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  1. The Routledge companion to history and the moving image
    Contributor: Hughes-Warrington, Marnie (Publisher); Nelson, Kim (Publisher); Treacey, Mia E. M. (Publisher)
    Published: 2024
    Publisher:  Routledge, London ; New York

    Location:
    Universitätsbibliothek Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Contributor: Hughes-Warrington, Marnie (Publisher); Nelson, Kim (Publisher); Treacey, Mia E. M. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781032203317; 9781032203324
    RVK Categories: AP 45000
    Subjects: Geschichte <Motiv>; Film
    Scope: xiv, 351 Seiten
  2. The Routledge companion to history and the moving image
    Contributor: Hughes-Warrington, Marnie (HerausgeberIn); Nelson, Kim (HerausgeberIn); Treacey, Mia E. M. (HerausgeberIn)
    Published: 2024
    Publisher:  Routledge, London

    Klappentext: "The Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to... more

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    B/217473
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Mannheim
    Signature:
    500 AP 45000 H894
    Inter-library loan:
    No inter-library loan

    Location:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signature:
    AP 45000 H894
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Klappentext: "The Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to digital streaming into the age of user-created content. The collection, written for a global audience, offers accessible discussions of historiography and a compelling resource for advanced undergraduates and postgraduates in history, film and media studies, and communications"--

     
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    Source: Union catalogues
    Contributor: Hughes-Warrington, Marnie (HerausgeberIn); Nelson, Kim (HerausgeberIn); Treacey, Mia E. M. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781032203317; 9781032203324
    RVK Categories: AP 45000
    Series: Routledge companions
    Subjects: History in motion pictures; History on television; Historical films; History; Motion pictures and history; 20th century history: c 1900 to c 2000; General & world history; Geschichte allgemein und Weltgeschichte; Geschichte und Archäologie; Geschichte: Theorie und Methoden; HISTORY / General; HISTORY / Historiography; HISTORY / Modern / General; HISTORY / Social History; HISTORY / World; History: theory & methods; Media studies; Medienwissenschaften; Modern history to 20th century: c 1700 to c 1900; PER004120; PERFORMING ARTS / Film & Video / History & Criticism; PERFORMING ARTS / Television / General; Social & cultural history; Sozial- und Kulturgeschichte
    Scope: xiv, 351 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Inhaltsverzeichnis: 1. Introduction: History is a Moving Image Section 1: Understanding History and the Moving Image 2. From History and film to Screened History 3. Actuality is not Enough: On Historiography and Cinema 4. Moving-Image Histories and Ethics Section 2: Genres and Modes 5. Patterns of Reality 6. Remediation, Trauma, and Preposterous History in Documentary Film 7. The Hero Myth and the Cutting Room Floor 8. Dramatizing Film History in the Historical Film 9. Mirroring the 1980s in Contemporary Horror 10. Fantastic Histories: Medievalism in Fantasy Film and Television 11. Satire and Realism in the Historical Film Section 3: Representation, Race and Identity 12. Counter-Temporalities and Dialectical Images in the Mass Cultural Rewriting of US Racial Histories 13. History and Hindi Film 14. Horrific History and Black Aliveness: Travel and Liberatory Loopholes in Lovecraft Country 15. Pasts Refracted: Indigenous Histories on Film Beyond the Cinema 16. The New Civil War Cinema Section 4: Evolving Forms and Formats 17. Public History on Screen: From Broadcast & Network TV to the Internet Era, an Evolutionary Approach 18. Live Documentary: Social Cinema and the Cinepoetics of Doubt 19. Process, Pedagogy, Prefiguration, and the Promised Land 20. Teaching Difficult History with YouTube Videos 21. What If?: Experimental History on Television Afterword 22. History with Images: A Conversation with Robert A. Rosenstone