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  1. Abjection incorporated
    mediating the politics of pleasure and violence
    Published: 2020
    Publisher:  Duke University Press, Durham

    Not It, or the Abject Objection / Maggie Hennefeld and Nic Sammond. -- The Politics of Abjection / Sylvère Lotringer. -- Part I: Abject Performances: Subjectivity, Identity, Individuality -- Popular Abjection and Gendered Embodiment in South Korean... more

     

    Not It, or the Abject Objection / Maggie Hennefeld and Nic Sammond. -- The Politics of Abjection / Sylvère Lotringer. -- Part I: Abject Performances: Subjectivity, Identity, Individuality -- Popular Abjection and Gendered Embodiment in South Korean Girl Comedy / Michelle Cho -- Precarious-Girl Comedy: Issa Rae, Lena Dunham, and Abject Aesthetics / Rebecca Wanzo. -- Abject Feminism, Grotesque Comedy, and Apocalyptic Laughter / Maggie Hennefeld. -- Part II: Abject Bodies: Humans, Animals, Objects. -- The Animal and the Animalistic in China?s Late China?s Late 1950s Socialist Satirical Comedy / Yiman Wang -- Anticolonial Folly and the Reversals of Repatriation / Rijuta Mehta -- Between Technology and Toy: The Talking Doll as Abject Artifact / Meredith Bak -- Absolute Dismemberment: The Burlesque Natural History of Georges Bataille / James Leo Cahill -- Why, An Abject Art / Marc Mulroney -- Abject Aesthetics: Structure, Form, System -- A Matter of Fluids: EC Comics and Vernacular Abjection / Nic Sammond -- Spit * Light * Spunk: Larry Clark, an Aesthetic of Frankness / Eubgenie Brinkema -- Abjection Serialized: Fabulation and Abjection in Shojo Manga / Thomas Lamarre -- Between the Abject and the Absurd: The Comic Sources of Louie / Rob King

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478003410; 1478003413
    Other identifier:
    Subjects: Critical theory; Abjection in motion pictures; Abjection in literature; Political culture; Marginality, Social / Political aspects; Feminist theory; Diskriminierung; Gewalt <Motiv>; Popkultur; Massenmedien; Film; Erniedrigung <Motiv>
    Scope: 1 Online-Ressource (334 pages), illustrations
    Notes:

    Includes bibliographical references and index. - Description based on print version record

  2. <<The>> working class and twenty-first-century British fiction
    deindustrialisation, demonisation, resistance
    Published: [2020]; © 2020
    Publisher:  Routledge, Taylor & Francis Group, New York, NY

    "The Working Class and Twenty-First-Century British Fiction looks at how the twenty-first-century British novel has explored contemporary working-class life. Studying the works of David Peace, Gordon Burn, Anthony Cartwright, Ross Raisin, Jenni... more

    Universitätsbibliothek Bielefeld
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    Bibliothek des Ruhrgebiets
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    Universitätsbibliothek Dortmund
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    "The Working Class and Twenty-First-Century British Fiction looks at how the twenty-first-century British novel has explored contemporary working-class life. Studying the works of David Peace, Gordon Burn, Anthony Cartwright, Ross Raisin, Jenni Fagan, and Sunjeev Sahota, the book shows how they have mapped the shift from deindustrialisation through to stigmatization of individuals and communities who have experienced profound levels of destabilization and unemployment. O'Brien argues that these novels offer ways of understanding fundamental aspects of contemporary capitalism for the working class in modern Britain, including, class struggle, inequality, trauma, social abjection, racism, and stigmatization, exclusively looking at British working-class literature of the twenty-first century"--

     

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  3. Abjection incorporated
    mediating the politics of pleasure and violence
    Contributor: Hennefeld, Maggie (Publisher); Sammond, Nicholas (Publisher)
    Published: [2020]; © 2019
    Publisher:  Duke University Press, Durham

    From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital-empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics.Contributors. Meredith Bak, Eugenie Brinkema, James Leo Cahill, Michelle Cho, Maggie Hennefeld, Rob King, Thomas Lamarre, Sylvère Lotringer, Rijuta Mehta, Mark Mulroney, Nicholas Sammond, Yiman Wang, Rebecca Wanzo

