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Displaying results 26 to 50 of 347.

  1. Literary transvaluation
    from Vergilian epic to Shakespearean tragicomedy
    Author: Bono, Barbara J.
    Published: 1984
    Publisher:  Univ. of Calif. Press, Berkeley [u.a.]

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    Universitätsbibliothek Augsburg
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  2. The critical reception of Shakespeare's Antony and Cleopatra
    from 1607 to 1905
    Author: Steppat, Michael
    Published: 1980
    Publisher:  Grüner, Amsterdam

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Deutsches Theatermuseum, früher Clara-Ziegler-Stiftung, Theaterbibliothek
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    Universitätsbibliothek der LMU München
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  3. William Shakespeare's Antony and Cleopatra
    Published: 1988
    Publisher:  Chelsea House Publ., New York u.a.

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    Universitätsbibliothek Bayreuth
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  4. Shakespeare's hyperontology
    Antony and Cleopatra
    Author: Fawkner, Harald William
    Published: 1990
    Publisher:  Fairleigh Dickinson Univ. Pr. u.a., Rutherford

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    Universitätsbibliothek Augsburg
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  5. Cleopatra
    Published: 1990
    Publisher:  Chelsea House Publ., New York u.a.

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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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  6. Hyperion and the hobbyhorse
    studies in carnivalesque subversion
    Author: Lindley, Arthur
    Published: 1996
    Publisher:  Univ. of Delaware Press [u.a.], Newark, Del.

    This book constructs a paradigm for the operation of subversive comedy - what Arthur Lindley, the author, calls the Augustinian carnivalesque - by examining some of the major texts of Ricardian and Elizabethan literature. By identifying some common... more

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    This book constructs a paradigm for the operation of subversive comedy - what Arthur Lindley, the author, calls the Augustinian carnivalesque - by examining some of the major texts of Ricardian and Elizabethan literature. By identifying some common characteristics of these works, Lindley argues that they must be seen in terms of a continuous, fundamentally Augustinian, Christian culture that is marked by a pervasive anti-heroic comedy that interrogates the official secular order and the role-based social identities that comprise it. Underlying this is a common attitude of Christian skepticism and a common use of carnivalesque demystification of power. In this pattern of continuity, concern with subjectivity, the mysteries of the self, and the tension between inward consciousness and outward role long antedates, say, Hamlet. Subjection, in other words, is not an Elizabethan (or Shakespearean) invention, but a constant concern of Augustinian literature going back to Confessions.

     
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  7. The biblical presence in Shakespeare, Milton, and Blake
    a comparative study
    Author: Fiš, Aharon Harʾel
    Published: 1999
    Publisher:  Clarendon Press, Oxford [u.a.]

    "In this study of the poetics of influence, the indebtedness of Shakespeare, Milton, and Blake to a common source, namely the Bible, becomes a powerful tool for displaying three fundamentally different poetic options as well as three different ways... more

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    "In this study of the poetics of influence, the indebtedness of Shakespeare, Milton, and Blake to a common source, namely the Bible, becomes a powerful tool for displaying three fundamentally different poetic options as well as three different ways of dealing with a conflict central to western culture. In fresh and original discussions of Julius Caesar, Antony and Cleopatra, Hamlet, and King Lear, Fisch discerns what he terms the metagon: not the struggle between the characters on the stage but a struggle for the control of the play between biblical and non-biblical modes of imagining. Milton seems more single-minded in his reliance on biblical sources, yet from his analysis of Paradise Lost and Samson Agonistes, Fisch concludes that there are unresolved contradictions, both aesthetic and theological, which threaten the coherence and balance of these poems as well. Blake in his turn perceived these contradictions in the work of his predecessors, condemning both Shakespeare and Milton for allowing their writing to be curbed by Greek and Latin models and claiming for himself a more authentic inspiration - that of 'the Sublime of the Bible'. But Blake's marvellous achievements in the sublime mode, as for instance in his Illustrations to Job, often reverse the direction of his biblical source, replacing dialogue with monologue."--BOOK JACKET.

