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  1. Geschlechterfragen an der Schnittstelle: Verortungen feministischer Polonistik im postsozialistischen Gesellschaftsdiskurs
    Author: Seiler, Nina
    Published: 2015

    Abstract: Mit der politischen Transformation von 1989 verändert sich in Polen auch die wissenschaftliche Landschaft. Die verstärkte Integration westlicher Theorien und ein soziopolitischer Backlash in Geschlechterfragen bewirken ein steigendes... more

     

    Abstract: Mit der politischen Transformation von 1989 verändert sich in Polen auch die wissenschaftliche Landschaft. Die verstärkte Integration westlicher Theorien und ein soziopolitischer Backlash in Geschlechterfragen bewirken ein steigendes Interesse an feministischen Ansätzen. Die polnische Literaturwissenschaft nimmt dabei eine führende Rolle in der Anwendung feministischer Theorien im lokalen Kontext ein. Im vorliegenden Artikel wird nach der Einbettung dieser Forschung in die polnischen postsozialistischen Diskursfelder gefragt. Dabei geht es insbesondere um die Auslotung des engen diskursiven Raums, der sich in der polnischen Gesellschaft zwischen konservativ-patriotischen Narrativen, dem Anspruch auf Fortschritt und der Verhandlung der Vergangenheit eröffnet. Hier sind in den polonistischen Beispielen Strategien sowohl der Assimilation wie auch der Subversion erkennbar

     

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/45761
    DDC Categories: 800; 300
    Other subjects: (thesoz)Frauenbewegung; (thesoz)Polen; (thesoz)Transformation; (thesoz)Diskurs; (thesoz)Politisierung; (thesoz)Geschlecht; (thesoz)Literaturwissenschaft; (thesoz)postsozialistisches Land; (thesoz)Entfremdung; (thesoz)Weiblichkeit; (thesoz)Identität; (thesoz)Wissenschaftsforschung; (thesoz)Geschlechterforschung; (thesoz)Feminismus
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Femina Politica - Zeitschrift für feministische Politikwissenschaft ; 24 (2015) 2 ; 54-67

  2. Parody of a life which is elsewhere
    Published: 2015

    Abstract: Life Is Elsewhere is a reflective introspection into the life of a young poet and of his demanding mother. Kindera depicts the mother as a woman feeling unworthy of love who relishes the fantasy of being Jaromil's ethereal mother in order... more

     

    Abstract: Life Is Elsewhere is a reflective introspection into the life of a young poet and of his demanding mother. Kindera depicts the mother as a woman feeling unworthy of love who relishes the fantasy of being Jaromil's ethereal mother in order to escape from her actual bodily deprivation and resolve her psychological tensions. On the other hand, Jaromil's portrait as a young poet involves his consonant, in Lacan’s terms, imaginary and symbolic identifications which lead him to an unending alienation in the context of a socialist system. Reading the novel in the light of Bakhtin's ideas on parody and its polyphonic nature illuminates Kundera's parodic treatment of motherhood, poetic, political and historical discourses, and especially his use of parody as a political means to oppose the domineering voice of totalitarianism. However, by giving parody an ontological status, Kundera considers it as the inevitable destiny of a human being who has forgotten his authentic "being" and ignored a

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57201
    DDC Categories: 301
    Other subjects: (thesoz)Literatur; (thesoz)Satire; (thesoz)Phantasie; (thesoz)Symbol; (thesoz)Identifikation; (thesoz)Totalitarismus; (thesoz)Entfremdung; (thesoz)Sozialismus; (thesoz)Leben; Bakhtin; Being; Fantasy; Identification; Imaginary; Lacan; Parody; Symbolic
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 55 ; 35-43

  3. Trials and tribulations of immigrants in Bharathi Mukherjee's Wife

    Abstract: Bharati Mukherjee is one of the most well known immigrant writers of America. Immigration is an amalgamated journey experience of oneself to another country. Migration separates one from their mother land towards an alien land, where it is... more

     

    Abstract: Bharati Mukherjee is one of the most well known immigrant writers of America. Immigration is an amalgamated journey experience of oneself to another country. Migration separates one from their mother land towards an alien land, where it is marked by new culture and new adjustments. Bharathi Mukherjee's novel wife portrays an immigrant looking back to her mother country with pain and nostalgia. Bharathi Mukherjee had beautifully carved the shapes of the characters that even a normal reader feels the presence of their tribulations as the personal grievances. The present article focuses on the trials and tribulations experienced by the Indian woman migrating to alien lands after her marriage. Dimple, the female protagonist of Bharati Mukherjee's Wife, faces the problem of loss of culture and the quest for a new identity in the US

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57193
    DDC Categories: 301; 300
    Other subjects: (thesoz)Literatur; (thesoz)Kulturkonflikt; (thesoz)Tradition; (thesoz)Familie; (thesoz)Frustration; (thesoz)Entfremdung; (thesoz)Einsamkeit; (thesoz)Einwanderung; (thesoz)Roman; (thesoz)Migration; (thesoz)kulturelle Identität
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 55 ; 44-47

  4. Blanche the aesthete: a Kierkegaardan reading of a streetcar named Desire
    Published: 2015

    Abstract: Tennessee Williams, the modern American dramatist, had his own unique school of dramaturgy. The dramas which he depicted are populated by characters who are lonely, desperate, anxious, alienated, and in one word lost. They face challenges... more

     

    Abstract: Tennessee Williams, the modern American dramatist, had his own unique school of dramaturgy. The dramas which he depicted are populated by characters who are lonely, desperate, anxious, alienated, and in one word lost. They face challenges which they may overcome or not, through the choices they make. All these moods and conditions are clearly seen and explained in the theory of existentialism, so Williams' inspiration from the philosophy is seen. Most existential theorists provide fertile ground to cultivate Williams' works on. Kierkegaard, as the so-called founder of the philosophy, has a theory which is quite applied to Williams' dramaturgy that is telling on the life and mentality of the characters in his plays. In his theory Kierkegaard enumerates three levels of existence which are characterized by their own features and mentality: they are respectively: aesthetic, ethical, and religious. The aesthetic is characterized by the pain and pleasure of the moment, that is, the aesth

     

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57454
    DDC Categories: 301; 100
    Other subjects: (thesoz)Ästhetik; (thesoz)Existenzialismus; (thesoz)Kierkegaard, S.; (thesoz)Ethik; (thesoz)Religion; (thesoz)Literatur; (thesoz)Roman; (thesoz)Entfremdung; Williams, T.
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 48 ; 180-184