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Hennefeld, Maggie (Publisher); Sammond, Nicholas (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478003410
    Other identifier:
    Subjects: SOCIAL SCIENCE / Media Studies; Abjection in literature; Abjection in motion pictures; Critical theory; Feminist theory; Marginality, Social; Political culture; Diskriminierung; Gewalt <Motiv>; Massenmedien; Film; Erniedrigung <Motiv>; Pop-Kultur
    Scope: 1 Online-Ressource (342 Seiten), Illustrationen
  4. Lyric as comedy
    the poetics of abjection in postwar America
    Published: [2020]; © 2020
    Publisher:  Cornell University Press, Ithaca ; London

    A poet walks into a bar... In Lyric as Comedy, Calista McRae explores the unexpected comic opportunities within recent American poems about deeply personal, often embarrassing, experiences. Lyric poems, she finds, can be surprising sites of a... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    A poet walks into a bar... In Lyric as Comedy, Calista McRae explores the unexpected comic opportunities within recent American poems about deeply personal, often embarrassing, experiences. Lyric poems, she finds, can be surprising sites of a shifting, unruly comedy, as seen in the work of John Berryman, Robert Lowell, A. R. Ammons, Terrance Hayes, Morgan Parker, Natalie Shapero, and Monica Youn.Lyric as Comedy draws out the ways in which key American poets have struggled with persistent expectations about what expressive poetry can and should do. McRae reveals how the modern lyric, rather than bestowing order on the poet's thoughts and emotions, can center on impropriety and confusion, formal breakage and linguistic unruliness, and self-observation and self-staging.The close readings in Lyric as Comedy also provide new insight into the theory and aesthetics of comedy, taking in the indirect, glancing comic affordances of poetry. In doing so, McRae captures varieties of humor that do not align with traditional terms, centering abjection and pleasure as facets of contemporary lyric practice

     

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  5. Abjection incorporated
    mediating the politics of pleasure and violence
    Contributor: Hennefeld, Maggie (Publisher); Sammond, Nicholas (Publisher)
    Published: [2020]; © 2019
    Publisher:  Duke University Press, Durham

    From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital-empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics.Contributors. Meredith Bak, Eugenie Brinkema, James Leo Cahill, Michelle Cho, Maggie Hennefeld, Rob King, Thomas Lamarre, Sylvère Lotringer, Rijuta Mehta, Mark Mulroney, Nicholas Sammond, Yiman Wang, Rebecca Wanzo

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Hennefeld, Maggie (Publisher); Sammond, Nicholas (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478003410
    Other identifier:
    Subjects: SOCIAL SCIENCE / Media Studies; Abjection in literature; Abjection in motion pictures; Critical theory; Feminist theory; Marginality, Social; Political culture; Diskriminierung; Gewalt <Motiv>; Popkultur; Massenmedien; Film; Erniedrigung <Motiv>
    Scope: 1 Online-Ressource (342 Seiten), Illustrationen
  6. Abjection incorporated
    mediating the politics of pleasure and violence
    Contributor: Hennefeld, Maggie (Publisher); Sammond, Nicholas (Publisher)
    Published: 2020
    Publisher:  Duke University Press, Durham ; London

    "From the films of Larry Clark, to the feminist comedy of Amy Schumer, to the fall of Louis CK, comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "From the films of Larry Clark, to the feminist comedy of Amy Schumer, to the fall of Louis CK, comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested form of political and cultural capital--empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human, and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics"--

     

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    Source: Union catalogues
    Contributor: Hennefeld, Maggie (Publisher); Sammond, Nicholas (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781478001898; 1478001895; 9781478003021; 1478003022
    Subjects: Diskriminierung; Gewalt <Motiv>; Popkultur; Massenmedien; Film; Erniedrigung <Motiv>
    Other subjects: Critical theory; Abjection in motion pictures; Abjection in literature; Political culture; Marginality, Social / Political aspects; Feminist theory; Abjection in literature; Abjection in motion pictures; Critical theory; Feminist theory; Marginality, Social / Political aspects; Political culture
    Scope: 334 Seiten, Illustrationen, 24 cm
    Notes:

    Not It, or the Abject Objection / Maggie Hennefeld and Nic Sammond. -- The Politics of Abjection / Sylvère Lotringer. -- Part I: Abject Performances: Subjectivity, Identity, Individuality -- Popular Abjection and Gendered Embodiment in South Korean Girl Comedy / Michelle Cho -- Precarious-Girl Comedy: Issa Rae, Lena Dunham, and Abject Aesthetics / Rebecca Wanzo. -- Abject Feminism, Grotesque Comedy, and Apocalyptic Laughter / Maggie Hennefeld. -- Part II: Abject Bodies: Humans, Animals, Objects. -- The Animal and the Animalistic in China?s Late China?s Late 1950s Socialist Satirical Comedy / Yiman Wang -- Anticolonial Folly and the Reversals of Repatriation / Rijuta Mehta -- Between Technology and Toy: The Talking Doll as Abject Artifact / Meredith Bak -- Absolute Dismemberment: The Burlesque Natural History of Georges Bataille / James Leo Cahill -- Why, An Abject Art / Marc Mulroney -- Abject Aesthetics: Structure, Form, System -- A Matter of Fluids: EC Comics and Vernacular Abjection / Nic Sammond -- Spit * Light * Spunk: Larry Clark, an Aesthetic of Frankness / Eubgenie Brinkema -- Abjection Serialized: Fabulation and Abjection in Shojo Manga / Thomas Lamarre -- Between the Abject and the Absurd: The Comic Sources of Louie / Rob King

  7. Lyric as comedy
    the poetics of abjection in postwar America
    Published: [2020]; © 2020
    Publisher:  Cornell University Press, Ithaca ; London

    A poet walks into a bar... In Lyric as Comedy, Calista McRae explores the unexpected comic opportunities within recent American poems about deeply personal, often embarrassing, experiences. Lyric poems, she finds, can be surprising sites of a... more

    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    A poet walks into a bar... In Lyric as Comedy, Calista McRae explores the unexpected comic opportunities within recent American poems about deeply personal, often embarrassing, experiences. Lyric poems, she finds, can be surprising sites of a shifting, unruly comedy, as seen in the work of John Berryman, Robert Lowell, A. R. Ammons, Terrance Hayes, Morgan Parker, Natalie Shapero, and Monica Youn.Lyric as Comedy draws out the ways in which key American poets have struggled with persistent expectations about what expressive poetry can and should do. McRae reveals how the modern lyric, rather than bestowing order on the poet's thoughts and emotions, can center on impropriety and confusion, formal breakage and linguistic unruliness, and self-observation and self-staging.The close readings in Lyric as Comedy also provide new insight into the theory and aesthetics of comedy, taking in the indirect, glancing comic affordances of poetry. In doing so, McRae captures varieties of humor that do not align with traditional terms, centering abjection and pleasure as facets of contemporary lyric practice

     

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    Volltext (URL des Erstveröffentlichers)
  8. The working class and twenty-first-century British fiction
    deindustrialisation, demonisation, resistance
    Published: 2020; © 2020
    Publisher:  Routledge, New York, NY

    "The Working Class and Twenty-First-Century British Fiction looks at how the twenty-first-century British novel has explored contemporary working-class life. Studying the works of David Peace, Gordon Burn, Anthony Cartwright, Ross Raisin, Jenni... more

     

    "The Working Class and Twenty-First-Century British Fiction looks at how the twenty-first-century British novel has explored contemporary working-class life. Studying the works of David Peace, Gordon Burn, Anthony Cartwright, Ross Raisin, Jenni Fagan, and Sunjeev Sahota, the book shows how they have mapped the shift from deindustrialisation through to stigmatization of individuals and communities who have experienced profound levels of destabilization and unemployment. O'Brien argues that these novels offer ways of understanding fundamental aspects of contemporary capitalism for the working class in modern Britain, including, class struggle, inequality, trauma, social abjection, racism, and stigmatization, exclusively looking at British working-class literature of the twenty-first century"--

     

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    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003007913; 1003007910
    Series: Routledge studies in contemporary literature
    Routledge studies in contemporary literature ; 40
    Subjects: English fiction / 21st century / History and criticism; Working class in literature; Labor in literature; Capitalism in literature; Social conflict in literature; Equality in literature; Abjection in literature; Stigma (Social psychology) in literature; Literature and society / England / History / 21st century
    Scope: 1 online resource (172 pages.)
    Notes:

    Description based on print version record

  9. Lyric as comedy
    the poetics of abjection in postwar America
    Published: 2020
    Publisher:  Cornell University Press, Ithaca [New York]

    "Explores the unexpected comic opportunities within recent American poems about personal experience"-- more

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

     

    "Explores the unexpected comic opportunities within recent American poems about personal experience"--

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501750991
    Subjects: American poetry; American poetry; Abjection in literature; Humor in literature; Lyrik; Komik; Amerikanisches Englisch
    Scope: 1 Online-Ressource (233 pages)
    Notes:

    Description based on print version record

    Introduction: Consider What That Feels Like -- Comedy in an Age of Close Reading: John Berryman's Dream Songs -- The Noise of Robert Lowell's Own Voice -- A. R. Ammons and Comic Badness -- Terrance Hayes: Floundering Interiors -- Coming to Terms with Our Self: Morgan Parker, Natalie Shapero, Monica Youn

  10. Lyric as comedy
    the poetics of abjection in postwar America
    Published: 2020
    Publisher:  Cornell University Press, Ithaca

    Introduction: Consider What That Feels Like -- Comedy in an Age of Close Reading: John Berryman's Dream Songs -- The Noise of Robert Lowell's Own Voice -- A. R. Ammons and Comic Badness -- Terrance Hayes: Floundering Interiors -- Coming to Terms with... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 105321
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2021 A 13549
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    Universitätsbibliothek Leipzig
    Unlimited inter-library loan, copies and loan

     

    Introduction: Consider What That Feels Like -- Comedy in an Age of Close Reading: John Berryman's Dream Songs -- The Noise of Robert Lowell's Own Voice -- A. R. Ammons and Comic Badness -- Terrance Hayes: Floundering Interiors -- Coming to Terms with Our Self: Morgan Parker, Natalie Shapero, Monica Youn. "Explores the unexpected comic opportunities within recent American poems about personal experience"--

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501750977
    RVK Categories: HU 1691 ; HU 1769
    Subjects: American poetry; American poetry; Abjection in literature; Humor in literature
    Scope: xi, 218 Seiten
    Notes:

    Includes bibliographical references and index

  11. Lyric as Comedy
    The Poetics of Abjection in Postwar America
    Published: [2020]; 2022
    Publisher:  Cornell University Press, Ithaca, NY

    A poet walks into a bar... In Lyric as Comedy, Calista McRae explores the unexpected comic opportunities within recent American poems about deeply personal, often embarrassing, experiences. Lyric poems, she finds, can be surprising sites of a... more

    Access:
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    No inter-library loan
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    No inter-library loan
    Universität Potsdam, Universitätsbibliothek
    No inter-library loan
    Württembergische Landesbibliothek
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    A poet walks into a bar... In Lyric as Comedy, Calista McRae explores the unexpected comic opportunities within recent American poems about deeply personal, often embarrassing, experiences. Lyric poems, she finds, can be surprising sites of a shifting, unruly comedy, as seen in the work of John Berryman, Robert Lowell, A. R. Ammons, Terrance Hayes, Morgan Parker, Natalie Shapero, and Monica Youn.Lyric as Comedy draws out the ways in which key American poets have struggled with persistent expectations about what expressive poetry can and should do. McRae reveals how the modern lyric, rather than bestowing order on the poet's thoughts and emotions, can center on impropriety and confusion, formal breakage and linguistic unruliness, and self-observation and self-staging.The close readings in Lyric as Comedy also provide new insight into the theory and aesthetics of comedy, taking in the indirect, glancing comic affordances of poetry. In doing so, McRae captures varieties of humor that do not align with traditional terms, centering abjection and pleasure as facets of contemporary lyric practice Frontmatter -- Contents -- Acknowledgments -- Permissions -- Introduction: Consider What That Feels Like -- 1. Comedy in an Age of Close Reading: John Berryman’s Dream Songs -- 2. Robert Lowell: The Noise of One’s Own Voice -- 3. A. R. Ammons: Comic Badness -- 4. Terrance Hayes: Floundering Interiors -- 5. Coming to Terms with Our Self: Morgan Parker, Natalie Shapero, Monica Youn -- Notes -- Index

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501750991
    Other identifier:
    Subjects: Abjection in literature; American poetry; American poetry; Humor in literature; LITERARY CRITICISM / Poetry
    Other subjects: aesthetics of comedy, Shameful self, Humor in American poetry, comic theory
    Scope: 1 Online-Ressource (234 p)
  12. Lyric as Comedy
    The Poetics of Abjection in Postwar America
    Published: 2020; ©2020
    Publisher:  Cornell University Press, Ithaca

    Lyric as Comedy -- Contents -- Acknowledgments -- Permissions -- Introduction: Consider What That Feels Like -- 1. Comedy in an Age of Close Reading: John Berryman's Dream Songs -- 2. Robert Lowell: The Noise of One's Own Voice -- 3. A. R. Ammons:... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    No loan of volumes, only paper copies will be sent

     

    Lyric as Comedy -- Contents -- Acknowledgments -- Permissions -- Introduction: Consider What That Feels Like -- 1. Comedy in an Age of Close Reading: John Berryman's Dream Songs -- 2. Robert Lowell: The Noise of One's Own Voice -- 3. A. R. Ammons: Comic Badness -- 4. Terrance Hayes: Floundering Interiors -- 5. Coming to Terms with Our Self: Morgan Parker, Natalie Shapero, Monica Youn -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.