     
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  8. The love play of Antony and Cleopatra
    a critical study of Shakespeare's play
    Author: Traci, Philip J.
    Published: 1970
    Publisher:  Mouton [u.a.], The Hague [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Ser. 7311-64
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    19 Per 1435-64
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    Staats- und Universitätsbibliothek Bremen
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    a ang 486 ant/561
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    Universitätsbibliothek Freiburg
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    GE 74/6908
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    Bibliothek im KG IV, Bereich Anglistik und Amerikanistik
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    Frei 24: XVI Shak 2665
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    ZA 25247:64
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    A 1970/11483
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    70/5033
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    Anglistisches Seminar der Universität, Bibliothek
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    SHA DK 1011
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    P 3002-64
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    eng 879:s527:ya63/t71
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    AC 5779
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    ELA S 5279 5032-647 5
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    VEN3--SHA5--TRA4
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    Brechtbau-Bibliothek
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    NO 755.017
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    RVK Categories: HI 3421 ; HI 3451
    Series: Studies in English literature ; Vol. 64
    Subjects: Love in literature
    Other subjects: Shakespeare, William (1564-1616): Antony and Cleopatra; Cleopatra Queen of Egypt (-30 B.C); Antonius, Marcus (83 B.C.?-30 B.C)
    Scope: 171 S., 22 cm
    Notes:

    Bibliography: p. [165]-171

    Teilw. zugl.: Diss.
  9. The tragedies of Shakespeare's Antony and Cleopatra
    Author: Mills, Laurens Jospeph
    Published: 1964
    Publisher:  Indiana Univ. Pr, Bloomington

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    Series: Indiana University Humanities Series ; 55
    Other subjects: Array
    Scope: V, 66 Seiten, 22 cm
  10. Shakespeare's Antony and Cleopatra
    a Jungian interpretation
    Author: Murr, Priscilla
    Published: 1988
    Publisher:  Lang, Berne u.a.

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    ISBN: 326103906X
    RVK Categories: HI 3451
    Series: Europäische Hochschulschriften / 14 ; 187
    Subjects: Tiefenpsychologie; Archetypus
    Other subjects: Shakespeare, William <1564-1616> / Antony and Cleopatra; Jung, C. G. (1875-1961); Shakespeare, William (1564-1616): Antony and Cleopatra
    Scope: XII, 196 S.
    Notes:

    Zugl.: Zürich, Univ., Diss., 1986
  11. Antony and Cleopatra
    Author: Rutter, Carol Chillington
    Published: 2020; © 2020
    Publisher:  Manchester University Press, Manchester

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781526132499; 1526132494
    Series: Shakespeare in performance
    Subjects: Aufführung
    Other subjects: Shakespeare, William (1564-1616): Antony and Cleopatra; Shakespeare, William (-1762); Shakespeare, William
    Scope: xx, 324 pages, illustrations, 23 cm
    Notes:

    Includes bibliographical references (pages 307-315) and index
  12. Cleopatra
    I am fire and air
    Author: Bloom, Harold
    Published: October 2017
    Publisher:  Scribner, New York

    "From Harold Bloom, one of the greatest Shakespeare scholars of our time, comes an intimate, wise, deeply compelling portrait of Cleopatra--one of the Bard's most riveting and memorable female characters. Cleopatra is one of the most famous women in... more

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    "From Harold Bloom, one of the greatest Shakespeare scholars of our time, comes an intimate, wise, deeply compelling portrait of Cleopatra--one of the Bard's most riveting and memorable female characters. Cleopatra is one of the most famous women in history--and thanks to Shakespeare, one of the most intriguing personalities in literature. She is lover of Marc Antony, defender of Egypt, and, perhaps most enduringly, a champion of life. Cleopatra is supremely vexing, tragic, and complex. She has fascinated readers and audiences for centuries and has been played by the greatest actresses of their time, from Elizabeth Taylor to Vivien Leigh to Janet Suzman to Judi Dench. Award-winning writer and beloved professor Harold Bloom writes about Cleopatra with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are in high school and college and another when we are adults, Bloom explains his shifting understanding of Cleopatra over the course of his own lifetime. The book becomes an extraordinarily moving argument for literature as a path to and a measure of our own humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare's characters make. With Cleopatra, he delivers exhilarating clarity and invites us to look at this character as a flawed human who might be living in our world. The result is an invaluable resource from our greatest literary critic." -- Publisher's description To cool a gypsy's lust -- No single thing abides but all things flow -- O'erflows the measure -- Oh, my oblivion is a very Antony -- Antony and Octavia: a sacrifice to Roman power -- I that do bring the news made not the match -- In the east my pleasure lies -- You will be whipped -- The god Hercules withdraws -- This foul Egyptian hath betrayed me -- I am dying, Egypt, dying -- The round world / should have shook lions into civil streets -- He words me, girls, he words me -- Some squeaking Cleopatra boy my greatness -- I wish you all joy of the worm -- I am fire and air

