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Displaying results 1 to 4 of 4.

  1. African American cinema through Black Lives Consciousness
    Contributor: Reid, Mark A. (Publisher)
    Published: [2019]
    Publisher:  Wayne State University Press, Detroit

    "African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from... more

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from post-World War II through the presidential administration of Barack Obama. Editor Mark A. Reid has assembled a stellar list of contributors who approach their film analyses as an intersectional practice that combines queer theory, feminism/womanism, and class analytical strategies alongside conventional film history and theory. Taken together, the essays invigorate a "Black Lives Consciousness," which speaks to the value of black bodies that might be traumatized and those bodies that are coming into being-ness through intersectional theoretical analysis and everyday activism. The volume includes essays such as Gerald R. Butters's, "Blaxploitation Film," which charts the genre and its uses of violence, sex, and misogyny to provoke a realization of other philosophical and sociopolitical themes that concern intersectional praxis. Dan Flory's "African-American Film Noir" explains the intertextual-fictional and socio-ecological-dynamics of black action films. Melba J. Boyd's essay, "'Who's that Nigga on that Nag?': Django Unchained and the Return of the Blaxploitation Hero," argues that the film provides cultural and historical insight, "signifies" on blackface stereotypes, and chastises Hollywood cinema's misrepresentation of slavery. African American Cinema through Black Lives Consciousness embraces varied social experiences within a cinematic Black Lives Consciousness intersectionality. The interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike."

     
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Contributor: Reid, Mark A. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780814345498; 9780814345481
    RVK Categories: AP 59783
    Subjects: African Americans in motion pictures; Film; Schwarze; Schwarze <Motiv>
    Scope: x, 310 Seiten, Illustrationen, 23 cm
    Notes:

    I. Postwar film treatment of the Civil Rights era : the fifties through the sixties -- II. The blaxploitation film and pastiche -- III. PostNegritude black film : pastiche and race -- IV. Black cinematic womanist praxis -- V. Sexual and racial polyphony in new black films
  2. African American cinema through Black lives consciousness
    Contributor: Reid, Mark A. (Herausgeber)
    Published: [2019]
    Publisher:  Wayne State University Press, Detroit

    "African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from... more

    Location:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    Signature:
    791.43652996073 AFR
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Marburg, Universitätsbibliothek
    Signature:
    001 AP 44983 R357
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from post-World War II through the presidential administration of Barack Obama. Editor Mark A. Reid has assembled a stellar list of contributors who approach their film analyses as an intersectional practice that combines queer theory, feminism/womanism, and class analytical strategies alongside conventional film history and theory. Taken together, the essays invigorate a "Black Lives Consciousness," which speaks to the value of black bodies that might be traumatized and those bodies that are coming into being-ness through intersectional theoretical analysis and everyday activism. The volume includes essays such as Gerald R. Butters's, "Blaxploitation Film," which charts the genre and its uses of violence, sex, and misogyny to provoke a realization of other philosophical and sociopolitical themes that concern intersectional praxis. Dan Flory's "African-American Film Noir" explains the intertextual-fictional and socio-ecological-dynamics of black action films. Melba J. Boyd's essay, "'Who's that Nigga on that Nag?': Django Unchained and the Return of the Blaxploitation Hero," argues that the film provides cultural and historical insight, "signifies" on blackface stereotypes, and chastises Hollywood cinema's misrepresentation of slavery. African American Cinema through Black Lives Consciousness embraces varied social experiences within a cinematic Black Lives Consciousness intersectionality. The interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike."

