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Displaying results 1 to 25 of 438.

  1. Les portraits dans les récits factuels et fictionnels de l'époque classique
    Contributor: Hersant, Marc (Herausgeber); Ramond, Catherine (Herausgeber)
    Published: [2019]; © 2019
    Publisher:  Brill Rodopi, Leiden ; Boston

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    Universitätsbibliothek Bielefeld
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    Source: Union catalogues
    Contributor: Hersant, Marc (Herausgeber); Ramond, Catherine (Herausgeber)
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9789004384606
    Other identifier:
    Series: Faux titre ; volume 430
    Subjects: Bildnis <Motiv>; Französisch; Literatur; Nichtfiktionale Prosa
    Scope: 1 Online-Ressource (XX, 529 Seiten)
  2. Köpfe der Reformation
    Author: Spitzer, Wolf
    Published: 2017
    Publisher:  Wolf Spitzer, Speyer

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    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek
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    Source: Union catalogues
    Contributor: Herrmann, Siegfried (Illustrator); Eger, Hansjörg (Verfasser von ergänzendem Text); Gölter, Georg (Verfasser von ergänzendem Text); Himmighöfer, Traudel (Verfasser von ergänzendem Text); Rabenau, Wittigo von (Verfasser von ergänzendem Text); Schad, Christian (Verfasser von ergänzendem Text); Wien, Isabelle (Verfasser von ergänzendem Text)
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    Subjects: Reformation; Plastik; Bildnis; Persönlichkeit <Motiv>
    Other subjects: Sickingen, Franz von (1481-1523); Bucer, Martin (1491-1551); Melanchthon, Philipp (1497-1560); Butenschoen, Johann Friedrich (1764-1842); Calvin, Jean (1509-1564); Erasmus, Desiderius (1466-1536); Karl Heiliges Römisches Reich, Kaiser (1500-1558); Luther, Martin (1483-1546)
    Scope: 1 Online-Ressource (84 ungezählte Seiten)
  3. Goddesses and queens
    the iconography of Elizabeth I
    Contributor: Connolly, Annaliese F. (Herausgeber); Hopkins, Lisa (Herausgeber)
    Published: 2013
    Publisher:  Manchester University Press, Manchester

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    Source: Union catalogues
    Contributor: Connolly, Annaliese F. (Herausgeber); Hopkins, Lisa (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781526129819
    Subjects: Literatur; Bildnis; Ikonographie
    Other subjects: Elisabeth England, Königin (1533-1603)
    Scope: 1 Online-Ressource (xii, 194 Seiten), Illustrationen
  4. Portraits in early modern English drama
    visual culture, play-texts, and performances
    Author: Stelzer, Emanuel
    Published: 2019
    Publisher:  Routledge, London ; New York

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    Universitäts- und Landesbibliothek Münster
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  5. Alexander the Great
    from his death to the present day
    Author: Boardman, John
    Published: [2019]
    Publisher:  Princeton University Press, Princeton, NJ

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    Universitäts- und Landesbibliothek Münster
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691184043
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    Subjects: Literatur; Film; Bildnis; Kunst; Rezeption
    Other subjects: Alexander Makedonien, König (v356-v323)
    Scope: 1 Online-Ressource (x, 160 Seiten)
  6. "standesgemäß"
    Mode in Porträts von Barock bis Biedermeier : 16.8.2020 bis 2.5.2021 : Residenzmuseum Schloß Neuhaus
    Author: Linde, Roland; Köhn, Silke; Lösel, Regina
    Published: [2020]
    Publisher:  Residenzmuseum Schloß Neuhaus, Paderborn

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    Source: Union catalogues
    Contributor: Neuwöhner, Andreas (Herausgeber, Verfasser)
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    DDC Categories: 750
    Subjects: Kleidung <Motiv>; Barock; Mode; Biedermeier; Bildnismalerei; Bildnis
    Scope: 1 Online-Ressource (70 Seiten), Illustrationen
  7. Portraits and philosophy
    Contributor: Maes, Hans (Herausgeber)
    Published: [2020]
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