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501164163; 1501164163
    Edition: First Scribner hardcover edition
    Series: Shakespeare's personalities
    Subjects: Kleopatra;
    Other subjects: Cleopatra Queen of Egypt (-30 B.C); Shakespeare, William (1564-1616): Antony and Cleopatra; Shakespeare, William (1564-1616)
    Scope: xiii, 138 pages, 22 cm
  13. Antony and Cleopatra
    a guide to the play
    Author: Hall, Joan Lord
    Published: 2002
    Publisher:  Greenwood Press, Westport, Conn. [u.a.]

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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0313311579
    RVK Categories: HI 3451
    Edition: 1. publ.
    Series: Greenwood guides to Shakespeare
    Subjects: Generals in literature; Queens in literature; Tragedy
    Other subjects: Mark Antony <83?-30 B.C> - In literature; Shakespeare, William <1564-1616>: Antony and Cleopatra; Antonius, Marcus <83?-30 B.C>; Cleopatra <Queen of Egypt, d. 30 B.C>; Shakespeare, William (1564-1616): Antony and Cleopatra
    Scope: XII, 257 S., [3] Bl., Ill.
  14. Antony and Cleopatra
    Author: Shakespeare, William
    Published: 1950
    Publisher:  Univ. Press, Cambridge

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: HI 3270
    Series: The works of Shakespeare ; [22]
    Subjects: Geschichte; Romans; Kommentar
    Other subjects: Antonius, Marcus <83?-30 B.C>; Cleopatra <Queen of Egypt, d. 30 B.C>; Shakespeare, William (1564-1616): Antony and Cleopatra
    Scope: XLVII, 262 S.
  15. Antony and Cleopatra
    Author: Redgrave, Vanessa
    Published: 2002
    Publisher:  Faber and Faber, London

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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0571212352
    RVK Categories: HI 3451
    Edition: 1. publ.
    Series: Actors on Shakspeare
    Subjects: Acting
    Other subjects: Shakespeare, William <1564-1616>: Antony and Cleopatra; Antonius, Marcus <83?-30 B.C>; Cleopatra <Queen of Egypt, d. 30 B.C>; Shakespeare, William (1564-1616): Antony and Cleopatra
    Scope: VII, 59 S.
  16. Antony and Cleopatra
    Author: Shakespeare, William
    Published: 1961
    Publisher:  Washington Square Press, New York

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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: HI 3270
    Series: The Folger library general reader's Shakespeare
    Subjects: Geschichte; Romans; Kommentar
    Other subjects: Antonius, Marcus <83?-30 B.C>; Cleopatra <Queen of Egypt, d. 30 B.C>; Shakespeare, William (1564-1616): Antony and Cleopatra
    Scope: xl, 143, 143 p., ill. : 18 cm
    Notes:

    Opposite pages, with notes facing the text that they explain, numbered in duplicate.
  17. Shakespeare jungle fever
    national-imperial re-visions of race, rape, and sacrifice
    Author: Little, Arthur L.
    Published: 2000
    Publisher:  Stanford University Press, Stanford, Calif.

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    Universitätsbibliothek der LMU München
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  18. The problem plays of Shakespeare
    a study of Julius Caesar, Measure for measure, Antony and Cleopatra
    Author: Schanzer, Ernest
    Published: 1963
    Publisher:  Routledge & Kegan Paul, London

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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  19. The common liar
    an essay on Antony and Cleopatra
    Author: Adelman, Janet
    Published: 1973
    Publisher:  Yale Univ. Press, New Haven

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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  20. A reading of Shakespeare's Antony and Cleopatra
    Author: Riemer, A. P.
    Published: 1968
    Publisher:  Univ. Press, Sydney

