Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Last searches

Results for *

Displaying results 1 to 25 of 55.

  1. David Bowie and Romanticism
    Contributor: Rovira, James (HerausgeberIn)
    Published: 2022.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1. Introduction: David Bowie and Romanticism -- 2. David Bowie and Romantic Androgyny -- 3. Negative Capability in Space: The Romantic Bowieverse -- 4. Drug Use and Drug Literature from the Eighteenth Century to David Bowie -- 5. Capitalist... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    1. Introduction: David Bowie and Romanticism -- 2. David Bowie and Romantic Androgyny -- 3. Negative Capability in Space: The Romantic Bowieverse -- 4. Drug Use and Drug Literature from the Eighteenth Century to David Bowie -- 5. Capitalist Co-optation, Romantic Resistance, and Bowie’s Allegorical Performance in Nicolas Roeg’s The Man Who Fell to Earth -- 6. Too Late to Be Late Again: David Bowie, the Late 1970s, and Romanticism -- 7. Relics of The Future: The Melancholic Romanticism of Bowie’s Berlin Triptych -- 8. “Rebel Rebel”: Bowie as Romantic “Type”. - 9. The Goblin King, Absurdity, and Nonbinary Thinking -- 10. 1. Outside as Bowie’s Gothic Technodrama: Fascism and the Irrational Near the Turn of the Millennia -- 11. “Blackstar”: David Bowie’s Twenty-First-Century Ars Moriendi. David Bowie and Romanticism evaluates Bowie’s music, film, drama, and personae alongside eighteenth- and nineteenth-century poets, novelists, and artists. These chapters expand our understanding of both the literature studied as well as Bowie’s music, exploring the boundaries of reason and imagination, and of identity, gender, and genre. This collection uses the conceptual apparata and historical insights provided by the study of Romanticism to provide insight into identity formation, drawing from Romantic theories of self to understand Bowie’s oeuvre and periods of his career. The chapters discuss key themes in Bowie’s work and analyze what Bowie has to teach us about Romantic art and literature as well.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Rovira, James (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030976224
    Other identifier:
    Edition: 1st ed. 2022.
    Series: Palgrave Studies in Music and Literature
    Springer eBook Collection
    Subjects: Literature, Modern—19th century.; Literature, Modern—18th century.; Music.; Performing arts.; Theater.
    Scope: 1 Online-Ressource(XIII, 298 p.)
  2. Speed and Flight in Shakespeare
    Author: Steggle, Matthew
    Published: 2022.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1: Introduction -- Chapter 2: Acceleration in The Comedy of Errors -- Chapter 3: Taking Flight in Romeo and Juliet -- Chapter 4: The Speed Demons of A Midsummer Night's Dream -- Chapter 5: The Action of the Tiger: Richard III and Henry V --... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Chapter 1: Introduction -- Chapter 2: Acceleration in The Comedy of Errors -- Chapter 3: Taking Flight in Romeo and Juliet -- Chapter 4: The Speed Demons of A Midsummer Night's Dream -- Chapter 5: The Action of the Tiger: Richard III and Henry V -- Chapter 6: Macbeth: Life in Fast Forward -- Chapter 7: Free Flight:The Tempest -- Chapter 8: Conclusion. . Shakespeare's plays are fascinated by the problems of speed and flight. They are repeatedly interested in humans, spirits, and objects that move very fast; become airborne; and in some cases even travel into space. In Speed and Flight in Shakespeare, the first study of any kind on the subject, Steggle looks at how Shakespeare’s language explores ideas of speed and flight, and what theatrical resources his plays use to represent these states. Shakespeare has, this book argues, an aesthetic of speed and flight. Featuring chapters on The Comedy of Errors, A Midsummer Night’s Dream, Romeo and Juliet, Henry V, Macbeth and The Tempest, this study opens up a new field around the ‘historical phenomenology’ of early modern speed. Matthew Steggle is Professor of English at the University of Bristol, UK. His research interests include early modern literature and drama, with a particular focus on "historicized performance studies", and "acoustic approaches" to early modern drama. His publications include four monographs on early modern drama; editions of plays by Shakespeare, Jonson, and Brome; and dozens of scholarly articles and book chapters. Steggle is also Co-editor of the AHRC-funded Oxford Works of John Marston project, and of the Lost Plays Database. .