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    Universitäts- und Landesbibliothek Düsseldorf
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    Source: Union catalogues
    Contributor: Maes, Hans (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429199370; 9780429583155; 9780429581250
    Other identifier:
    Series: Routledge research in aesthetics
    Subjects: Bildnis; Philosophie; Ästhetik
    Scope: 1 Online-Ressource (xiii, 328 Seiten), Illustrationen, Porträts
  8. The medicine of art
    disease and the aesthetic object in gilded age America
    Author: Lee, Elizabeth L.
    Published: 2022
    Publisher:  Bloomsbury Visual Arts, London

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is... more

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    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is something else in life besides the four walls of an ill-ventilated studio." Health and Illness in American Gilded-Age Art puts such moments center stage to consider the role of health and illness in the way art was produced and consumed. It is the first study to address the place of organic disease—cancer, tuberculosis, syphilis—in the life and work of Gilded-Age artists. It demonstrates how well-known works of art were marked by disease, arguing that art itself functioned in medicinal terms for artists and viewers in the late nineteenth century. Not merely beautiful or entertaining objects, works of art could function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501346903; 9781501346897
    Other identifier:
    Subjects: Krankheit <Motiv>; Bildnis; Kunst; Medizin <Motiv>
    Other subjects: Stevenson, Robert Louis (1850-1894); Medicine and art / United States / History / 19th century; Diseases in art; Art / Psychological aspects; Artists / Health and hygiene; Art therapy; Art / Psychological aspects; Art therapy; Artists / Health and hygiene; Diseases in art; Medicine and art; United States; 1800-1899; History
    Scope: 1 Online-Ressource (xiv, 226 Seiten, 7 ungezählte Seiten Bildtafeln), Illustrationen
  9. Gesicht und Identität
    = Face and identity
    Contributor: Boehm, Gottfried (Publisher); Budelacci, Orlando (Publisher); Di Monte, Maria Giuseppina (Publisher); Renner, Michael (Publisher)
    Published: [2014]; © 2014
    Publisher:  Wilhelm Fink, Paderborn

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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Boehm, Gottfried (Publisher); Budelacci, Orlando (Publisher); Di Monte, Maria Giuseppina (Publisher); Renner, Michael (Publisher)
    Language: German; English
    Media type: Ebook
    Format: Online
    ISBN: 9783846758151
    Other identifier:
    RVK Categories: EC 5410 ; LH 84160
    DDC Categories: 740
    Subjects: Bild; Bildnismalerei; Bildtheorie; Identität; Porträtfotografie; Gesicht; Bildnis
    Scope: 1 Online-Ressource, Illustrationen
  10. Gesichter
    kulturgeschichtliche Szenen aus der Arbeit am Bildnis des Menschen
    Contributor: Weigel, Sigrid (Publisher); Kutschbach, Tine (Publisher)
    Published: [2013]; © 2013
    Publisher:  Wilhelm Fink, München

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Contributor: Weigel, Sigrid (Publisher); Kutschbach, Tine (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846753446
    Other identifier:
    RVK Categories: LH 84160 ; NK 4930
    Series: Trajekte
    Subjects: Kunst; Bildnis; Ästhetik
    Scope: 1 Online-Ressource (277 Seiten), Illustrationen
  11. Anti-portraiture
    challenging the limits of the portrait
    Contributor: Johnstone, Fiona (Publisher); Imber, Kirstie (Publisher)
    Published: 2020
    Publisher:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Dehli ; Syndey

    "The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to create visual or psychological likenesses or the expression of personal, familial or social identity; it was typically associated with... more

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    "The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to create visual or psychological likenesses or the expression of personal, familial or social identity; it was typically associated with the privileged individual. Recent scholarship in the humanities and social sciences however has responded to the complex nature of twenty-first century subjectivity and proffered fresh conceptual models and theories to analyse it. The contributors to Anti-Portraiture examine individuality via a range of media including sculpture, photography, installation and sound art, and make a convincing case for an expanded definition of portraiture. By offering a timely re-appraisal of the terms through which this art form is approached, the authors volunteer new paradigms in which to consider selfhood, embodiment and representation. In doing so they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries."