     
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    Source: Union catalogues
    Contributor: Reid, Mark A. (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780814345498; 9780814345481
    RVK Categories: AP 44983 ; AP 50300 ; AP 59783
    Subjects: Schwarze; Film; Schwarze <Motiv>
    Scope: x, 310 Seiten, Illustrationen, 23 cm
    Notes:

    Literaturangaben und Index

    I. Postwar film treatment of the Civil Rights era : the fifties through the sixties -- II. The blaxploitation film and pastiche -- III. PostNegritude black film : pastiche and race -- IV. Black cinematic womanist praxis -- V. Sexual and racial polyphony in new black films
  3. African American cinema through Black Lives Consciousness
    Contributor: Reid, Mark A. (Publisher)
    Published: [2019]
    Publisher:  Wayne State University Press, Detroit

    "African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from... more

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from post-World War II through the presidential administration of Barack Obama. Editor Mark A. Reid has assembled a stellar list of contributors who approach their film analyses as an intersectional practice that combines queer theory, feminism/womanism, and class analytical strategies alongside conventional film history and theory. Taken together, the essays invigorate a "Black Lives Consciousness," which speaks to the value of black bodies that might be traumatized and those bodies that are coming into being-ness through intersectional theoretical analysis and everyday activism. The volume includes essays such as Gerald R. Butters's, "Blaxploitation Film," which charts the genre and its uses of violence, sex, and misogyny to provoke a realization of other philosophical and sociopolitical themes that concern intersectional praxis. Dan Flory's "African-American Film Noir" explains the intertextual-fictional and socio-ecological-dynamics of black action films. Melba J. Boyd's essay, "'Who's that Nigga on that Nag?': Django Unchained and the Return of the Blaxploitation Hero," argues that the film provides cultural and historical insight, "signifies" on blackface stereotypes, and chastises Hollywood cinema's misrepresentation of slavery. African American Cinema through Black Lives Consciousness embraces varied social experiences within a cinematic Black Lives Consciousness intersectionality. The interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike."

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Reid, Mark A. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780814345498; 9780814345481
    RVK Categories: AP 59783
    Subjects: African Americans in motion pictures; Film; Schwarze; Schwarze <Motiv>
    Scope: x, 310 Seiten, Illustrationen, 23 cm
    Notes:

    I. Postwar film treatment of the Civil Rights era : the fifties through the sixties -- II. The blaxploitation film and pastiche -- III. PostNegritude black film : pastiche and race -- IV. Black cinematic womanist praxis -- V. Sexual and racial polyphony in new black films
  4. African American cinema through Black lives consciousness
    Contributor: Reid, Mark A. (HerausgeberIn)
    Published: [2019]
    Publisher:  Wayne State University Press, Detroit

    "African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from... more

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Signature:
    2.3.US-AFR
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 63123
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Leipzig
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Rostock
    Signature:
    AP 59483 R357
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Signature:
    CURE 100
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    "African American Cinema through Black Lives Consciousness uses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from post-World War II through the presidential administration of Barack Obama. Editor Mark A. Reid has assembled a stellar list of contributors who approach their film analyses as an intersectional practice that combines queer theory, feminism/womanism, and class analytical strategies alongside conventional film history and theory. Taken together, the essays invigorate a "Black Lives Consciousness," which speaks to the value of black bodies that might be traumatized and those bodies that are coming into being-ness through intersectional theoretical analysis and everyday activism. The volume includes essays such as Gerald R. Butters's, "Blaxploitation Film," which charts the genre and its uses of violence, sex, and misogyny to provoke a realization of other philosophical and sociopolitical themes that concern intersectional praxis. Dan Flory's "African-American Film Noir" explains the intertextual-fictional and socio-ecological-dynamics of black action films. Melba J. Boyd's essay, "'Who's that Nigga on that Nag?': Django Unchained and the Return of the Blaxploitation Hero," argues that the film provides cultural and historical insight, "signifies" on blackface stereotypes, and chastises Hollywood cinema's misrepresentation of slavery. African American Cinema through Black Lives Consciousness embraces varied social experiences within a cinematic Black Lives Consciousness intersectionality. The interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike." I. Postwar film treatment of the Civil Rights era : the fifties through the sixties -- II. The blaxploitation film and pastiche -- III. PostNegritude black film : pastiche and race -- IV. Black cinematic womanist praxis -- V. Sexual and racial polyphony in new black films

     
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Contributor: Reid, Mark A. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780814345481; 0814345492; 9780814345498; 0814345484
    RVK Categories: AP 59483
    Subjects: African Americans in motion pictures
    Scope: x, 310 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references and index