline is based on principles of structure and language, is concerned with interpreting the emotions in characters comprising humanity in all its variety reacting to the provocations of their imaginary worlds, and encompasses our... more

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    Universitätsbibliothek der Eberhard Karls Universität
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    "The literary discipline is based on principles of structure and language, is concerned with interpreting the emotions in characters comprising humanity in all its variety reacting to the provocations of their imaginary worlds, and encompasses our cognitive and affective reactions to those representations. So much of what we take from reading, though, is not linked to language: linguistic prompts merely set in motion the associations, memories, and images through which we generate meaning and emotionalize experience. Reading, if it is to understand how and why our minds complete fictive worlds, must take an interest in what the emotions are, where they originate, and what they are for. The cognitive sciences offer valuable perspectives on the feeling brain, perspectives which reveal much about the emotions of imaginary persons and the feelings they arouse in readers. This work aims to connect textual interpretation and brain science. In so doing, it furthers the understanding of literary experience and opens up new approaches to literature in general through philosophical insights into the human brain. Each of the book's eleven chapters sets out to bring a relevant cognitive perspective into the spotlight: memory, the emotions, the self, intentionality, laughter, crying, conversion experience, the psychology of suspense, criminal deviancy, binary ethics--the narrative brain in perceptual and imaginative modes--by analyzing these experiences and emotions in relevant works of Renaissance literature. The texts are both minor but characteristic and canonical, from The Dialogue of Solomon and Marcolphus and The Moral Philosophy of Doni, to Spenser's Faerie Queene and Shakespeare's Measure for Measure."--

     

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  20. Network aesthetics
    Published: 2016; ©2016
    Publisher:  University of Chicago Press, Chicago

    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    Fax 0016
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226346489; 022634648X; 9780226346519; 022634651X
    Subjects: Aesthetics; Arts; Cognitive science
    Scope: XIII, 304 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Text in englisch

  21. Network aesthetics
    Published: [2016]; ©2016
    Publisher:  University of Chicago Press, Chicago

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 972502
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    LB AD
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226346519; 9780226346489
    RVK Categories: AP 13550
    Subjects: Arts; Aesthetics; Cognitive science
    Scope: xiii, 314 Seiten, Illustrationen, 24 cm
    Notes:

    Includes index

    Maximal aesthetics : network novelsEmergent aesthetics : network films -- Realist aesthetics : televisual networks -- Participatory aesthetics : network games -- Improvisational aesthetics : alternate reality games -- Coda : after networks (comes ambivalence).

  22. Interprétation littéraire et sciences cognitives
    Contributor: Lavocat, Françoise (HerausgeberIn)
    Published: [2016]; © 2016
    Publisher:  Hermann, Paris

    Penser la littérature / par Terence Cave -- Cognition et sensorimotricité, humour et timing chez Cervantès, Sterne et Proust / par Guillemette Bolens -- Le cognitivisme historique est-il possible? / par Mary Crane -- Cognition, mémoire culturelle et... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 994829
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    Universitätsbibliothek Freiburg
    GE 2016/923
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Hi.L.j 15
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    EC 1620 102
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    Universitätsbibliothek Heidelberg
    2016 A 5215
    Unlimited inter-library loan, copies and loan
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    271212 - A
    Unlimited inter-library loan, copies and loan

     

    Penser la littérature / par Terence Cave -- Cognition et sensorimotricité, humour et timing chez Cervantès, Sterne et Proust / par Guillemette Bolens -- Le cognitivisme historique est-il possible? / par Mary Crane -- Cognition, mémoire culturelle et lecture de textes littéraires allusifs / par Ziva Ben-Porat -- Quand l'émotion rencontre la fiction / par Jérôme Pelletier -- La fiction est-elle un instrument d'adaptation? / par Alexandre Gefen

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Lavocat, Françoise (HerausgeberIn)
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782705691592
    Other identifier:
    9782705691592
    RVK Categories: EC 1620
    Subjects: Literature and science; Cognitive science; Reading, Psychology of
    Scope: 222 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references (pages 195-220)

