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Displaying results 1 to 4 of 4.

  1. "Sola Admiratio Quaeritur
    Das Staunen in der Dichtung der italienischen Renaissance
    Published: 2021
    Publisher:  Brill | Fink, Paderborn

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    Technische Hochschule Augsburg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    OTH- Ostbayerische Technische Hochschule Regensburg, Hochschulbibliothek
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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783846766224
    Other identifier:
    Edition: 2021
    Subjects: Italienische Literatur; Giambattista Marino; Francesco Patrizi; Francesco Colonna; Adone; Manierismus; Mannerism; Italian Literature; aristotelische Poetik; Aristotelian Poetics
    Scope: 1 Online-Ressource (347 Seiten)
    Notes:

    Die vorliegende Forschung definiert die Literatur der Renaissance neu: Die Bedeutung der aristotelischen Poetik wird zurückgestuft zugunsten innovativer - erstaunlicher - literarischer Ansätze. Das seit langem geltende Paradigma, die italienische Renaissance würde von der klassisch-aristotelischen Literaturtheorie dominiert, wird damit maßgeblich ausdifferenziert. Anhand der Analyse des Staunens - ein Begriff, den Aristoteles und Platon an den Anfang des wissenschaftlichen und metaphysischen Denkens stellten und der sich in der italienischen Renaissance zu einem zentralen Konstitutions- und Alleinstellungsmerkmal der Literatur wandelte - wird gezeigt, dass Momente der Neuheit und der Überraschung, ja der erstaunlichen innovatio auf allen Ebenen, die Literatur der Renaissance entscheidend prägten
  2. „Sola Admiratio Quaeritur“
    Das Staunen in der Dichtung der italienischen Renaissance
    Author: Elmer, Andrea
    Published: 2021
    Publisher:  Brill | Fink, Paderborn ; UTB GmbH, Stuttgart

    Die vorliegende Forschung definiert die Literatur der Renaissance neu: Die Bedeutung der aristotelischen Poetik wird zurückgestuft zugunsten innovativer – erstaunlicher – literarischer Ansätze. Das seit langem geltende Paradigma, die italienische... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Hessisches BibliotheksInformationsSystem hebis
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Bibliothek des Bischöflichen Priesterseminars
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Akademie der Wissenschaften und der Literatur, Bibliothek
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    LEIZA - Leibniz-Zentrum für Archäologie, Bibliothek
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    Martinus-Bibliothek, Wissenschaftliche Diözesanbibliothek
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    Universität Mainz, Zentralbibliothek
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    Evangelische Hochschule Tabor, Bibliothek
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    Universität Marburg, Universitätsbibliothek
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    Die vorliegende Forschung definiert die Literatur der Renaissance neu: Die Bedeutung der aristotelischen Poetik wird zurückgestuft zugunsten innovativer – erstaunlicher – literarischer Ansätze. Das seit langem geltende Paradigma, die italienische Renaissance würde von der klassisch-aristotelischen Literaturtheorie dominiert, wird damit maßgeblich ausdifferenziert. Anhand der Analyse des Staunens – ein Begriff, den Aristoteles und Platon an den Anfang des wissenschaftlichen und metaphysischen Denkens stellten und der sich in der italienischen Renaissance zu einem zentralen Konstitutions- und Alleinstellungsmerkmal der Literatur wandelte – wird gezeigt, dass Momente der Neuheit und der Überraschung, ja der erstaunlichen innovatio auf allen Ebenen, die Literatur der Renaissance entscheidend prägten.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783846766224
    DDC Categories: 850; 870; 800
    Edition: 1st ed.
    Series: Poetik und Ästhetik des Staunens ; 7
    Subjects: Neulatein; Lyrik; Staunen <Motiv>; Italienisch; Italienische Literatur; Giambattista Marino; Francesco Patrizi; Francesco Colonna; Adone; Manierismus; Mannerism; Italian Literature; aristotelische Poetik; Aristotelian Poetics
    Scope: 1 Online-Ressource (377 p.)
  3. Adonis
    the myth of the dying god in the Italian Renaissance
    Author: Caruso, Carlo
    Published: 2013
    Publisher:  Bloomsbury, London [u.a.]