     
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    Source: Union catalogues
    Contributor: Johnstone, Fiona (Publisher); Imber, Kirstie (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350193062; 9781350193055
    Other identifier:
    RVK Categories: AP 95740 ; LH 85160 ; LH 85150
    Subjects: Portraits in art / bicssc; Portraits; Kunst; Subjektivität; Kunstwissenschaft; Bildnis <Motiv>; Selbstbildnis <Motiv>
    Scope: 1 Online-Ressource (xi, 220 Seiten), Illustrationen
    Notes:

    Includes index
  12. Quasi vivo
    Lebendigkeit in der italienischen Kunst der Frühen Neuzeit
    Author: Fehrenbach, Frank
    Published: [2021]; © 2021
    Publisher:  De Gruyter, Berlin ; Boston

    "Liveliness" is the dominant topos in the art and discourse on art of the early modern era. It is characterized by a paradox, since the works only seem to live. But what is also reflected in the fascination with almost living works at the same time... more

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    "Liveliness" is the dominant topos in the art and discourse on art of the early modern era. It is characterized by a paradox, since the works only seem to live. But what is also reflected in the fascination with almost living works at the same time is the impossibility of drawing rigid lines of demarcation between the living and the dead. Here, art explores what also occupied natural philosophy at the time in an experimental way. The book examines the transitions between living and dead in case studies, for instance, based on early tombs, anatomical renderings, and sculptural monochromy as well as on the history of coloring, Vasari's teleology, Michelangelo's non-finito, and Titian's portraits. What come into play are eroticism, monetary theory, the luster of eyes, and still-lifes, and also visual poetry, princely triumphal processions, and light and sculpture in the Baroque "Lebendigkeit" ist der dominante Topos in Kunst und Kunstdiskurs der Frühen Neuzeit. Er ist durch ein Paradox gekennzeichnet, denn die Werke leben nur scheinbar. In der Faszinationskraft beinah lebendiger Werke spiegelt sich aber die Unmöglichkeit, starre Grenzlinien zwischen tot und lebendig zu ziehen. Die Kunst erkundet hier experimentell, was auch die zeitgenössische Naturphilosophie beschäftigt. Das Buch untersucht die Übergänge zwischen lebendig und tot in Fallstudien, etwa zu frühen Grabmälern, anatomischen Darstellungen und skulpturaler Monochromie; zur Koloritgeschichte, Vasaris Teleologie, Michelangelos non-finito und Tizians Porträts. Es geht um Erotik, Geldtheorie, Augenglanz und Stilleben, um Bildgedichte, fürstliche Triumpheinzüge und Licht und Skulptur im Barock

     
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  13. Figurationen des Porträts
    Contributor: Greub, Thierry (Publisher); Roussel, Martin (Publisher)
    Published: [2018]; © 2018
    Publisher:  Wilhelm Fink, Paderborn

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Contributor: Greub, Thierry (Publisher); Roussel, Martin (Publisher)
    Language: German; French; English; Italian
    Media type: Ebook
    Format: Online
    ISBN: 9783846762233
    RVK Categories: LH 85000
    DDC Categories: 700
    Series: Morphomata ; Band 35
    Subjects: Gesicht <Motiv>; Bildnis <Motiv>; Literatur; Bildnisstatue; Bildnismalerei; Bildnis; Anthropologie
    Other subjects: Bedeutungsstiftung; Bildlichkeit; Bildnis; Centauren-Porträt; Herrscher-Porträt; Herrscherbildnisse; Kurt Schwitters; Life Imaging; Masken; Merzbild; Signifikanz; Twombly; Visualität; kulturelle Praktiken
    Scope: 1 Online-Ressource (662, 16 Seiten), Illustrationen
  14. Ueber den Marmorkopf eines Negers in den Koeniglichen Museen
    Author: Schrader, Hans
    Published: 1900
    Publisher:  Reimer, Berlin

