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  1. Walter Benjamins Konzept des Eingedenkens ; Über Genese, Stellung und Bedeutung eines ungebräuchlichen Begriffs in Benjamins Schriften ; Walter Benjamin's concept of Eingedenken ; on origin, position, and meaning of an unusual concept in Benjamin's writings
    Published: 2015
    Publisher:  Technische Universität Berlin

    Abstract ; Trotz der ausufernden Literatur über Walter Benjamin wurde das Konzept des Eingedenkens bislang nicht zum Gegenstand einer eingehenden Studie gemacht. Diese Lücke auszufüllen, nimmt sich die vorliegende Arbeit vor. Zunächst wird nach der... more

     

    Abstract ; Trotz der ausufernden Literatur über Walter Benjamin wurde das Konzept des Eingedenkens bislang nicht zum Gegenstand einer eingehenden Studie gemacht. Diese Lücke auszufüllen, nimmt sich die vorliegende Arbeit vor. Zunächst wird nach der Herkunft dieses ungebräuchlichen Terminus gefragt. So widmet sich das erste Kapitel einer Analyse von Ernst Blochs frühen Schriften (Geist der Utopie und Thomas Münzer), die den schillernden Begriff ›Eingedenken‹ in den philosophischen Diskurs des zwanzigsten Jahrhunderts eingeführt haben. Damit bezieht sich Bloch auf einen besonderen Akt, der eine im Vergangenen liegende Potentialität aktualisiert und in verschiedenen Bereichen – Ästhetik, Erkenntnistheorie, Ontologie, Theologie – folgenschwere Wandlungen veranlassen kann. In den Schriften Walter Benjamins begegnet der Ausdruck ›Eingedenken‹ wohl ab 1927, als er anfängt, Notizen und Materialien für eine Arbeit über die Pariser Passagen zu sammeln. Zu den grundlegenden Einsichten, auf denen dieses Projekt beruht, gehört auch die Idee einer »dialektischen, kopernikanischen Wendung« der Geschichtsschreibung, die eben vom Eingedenken ermöglicht wird. Allerdings beschränkt sich Benjamin nicht darauf, Blochs Konzept in den Zusammenhang seiner eigenen Forschungen zu übertragen. Vielmehr befreit er das Eingedenken von der gnostisch-apokalyptischen »Metaphysik der Innerlichkeit«, die im Mittelpunkt der ersten Ausgabe vom Geist der Utopie stand. Im Gegensatz dazu läßt sich Benjamins Ansatz als anthropologisch-materialistisch bezeichnen. Vor allem die Surrealisten und Proust haben auf seine originelle Deutung dieses Begriffs einen maßgeblichen Einfluß ausgeübt: die ersteren mit ihrer Entdeckung der revolutionären Kräfte, die in der abgestorbenen Dingwelt liegen (s. Kap. 2), der zweite mit seiner detaillierten Erkundung der mémoire involontaire (s. Kap. 3). Im Laufe der 30er Jahre entwickelt Benjamin zugleich eine kritische Methode und eine Poetik, die um das Eingedenken kreisen, wie seine Schriften über Kraus (s. Kap. 4), Kafka (s. Kap. 6), Lesskow (s. Kap. 7) und Baudelaire (s. Kap. 8), sowie seine Kindheitserinnerungen (s. Kap. 5), die Briefsammlung Deutsche Menschen (s. Kap. 7) und die Geschichtsthesen (s. Kap. 8) ausführlich zeigen. Aus der eingehenden Lektüre dieser Schriften geht deutlich hervor, daß das Eingedenken ein facettenreiches Thema ist, das sich einer eindeutigen Definition entzieht. Deshalb schlage ich im neunten und letzten Kapitel vor, das Eingedenken als ›Idee‹ zu betrachten, indem ich auf Benjamins »Erkenntniskritische Vorrede« zum Trauerspielbuch zurückgreife. Fasst man die Ideen als Konstellationen auf, so müßte eine angemessene Darstellung der Idee des Eingedenkens die vielfältigen ›Sterne‹ ausfindig machen, aus denen diese Idee besteht. Dieser Aufgabe gerecht zu werden, hat die vorliegende Arbeit versucht. ; Abstract ; Starting with the essay on Proust published in 1929 the technical term Eingedenken plays a crucial role in Walter Benjamin’s writings. However a thorough research about this concept is still lacking in the immense literature on his thought. The principal aim of this doctoral thesis was to fill such lack by providing a vast and meticulous analysis of the meaning of Eingedenken in Benjamin’s work. The opening chapter shed light on the origins of this very peculiar and unusual German term: as a matter of fact it was Ernst Bloch, not Benjamin, who invented this concept in his first major book, Geist der Utopie (1918). By forming this bizarre noun from the phrasal verb “eingedenk sein”, Bloch tries to outline a utopian experience: an act by which the subject brings to light some potentialities hidden in a forgotten past. Benjamin not only read the first edition of Geist der Utopie, he also wrote a review of the book which is unfortunately missing. On the basis of his letters we argued that although he rejected Bloch’s gnostic metaphysics, Benjamin was deeply influenced by the idea of Eingedenken. This concept plays a central role in the method of the Passagenarbeit as well as in “On the concept of history”, Benjamin’s last text. Following the chronological development of Benjamin’s work I thus examined the different meanings the term Eingedenken assumes: the connection with the concept of Erwachen in the first drafts of the Passagenarbeit (chapter 2), Proust’s idea of “mémoire involontaire” and its translation by Benjamin with “ungewolltes Eingedenken” (chapter 3), the theory of quotation (Zitat) in the essay on Kraus (chapter 4), the specific logic of remembrance in the Berliner Kindheit (chapter 5), the idea of “Studium” in the essay on Kafka (chapter 6), the difference between recollection, memory, and Eingedenken in the essay on the Storyteller (chapter 7), and finally the salvation of the idea of Eingedenken in the essays on Baudelaire as well as in the thesis on the concept of history (chapter 8). The result of my research can be thus summarized this way: Benjamin’s Eingedenken has to be seen not as a concept with an unambiguous meaning, but as a “Denkfigur” or an “idea” in Benjamin’s sense (chapter 9).