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: HI 3421 ; HI 3451
    Series: Sydney studies in literature
    Subjects: Tragedy
    Other subjects: Shakespeare, William <1564-1616>: Antony and Cleopatra; Antonius, Marcus <83?-30 B.C>; Cleopatra <Queen of Egypt, d. 30 B.C>; Shakespeare, William (1564-1616): Antony and Cleopatra
    Scope: 119 S.
  21. The pillar of the world
    Antony and Cleopatra in Shakespeare's development
    Author: Markels, Julian
    Published: 1968
    Publisher:  Ohio State Univ. Press, Columbus

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  22. The love play of Antony and Cleopatra
    a critical study of Shakespeare's play
    Author: Traci, Philip J.
    Published: 1970
    Publisher:  Mouton, The Hague

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    RVK Categories: HI 3421 ; HI 3451
    Series: Studies in English literature ; 64
    Subjects: Love in literature
    Other subjects: Shakespeare, William <1564-1616>: Antony and Cleopatra; Antonius, Marcus <83?-30 B.C>; Cleopatra <Queen of Egypt, d. 30 B.C>; Shakespeare, William (1564-1616): Antony and Cleopatra
    Scope: 171 S.
    Notes:

    Zugl.: Duke, Univ., Diss., 1964/65
  23. Nature's piece 'gainst fancy
    the divided catastrophe in "Antony and Cleopatra" ; an inaugural lecture
    Author: Barton, Anne
    Published: 1973
    Publisher:  Bedford College, London

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    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: HI 3421
    Subjects: English drama
    Other subjects: Shakespeare, William <1564-1616> / Antony and Cleopatra; Shakespeare, William <1564-1616>: Antony and Cleopatra
    Scope: 20 S.
  24. The problem plays of Shakespeare
    A study of Julius Caesar, Measure for measure, Antony and Cleopatra
    Author: Schanzer, Ernest
    Published: 1965
    Publisher:  Routledge & Kegan Paul, London

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  25. The art of loving
    female subjectivity and male discursive traditions in Shakespeare's tragedies
    Author: Gajowski, Evelyn
    Published: 1992
    Publisher:  Univ. of Delaware Press u.a., Newark

    To be a subject is to be able to speak, to give meaning. The Art of Loving interrogates the phenomenon of "theatrical subjectivity"--female protagonists as both subjects and objects on the early modern English stage and within the illusion of... more

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    To be a subject is to be able to speak, to give meaning. The Art of Loving interrogates the phenomenon of "theatrical subjectivity"--female protagonists as both subjects and objects on the early modern English stage and within the illusion of Shakespeare's tragedies. The disparity between females as acting, speaking subjects onstage and male protagonists' objectifications of them constitutes the dominating gendered irony of the dramatic texts. In Romeo and Juliet, Othello, and Antony and Cleopatra, Professor Gajowski argues, women are not portrayed as they are valued by men. Endowed with a self-estimation that is independent of masculine estimations of them, Juliet, Desdemona, and Cleopatra subvert Petrarchan, Ovidian, and Orientalist discursive traditions by which males construct females as gendered, colonized others The independence of their self-evaluation from conflicting male desire and repugnance for them accounts for their "infinite variety." The uniqueness of Shakespeare's representation of heterosexual relations is his creation of female protagonists who are relational, yet independent, human beings. The empowered female protagonists of Shakespeare's comedies are rightly celebrated by "compensatory" feminist critics; the disempowered--even victimized--female protagonists of his tragedies are rightly noted by "justificatory" feminist critics. To view the marriages of the comic females as nothing more than submissions to patriarchy, Professor Gajowski contends, is to ignore the crucial significance in Shakespeare's texts of affiliative capacities of both sexes of the human animal Accordingly, to view the deaths of the tragic females as victimizations by patriarchy--and no more than that--is to ignore the commentary that Shakespeare's texts make upon masculine impulses of possession, politics, and power. While feminist critics recognize the significance of dramatic representations of sexuality and affective relations, recent materialist/historicist studies consider representations of sexuality and affective relations significant only insofar as they are relevant to the manipulations of Elizabethan and Jacobean political power and mechanisms of economic exchange. The privileging of politics and power on the part of these critics constitutes a perpetuation and reinforcement of patriarchal values. It has the effect of putting woman in her customary place: marginalized, erased, subservient to the newly dominant male discursive traditions

     
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