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    RVK Categories: LE 2600
    DDC Categories: 900
    Series: Programm zum Winckelmannsfeste der Archäologischen Gesellschaft zu Berlin ; ; 60
    Subjects: Plastik; Bildnis; Schwarze <Motiv>
    Scope: 37 Seiten, [2] Blatt, Ill.
    Notes:

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  15. Martinus Lutherus Islebius Theologus
    Vixit An. LXIII. Obitt Islebii Anno 1546 Febr 18. : Doctor Martinus Luther is geboren tot Eysleben int Greaffschap Mansfeldt in t'jaer 1483 den 10 dach van November, en is oock aldaer in den Heere ontslapen den 18 Februari 1546
    Contributor: Stuerhelt, F.; Visscher, Claes Jansz. (Stecher)
    Published: [vor 1652]

    Deutscher Reformator In späteren Jahren, Ganzfigur, in Mantel, stehend im Arbeitszimmer, mit beiden Händen Buch mit der Augsburgischen Konfession umfassend, links Fenster, auf der Fensterbank mehrere Bücher, darunter auf dem Arbeitstisch mehrere... more

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    Deutscher Reformator In späteren Jahren, Ganzfigur, in Mantel, stehend im Arbeitszimmer, mit beiden Händen Buch mit der Augsburgischen Konfession umfassend, links Fenster, auf der Fensterbank mehrere Bücher, darunter auf dem Arbeitstisch mehrere Bücher, links unten 1 Schwan, oben Vorhang, rechts Stuhl mit Armlehnen, rechts unten große Bibel mit Buchschließen und der Aufschrift "Biblia" auf dem Buchschnitt

     
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    Source: Union catalogues
    Contributor: Stuerhelt, F.; Visscher, Claes Jansz. (Stecher)
    Language: Latin; Dutch
    Media type: Book
    Format: Online
    Other identifier:
    DDC Categories: 900
    Subjects: Schwan <Motiv>
    Other subjects: Luther, Martin (1483-1546)
    Scope: 1 Porträt
    Notes:

    Platte 32 x 21 cm

    Mit 1 Gedicht in lateinischer und niederländischer Sprache

    Bibliografischer Nachweis: www.rijksmuseum.nl/en/collection/RP-P-OB-60.610; Hollstein Dutch 6

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  16. Luther auf der Wartburg
    nach dem Original-Wachsabguss in der Marienbibliotheck zu Erfurth
    Published: [1. Hälfte 19. Jh.]

    Deutscher Reformator Ganzfigur, im Arbeitszimmer bei der Übersetzung des Neuen Testaments, Luther sitzt an rundem Tisch, mit Mantel und Hut, mit rechter Hand schreibend, linke Hand aufgestützt, auf Tisch aufgeschlagene schrägstehende Bibel mit Buch... more

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    Deutscher Reformator Ganzfigur, im Arbeitszimmer bei der Übersetzung des Neuen Testaments, Luther sitzt an rundem Tisch, mit Mantel und Hut, mit rechter Hand schreibend, linke Hand aufgestützt, auf Tisch aufgeschlagene schrägstehende Bibel mit Buch als Stütze und Papierblätter, rechts Regal mit mehreren Büchern, rechts am Boden Bücher und Papierrolle

     
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    DDC Categories: 900
    Subjects: Übersetzung
    Other subjects: Luther, Martin (1483-1546)
    Scope: 1 Porträt
    Notes:

    Oben rechts: "No. IX"

    "In Stuttgart war es der wenig bekannte Oberstleutnant Wilhelm Baron von Löwenstern, der in einer ihm gehörenden lithographischen Anstalt das Leben des berühmten Reformators ins Bild setzte. Sein eigener künstlerischer Anteil an dem Luther-Porträt und den 15 Blättern zum Leben Luthers ist umstritten." (http://www.hugenottenmuseum.de)

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  17. Imitatio heroica
    Author: Hoff, Ralf von den; Schreurs-Morét, Anna; Kuhli, Christina; Hubert, Hans W.; Heinzer, Felix
    Published: 2018
    Publisher:  Universität, Freiburg

