Introduction -- Sten Wistrand: Time for departure? the principle of minimal departure: a critical examination -- Staffan Carlshamre: Is there ever a happy ending? -- Leif Søndergaard: Fictional and factual discourses in narratives and the grey zone between -- Mari Hatavara: Contested history, denied past: the narrator's failure in Ralf Nordgren's Det har aldrig hänt (1977) -- Per Krogh Hansen: formalizing the study of character: traits, profiles, possibilities -- Lars-åke Skalin: Reading literary characters: is there a knowing the dancer from the dance? -- Marina Grishakova: The voices of madness: performativity and narrative identity -- Christer Johansson: Telling and showing: a semiotic perspective -- Göran Rossholm : Narrative as story representation contents -- Jeremy Hawthorn: Philip roth's Exit ghost, Joseph Conrad's The shadow-line, and the ethical implications of narrative occasion -- Pekka Tammi Othin Rong wit he ubtitles. Remarks on unreliability in fiction and non-fiction -- Rolf Gaasland: Practical reasoning demarcated: unreliable narration in Franz Kafka's "Erstes leid" -- Anniken Greve: Form, sense and nonsense: with examples from Wittgenstein and Kafka -- Erik van Ooijen: Notes on the conceptualization of style as embodied idiolect in French structuralism -- Greger Andersson: Is there a narrative method of text analysis and interpretation? -- Jakob Lothe: Verbal narrative and visual image: trains and railways in W.G. Sebald's "Paul Bereyter" and Austerlitz -- Matti Hyvärinen: "Against narrativity" reconsidered -- Markku Lehtimäki: Imagist narrative: the everyday and the aesthetic in Hemingway's fiction
Introduction -- Sten Wistrand: Time for departure? the principle of minimal departure: a critical examination -- Staffan Carlshamre: Is there ever a happy ending? -- Leif Søndergaard: Fictional and factual discourses in narratives and the grey zone between -- Mari Hatavara: Contested history, denied past: the narrator's failure in Ralf Nordgren's Det har aldrig hänt (1977) -- Per Krogh Hansen: formalizing the study of character: traits, profiles, possibilities -- Lars-åke Skalin: Reading literary characters: is there a knowing the dancer from the dance? -- Marina Grishakova: The voices of madness: performativity and narrative identity -- Christer Johansson: Telling and showing: a semiotic perspective -- Göran Rossholm : Narrative as story representation contents -- Jeremy Hawthorn: Philip roth's Exit ghost, Joseph Conrad's The shadow-line, and the ethical implications of narrative occasion -- Pekka Tammi Othin Rong wit he ubtitles. Remarks on unreliability in fiction and non-fiction -- Rolf Gaasland: Practical reasoning demarcated: unreliable narration in Franz Kafka's "Erstes leid" -- Anniken Greve: Form, sense and nonsense: with examples from Wittgenstein and Kafka -- Erik van Ooijen: Notes on the conceptualization of style as embodied idiolect in French structuralism -- Greger Andersson: Is there a narrative method of text analysis and interpretation? -- Jakob Lothe: Verbal narrative and visual image: trains and railways in W.G. Sebald's "Paul Bereyter" and Austerlitz -- Matti Hyvärinen: "Against narrativity" reconsidered -- Markku Lehtimäki: Imagist narrative: the everyday and the aesthetic in Hemingway's fiction
