Cover -- Title -- Copyright -- Contents -- Abbreviations -- Permissions -- Introduction Hart Crane, Bridging, and History -- Hart Crane and the Modernist Epic -- Form and History -- Canonicity -- Chapter 1 The Lyric Mode of The Bridge: The I and the...
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Cover -- Title -- Copyright -- Contents -- Abbreviations -- Permissions -- Introduction Hart Crane, Bridging, and History -- Hart Crane and the Modernist Epic -- Form and History -- Canonicity -- Chapter 1 The Lyric Mode of The Bridge: The I and the Other -- The Lyric Mode -- ""To Brooklyn Bridge"" -- ""The Harbor Dawn"" -- ""Van Winkle"" -- ""Three Songs"" -- ""Quaker Hill"" -- ""Quaker Hill"" and Pound's The Pisan Cantos -- ""Atlantis"" -- Chapter 2 The Epic Mode of The Bridge: The Other and the I -- The Epic Mode -- ""Ave Maria"" -- ""Ave Maria"" and Pound's Canto 1 -- ""The River ""The River"" and Williams's Paterson, Book IV -- ""The Dance"" -- ""Indiana"" -- ""Cutty Sark"" -- ""Cape Hatteras"" -- ""The Tunnel"" -- ""The Tunnel"" and Eliot's The WtlSte Land -- Conclusion Historical Necessity and the Modernist Epic -- Notes -- Bibliography -- Index