    Abstract: ‚Imitatio heroica‘ ist in den Literatur- und Geschichtswissenschaften ein selten, in den Bildwissenschaften sogar ein kaum je verwendeter Begriff. Mit seiner deutschen Entsprechung ‚Heldenangleichung‘ oder dem englischen Begriff ‚heroic... more

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    Abstract: ‚Imitatio heroica‘ ist in den Literatur- und Geschichtswissenschaften ein selten, in den Bildwissenschaften sogar ein kaum je verwendeter Begriff. Mit seiner deutschen Entsprechung ‚Heldenangleichung‘ oder dem englischen Begriff ‚heroic imitation‘ ist hingegen etwas allgemein Bekanntes bezeichnet, nämlich die Angleichung von Darstellungen oder Praktiken historischer Personen an die Taten, Bilder und Vorstellungen heroischer Figuren. Mögliche Ausgangsfiguren sind Götter oder menschliche Figuren wie Heroen und andere mythologische Gestalten, denen außeralltägliche Qualitäten zugeschrieben und die so zu Vorbildern erhoben werden

     
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    DDC Categories: 800; 900
    Edition: Version 1.0, zuletzt bearbeitet am 9. Okt. 2018
    Series: Compendium heroicum. das Online-Lexikon des Sonderforschungsbereichs 948 „Helden – Heroisierungen – Heroismen“
    Subjects: Imitatio; Held; Nachfolge Gottes; Aemulatio; Präfiguration; Heroisierung; Bildnis; Rhetorik; Performativität <Kulturwissenschaften>
    Scope: Online-Ressource
  18. Bilder der Liebe
    Liebe, Begehren und Geschlechterverhältnisse in der Kunst der Frühen Neuzeit
    Contributor: Guth, Doris (Publisher); Priedl, Elisabeth (Publisher)
    Published: 2012
    Publisher:  De Gruyter, transcript, Berlin, Bielefeld

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    Source: Union catalogues
    Contributor: Guth, Doris (Publisher); Priedl, Elisabeth (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783837618693; 9783839418697
    Other identifier:
    Series: Image ; Band 29
    Subjects: Aufsatzsammlung; Geschichte 1500-1700; Geschlechterbeziehung / g:Motiv; Begierde / g:Motiv; Liebe / g:Motiv; Kunst; Inszenierung; Begierde <Motiv>; Mätresse; Bildnis; Geschlechterverhältnis <Motiv>; Kunst; Liebe <Motiv>
    Other subjects: Pompadour, Jeanne Antoinette Poisson marquise de (1721-1764)
    Scope: 1 Online-Ressource (340 Seiten)
    Notes:

    Biographical note: Doris Guth (Dr. phil.) ist Kunsthistorikerin an der Akademie der bildenden Künste Wien. Ihre Forschungsschwerpunkte sind Gender Studies und feministische Theorie. Elisabeth Priedl (Dr. phil.) ist Kunsthistorikerin an der Akademie der bildenden Künste Wien. Ihr Forschungsschwerpunkt ist die Kunstgeschichte der Frühen Neuzeit

    Main description: Der Liebesdiskurs der Frühen Neuzeit nimmt eine wichtige Position in zahlreichen literarischen und künstlerischen Werken ein. Dabei werden zentrale Fragestellungen der Gesellschaft verhandelt: das Verhältnis zwischen den Geschlechtern, zwischen Privatem und Öffentlichem und zwischen den gesellschaftlichen Institutionen. Für die vielfältigen Liebesmodelle - wie zum Beispiel Ehe, Konkubinat und homoerotische Beziehungen - lassen sich differenzierte künstlerische Repräsentationsformen finden. Die Beiträge in diesem Band zeigen: Illegitimes Begehren wird mitunter in ambivalenten Ikonographien verborgen und kann zwischen mehreren Bedeutungshorizonten oszillieren

    Review text: »Empfehlenswert.« Lea Susemichel, an.schläge, 6 (2013) »Die Spielarten der Liebe in der Kunst der Renaissance, ein bis heute vorwiegend sublimiert literarisch oder philosophisch abgehandelter Diskurs, werden in diesem Buch gesellschaftlichen Realitätszwängen nähergerückt.« Wiener Zeitung, 26.03.2013
  19. Private interests
    women, portraiture, and the visual culture of the English novel, 1709-1791
    Author: Conway, Alison Margaret
    Published: c2001
    Publisher:  University of Toronto Press, Toronto

