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  1. Performance and gender in ancient Greece
    nondramatic poetry in its setting
    Author: Stehle, Eva
    Published: [1997]; © 1997
    Publisher:  Princeton Unviversity Press, Princeton, New Jersey

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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  2. Performance and Gender in Ancient Greece
    Nondramatic Poetry in Its Setting
    Author: Stehle, Eva
    Published: [1996]
    Publisher:  Princeton University Press, Princeton, N.J.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400864294
    Other identifier:
    Subjects: Griechische Literatur; Greek poetry / History and criticism; Oral interpretation of poetry / History / To 1500; Women in the performing arts / Greece; Bards and bardism / History / To 1500; Women and literature / Greece; Oral tradition / Greece; Sex role / Greece; PERFORMING ARTS / Theater / History & Criticism; Bards and bardism; Friendship; Greek poetry; Manners and customs; Oral interpretation of poetry; Oral tradition; Sex role; Women and literature; Women in the performing arts; Geschichte; Griechisch; Sozialgeschichte; Publikum; Theater; Frau; Literatur
    Scope: 1 Online-Ressource (360p.)
    Notes:

    "Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings, Stehle treats poetry as an occasion for the performer's self-presentation. She discusses a wide range of pre-Hellenistic poetry, including Sappho's, compares how men and women speak about themselves, and constructs an innovative approach to performance that illuminates gender ideology. After considering the audience and the function of different modes of performance--community, bardic, and closed groups--Stehle explores this poetry as gendered speech, which interacts with performers' bodily presence to create social identities for the speakers. Texts for female choral performers reveal how women in public spoke in order to disavow the power of their speech and their sexual power.

    Male performers, however, could manipulate gender as an ideological system: they sometimes claimed female identity in addition to male, associated themselves with triumph over a defeated (mythical) female figure, or asserted their disconnection from women, thereby creating idealized social identities for themselves. A final chapter concentrates on the written poetry of Sappho, which borrows the communicative strategy of writing in order to create a fictional speaker distinct from the singer, a "Sappho" whom others could re-create in imagination.Originally published in 1996.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions.

    The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

  3. Bard of liberty
    the political radicalism of Iolo Morganwg
    Published: 2012
    Publisher:  University of Wales Press, Cardiff

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0708324991; 0708325084; 9780708324998; 9780708325087
    Series: Iolo Morganwg and the Romantic tradition in Wales
    Subjects: TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Bards and bardism; Bards and bardism; Radikalismus <Motiv>
    Other subjects: Iolo Morganwg / 1747-1826; Iolo Morganwg / 1747-1826; Iolo Morganwg (1747-1826); Iolo Morganwg (1747-1826)
    Scope: 1 Online-Ressource (xiii, 277 p.)
    Notes:

    Includes bibliographical references and index

  4. Performance and Gender in Ancient Greece
    Nondramatic Poetry in Its Setting
    Author: Stehle, Eva
    Published: [1996]
    Publisher:  Princeton University Press, Princeton, N.J.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400864294
    Other identifier:
    Subjects: Griechische Literatur; Greek poetry / History and criticism; Oral interpretation of poetry / History / To 1500; Women in the performing arts / Greece; Bards and bardism / History / To 1500; Women and literature / Greece; Oral tradition / Greece; Sex role / Greece; PERFORMING ARTS / Theater / History & Criticism; Bards and bardism; Friendship; Greek poetry; Manners and customs; Oral interpretation of poetry; Oral tradition; Sex role; Women and literature; Women in the performing arts; Geschichte; Griechisch; Sozialgeschichte; Publikum; Theater; Frau; Literatur
    Scope: 1 Online-Ressource (360p.)
    Notes:

    "Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings, Stehle treats poetry as an occasion for the performer's self-presentation. She discusses a wide range of pre-Hellenistic poetry, including Sappho's, compares how men and women speak about themselves, and constructs an innovative approach to performance that illuminates gender ideology. After considering the audience and the function of different modes of performance--community, bardic, and closed groups--Stehle explores this poetry as gendered speech, which interacts with performers' bodily presence to create social identities for the speakers. Texts for female choral performers reveal how women in public spoke in order to disavow the power of their speech and their sexual power.

    Male performers, however, could manipulate gender as an ideological system: they sometimes claimed female identity in addition to male, associated themselves with triumph over a defeated (mythical) female figure, or asserted their disconnection from women, thereby creating idealized social identities for themselves. A final chapter concentrates on the written poetry of Sappho, which borrows the communicative strategy of writing in order to create a fictional speaker distinct from the singer, a "Sappho" whom others could re-create in imagination.Originally published in 1996.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions.