     

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  13. Lyric as comedy :
    the poetics of abjection in postwar America /
    Published: 2020.
    Publisher:  Cornell University Press,, Ithaca [New York] :

    "Explores the unexpected comic opportunities within recent American poems about personal experience"-- more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Explores the unexpected comic opportunities within recent American poems about personal experience"--

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501750991; 1501750992; 9781501750984; 1501750984
    Subjects: American poetry / 20th century / History and criticism; American poetry / 21st century / History and criticism; Abjection in literature; Humor in literature; American poetry; Amerikanisches Englisch.; Lyrik.; Komik.
    Scope: 1 online resource.
    Notes:

    Introduction: Consider What That Feels Like -- Comedy in an Age of Close Reading: John Berryman's Dream Songs -- The Noise of Robert Lowell's Own Voice -- A. R. Ammons and Comic Badness -- Terrance Hayes: Floundering Interiors -- Coming to Terms with Our Self: Morgan Parker, Natalie Shapero, Monica Youn

  14. Lyric as Comedy
    The Poetics of Abjection in Postwar America
    Published: [2020]; 2022
    Publisher:  Cornell University Press, Ithaca, NY

    A poet walks into a bar... In Lyric as Comedy, Calista McRae explores the unexpected comic opportunities within recent American poems about deeply personal, often embarrassing, experiences. Lyric poems, she finds, can be surprising sites of a... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    A poet walks into a bar... In Lyric as Comedy, Calista McRae explores the unexpected comic opportunities within recent American poems about deeply personal, often embarrassing, experiences. Lyric poems, she finds, can be surprising sites of a shifting, unruly comedy, as seen in the work of John Berryman, Robert Lowell, A. R. Ammons, Terrance Hayes, Morgan Parker, Natalie Shapero, and Monica Youn.Lyric as Comedy draws out the ways in which key American poets have struggled with persistent expectations about what expressive poetry can and should do. McRae reveals how the modern lyric, rather than bestowing order on the poet's thoughts and emotions, can center on impropriety and confusion, formal breakage and linguistic unruliness, and self-observation and self-staging.The close readings in Lyric as Comedy also provide new insight into the theory and aesthetics of comedy, taking in the indirect, glancing comic affordances of poetry. In doing so, McRae captures varieties of humor that do not align with traditional terms, centering abjection and pleasure as facets of contemporary lyric practice Frontmatter -- Contents -- Acknowledgments -- Permissions -- Introduction: Consider What That Feels Like -- 1. Comedy in an Age of Close Reading: John Berryman’s Dream Songs -- 2. Robert Lowell: The Noise of One’s Own Voice -- 3. A. R. Ammons: Comic Badness -- 4. Terrance Hayes: Floundering Interiors -- 5. Coming to Terms with Our Self: Morgan Parker, Natalie Shapero, Monica Youn -- Notes -- Index

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501750991
    Other identifier:
    Subjects: Abjection in literature; American poetry; American poetry; Humor in literature; LITERARY CRITICISM / Poetry
    Other subjects: aesthetics of comedy, Shameful self, Humor in American poetry, comic theory
    Scope: 1 Online-Ressource (234 p)
  15. Lyric as comedy
    the poetics of abjection in postwar America
    Published: 2020
    Publisher:  Cornell University Press, Ithaca

    Introduction: Consider What That Feels Like -- Comedy in an Age of Close Reading: John Berryman's Dream Songs -- The Noise of Robert Lowell's Own Voice -- A. R. Ammons and Comic Badness -- Terrance Hayes: Floundering Interiors -- Coming to Terms with... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Introduction: Consider What That Feels Like -- Comedy in an Age of Close Reading: John Berryman's Dream Songs -- The Noise of Robert Lowell's Own Voice -- A. R. Ammons and Comic Badness -- Terrance Hayes: Floundering Interiors -- Coming to Terms with Our Self: Morgan Parker, Natalie Shapero, Monica Youn. "Explores the unexpected comic opportunities within recent American poems about personal experience"--

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501750977
    RVK Categories: HU 1691 ; HU 1769
    Subjects: American poetry; American poetry; Abjection in literature; Humor in literature
    Scope: xi, 218 Seiten
    Notes:

    Includes bibliographical references and index