  23. Computational and cognitive approaches to narratology
    Contributor: Ogata, Takashi (HerausgeberIn); Akimoto, Taisuke (HerausgeberIn)
    Published: [2016]; © 2016
    Publisher:  IGI Global, Hershey, Pennsylvania

    "[This book] discusses issues of narrative-related information and communication technologies, cognitive mechanism and analyses, and theoretical perspectives on narratives and the story generation process. Focusing on emerging research as well as... more

    Hochschule Aalen, Bibliothek
    E-Book IGI Global
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    Technische Universität Chemnitz, Universitätsbibliothek
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    No inter-library loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    No inter-library loan
    Bibliothek LIV HN Sontheim
    IGI Global E-Book
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    ZBW - Leibniz-Informationszentrum Wirtschaft, Standort Kiel
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    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
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    eBook IGI Global Paket 2000-2018
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    Hochschule Offenburg, University of Applied Sciences, Bibliothek Campus Offenburg
    E-Book IGI
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek der Eberhard Karls Universität
    No loan of volumes, only paper copies will be sent
    Ostfalia Hochschule für angewandte Wissenschaften, Bibliothek
    No inter-library loan

     

    "[This book] discusses issues of narrative-related information and communication technologies, cognitive mechanism and analyses, and theoretical perspectives on narratives and the story generation process. Focusing on emerging research as well as applications in a variety of fields including marketing, philosophy, psychology, art, and literature, this timely publication is an essential reference source for researchers, professionals, and graduate students in various information technology, cognitive studies, design, and creative fields"--Provided by publisher.

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Ogata, Takashi (HerausgeberIn); Akimoto, Taisuke (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781522504337
    Other identifier:
    Series: Advances in linguistics and communication studies (ALCS) book series
    Subjects: Narration (Rhetoric); Artificial intelligence; Cognitive science; Artificial intelligence; Cognitive science; Narration (Rhetoric); Narration (Rhetoric) ; Data processing; Artificial intelligence; Cognitive science; Computational narrative; Digital storytelling; Linguistics; Narrative analysis; Narrative generation systems; Narrative genres
    Scope: Online-Ressource (PDFs (466 pages))
    Notes:

    Includes bibliographical references and index

    Restricted to subscribers or individual electronic text purchasers

    Also available in print.

    Computational and cognitive approaches to narratology from the perspective of narrative generation / Takashi Ogata -- The possibility of the literary work generation by computer / Akinori Abe -- Designing a socially open narrative generation system / Taisuke Akimoto, Takashi Ogata -- An attempt of the commercial film production support system based on the image rhetoric of commercial film / Yoji Kawamura -- Applying digital storytelling to business planning / Yoko Takeda -- Can computers create comics and animations? / Miki Ueno, Kiyohito Fukuda, Naoki Mori -- Thesaurus with predicate-argument structure to provide base framework to determine states, actions, and change-of-states / Koichi Takeuchi -- The word order flexibility in Japanese novels: a dynamic syntax perspective / Tohru Seraku, Akira Ohtani -- The employment status and support needs of persons with disabilities in Japan: an analysis of narrative using narratology and text mining on a national survey / Kai Seino, Yuichiro Haruna, Shun Ishizaki -- Quantitative research into narrative: statistical analysis of "The Tale of Genji" / Gen Tsuchiyama -- Assessing the appeal power of narrative performance by using eyeblink synchronization among audience / Ryota Nomura, Takeshi Okada -- The dilemma of suspense: neuronarratology, cognitive neurosciences, and computer technology / Sara Uboldi, Stefano Calabrese -- Fact, narrative, visualization as fiction, and love: analysis of the Japanese film The Land of Hope / Yukiko Ogawa -- You tell me in emojis / Tüge T. Gülsen -- Non-story, nostalgia, and film cognition: nostalgia-based narrative rhetoric composition / Akihito Kanai -- Kabuki as multiple narrative structures / Takashi Ogata