Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Search narrowed by
Last searches

Results for *

Displaying results 1 to 1 of 1.

  1. Modernist travel writing
    intellectuals abroad
    Author: Farley, David G.
    Published: ©2010
    Publisher:  University of Missouri Press, Columbia, Mo.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0826219012; 0826272282; 9780826219015; 9780826272287
    Series: UPCC book collections on Project MUSE.
    Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Literary; Travelers' writings; Modernism (Literature); Reiseliteratur; Englisch
    Other subjects: Pound, Ezra / 1885-1972; Cummings, Edward Estlin / 1894-1962; Lewis, Wyndham / 1882-1957; West, Rebecca / 1892-1983; Pound, Ezra (1885-1972): Cantos; Cummings, E. E. (1894-1962): Eimi; Lewis, Wyndham (1882-1957): Filibusters in Barbary; West, Rebecca (1892-1983): Black lamb and grey falcon; Pound, Ezra (1885-1972): The cantos; West, Rebecca (1892-1983): Black lamb and grey falcon; Cummings, Edward E. (1894-1962): Eimi; Lewis, Wyndham (1882-1957): Filibusters in barbary
    Scope: 1 Online-Ressource (x, 236 pages)
    Notes:

    Includes bibliographical references (pages 221-230) and index

    Introduction: modernism and travel writing between the wars -- "Damn the partition!": Ezra Pound and modern travel -- E.E. Cummings: intourist in the unworld -- Wyndham Lewis in Morocco: a satiric enterprise -- Rebecca West's Black lamb and grey falcon: the quality of visibility in Yugoslavia -- Conclusion: aftermaths and late modernism

    Annotation