    The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

  5. Bard of liberty
    the political radicalism of Iolo Morganwg
    Published: 2012; © 2012
    Publisher:  University of Wales Press, Cardiff, Wales

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780708324981; 9780708324998; 9780708325001
    Series: Iolo Morganwg and the Romantic Tradition in Wales
    Subjects: Bards and bardism; Radikalismus <Motiv>
    Other subjects: Iolo Morganwg (1747-1826); Iolo Morganwg (1747-1826)
    Scope: 1 online resource (294 pages)
    Notes:

    Description based on online resource; title from PDF title page (ebrary, viewed November 13, 2015)

  6. Performance and gender in ancient Greece
    nondramatic poetry in its setting
    Published: 1997
    Publisher:  Princeton Unviversity Press, Princeton, New Jersey

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  7. Bard of liberty
    the political radicalism of Iolo Morganwg
    Published: 2012
    Publisher:  University of Wales Press, Cardiff

    Preface; List of Abbreviations; 'On the Banks of the Daw'; 'I was always pushing forward'; 'When he nobly for Liberty stood'; 'The Unparalleled Eventfulness of this Age'; '[He] is now a seller of seditious Books and will be planting Treason wherever... more

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    Preface; List of Abbreviations; 'On the Banks of the Daw'; 'I was always pushing forward'; 'When he nobly for Liberty stood'; 'The Unparalleled Eventfulness of this Age'; '[He] is now a seller of seditious Books and will be planting Treason wherever he goes'; 'I have as much Cimbric patriotism as any man living'; 'I am what I am, and I most fervently thank God that I am what I am'; Select Bibliography; Index. This is the first full-scale study of the political and religious radicalism of Iolo Morganwg, the greatest of the Welsh Romantics

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780708325087; 0708325084
    Series: Iolo Morganwg and the romantic tradition in Wales
    Subjects: Bards and bardism; TRAVEL ; Special Interest ; Literary; LITERARY CRITICISM ; General; Bards and bardism; Criticism, interpretation, etc
    Other subjects: Iolo Morganwg 1747-1826; Iolo Morganwg (1747-1826); Iolo Morganwg
    Scope: Online Ressource (xiii, 277 p.)
    Notes:

    Includes bibliographical references and index. - Description based on print version record

  8. Performance and Gender in Ancient Greece
    Nondramatic Poetry in Its Setting
    Author: Stehle, Eva
    Published: 1996
    Publisher:  Princeton University Press, Princeton, N.J.

    Main description: "Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings,... more

    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Main description: "Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings, Stehle treats poetry as an occasion for the performer's self-presentation. She discusses a wide range of pre-Hellenistic poetry, including Sappho's, compares how men and women speak about themselves, and constructs an innovative approach to performance that illuminates gender ideology. After considering the audience and the function of different modes of performance--community, bardic, and closed groups--Stehle explores this poetry as gendered speech, which interacts with performers' bodily presence to create social identities for the speakers. Texts for female choral performers reveal how women in public spoke in order to disavow the power of their speech and their sexual power. Male performers, however, could manipulate gender as an ideological system: they sometimes claimed female identity in addition to male, associated themselves with triumph over a defeated (mythical) female figure, or asserted their disconnection from women, thereby creating idealized social identities for themselves. A final chapter concentrates on the written poetry of Sappho, which borrows the communicative strategy of writing in order to create a fictional speaker distinct from the singer, a "Sappho" whom others could re-create in imagination.Originally published in 1996.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    9781400864294
    Series: Princeton legacy library
    Subjects: Women and literature; Oral tradition; Sex role; Greek poetry; Bards and bardism; Women in the performing arts; Oral interpretation of poetry
    Other subjects: Sappho
    Scope: Online-Ressource (360 S.)
    Notes:

    Includes bibliographical references (pages 331-351) and indexes

    FrontmatterContentsPrefaceAbbreviationsIntroductionCHAPTER ONE. Community PoetryCHAPTER TWO. Women in Performance in the CommunityCHAPTER THREE. Male Performers in the CommunityCHAPTER FOUR. Bardic PoetryCHAPTER FIVE. The SymposiumCHAPTER SIX. Sappho's CircleConclusionAppendix: Chronology of Primary SourcesTransliterated TermsBibliographyIndex LocorumGeneral Index.

