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  1. Birth figures
    early modern prints and the pregnant body
    Author: Whiteley, Rebecca
    Published: [2023]; © 2023
    Publisher:  The University of Chicago Press, Chicago

    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments;... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments; Visualizing touch and defining a professional persona -- Part III: The birth figure persists (1751-1774). Challenging the Hunterian hegemony -- Conclusion. "The first full study of "birth figures," a set of illustrations which were widely reproduced in early modern books on childbirth and midwifery. Birth figures are printed images of the pregnant uterus, always shown in series, that depict the variety of ways in which a fetus can present for birth. Historian Rebecca Whiteley coined the term and here offers the first systematic analysis of the images' creation, use, and impact. Whiteley reveals their origins in ancient medicine and explores their inclusion in many medieval gynecological manuscripts, focusing on their explosion in printed midwifery and surgical books from the mid-sixteenth to the mid-eighteenth century in Western Europe. During this period, birth figures formed a key part of the visual culture of medicine and midwifery and were widely produced. They reflected and shaped how the pregnant body was known and treated. And by providing crucial bodily knowledge to midwives and surgeons, birth figures were also deeply entangled with wider cultural preoccupations with generation and creativity, female power and agency, knowledge and its dissemination, and even the condition of the human in the universe. Birth Figures studies how different kinds of people understood childbirth and engaged with midwifery manuals, from learned physicians to midwives to illiterate listeners. Rich and detailed, this vital history reveals the importance of birth figures in how midwifery was practiced and in how people, both medical professionals and lay readers, envisioned and understood the mysterious state of pregnancy. "--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226823126
    Subjects: Obstetrics; Midwifery; Childbirth in art; Pregnancy in art; Fetus in art; Medical illustration; Illustration of books; Illustration of books; Illustration of books; Medicine and art; SCIENCE / History; ART / Subjects & Themes / Human Figure
    Scope: xiv, 288 Seiten, 4 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 259-280
  2. Birth figures
    early modern prints and the pregnant body
    Author: Whiteley, Rebecca
    Published: [2023]; © 2023
    Publisher:  The University of Chicago Press, Chicago

    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments;... more

    Location:
    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    Signature:
    618 W594b
    Inter-library loan:
    No inter-library loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2023:3180:
    Inter-library loan:
    No inter-library loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    Gyn.32.2023
    Inter-library loan:
    No inter-library loan

    Location:
    Deutsche Akademie der Naturforscher Leopoldina, Bibliothek
    Signature:
    20/8 23.404
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2023 C 1967
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentrale Hochschulbibliothek Lübeck
    Signature:
    Gyn Y 26
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    No inter-library loan

    Location:
    Germanisches Nationalmuseum, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Osnabrück
    Signature:
    6270-589 3
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Signature:
    64 A 1747
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    73.1787
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments; Visualizing touch and defining a professional persona -- Part III: The birth figure persists (1751-1774). Challenging the Hunterian hegemony -- Conclusion. "The first full study of "birth figures," a set of illustrations which were widely reproduced in early modern books on childbirth and midwifery. Birth figures are printed images of the pregnant uterus, always shown in series, that depict the variety of ways in which a fetus can present for birth. Historian Rebecca Whiteley coined the term and here offers the first systematic analysis of the images' creation, use, and impact. Whiteley reveals their origins in ancient medicine and explores their inclusion in many medieval gynecological manuscripts, focusing on their explosion in printed midwifery and surgical books from the mid-sixteenth to the mid-eighteenth century in Western Europe. During this period, birth figures formed a key part of the visual culture of medicine and midwifery and were widely produced. They reflected and shaped how the pregnant body was known and treated. And by providing crucial bodily knowledge to midwives and surgeons, birth figures were also deeply entangled with wider cultural preoccupations with generation and creativity, female power and agency, knowledge and its dissemination, and even the condition of the human in the universe. Birth Figures studies how different kinds of people understood childbirth and engaged with midwifery manuals, from learned physicians to midwives to illiterate listeners. Rich and detailed, this vital history reveals the importance of birth figures in how midwifery was practiced and in how people, both medical professionals and lay readers, envisioned and understood the mysterious state of pregnancy. "--