     

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    DDC Categories: 100; 800
    Subjects: Erinnerung; Gedächtnis; Eingedenken; Walter Benjamin; Ernst Bloch; Remembrance; memory
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  2. Los territorios de la memoria
    Published: 2013

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    Language: Spanish
    Media type: Undefined
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    DDC Categories: 800
    Subjects: Sefarad; Ashkenaz; memory; identity
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  3. Literatura "glocal", "¿Literatura postdictatura?", Las "historias menores" o la memoria como "Gran Historia"
    Published: 2015

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    Language: Spanish
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    DDC Categories: 860
    Subjects: Fontaine Talavera; Arturo; Cuando éramos inmortales; Chile; Literatur; Roman; Diktatur; Erinnerung; literature; novel; dictatorship; memory
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  4. S’inventer à partir de l’autre : Les Origines d’Amin Maalouf
    Published: 2021

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    Language: French
    Media type: Undefined
    Format: Online
    DDC Categories: 840
    Subjects: biographical writing; migration; nomadic identities; Ottoman Empire; memory
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  5. Strategien der Gedächtnisreflexion bei der Inszenierung von Erinnerung in Literatur und bildender Kunst
    Published: 2012

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    Language: German
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    DDC Categories: 830
    Subjects: Gedächtnis; Reflexion; Erinnerung; Geschichte; memory; reflection; history
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  6. "En tierras bajas" de Herta Müller: mirada crítica hacia las cicatrices de una infancia irrespirable
    Published: 2017

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    Language: Spanish
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    DDC Categories: 830
    Subjects: literatura migrante; exilio; interculturalidad; dictadura; memoria; Herta Müller; migrant literature; exile; multiculturalism; dictatorship; memory
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  7. Le differenti memorie della guerra in Jugoslavia (1991-1995) nel romanzo europeo occidentale in prospettiva transnazionale
  8. Memoria - Gedächtnis und Erinnerung in Theodor Fontanes Roman
    Published: 2014

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    Language: German
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    DDC Categories: 830
    Subjects: poetischer Realismus; Fontane; Unwiederbringlich; Erinnerungskultur; Gedächtniskultur; kollektives Gedächtnis; memory; cultural memory; poetic realism
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  9. The Ethnography of Rhythm
    Orality and Its Technologies
    Author: Saussy, Haun
    Published: [2016]; © 2016
    Publisher:  Fordham University Press, New York, NY

    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian "techniques of the body" as belonging to the domain of Derridean "arche-writing," Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823270491
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    Series: Verbal Arts: Studies in Poetics
    Subjects: Derrida; Homer; Jacques; MacLuhan; Marshall; Milman; Parry; embodiment; literacy; media; memory; oral tradition; theory of literature; Technology & Engineering / Social Aspects; Folk literature; Oral tradition; Orality in literature; Poetics; Storytelling
    Scope: 1 online resource (274 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  10. Autographs don't burn
    letters to the Bunins, part 1
    Published: 2020; © 2020
    Publisher:  Academic Studies Press, Boston

    This book sprang from three handwritten lines by Ivan Bunin, Russia's first winner of the Nobel Prize for Literature. Found inside a first edition of Mitya's Love, they led to the discovery of one of the largest corpora of letters written to Ivan and... more