  9. The king's threshold
    Published: 2013
    Publisher:  Vearsa, [Place of publication not identified]

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781783946884; 1783946881
    Subjects: Poets; Hunger strikes; Kings and rulers; Bards and bardism; Bards and bardism; Kings and rulers; Hunger strikes; Poets
    Scope: Online Ressource
    Notes:

    Online resource; title from PDF title page (EBSCO, viewed July 10, 2017)

  10. Performance and Gender in Ancient Greece
    Nondramatic Poetry in Its Setting
    Author: Stehle, Eva
    Published: 1996; ©1996
    Publisher:  Princeton University Press, Princeton, N.J.

    "Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings, Stehle treats... more

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    "Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings, Stehle treats poetry as an occasion for the performer's self-presentation. She discusses a wide range of pre-Hellenistic poetry, including Sappho's, compares how men and women speak about themselves, and constructs an innovative approach to performance that illuminates gender ideology. After considering the audience and the function of different modes of performance--community, bardic, and closed groups--Stehle explores this poetry as gendered speech, which interacts with performers' bodily presence to create social identities for the speakers. Texts for female choral performers reveal how women in public spoke in order to disavow the power of their speech and their sexual power. Male performers, however, could manipulate gender as an ideological system: they sometimes claimed female identity in addition to male, associated themselves with triumph over a defeated (mythical) female figure, or asserted their disconnection from women, thereby creating idealized social identities for themselves. A final chapter concentrates on the written poetry of Sappho, which borrows the communicative strategy of writing in order to create a fictional speaker distinct from the singer, a "Sappho" whom others could re-create in imagination.Originally published in 1996.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     

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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400864294
    Other identifier:
    Series: Princeton Legacy Library ; 331
    Subjects: Greek poetry; Oral interpretation of poetry; Women in the performing arts; Bards and bardism; Sex role; Women and literature; Oral tradition; PERFORMING ARTS / Theater / History & Criticism
    Scope: Online-Ressource (360 S.)
  11. Kommentierte Neuausgabe wichtiger Texte zur deutschen Rezeption
    Published: 2012; ©2004
    Publisher:  De Gruyter, Berlin

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    ISBN: 9783110893991
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    RVK Categories: HK 2495
    Series: "Homer des Nordens" und "Mutter der Romantik ; Band 4
    Subjects: Mythology, Celtic; Bards and bardism; Literary forgeries and mystifications; Celts; Bards and bardism.; Celts.; Literary forgeries and mystifications.; Mythology, Celtic.; Geschichte.; Literatur.; Macpherson, James: The works of Ossian.; Rezeption.; Schlagworte im Kopf.; LITERARY CRITICISM / European / German
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  12. Y Gyfraith yn ein Llên
    Published: 2019
    Publisher:  National Book Network International (NBNi), [Place of publication not identified]

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    Source: Union catalogues
    Language: Welsh
    Media type: Ebook
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    ISBN: 1786834286; 1786834294; 9781786834287; 9781786834294
    Subjects: Law; Bards and bardism; Welsh literature
    Scope: 1 Online-Ressource
  13. Performance and gender in ancient Greece :
    nondramatic poetry in its setting /
    Author: Stehle, Eva,
    Published: [1997]; 1997
    Publisher:  Princeton Unviversity Press,, Princeton, New Jersey :

    "Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings, Stehle treats... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    "Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings, Stehle treats poetry as an occasion for the performer's self-presentation. She discusses a wide range of pre-Hellenistic poetry, including Sappho's, compares how men and women speak about themselves, and constructs an innovative approach to performance that illuminates gender ideology. After considering the audience and the function of different modes of performance--community, bardic, and closed groups--Stehle explores this poetry as gendered speech, which interacts with performers' bodily presence to create social identities for the speakers. Texts for female choral performers reveal how women in public spoke in order to disavow the power of their speech and their sexual power. Male performers, however, could manipulate gender as an ideological system: they sometimes claimed female identity in addition to male, associated themselves with triumph over a defeated (mythical) female figure, or asserted their disconnection from women, thereby creating idealized social identities for themselves. A final chapter concentrates on the written poetry of Sappho, which borrows the communicative strategy of writing in order to create a fictional speaker distinct from the singer, a "Sappho" whom others could re-create in imagination.Originally published in 1997.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0-691-60243-3; 0-691-63191-3; 1-4008-6429-1
    Other identifier:
    Edition: Course Book
    Series: Princeton legacy library
    Subjects: Greek poetry; Oral interpretation of poetry; Women in the performing arts; Bards and bardism; Women and literature; Oral tradition; Sex role
    Other subjects: Sappho
    Scope: 1 online resource (384 pages).
    Notes:

    Bibliographic Level Mode of Issuance: Monograph

    Includes bibliographical references (pages [331]-351) and indexes.

