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  1. Pirating fictions
    ownership and creativity in nineteenth-century popular culture
    Published: 2017
    Publisher:  University of Virginia Press, Charlottesville

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    91.020.50
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780813940694
    Series: Victorian literature and culture series
    Subjects: Englisch; Literatur; Massenmedien; Urheberrecht; Seeräuber <Motiv>; Plagiat <Motiv>
    Scope: xvi, 292 Seiten
  2. Pirating fictions
    ownership and creativity in nineteenth-century popular culture
    Published: 2017
    Publisher:  University of Virginia Press, Charlottesville and London

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Max-Planck-Institut für Innovation und Wettbewerb / Max-Planck-Institut für Steuerrecht und Öffentliche Finanzen, Bibliothek
    No inter-library loan
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780813940694
    Edition: First published
    Series: Victorian literature and culture series
    Subjects: English literature; Pirates in literature; Pirates in mass media; Plagiarism; Books; Piracy (Copyright); Popular culture; Urheberrecht; Seeräuber <Motiv>; Englisch; Massenmedien; Plagiat; Literatur
    Scope: xvi, 292 Seiten, Illustrationen
    Notes:

    Literaturangaben und Index

  3. Pirating fictions
    ownership and creativity in nineteenth-century popular culture
    Published: 2017
    Publisher:  University of Virginia Press, Charlottesville

    Introduction -- The pirate account as eighteenth-century news -- Bryon's performing pirates -- Walter Scott's The pirate and the exercise of property -- James Fenimore Cooper's American pirates -- Adapting Dickens and the perils of some pirates --... more

    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    Introduction -- The pirate account as eighteenth-century news -- Bryon's performing pirates -- Walter Scott's The pirate and the exercise of property -- James Fenimore Cooper's American pirates -- Adapting Dickens and the perils of some pirates -- The piracy accusation in Gilbert and Sullivan's The pirates of Penzance -- Citing pirates in Robert Louis Stevenson's Treasure Island -- Collaborative authorship and impersonation in J.M. Barrie's Peter Pan -- Conclusion

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0813940699; 0813940702; 9780813940694; 9780813940700
    Series: Victorian literature and culture series
    Subjects: Books; Piracy (Copyright); Popular culture; Plagiarism; English literature; Pirates in mass media; Pirates in literature; Piracy (Copyright); Pirates in literature; Pirates in mass media; Plagiarism; Popular culture; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Books ; Pirated editions; English literature; Criticism, interpretation, etc; History
    Scope: 1 Online-Ressource (xvi, 292 pages)
    Notes:

    Includes bibliographical references (pages 241-282) and index

  4. Pirating fictions
    ownership and creativity in nineteenth-century popular culture
    Published: 2017
    Publisher:  University of Virginia Press, Charlottesville

    Two distinctly different meanings of piracy are ingeniously intertwined in Monica Cohen's lively new book, which shows how popular depictions of the pirate held sway on the page and the stage even as their creators were preoccupied with the ravages... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Two distinctly different meanings of piracy are ingeniously intertwined in Monica Cohen's lively new book, which shows how popular depictions of the pirate held sway on the page and the stage even as their creators were preoccupied with the ravages of literary appropriation. The golden age of piracy captured the nineteenth-century imagination, animating such best-selling novels as Treasure Island and inspiring theatrical hits from The Pirates of Penzance to Peter Pan. But the prevalence of unauthorized reprinting and dramatic adaptation meant that authors lost immense profits from the most lucrative markets. Infuriated, novelists and playwrights denounced such literary piracy in essays, speeches, and testimonies. Their fiction, however, tells a different story.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780813940694; 0813940699
    Other identifier:
    9780813940694
    RVK Categories: HL 1101
    Series: Victorian literature and culture series
    Subjects: English literature; Pirates in literature; Pirates in mass media; Plagiarism; Books; Piracy (Copyright); Popular culture; English literature; Pirates in literature; Pirates in mass media; Plagiarism; Books; Piracy (Copyright); Popular culture; Books; English literature; Piracy (Copyright); Pirates in literature; Pirates in mass media; Plagiarism; Popular culture
    Scope: xvi, 292 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references (pages 241-282) and index

  5. Pirating fictions
    ownership and creativity in nineteenth-century popular culture
    Published: 2017
    Publisher:  University of Virginia Press, Charlottesville

    Two distinctly different meanings of piracy are ingeniously intertwined in Monica Cohen's lively new book, which shows how popular depictions of the pirate held sway on the page and the stage even as their creators were preoccupied with the ravages... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 19566
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2019 A 11566
    Unlimited inter-library loan, copies and loan
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    EQ/250/1907
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    By 9733
    Unlimited inter-library loan, copies and loan
    Württembergische Landesbibliothek
    68/14035
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der Eberhard Karls Universität
    58 A 6526
    Unlimited inter-library loan, copies and loan

     

    Two distinctly different meanings of piracy are ingeniously intertwined in Monica Cohen's lively new book, which shows how popular depictions of the pirate held sway on the page and the stage even as their creators were preoccupied with the ravages of literary appropriation. The golden age of piracy captured the nineteenth-century imagination, animating such best-selling novels as Treasure Island and inspiring theatrical hits from The Pirates of Penzance to Peter Pan. But the prevalence of unauthorized reprinting and dramatic adaptation meant that authors lost immense profits from the most lucrative markets. Infuriated, novelists and playwrights denounced such literary piracy in essays, speeches, and testimonies. Their fiction, however, tells a different story.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780813940694; 0813940699
    Other identifier:
    9780813940694
    RVK Categories: HL 1101
    Series: Victorian literature and culture series
    Subjects: English literature; Pirates in literature; Pirates in mass media; Plagiarism; Books; Piracy (Copyright); Popular culture; English literature; Pirates in literature; Pirates in mass media; Plagiarism; Books; Piracy (Copyright); Popular culture; Books; English literature; Piracy (Copyright); Pirates in literature; Pirates in mass media; Plagiarism; Popular culture
    Scope: xvi, 292 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references (pages 241-282) and index