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    This book sprang from three handwritten lines by Ivan Bunin, Russia's first winner of the Nobel Prize for Literature. Found inside a first edition of Mitya's Love, they led to the discovery of one of the largest corpora of letters written to Ivan and Vera Bunin by two people whose lives and legacy had been, until now, forgotten. These letters are now in the Russian Archive in Leeds (RAL), and are published here for the first time. The book also focuses on memory and history in its purest form, as narrated by witnesses who lived through the most tragic century in Russian history. Their stories involve Grand Dukes, Russian literary and political giants, as well as one of the architects of the Gulag, and show how these lives intertwined. It also sheds new light on the life and works of Chekhov, Gorky, A. Tolstoy, and Bunin

     

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  11. Flowers of time
    on postapocalyptic fiction
    Author: Payne, Mark
    Published: [2020]; © 2020
    Publisher:  Princeton University Press, Princeton ; Oxford

    An exploration of postapocalyptic fiction, from antiquity to today, and its connections to political theory and other literary genresThe literary lineage of postapocalyptic fiction—stories set after civilization’s destruction—is a long one, spanning... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    An exploration of postapocalyptic fiction, from antiquity to today, and its connections to political theory and other literary genresThe literary lineage of postapocalyptic fiction—stories set after civilization’s destruction—is a long one, spanning the biblical tale of Noah and Hesiod’s Works and Days to the works of Mary Shelley, Octavia Butler, Cormac McCarthy, and many others. Traveling from antiquity to the present, Flowers of Time reveals how postapocalyptic fiction differs from other genres—pastoral poetry, science fiction, and the maroon narrative—that also explore human capabilities beyond the constraints of civilization. Mark Payne places postapocalyptic fiction into conversation with such theorists as Aristotle, Jean-Jacques Rousseau, Claude Lévi-Strauss, and Carl Schmitt, illustrating how the genre functions as political theory in fictional form.Payne shows that rather than argue for a particular way of life, postapocalyptic literature reveals what it would be like to inhabit that life. He considers the genre’s appeal in our own historical moment, contending that this fiction is the pastoral of our time. Whereas the pastoralist and the maroon could escape to real-world hills and fashion their own versions of freedom, on a fully owned and occupied Earth, only an apocalyptic event can create a space where such freedoms are feasible once again.Flowers of Time looks at how fictional narratives set after the world’s devastation represent new conditions and possibilities for life and humanity

     

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  12. Fragments of Hell
    Israeli Holocaust Literature
    Published: [2019]; © 2019
    Publisher:  Academic Studies Press, Boston, MA

    In this compelling and engaging book, Dvir Abramovich introduces readers to several landmark novels, poems and stories that have become classics in the Israeli Holocaust canon. Discussed are iconic writers such as Aharon Appelfeld, Dan Pagis, Etgar... more

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    In this compelling and engaging book, Dvir Abramovich introduces readers to several landmark novels, poems and stories that have become classics in the Israeli Holocaust canon. Discussed are iconic writers such as Aharon Appelfeld, Dan Pagis, Etgar Keret, Yoram Kaniuk, Uri Tzvi Greenberg and Ka-Tzetnik, and their attempts to come to terms with the unprecedented trauma and its aftereffects. Scholarly, yet deeply accessible to both students and to the public, this illuminating volume offers a wide-ranging introduction to the intersection between literature and the Shoah, and the linguistic, stylistic and ethical difficulties inherent in representing this catastrophe in fiction. Exploring narratives by survivors and by those who wrote about the European genocide from a distance, each chapter contains a compassionate and thoughtful analysis of the author’s individual opus, accompanied by a comprehensive exploration of their biography and the major themes that underpin their corpus. The rich and sophisticated discussions and interpretations contained in this masterful set of essays are sure to become essential reading for those seeking to better understand the responses by Hebrew writers to the immense tragedy that befell their people

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781644690055
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    Subjects: Aharon Appelfeld; Dan Pagis; Etgar Keret; Holocaust remembrance; Holocaust; Israel; Israeli culture; Israeli literature; Jewish literature; Ka-Tzetnik; Uri Tzvi Greenberg; Yoram Kaniuk; genocide; history; memory; survivors; LITERARY CRITICISM / Middle Eastern; Judenvernichtung <Motiv>; Jüdische Literatur
    Scope: 1 online resource (146 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Dez 2019)

  13. Fiktion, Wissen, Gedächtnis
    literaturtheoretische Studien
    Published: 2020
    Publisher:  Rombach Wissenschaft, Baden-Baden