    "In this detailed treatment of the myth of Adonis in post-Classical times, Carlo Caruso provides an overview of the main texts, both literary and scholarly, in Latin and in the vernacular, which secured for the Adonis myth a unique place in the Early... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 915045
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    Universitätsbibliothek Freiburg
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    GE 2013/7514
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    Universitätsbibliothek Heidelberg
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    2013 C 4625
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Bt 1473
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Universitätsbibliothek Osnabrück
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    6150-195 9
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    Herzog August Bibliothek Wolfenbüttel
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    64.1514
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    "In this detailed treatment of the myth of Adonis in post-Classical times, Carlo Caruso provides an overview of the main texts, both literary and scholarly, in Latin and in the vernacular, which secured for the Adonis myth a unique place in the Early Modern revival of Classical mythology. While aiming to provide this general outline of the myth's fortunes in the Early Modern age, the book also addresses three points of primary interest, on which most of the original research included in the work has been conducted. First, the myth's earliest significant revival in the age of Italian Humanism, and particularly in the poetry of the great Latin poet and humanist Giovanni Pontano. Secondly, the diffusion of syncretistic interpretations of the Adonis myth by means of authoritative sixteenth-century mythological encyclopaedias. Thirdly, the allegorical/political use of the Adonis myth in G.B. Marino's (1569-1625) Adone, published in Paris in 1623 to celebrate the Bourbon dynasty and to support their legitimacy with regard to the throne of France"-- "A detailed treatment of the myth of Adonis in the Italian literary culture of the Renaissance and early Baroque"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781780932149; 1780932146
    Other identifier:
    9781780932149
    Subjects: Italian literature
    Other subjects: Adonis (Greek deity); Array; Array; Array; Adonis (Greek deity) in literature; Array; Array
    Scope: XIII, 219 S., Ill., 24 cm
    Notes:

    Quellen- und Literaturverz. S. [169] - 194

    Machine generated contents note:Table of contents:PrefaceIntroduction1. An ancient myth revisited: Adonis as citrus tree2. Adonis and the Renaissance idyll3. Adonis in sixteenth-century mythography 4. G.B. Marino's 'Adone' (1): From pastoral to epic poetry5. G.B. Marino's 'Adone' (2): The king's poem6. The seventeenth-century aftermathBibliographyIndex of manuscriptsIndex of names.
  4. Adonis
    the myth of the dying god in the Italian Renaissance
    Author: Caruso, Carlo
    Published: 2013
    Publisher:  Bloomsbury, London [u.a.]

    "In this detailed treatment of the myth of Adonis in post-Classical times, Carlo Caruso provides an overview of the main texts, both literary and scholarly, in Latin and in the vernacular, which secured for the Adonis myth a unique place in the Early... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    "In this detailed treatment of the myth of Adonis in post-Classical times, Carlo Caruso provides an overview of the main texts, both literary and scholarly, in Latin and in the vernacular, which secured for the Adonis myth a unique place in the Early Modern revival of Classical mythology. While aiming to provide this general outline of the myth's fortunes in the Early Modern age, the book also addresses three points of primary interest, on which most of the original research included in the work has been conducted. First, the myth's earliest significant revival in the age of Italian Humanism, and particularly in the poetry of the great Latin poet and humanist Giovanni Pontano. Secondly, the diffusion of syncretistic interpretations of the Adonis myth by means of authoritative sixteenth-century mythological encyclopaedias. Thirdly, the allegorical/political use of the Adonis myth in G.B. Marino's (1569-1625) Adone, published in Paris in 1623 to celebrate the Bourbon dynasty and to support their legitimacy with regard to the throne of France"-- "A detailed treatment of the myth of Adonis in the Italian literary culture of the Renaissance and early Baroque"--

     
    Export to reference management software   RIS file
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781780932149; 1780932146
    Other identifier:
    9781780932149
    Subjects: Italian literature
    Other subjects: Adonis (Greek deity); Array; Array; Array; Adonis (Greek deity) in literature; Array; Array
    Scope: XIII, 219 S., Ill., 24 cm
    Notes:

    Quellen- und Literaturverz. S. [169] - 194

    Machine generated contents note:Table of contents:PrefaceIntroduction1. An ancient myth revisited: Adonis as citrus tree2. Adonis and the Renaissance idyll3. Adonis in sixteenth-century mythography 4. G.B. Marino's 'Adone' (1): From pastoral to epic poetry5. G.B. Marino's 'Adone' (2): The king's poem6. The seventeenth-century aftermathBibliographyIndex of manuscriptsIndex of names.