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030936570
    Other identifier:
    Edition: 1st ed. 2022.
    Series: Springer eBook Collection
    Subjects: European literature—Renaissance, 1450-1600.; Drama.; Theater—History.; Stage management.; Performing arts.; Theater.
    Scope: 1 Online-Ressource(XI, 136 p. 2 illus.)
  3. Onscreen Allusions to Shakespeare
    International Films, Television, and Theatre
    Contributor: Joubin, Alexa Alice (HerausgeberIn); Bladen, Victoria (HerausgeberIn)
    Published: 2022.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1. The Boundaries of Citation: Shakespeare in Davide Ferrario’s Tutta colpa di Giuda 2008), Alfredo Peyretti’s Moana (2009), and Connie Macatuno’s Romeo and Juliet (2006) -- Chapter 2. Antipodean Shakespeares: Appropriating Shakespeare in... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Chapter 1. The Boundaries of Citation: Shakespeare in Davide Ferrario’s Tutta colpa di Giuda 2008), Alfredo Peyretti’s Moana (2009), and Connie Macatuno’s Romeo and Juliet (2006) -- Chapter 2. Antipodean Shakespeares: Appropriating Shakespeare in Australian Film -- Chapter 3. Othello Surfing: Fragments of Shakespeare in South Africa -- Chapter 4. Shakespeare in Bits and Bites in Indian Cinema -- Chapter 5. What “doth grace for grace and love for love allow”?: Recreations of the Balcony Scenes on Brazilian Screens -- Chapter 6. “Mon petit doigt m’a dit …”: Referencing Shakespeare or Agatha Christie? -- Chapter 7. Shakespeare’s Julius Caesar in Federico Fellini’s Roma -- Chapter 8. “Still Our Contemporary” in East Central Europe? Post-socialist Shakespearean Allusions and Frameworks of Reference -- Chapter 9. Soviet and Post-Soviet References to Hamlet on Film and Television. Allusions to Shakespeare haunt our contemporary culture in a myriad of ways, whether through brief references or sustained intertextual engagements. Shakespeare’s plays and motifs have been appropriated in fragmentary forms onstage and onscreen since motion pictures were invented in 1893. This collection of essays extends beyond a US-UK axis to bring together an international group of scholars to explore Shakespearean appropriations in unexpected contexts in lesser-known films and television shows in India, Brazil, Russia, France, Australia, South Africa, East-Central Europe and Italy, with reference to some filmed stage works. Alexa Alice Joubin is founding Co-Director of the Digital Humanities Institute and Professor of English, Women’s, Gender and Sexuality Studies, Theatre, East Asian Languages and Literatures, and International Affairs at George Washington University in Washington, D.C., USA. Her latest book is Shakespeare and East Asia (2021). Victoria Bladen teaches literary studies and adaptation at the University of Queensland, Australia. Her latest book is The Tree of Life and Arboreal Aesthetics in Early Modern Literature (2021).