    Klappentext: Will man aus einer Perspektive der longue durée begreifen, was Literatur ist, dann ist es aufschlussreich, sich mit den Begriffen »Fiktion«, »Wissen« und »Gedächtnis« zu befassen. Der vorliegende Band vereinigt, unterteilt in drei... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Klappentext: Will man aus einer Perspektive der longue durée begreifen, was Literatur ist, dann ist es aufschlussreich, sich mit den Begriffen »Fiktion«, »Wissen« und »Gedächtnis« zu befassen. Der vorliegende Band vereinigt, unterteilt in drei Abschnitte, Einzelstudien, die sich jeweils schwerpunktmäßig auf einen dieser drei Begriffe fokussieren. Dabei werden geeignete theoretische Modelle eingeführt und so zugeschnitten, dass sie textanalytisch nutzbar gemacht werden können. Ziel ist es jeweils, wichtige literaturtheoretische Grundlagen zu entfalten und diese in ihrem Erklärungspotential für literarische Texte zu erschließen. Es kommt dabei auch zu Rückkopplungen zwischen Theoriediskurs und literarischer Praxis, insofern diese nicht selten in selbstreflexiver Form die eigenen Grundlagen thematisiert und implizite Theoriemodelle entwirft. Behandelt werden Texte aus dem Novellino, von Dante, Boccaccio, Cervantes, Diderot, Jean Paul, Foscolo, Balzac, Baudelaire, Zola, Capuana, Proust, Simon, Levi, Semprún, Perec und Modiano. Der Band richtet sich auch an Nicht-Romanisten, weshalb alle romanischsprachigen Zitate übersetzt wurden. Klappentext engl.: If one wants to understand what literature is from a longue durée perspective, it is instructive to examine the terms ‘fiction’, ‘knowledge’ and ‘memory’. Grouped into three sections, analytical studies each focusing on one of these three terms are compiled in this book. These studies introduce suitable theoretical models in this respect, which have been customised so that they can be used in textual analysis. In this way, the book aims to reveal important foundations of literary theory and analyse them in terms of their potential to explain literary texts. This also results in feedback effects between theoretical discourse and literary practice to the extent that they thematise their own foundations, often through self-reflection, and devise implicit theoretical models. The studies deal with texts from Il Novellino and by Dante, Boccaccio, Cervantes, Diderot, Jean Paul, Foscolo, Balzac, Baudelaire, Zola, Capuana, Proust, Simon, Levi, Semprún, Perec and Modiano. This book will also appeal to non-Romanists, which is why all quotations in a foreign language have been translated.

     

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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783968210230
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    RVK Categories: EC 1820
    Edition: 1. Auflage
    Series: Array
    Array ; Band 248
    Litterae ; 248
    Subjects: Erinnerung; Fiktionstheorie; Konzentrationslager; Dante; Reenactment; Jean Paul; Don Quijote; Marcel Proust; Novellino; Boccaccio; Balzac; Baudelaire; Zola; Ugo Foscolo; Claude Simon; knowledge; literary theory; literary text; Fiktion; Gedächtnis; memory; Wissen; Literaturtheorie; Romanistik; literarische Texte; fiction; Romance studies
    Scope: 1 Online-Ressource (429 Seiten)
  14. Migration und Gegenwartsliteratur
    Der Beitrag von Autorinnen und Autoren osteuropäischer Herkunft zur literarischen Kultur im deutschsprachigen Raum
    Contributor: Dembeck, Till (Publisher); Hausbacher, Eva (Publisher); Hrdinová, Eva Maria (Publisher); Isterheld, Nora (Publisher)
    Published: 2020
    Publisher:  Wilhelm Fink Verlag, Paderborn

    In den Beiträgen des Bandes wird das große Spektrum der aktuellen Migrationsliteratur von Autorinnen und Autoren aus Osteuropa im deutschsprachigen Raum veranschaulicht und theoretisch diskutiert.Migration spielt für die Gegenwartsliteratur eine... more

    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Evangelische Hochschule Nürnberg, Bibliothek
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    Technische Hochschulbibliothek Rosenheim
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    In den Beiträgen des Bandes wird das große Spektrum der aktuellen Migrationsliteratur von Autorinnen und Autoren aus Osteuropa im deutschsprachigen Raum veranschaulicht und theoretisch diskutiert.Migration spielt für die Gegenwartsliteratur eine bedeutende Rolle. Sie ist dabei zum einen ein Sujet, das wichtige Veränderungen der Gesellschaft inhaltlich reflektiert, zum anderen manifestiert sie sich auch in sprachlich-formalen Besonderheiten. Denn dadurch, dass die Autorinnen und Autoren dieser Literatur in der Regel selbst Migrationserfahrungen haben, bringen sie neben dem Blick von außen auch nicht selten einen zweiten Sprachhintergrund mit. Dieser wirkt, ebenso wie die inhaltlichen Aspekte, in die literarischen Texte hinein. Die Beiträge des Bandes reflektieren theoretische Fragen sowie einzelne Werke, unter anderem von Maxim Biller, Olga Martynova, Terézia Mora, Matthias Nawrat, Katja Petrowskaja, Julya Rabinowich und Anna Zonová