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0802035264; 1442678763; 9780802035264; 9781442678767
    Subjects: Roman anglais / 18e siècle / Histoire et critique; Portraits dans la littérature; Femmes dans la littérature; Frauenporträt / Grossbritannien / Geschichte 18. Jh; Frauenroman / englischer / Geschichte 18. Jh; Roman / englischer / Motiv / Frau; Frau / Motiv / Roman / englischer; Roman / englischer / Malerei / Geschichte 18. Jh; Malerei / Roman / englischer / Geschichte 18. Jh; Roman / Englisch / Motiv (Literatur) / Frau / Porträt / Geschichte / 1709-1791; Porträt / Frau / Motiv (Literatur) / Roman / Englisch / Geschichte / 1709-1791; Roman; Frau; Bildnis; Geschichte 1709-1791; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Geschichte; English fiction; Art and literature; Women and literature; Visual perception in literature; Portraits in literature; Women in literature; Englisch; Roman; Bildnis; Frau
    Other subjects: Frau / Porträt / Motiv (Literatur) / Roman / Englisch / Geschichte / 1709-1791; Frau
    Scope: 1 Online-Ressource (xii, 293 p., [28] p. of plates)
    Notes:

    Includes bibliographical references (p. [265]-285) and index

    The novel and the portrait in eighteenth-century England -- Envisioning literary interest: Manley's The New Atalantis -- "Ravished sight": picturing Clarissa -- Refiguring virtue: The history of Miss Betsy Thoughtless and Amelia -- "Paint her to your own mind": Sterne's concupiscible narratives -- Portraits of the woman artist: Kauffman, Wollstonecraft, and Inchbald
  20. About Face
    Depicting the Self in the Written and Visual Arts
    Author: Eufusia, Lindsay
    Published: 2009
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443815888; 9781443815888
    Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Literary; Literature / Theory, etc; Self in literature; Self-perception in art; Literatur; Self in literature; Self-perception in art; Literature; Selbst <Motiv>; Künstler; Autobiografie; Bildnis
    Scope: 1 Online-Ressource (297 p.)
    Notes:

    How do we represent ouselves and the cultures we live in? Is it possible to trace any boundaries between reality and self-representation? Because the self represented is the product of a process of selection and choice, in many ways to represent the self is, often simultaneously, to create the self and negate the self. What, then, becomes of the self once it is represented? Because the process of self-representation cumulates in a tangible result and given that any representation of the self..

    Includes bibliographical references (p. [253]-270) and index
  21. Balthus et les jeunes filles
    ou le dévoilement du féminin
    Author: Gutton, Philippe
    Published: 2013; © 2013
    Publisher:  EDP Sciences, Ulis, France

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    Source: Union catalogues
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 2759812103; 9782759811410; 9782759812103
    Subjects: ART / History / General; Girls in art; Geschichte; Girls in art; Malerei; Zeichnung; Bildnis; Psychoanalyse; Mädchen <Motiv>
    Other subjects: Balthus / 1908-2001; Balthus (1908-2001); Balthus (1908-2001)
    Scope: 1 online resource (207 pages)
    Notes:

    Description based on online resource; title from PDF title page (ebrary, viewed March 13, 2014)
  22. Slave portraiture in the Atlantic world
    Contributor: Lugo-Ortiz, Agnes J. (Publisher); Rosenthal, Angela (Publisher)
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in... more

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    Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery

     
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    Source: Union catalogues
    Contributor: Lugo-Ortiz, Agnes J. (Publisher); Rosenthal, Angela (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139021845
    Other identifier:
    RVK Categories: NW 8295
    Subjects: Geschichte; Sklaverei; Slavery in art; Portraits; Slavery / Atlantic Ocean Region / History; Blacks in art; Sklave <Motiv>; Bildnis
    Scope: 1 online resource (xix, 468 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Array: Array
  23. Comic acting and portraiture in late-Georgian and Regency England
    Author: Davis, Jim
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    The popularity of the comic performers of late-Georgian and Regency England and their frequent depiction in portraits, caricatures and prints is beyond dispute, yet until now little has been written on the subject. In this unique study Jim Davis... more

