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  1. Bucolic metaphors
    history, subjectivity and gender in the early modern Spanish pastoral
    Author: Hernández-Pecoraro, Rosilie
    Published: 2006
    Publisher:  U.N.C. Department of Romance Languages, Chapel Hill

    Cover; BUCOLIC METAPHORS: HISTORY, SUBJECTIVITY, AND GENDER IN THE EARLY MODERN SPANISH PASTORAL; Title; Copyright; Dedication; CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER 1: PASTORAL METAPHORS: HISTORY AS AN ABSENT CAUSE IN THE SPANISH... more

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    Location:
    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Location:
    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Location:
    Saarländische Universitäts- und Landesbibliothek
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    Cover; BUCOLIC METAPHORS: HISTORY, SUBJECTIVITY, AND GENDER IN THE EARLY MODERN SPANISH PASTORAL; Title; Copyright; Dedication; CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER 1: PASTORAL METAPHORS: HISTORY AS AN ABSENT CAUSE IN THE SPANISH PASTORAL NOVEL; I. The Ideal vs. the Real: The Pastoral as Symbolic Act; II. Prados y Palacios: History Narrativized in La Diana and La Galatea; III. Historical Subtext and Gendered Subjects; CHAPTER 2: PASTORAL ESCAPES: IDEAL SUBJECTIVITY AND COMMUNITY IN MONTEMAYOR'S LA DIANA AND CERVANTES'S LA GALATEA IV. Cervantes Performs the Female Poetic Voice: Enfadosas Suegras and other Feminine Complaints in La GalateaCHAPTER 4: THE METAPHOR UNDONE: CERVANTES'S UNMASKING OF THE PASTORAL; I. La casa de los celos y selvas de Ardenia: The Pastoral Metaphor Disrupted; II. Don Quixote: Parody, Female Agency, and the Undoing of the Pastoral Metaphor; WORKS CITED; INDEX; Back Cover I. Pastoral Love and the Construction of the Ideal SelfII. Pastoral Communities: What's love got to do with it?; III. Poetic Practice and the Pastoral Community: An Additional Note; CHAPTER 3: THE ""OTHER"" PASTORAL: ALTERNATIVE VERSIONS OF FEMALE SUBJECTIVITY IN LA DIANA AND LA GALATEA; I. In the Beginning there was Garcilaso: The Second Eclogue and the Pastoral Novel; II. Montemayor's La Diana and the Female Subject: Transgression and Reinscription; III. La Galatea: The Pastoral Community Revisited

     
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  2. Bucolic metaphors
    history, subjectivity and gender in the early modern Spanish pastoral
    Author: Hernández Pecoraro, Rosilie
    Published: 2006
    Publisher:  U.N.C. Department of Romance Languages, Chapel Hill

    Cover; BUCOLIC METAPHORS: HISTORY, SUBJECTIVITY, AND GENDER IN THE EARLY MODERN SPANISH PASTORAL; Title; Copyright; Dedication; CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER 1: PASTORAL METAPHORS: HISTORY AS AN ABSENT CAUSE IN THE SPANISH... more

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Inter-library loan:
    No inter-library loan

     

    Cover; BUCOLIC METAPHORS: HISTORY, SUBJECTIVITY, AND GENDER IN THE EARLY MODERN SPANISH PASTORAL; Title; Copyright; Dedication; CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER 1: PASTORAL METAPHORS: HISTORY AS AN ABSENT CAUSE IN THE SPANISH PASTORAL NOVEL; I. The Ideal vs. the Real: The Pastoral as Symbolic Act; II. Prados y Palacios: History Narrativized in La Diana and La Galatea; III. Historical Subtext and Gendered Subjects; CHAPTER 2: PASTORAL ESCAPES: IDEAL SUBJECTIVITY AND COMMUNITY IN MONTEMAYOR'S LA DIANA AND CERVANTES'S LA GALATEA IV. Cervantes Performs the Female Poetic Voice: Enfadosas Suegras and other Feminine Complaints in La GalateaCHAPTER 4: THE METAPHOR UNDONE: CERVANTES'S UNMASKING OF THE PASTORAL; I. La casa de los celos y selvas de Ardenia: The Pastoral Metaphor Disrupted; II. Don Quixote: Parody, Female Agency, and the Undoing of the Pastoral Metaphor; WORKS CITED; INDEX; Back Cover I. Pastoral Love and the Construction of the Ideal SelfII. Pastoral Communities: What's love got to do with it?; III. Poetic Practice and the Pastoral Community: An Additional Note; CHAPTER 3: THE ""OTHER"" PASTORAL: ALTERNATIVE VERSIONS OF FEMALE SUBJECTIVITY IN LA DIANA AND LA GALATEA; I. In the Beginning there was Garcilaso: The Second Eclogue and the Pastoral Novel; II. Montemayor's La Diana and the Female Subject: Transgression and Reinscription; III. La Galatea: The Pastoral Community Revisited

     
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