     

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    Source: Union catalogues
    Contributor: Dembeck, Till (Publisher); Hausbacher, Eva (Publisher); Hrdinová, Eva Maria (Publisher); Isterheld, Nora (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846765241
    Edition: 1st ed
    Series: Kulturtransfer und ,kulturelle Identität'
    Subjects: Croatian; Czech; Eastern Europe; German; identity; interkulturelle Literatur; kroatisch; memory; Migration; Polish; polnisch; Russian; russisch; tschechisch; türkisch; Turkish
    Scope: 1 Online-Ressource (268 Seiten), 1 b&w ills., 2 color ills
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    Wilhelm Fink

  15. Leben in der Arbeitslandschaft
    Narrationen des Ruhrbergbaus
    Contributor: Maxwill, Arnold (Publisher)
    Published: [2021]
    Publisher:  Brill, Wilhelm Fink, Paderborn

    Das Ruhrgebiet, polyzentrisches Städtekonglomerat, ist gleichermaßen Arbeits- und Erinnerungslandschaft. Die montanindustrielle Vergangenheit prägt diese Region: strukturell, physiognomisch, mental. Auch wenn die komplexe Konstellation von Ausbeute,... more

    Universitätsbibliothek Bamberg
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    Hochschule Kempten, Hochschulbibliothek
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    Technische Hochschulbibliothek Rosenheim
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    Das Ruhrgebiet, polyzentrisches Städtekonglomerat, ist gleichermaßen Arbeits- und Erinnerungslandschaft. Die montanindustrielle Vergangenheit prägt diese Region: strukturell, physiognomisch, mental. Auch wenn die komplexe Konstellation von Ausbeute, Abbrüchen und Pfadabhängigkeiten längst andere, teils widersprüchliche Dimensionen angenommen hat, bleibt doch ein unkoordiniertes Knäuel aus Projektionen und Narrationen, aus peripheren Konflikten. Diese Repräsentationsmodelle und Erzählstrategien werden interdisziplinär befragt, bewertet, diskutiert. Neben Texten Joseph Roths, Heinrich Hausers, Hans Dieter Baroths, Max von der Grüns u.a. stehen filmische Langzeitbeobachtungen, Fotografien, Lebenserinnerungen, auch Marketingkampagnen und museale Inszenierungen von Arbeit im Fokus. Die narrativen Muster bewegen sich im weiten Feld von selbstreferenzieller Bestätigung und dissonanter Transformation

     

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  16. Dark lens
    imaging Germany, 1945
    Published: [2019]; © 2019
    Publisher:  University of Chicago Press, Chicago

    The ruins of war have long held the power to stupefy and appall. Can such ruins ever be persuasively depicted and comprehended? Can images of them force us to identify with the suffering of the enemy and raise uncomfortable questions about... more

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    The ruins of war have long held the power to stupefy and appall. Can such ruins ever be persuasively depicted and comprehended? Can images of them force us to identify with the suffering of the enemy and raise uncomfortable questions about forgiveness and revenge? Françoise Meltzer explores those questions in Dark Lens, which uses the images of war ruins in Nazi Germany to investigate problems of aestheticization, the representation of catastrophe, and the targeting of civilians in war. Through texts that give accounts of bombed-out towns in Germany in the last years of the war, painters' attempts to depict the destruction, and her own mother's photographs taken in Berlin and other cities in 1945, Meltzer asks if any medium offers a direct experience of war ruins for the viewer. Ultimately, she concludes that while the viewer cannot help reimaging the devastation through the lenses of history, aestheticization, or voyeurism, these images at least allow us to approach the reality of ruins and grasp the larger issue of targeting civilians in modern warfare for what it is. Refreshingly accessible and deeply personal, Dark Lens is a compelling look at the role images play in constructing memories of war

     

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  17. Fragments of Hell
    Israeli Holocaust Literature
    Published: [2019]; © 2019
    Publisher:  Academic Studies Press, Boston, MA

    In this compelling and engaging book, Dvir Abramovich introduces readers to several landmark novels, poems and stories that have become classics in the Israeli Holocaust canon. Discussed are iconic writers such as Aharon Appelfeld, Dan Pagis, Etgar... more