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    The popularity of the comic performers of late-Georgian and Regency England and their frequent depiction in portraits, caricatures and prints is beyond dispute, yet until now little has been written on the subject. In this unique study Jim Davis considers the representation of English low comic actors, such as Joseph Munden, John Liston, Charles Mathews and John Emery, in the visual arts of the period, the ways in which such representations became part of the visual culture of their time, and the impact of visual representation and art theory on prose descriptions of comic actors. Davis reveals how many of the actors discussed also exhibited or collected paintings and used painterly techniques to evoke the world around them. Drawing particularly on the influence of Hogarth and Wilkie, he goes on to examine portraiture as critique and what the actors themselves represented in terms of notions of national and regional identity

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316162637
    Other identifier:
    RVK Categories: HL 1267 ; LO 62970
    Subjects: Geschichte; Actors in art; Actors / England / Portraits; Comedians / England / Portraits; Portraits, British / 18th century; Portraits, British / 19th century; Art and society / England / History / 18th century; Art and society / England / History / 19th century; Theater and society / England / History / 18th century; Theater and society / England / History / 19th century; Karikatur; Bildnis; Komödiant <Motiv>
    Scope: 1 online resource (xv, 274 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Part I. English Comic Actors and their Representation -- 1. The low comic actor -- 2. Artists and comic actors -- 3. Perspectives on comedy and comic acting -- Part II. Humorous as a Sketch by Hogarth -- 4. Comedy and caricature: Joseph Munden and Isabella Mattocks -- 5. John Liston: caricaturing preachers and cockneys -- 6. The low comedian as material object -- 7. Caricature, degradation, persona and portraiture -- 8. Paintings by George Clint -- Part III. Chaste as a Picture by Wilkie -- 9. Wilkie, everyday life and the theatre -- 10. Acting from nature and observation -- 11. John Bannister: 'the best kind of Englishman' -- 12. John Emery: 'this Wilkie of Actors' -- 13. Actors as artists and connoisseurs -- Part IV. Alone I Did It! The Case of Charles Mathews -- 14. Charles Mathews 'at home' -- 15. Charles Mathews: paintings, portraits and prints -- 16. The Harlow portrait of Charles Mathews
  24. Il ritratto nell'Europa del Cinquecento
    atti del convegno, Firenze, 7-8 novembre 2002
    Published: 2007
    Publisher:  L. S. Olschki, Firenze

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Ebook
    Format: Online
    ISBN: 9788822256263
    Subjects: Portrait painting, European; Portraits, Renaissance; Bildnismalerei; Bildnis
    Scope: 1 Online-Ressource
    Notes:

    Proceedings

    Includes bibliographical references
  25. Gottfried Semper - praktische Ästhetik und politischer Kampf
    Author: Quitzsch, Heinz; Semper, Gottfried
    Published: [1981]
    Publisher:  Friedr. Vieweg & Sohn, Braunschweig ; Wiesbaden

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    Universitätsbibliothek Augsburg
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    Technische Hochschule Nürnberg Georg Simon Ohm, Bibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783035602258
    Other identifier:
    RVK Categories: LH 63565 ; LH 67120 ; LI 83600 ; ZH 2200 ; ZH 3150 ; ZH 4800
    Series: Bauwelt-Fundamente ; 58
    Subjects: Bildnis; Architektur; Kunstbetrachtung; Politik; Architekturtheorie; Ästhetik
    Other subjects: Semper, Gottfried (1803-1879)
    Scope: 1 Online-Ressource (228 Seiten), Illustrationen
    Notes:

    Erscheinungsjahr des Ebooks 2014

    Enth. eine Repr. d. 1. Aufl. von Semper, Gottfried: Die vier Elemente der Baukunst, Braunschweig, Vieweg, 1851