    Issued also in print.

  14. Performance and Gender in Ancient Greece :
    Nondramatic Poetry in Its Setting /
    Author: Stehle, Eva,
    Published: [1996]; ©1996
    Publisher:  Princeton University Press,, Princeton, N.J. :

    "Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings, Stehle treats... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings, Stehle treats poetry as an occasion for the performer's self-presentation. She discusses a wide range of pre-Hellenistic poetry, including Sappho's, compares how men and women speak about themselves, and constructs an innovative approach to performance that illuminates gender ideology. After considering the audience and the function of different modes of performance--community, bardic, and closed groups--Stehle explores this poetry as gendered speech, which interacts with performers' bodily presence to create social identities for the speakers. Texts for female choral performers reveal how women in public spoke in order to disavow the power of their speech and their sexual power. Male performers, however, could manipulate gender as an ideological system: they sometimes claimed female identity in addition to male, associated themselves with triumph over a defeated (mythical) female figure, or asserted their disconnection from women, thereby creating idealized social identities for themselves. A final chapter concentrates on the written poetry of Sappho, which borrows the communicative strategy of writing in order to create a fictional speaker distinct from the singer, a "Sappho" whom others could re-create in imagination.Originally published in 1996.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     

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  15. Kommentierte Neuausgabe wichtiger Texte zur deutschen Rezeption /
    Published: [2012]; ©2004
    Publisher:  De Gruyter,, Berlin ;Boston :

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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Gaskill, Howard.; Schmidt, Wolf Gerhard.
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110893991
    Other identifier:
    Series: "Homer des Nordens" und "Mutter der Romantik" ; ; Band 4
    Subjects: Bards and bardism; Celts; Literary forgeries and mystifications; Mythology, Celtic; Geschichte.; Literatur.; Macpherson, James: The works of Ossian.; Rezeption.; Schlagworte im Kopf.
    Scope: 1 online resource
  16. Kommentierte Neuausgabe wichtiger Texte zur deutschen Rezeption
    Published: 2012; ©2004
    Publisher:  De Gruyter, Berlin

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    Universität Potsdam, Universitätsbibliothek
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110893991
    Other identifier:
    RVK Categories: HK 2495
    Series: "Homer des Nordens" und "Mutter der Romantik ; Band 4
    Subjects: Mythology, Celtic; Bards and bardism; Literary forgeries and mystifications; Celts; Bards and bardism.; Celts.; Literary forgeries and mystifications.; Mythology, Celtic.; Geschichte.; Literatur.; Macpherson, James: The works of Ossian.; Rezeption.; Schlagworte im Kopf.; LITERARY CRITICISM / European / German
    Scope: Online-Ressource (XVI, 850 S.)
  17. The king's threshold
    Published: [2013]
    Publisher:  [Publisher not identified], [Place of publication not identified]

    William Butler Yeats (1865 - 1939) is best described as Ireland's national poet in addition to being one of the major twentieth-century literary figures of the English tongue. To many literary critics, Yeats represents the 'Romantic poet of... more

    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    William Butler Yeats (1865 - 1939) is best described as Ireland's national poet in addition to being one of the major twentieth-century literary figures of the English tongue. To many literary critics, Yeats represents the 'Romantic poet of modernism,' which is quite revealing about his extraordinary style that combines between the outward emphasis on the expression of emotions and the extensive use of symbolism, imagery and allusions. Yeats also wrote prose and drama and established himself as the spokesman of the Irish cause. His fame was greatly boosted mainly after he received the Nobel Prize in Literature in 1923. His life was marked by his many love stories, by his great interest in oriental mysticism and occultism as well as by political engagement since he served as an Irish senator for two terms. Today, although William Butler Yeats's contribution to literary modernism and to Irish nationalism remains incontestable. Here we publish a one of his renowned plays that show just why his works are held in such esteem

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Subjects: Bards and bardism; Kings and rulers; Hunger strikes; Poets
    Scope: 1 Online-Ressource