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Displaying results 1 to 3 of 3.

  1. Speaking pictures
    neuropsychoanalysis and authorship in film and literature
    Author: Fox, Alistair
    Published: [2016]
    Publisher:  Indiana University Press, Bloomington

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780253020871; 9780253020918
    RVK Categories: AP 45600 ; CX 7500
    Subjects: Film; Psychologie; Fiction; Authorship; Psychology and literature; Creation (Literary, artistic, etc.); Motion pictures; Neurologie; Fiktion; Psychoanalyse; Film
    Scope: xiv, 292 Seiten
    Notes:

    Includes bibliographical references and index
  2. Speaking pictures
    neuropsychoanalysis and authorship in film and literature
    Author: Fox, Alistair
    Published: [2016]
    Publisher:  Indiana University Press, Bloomington

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780253020871; 9780253020918
    RVK Categories: AP 45600 ; CX 7500
    Subjects: Film; Psychologie; Fiction; Authorship; Psychology and literature; Creation (Literary, artistic, etc.); Motion pictures; Neurologie; Fiktion; Psychoanalyse; Film
    Scope: xiv, 292 Seiten
    Notes:

    Includes bibliographical references and index
  3. Speaking pictures
    neuropsychoanalysis and authorship in film and literature
    Author: Fox, Alistair
    Published: 2016
    Publisher:  Indiana University Press, Bloomington

    Introduction -- Changing Configurations in Theories of Fictive Representation -- Why Does Fictive Representation Exist? -- The Wellsprings of Fictive Creativity -- The Materials of Fictive Invention -- The Informing Role of Fantasy -- The Shaping of... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 113271
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction -- Changing Configurations in Theories of Fictive Representation -- Why Does Fictive Representation Exist? -- The Wellsprings of Fictive Creativity -- The Materials of Fictive Invention -- The Informing Role of Fantasy -- The Shaping of Fictive Scenarios by the Author: Motivations, Strategies, and Outcomes -- The Exploitation of Generic Templates and Intertexts as Vehicles for Affect Regulation -- Theories of Reception in the Twentieth and Twenty-First Centuries -- A Neuropsychoanalytic Theory of Reception -- Intersubjective Attunement, Filiation, and the Re-creative Process: Jules and Jim- from Henri-Pierre Roche to Francois Truffaut -- The Conversion of Autobiographical Emotion into Symbolic Figuration: William Shakespeare's Hamlet -- Tracking a Personal Myth through an Oeuvre: The Films of Francois Ozon -- Conclusion

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780253020918; 9780253020871
    RVK Categories: CX 7500 ; AP 45600
    Subjects: Fiction; Authorship; Psychology and literature; Creation (Literary, artistic, etc.); Motion pictures
    Scope: xiv, 292 pages, 23 cm
    Notes:

    Includes bibliographical references (pages 271-280) and index

    IntroductionChanging Configurations in Theories of Fictive Representation -- Why Does Fictive Representation Exist? -- The Wellsprings of Fictive Creativity -- The Materials of Fictive Invention -- The Informing Role of Fantasy -- The Shaping of Fictive Scenarios by the Author: Motivations, Strategies, and Outcomes -- The Exploitation of Generic Templates and Intertexts as Vehicles for Affect Regulation -- Theories of Reception in the Twentieth and Twenty-First Centuries -- A Neuropsychoanalytic Theory of Reception -- Intersubjective Attunement, Filiation, and the Re-creative Process: Jules and Jim- from Henri-Pierre Roche to Francois Truffaut -- The Conversion of Autobiographical Emotion into Symbolic Figuration: William Shakespeare's Hamlet -- Tracking a Personal Myth through an Oeuvre: The Films of Francois Ozon -- Conclusion.