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    In this compelling and engaging book, Dvir Abramovich introduces readers to several landmark novels, poems and stories that have become classics in the Israeli Holocaust canon. Discussed are iconic writers such as Aharon Appelfeld, Dan Pagis, Etgar Keret, Yoram Kaniuk, Uri Tzvi Greenberg and Ka-Tzetnik, and their attempts to come to terms with the unprecedented trauma and its aftereffects. Scholarly, yet deeply accessible to both students and to the public, this illuminating volume offers a wide-ranging introduction to the intersection between literature and the Shoah, and the linguistic, stylistic and ethical difficulties inherent in representing this catastrophe in fiction. Exploring narratives by survivors and by those who wrote about the European genocide from a distance, each chapter contains a compassionate and thoughtful analysis of the author’s individual opus, accompanied by a comprehensive exploration of their biography and the major themes that underpin their corpus. The rich and sophisticated discussions and interpretations contained in this masterful set of essays are sure to become essential reading for those seeking to better understand the responses by Hebrew writers to the immense tragedy that befell their people

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781644690055
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    Subjects: Aharon Appelfeld; Dan Pagis; Etgar Keret; Holocaust remembrance; Holocaust; Israel; Israeli culture; Israeli literature; Jewish literature; Ka-Tzetnik; Uri Tzvi Greenberg; Yoram Kaniuk; genocide; history; memory; survivors; LITERARY CRITICISM / Middle Eastern; Judenvernichtung <Motiv>; Jüdische Literatur
    Scope: 1 online resource (146 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Dez 2019)

  18. Flowers of time
    on postapocalyptic fiction
    Author: Payne, Mark
    Published: [2020]; © 2020
    Publisher:  Princeton University Press, Princeton ; Oxford

    An exploration of postapocalyptic fiction, from antiquity to today, and its connections to political theory and other literary genresThe literary lineage of postapocalyptic fiction—stories set after civilization’s destruction—is a long one, spanning... more

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    An exploration of postapocalyptic fiction, from antiquity to today, and its connections to political theory and other literary genresThe literary lineage of postapocalyptic fiction—stories set after civilization’s destruction—is a long one, spanning the biblical tale of Noah and Hesiod’s Works and Days to the works of Mary Shelley, Octavia Butler, Cormac McCarthy, and many others. Traveling from antiquity to the present, Flowers of Time reveals how postapocalyptic fiction differs from other genres—pastoral poetry, science fiction, and the maroon narrative—that also explore human capabilities beyond the constraints of civilization. Mark Payne places postapocalyptic fiction into conversation with such theorists as Aristotle, Jean-Jacques Rousseau, Claude Lévi-Strauss, and Carl Schmitt, illustrating how the genre functions as political theory in fictional form.Payne shows that rather than argue for a particular way of life, postapocalyptic literature reveals what it would be like to inhabit that life. He considers the genre’s appeal in our own historical moment, contending that this fiction is the pastoral of our time. Whereas the pastoralist and the maroon could escape to real-world hills and fashion their own versions of freedom, on a fully owned and occupied Earth, only an apocalyptic event can create a space where such freedoms are feasible once again.Flowers of Time looks at how fictional narratives set after the world’s devastation represent new conditions and possibilities for life and humanity

     

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  19. The Ethnography of Rhythm
    Orality and Its Technologies
    Author: Saussy, Haun
    Published: [2016]; © 2016
    Publisher:  Fordham University Press, New York, NY

    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all... more

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    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian "techniques of the body" as belonging to the domain of Derridean "arche-writing," Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823270491
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Subjects: Derrida; Homer; Jacques; MacLuhan; Marshall; Milman; Parry; embodiment; literacy; media; memory; oral tradition; theory of literature; Technology & Engineering / Social Aspects; Folk literature; Oral tradition; Orality in literature; Poetics; Storytelling
    Scope: 1 online resource (274 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  20. Doing Family in Second-Generation British Migration Literature
    Published: [2018]; ©2018
    Publisher:  De Gruyter, Berlin ; Boston

    Due to the large-scale global transformations of the 20th century, migration literature has become a vibrant genre over the last decades. In these novels, issues of transcultural identity and belonging naturally feature prominently. This study takes... more

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    Due to the large-scale global transformations of the 20th century, migration literature has become a vibrant genre over the last decades. In these novels, issues of transcultural identity and belonging naturally feature prominently. This study takes a closer look at the ways in which the idea of family informs processes of identity construction. It explores changing roles and meanings of the diasporic family as well as intergenerational family relations in a migration setting in order to identify the specific challenges, problems, and possibilities that arise in this context. This book builds on insights from different fields of family research (e.g. sociology, psychology, communication studies, memory studies) to provide a conceptual framework for the investigation of synchronic and diachronic family constellations and connections. The approach developed in this study not only sheds new light on contemporary British migration literature but can also prove fruitful for analyses of families in literature more generally. By highlighting the relevance and multifaceted nature of doing family, this study also offers new perspectives for transcultural memory studies

     

