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  1. Conspiracy and romance
    studies in Brockden Brown, Cooper, Hawthorne and Melville
    Author: Levine, Robert S.
    Published: 1989
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Jacobs University Bremen gGmbH, IRC-Library
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    PS374.C594 L4 1989
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    Staats- und Universitätsbibliothek Bremen
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    03.d.4256
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitätsbibliothek Greifswald
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521366542
    Edition: 1. publ.
    Series: Cambridge studies in American literature and culture
    Subjects: Literatur; Verschwörung <Motiv>
    Other subjects: Brown, Charles Brockden (1771-1810): Ormond; Cooper, James Fenimore (1789-1851): Bravo; Hawthorne, Nathaniel (1804-1864): Blithedale romance; Melville, Herman (1819-1891): Benito Cereno
    Scope: IX, 302 S., 23 cm
    Notes:

    Bibliogr. S. 234 - 293
  2. Conspiracy and romance
    studies in Brockden Brown, Cooper, Hawthorne, and Melville
    Author: Levine, Robert Steven
    Published: 1989
    Publisher:  Cambridge University Press, Cambridge

    Robert Levine has examined the American romance in a historical context. His book offers a fresh reading of the genre, establishing its importance to American culture between the founding of the republic and the Civil war. With convincing historical... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Robert Levine has examined the American romance in a historical context. His book offers a fresh reading of the genre, establishing its importance to American culture between the founding of the republic and the Civil war. With convincing historical and literary detail, Levine shows that anxieties about various subversive elements - French revolutionaries, secret societies, Catholic immigrants, African slaves - are central to the fictional worlds of Brockden Brown, Cooper, Hawthorne and Melville. Ormond, The Bravo, The Blithedale Romance, and Benito Cereno are persuasively explicated by Levine to demonstrate that the romance addressed many of the same conflicts and ideals that gave rise to the American republic. Americans conceived of America as a romance, and their romances dramatised the historical conditions of the culture, The fear that conspiracies would subvert the order and integrity of the new nation were recurrent and widespread; Levine makes us see that these fears informed the works of our major romance writers from the turn of the century until the Civil War

     
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  3. Conspiracy and romance
    studies in Brockden Brown, Cooper, Hawthorne, and Melville
    Author: Levine, Robert Steven
    Published: 1989
    Publisher:  Cambridge University Press, Cambridge

    Robert Levine has examined the American romance in a historical context. His book offers a fresh reading of the genre, establishing its importance to American culture between the founding of the republic and the Civil war. With convincing historical... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Robert Levine has examined the American romance in a historical context. His book offers a fresh reading of the genre, establishing its importance to American culture between the founding of the republic and the Civil war. With convincing historical and literary detail, Levine shows that anxieties about various subversive elements - French revolutionaries, secret societies, Catholic immigrants, African slaves - are central to the fictional worlds of Brockden Brown, Cooper, Hawthorne and Melville. Ormond, The Bravo, The Blithedale Romance, and Benito Cereno are persuasively explicated by Levine to demonstrate that the romance addressed many of the same conflicts and ideals that gave rise to the American republic. Americans conceived of America as a romance, and their romances dramatised the historical conditions of the culture, The fear that conspiracies would subvert the order and integrity of the new nation were recurrent and widespread; Levine makes us see that these fears informed the works of our major romance writers from the turn of the century until the Civil War

     
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)