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226823126
    Subjects: Obstetrics; Midwifery; Childbirth in art; Pregnancy in art; Fetus in art; Medical illustration; Illustration of books; Illustration of books; Illustration of books; Medicine and art; SCIENCE / History; ART / Subjects & Themes / Human Figure
    Scope: xiv, 288 Seiten, 4 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 259-280
  3. Clarity Haynes - portals
    Contributor: Haynes, Clarity (KünstlerIn); Tischer, Benjamin (HerausgeberIn)
    Published: [2023]
    Publisher:  New Discretions, New York, NY

    "Bare torsos, totemic altars, evocations of childbirth and gender fluidity form the basis for Haynes' visceral, carnal oil paintings. Willem de Kooning once stated that flesh was the reason oil paint was invented. To artist Clarity Haynes (born... more

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Bare torsos, totemic altars, evocations of childbirth and gender fluidity form the basis for Haynes' visceral, carnal oil paintings. Willem de Kooning once stated that flesh was the reason oil paint was invented. To artist Clarity Haynes (born 1971), the correlation between flesh and paint is alchemical. Portals is the first survey celebrating her paintings. The book explores her approach to nontraditional portraiture informed by feminism and gender interrogation, starting with her seminal The Breast/Chest Portrait Project, ongoing for the past 25 years; her series of trompe l'oeil Altars; and her new Crowning series. With her depictions of blood, Haynes revels in the abject and transcendent, in defiance of the taboo subject of childbirth in the history of art. Her queer activist point of view shifts the gaze to a decidedly visceral, sensual engagement with paint, challenging what bodies can be." --

     
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    Content information
    Source: Union catalogues
    Contributor: Haynes, Clarity (KünstlerIn); Tischer, Benjamin (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9798218181932
    RVK Categories: LI 99999
    Subjects: Nude in art; Women in art; Childbirth in art; Torso (Anatomy); Altars; Body image in art; Illustrated works
    Other subjects: Haynes, Clarity (1971-)
    Scope: 151 Seiten, 32 cm
    Notes:

    Includes bibliographical references

    Clarity Haynes: Altar-ing birth / Leah DeVun -- Pulling you in/pushing you out: notes on Clarity Haynes' crowning paintings / Harry Dodge -- Crownings -- Painting the archive: a conversation between Clarity Haynes and Jeanne Vaccaro -- Torsos and altars -- This body didn't just develop like a photograph / Clarity Haynes -- Curriculum vitae.
  4. Birth Figures
    Early Modern Prints and the Pregnant Body
    Author: Whiteley, Rebecca
    Published: 2023
    Publisher:  University of Chicago Press, Chicago

    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments;... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

     

    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments; Visualizing touch and defining a professional persona -- Part III: The birth figure persists (1751-1774). Challenging the Hunterian hegemony -- Conclusion.

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226823133
    Subjects: Obstetrics; Midwifery; Childbirth in art; Pregnancy in art; Fetus in art; Medical illustration; Illustration of books; Illustration of books; Illustration of books; Medicine and art; SCIENCE / History; ART / Subjects & Themes / Human Figure
    Scope: 1 Online-Ressource (309 Seiten)
    Notes:

    Description based upon print version of record
  5. Birth Figures
    Early Modern Prints and the Pregnant Body
    Author: Whiteley, Rebecca
    Published: 2023
    Publisher:  University of Chicago Press, Chicago

    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments;... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction: picturing pregnancy -- Part I: Early printed birth figures (1540-1672). Using images in midwifery practice; Pluralistic images and the early modern body -- Part II: Birth figures as agents of change (1672-1751). Visual experiments; Visualizing touch and defining a professional persona -- Part III: The birth figure persists (1751-1774). Challenging the Hunterian hegemony -- Conclusion.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226823133
    Subjects: Obstetrics; Midwifery; Childbirth in art; Pregnancy in art; Fetus in art; Medical illustration; Illustration of books; Illustration of books; Illustration of books; Medicine and art; SCIENCE / History; ART / Subjects & Themes / Human Figure
    Scope: 1 Online-Ressource (309 Seiten)
    Notes:

    Description based upon print version of record