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110605082
    Other identifier:
    Series: Media and Cultural Memory / Medien und kulturelle Erinnerung ; 25
    Subjects: Emigration and immigration in literature; English literature / History and criticism; Families in literature; Erinnerung; Familie; Family; Großbritannien; Postkoloniale Literatur; Zeitgenössische Literatur; contemporary British literature; memory; postcolonial literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Scope: 1 online resource (300 p.)
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    Dissertation

  21. Victims and Perpetrators: 1933-1945
    (Re)Presenting the Past in Post-Unification Culture
    Published: [2012]; ©2006
    Publisher:  De Gruyter, Berlin ; Boston

    This volume examines the politics of history and memory in Germany today through a review and analysis of seminal developments in the current discourse on 1933 - 1945. An interdisplicinary work, this book examines questions of representing the past... more

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    This volume examines the politics of history and memory in Germany today through a review and analysis of seminal developments in the current discourse on 1933 - 1945. An interdisplicinary work, this book examines questions of representing the past from the perspective of literary studies, social psychology, film studies, history, and cultural studies.Themes include transgenerational memory and remembrance, the air war and German literature, commemoration and silences, transnational reconciliation, and historical consciousness in the German present. The collected essays make clear that as the current discourse contributes toward an historically informed, differentiated understanding of individuals' roles in the Third Reich and World War Two, victim and perpetrator identities cannot be defined as exclusive from one another. The discourse emphasizes personal over collective experience and answers questions of responsibility and guilt on the individual level

     

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  22. Discursive Remembering
    Individual and Collective Remembering as a Discursive, Cognitive and Historical Process
    Published: [2014]; ©2014
    Publisher:  De Gruyter, Berlin ; Boston

    This book aims at building a bridge between the social and political aspects of remembering and the cognitive and discourse processes driving such activities. By analyzing these cognitive and discursive processes, Bietti explores practices of... more

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    This book aims at building a bridge between the social and political aspects of remembering and the cognitive and discourse processes driving such activities. By analyzing these cognitive and discursive processes, Bietti explores practices of individual and collective remembering in institutional and private settings in relation to periods of political violence in Argentina. This books begins to fill the conceptual gap between cognitive oriented approaches to remembering that draw conclusions about how memory functions in the mind without a detailed discourse analysis of the communicative interaction in which this process unfolds, and the discourse and pragmatic oriented approaches that are mainly interested in analyzing the rhetorical features of conversational remembering, in some cases disregarding that there are underlying cognitive mechanisms that drive the construction of discourses about past experiences. The empirical analysis shows that individual and collective remembering in relation to periods of political violence in Argentina vary in pragmatic ways due to the fact that these accounts of the past were constructed with reference to the communicative situation. Thus, this book also aims at shedding new light on the current practices of commemoration and remembrance related to periods of political violence in Argentina, in public and private settings

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110350296
    Other identifier:
    RVK Categories: EC 2410
    Series: Media and Cultural Memory / Medien und kulturelle Erinnerung ; 16
    Subjects: Cognition; Collective memory; Memory; Social psychology; Argentina; Argentinien; Collective remembering; Gedächtnis, kulturelles; memory; Kollektives Gedächtnis; Verbrechen gegen die Menschlichkeit; Militärdiktatur; Individuum; Erinnerung; LITERARY CRITICISM / General
    Scope: 1 online resource (185 p.)
  23. Texte und Kontexte
    Analysen zum neueren spanischen Roman und Essay
    Contributor: Rien, Horst (Herausgeber)
    Published: 2023
    Publisher:  Rombach Wissenschaft – ein Verlag in der Nomos Verlagsgesellschaft, Baden-Baden

    Mit Hilfe einer textanalytischen Anwendung der theoretischen Konzepte „Diskurs“ und „mentales Schema“ legt der Autor eine innovative Analyse wichtiger spanischer Romane und Essays der jüngeren Vergangenheit vor, die sich auf die Beziehung zwischen... more

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    Mit Hilfe einer textanalytischen Anwendung der theoretischen Konzepte „Diskurs“ und „mentales Schema“ legt der Autor eine innovative Analyse wichtiger spanischer Romane und Essays der jüngeren Vergangenheit vor, die sich auf die Beziehung zwischen literarischem Text und kollektivem Wissen konzentriert. Unter Gesichtspunkten wie Macht, Erinnerung, Modernisierung etc. werden kontextuelle Bezüge zwischen literarischen und nicht-literarischen, zeitgenössischen Texten und damit Korrelationen zwischen literarischen und gesellschaftlichen Entwicklungen sichtbar gemacht. Der Band richtet sich vor allem an Literatur- und Kulturwissenschaftler:innen. Horst Rien, geb. 1948, hat als Romanist an den Universitäten Göttingen und Hamburg unterrichtet. Seine Forschungsschwerpunkte liegen auf der spanischen und französischen Literatur des 18. und 20. Jahrhunderts By applying the theoretical concepts of ‘discourse’ and ‘mental schema’ to textual analysis, the author presents an innovative analysis of important Spanish novels and essays from the recent past, focusing on the relationship between literary text and collective knowledge. Considering aspects such as power, memory, modernisation, etc., he brings to light contextual references between literary and non-literary contemporary texts and consequent correlations between literary and social developments. This volume is aimed primarily at literary and cultural scholars. Horst Rien, born in 1948, is a Romance scholar who has taught at the universities of Göttingen and Hamburg. His research focuses on Spanish and French literature from the 18th and 20th centuries

     

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  24. Leben in der Arbeitslandschaft
    Narrationen des Ruhrbergbaus
    Contributor: Maxwill, Arnold (Publisher)
    Published: [2021]
    Publisher:  Brill, Wilhelm Fink, Paderborn

    Das Ruhrgebiet, polyzentrisches Städtekonglomerat, ist gleichermaßen Arbeits- und Erinnerungslandschaft. Die montanindustrielle Vergangenheit prägt diese Region: strukturell, physiognomisch, mental. Auch wenn die komplexe Konstellation von Ausbeute,... more

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    Das Ruhrgebiet, polyzentrisches Städtekonglomerat, ist gleichermaßen Arbeits- und Erinnerungslandschaft. Die montanindustrielle Vergangenheit prägt diese Region: strukturell, physiognomisch, mental. Auch wenn die komplexe Konstellation von Ausbeute, Abbrüchen und Pfadabhängigkeiten längst andere, teils widersprüchliche Dimensionen angenommen hat, bleibt doch ein unkoordiniertes Knäuel aus Projektionen und Narrationen, aus peripheren Konflikten. Diese Repräsentationsmodelle und Erzählstrategien werden interdisziplinär befragt, bewertet, diskutiert. Neben Texten Joseph Roths, Heinrich Hausers, Hans Dieter Baroths, Max von der Grüns u.a. stehen filmische Langzeitbeobachtungen, Fotografien, Lebenserinnerungen, auch Marketingkampagnen und museale Inszenierungen von Arbeit im Fokus. Die narrativen Muster bewegen sich im weiten Feld von selbstreferenzieller Bestätigung und dissonanter Transformation

     

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  25. Migration und Gegenwartsliteratur
    Der Beitrag von Autorinnen und Autoren osteuropäischer Herkunft zur literarischen Kultur im deutschsprachigen Raum
    Contributor: Dembeck, Till (Publisher); Hausbacher, Eva (Publisher); Hrdinová, Eva Maria (Publisher); Isterheld, Nora (Publisher)
    Published: 2020
    Publisher:  Wilhelm Fink Verlag, Paderborn

    In den Beiträgen des Bandes wird das große Spektrum der aktuellen Migrationsliteratur von Autorinnen und Autoren aus Osteuropa im deutschsprachigen Raum veranschaulicht und theoretisch diskutiert.Migration spielt für die Gegenwartsliteratur eine... more

    Alice Salomon Hochschule Berlin, Bibliothek
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    In den Beiträgen des Bandes wird das große Spektrum der aktuellen Migrationsliteratur von Autorinnen und Autoren aus Osteuropa im deutschsprachigen Raum veranschaulicht und theoretisch diskutiert.Migration spielt für die Gegenwartsliteratur eine bedeutende Rolle. Sie ist dabei zum einen ein Sujet, das wichtige Veränderungen der Gesellschaft inhaltlich reflektiert, zum anderen manifestiert sie sich auch in sprachlich-formalen Besonderheiten. Denn dadurch, dass die Autorinnen und Autoren dieser Literatur in der Regel selbst Migrationserfahrungen haben, bringen sie neben dem Blick von außen auch nicht selten einen zweiten Sprachhintergrund mit. Dieser wirkt, ebenso wie die inhaltlichen Aspekte, in die literarischen Texte hinein. Die Beiträge des Bandes reflektieren theoretische Fragen sowie einzelne Werke, unter anderem von Maxim Biller, Olga Martynova, Terézia Mora, Matthias Nawrat, Katja Petrowskaja, Julya Rabinowich und Anna Zonová

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Dembeck, Till (Publisher); Hausbacher, Eva (Publisher); Hrdinová, Eva Maria (Publisher); Isterheld, Nora (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846765241
    Edition: 1st ed
    Series: Kulturtransfer und ,kulturelle Identität'
    Subjects: Croatian; Czech; Eastern Europe; German; identity; interkulturelle Literatur; kroatisch; memory; Migration; Polish; polnisch; Russian; russisch; tschechisch; türkisch; Turkish
    Scope: 1 Online-Ressource (268 Seiten), 1 b&w ills., 2 color ills
    Notes:

    Wilhelm Fink