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Joubin, Alexa Alice (HerausgeberIn); Bladen, Victoria (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030937836
    Other identifier:
    Edition: 1st ed. 2022.
    Series: Global Shakespeares
    Springer eBook Collection
    Subjects: European literature—Renaissance, 1450-1600.; Adaptation (Literary, artistic, etc.).; Motion pictures.; Television broadcasting.; Performing arts.; Theater.
    Scope: 1 Online-Ressource(XV, 225 p. 13 illus., 11 illus. in color.)
  4. The Shakespearean Death Arts
    Hamlet Among the Tombs
    Contributor: Engel, William E. (HerausgeberIn); Williams, Grant (HerausgeberIn)
    Published: 2022.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Section I: Staging the Death Arts -- Chapter One: Shakespeare’s Ars Moriendi, Andrew D. McCarthy -- Chapter Two: Deciphering the Dead: Speaking for Corpses in Early Modern Drama, Brian Harries -- Chapter Three: ‘As thou art, I once was’—Death’s... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Section I: Staging the Death Arts -- Chapter One: Shakespeare’s Ars Moriendi, Andrew D. McCarthy -- Chapter Two: Deciphering the Dead: Speaking for Corpses in Early Modern Drama, Brian Harries -- Chapter Three: ‘As thou art, I once was’—Death’s Unstable Binary, Eileen Sperry -- Chapter Four: Antony and Cleopatra and the Vicissitudes of Monumentalization, Grant Williams -- Chapter Five: Tombs, Ooze, and Ashes in Pericles, Dorothy Todd -- Chapter Six: Empathetic Reflections on Love, Life, and Death in Othello, Jessica Tooker -- Chapter Seven: Othello’s Speaking Corpses and the Performance of Memento Mori, Maggie Vinter:- Section II: Hamlet and the Death Arts -- Chapter Eight: Turnings in the Grave: Riddles, Death, and Burial in Hamlet, Jonathan Baldo -- Chapter Nine: The Theatre of Hamlet’s Judgements, Zackariah Long -- Chapter Ten: The Art of Losing: Description in Early Modern Rhetoric, Amanda K. Ruud -- Chapter Eleven: ‘Native and indued / Unto that element’: Dissolution, Permeability, and the Death of Ophelia, Pamela Royston Macfie -- Chapter Twelve: Artful Death and Women’s Suicide: Gertrude and Ophelia, Lina Perkins Wilder -- Chapter Thirteen: Artless Deaths in Hamlet, Isabel Karremann -- Chapter Fourteen: ‘He made a good end’: Middleness, Ending, and Annihilation in Hamlet, Michael Neill. This is the first book to view Shakespeare’s plays from the prospect of the premodern death arts, not only the ars moriendi tradition but also the plurality of cultural expressions of memento mori, funeral rituals, commemorative activities, and rhetorical techniques and strategies fundamental to the performance of the work of dying, death, and the dead. The volume is divided into two sections: first, critically nuanced examinations of Shakespeare’s corpus and then, second, of Hamlet exclusively as the ultimate proving ground of the death arts in practice. This book revitalizes discussion around key and enduring themes of mortality by reframing Shakespeare’s plays within a newly conceptualized historical category that posits a cultural divide—at once epistemological and phenomenological—between premodernity and the Enlightenment. William E. Engel is the Nick B. Williams Professor of Literature at The University of the South, in Sewanee, Tennessee, USA. He has published eight books on literary history and applied emblematics, including two critical anthologies coauthored with Rory Loughnane and Grant Williams, The Death Arts in Renaissance England (2022) and The Memory Arts in Renaissance England (2016); and has coedited several collections of essays including Memory and Mortality in Renaissance England (2022) and Memory and Forgetting in the Early Modern Era (2018). Grant Williams is an Associate Professor of English Literature at Carleton University, in Ottawa, Canada. With William E. Engel and Rory Loughnane, he has co-authored The Death Arts in Renaissance England (2022) and, with Donald Beecher, edited Henry Chettle’s Kind-Heart’s Dream and Piers Plainness: Two Pamphlets from the Elizabethan Book Trade (2021). He has also co-authored The Memory Arts in Renaissance England (2016) with Engel and Loughnane and co-edited three collections: Taking Exception to the Law (2015), Ars reminiscendi (2009), and Lethe’s Legacies (2004).

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Engel, William E. (HerausgeberIn); Williams, Grant (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030884901
    Other identifier:
    Edition: 1st ed. 2022.
    Series: Palgrave Shakespeare Studies
    Springer eBook Collection
    Subjects: European literature—Renaissance, 1450-1600.; Drama.; Theater—History.; Performing arts.; Theater.; Civilization—History.
    Scope: 1 Online-Ressource(XV, 346 p. 8 illus., 2 illus. in color.)
  5. Shakespeare and Digital Performance in Practice
    Author: Sullivan, Erin
    Published: 2022.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1. Introduction -- 2. Being There -- 3. The Broadcast Stage -- 4. Mediated Performance -- 5. Born-Digital Theatre -- 6. Conclusion -- 7. In Practice - Interviews with Two Practitioners. . Shakespeare and Digital Performance in Practice explores the... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    1. Introduction -- 2. Being There -- 3. The Broadcast Stage -- 4. Mediated Performance -- 5. Born-Digital Theatre -- 6. Conclusion -- 7. In Practice - Interviews with Two Practitioners. . Shakespeare and Digital Performance in Practice explores the impact of digital technologies on the theatrical performance of Shakespeare in the twenty-first century, both in terms of widening cultural access and developing new forms of artistry. Through close analysis of dozens of productions, both high-profile and lesser known, it examines the rise of live broadcasting and recording in the theatre, the growing use of live video feeds and dynamic projections on the mainstream stage, and experiments in born-digital theatre-making, including social media, virtual reality, and video-conferencing adaptations. In doing so, it argues that technologically adventurous performances of Shakespeare allow performers and audiences to test what they believe theatre to be, as well as to reflect on what it means to be present—with a work of art, with others, with oneself—in an increasingly online world. Erin Sullivan is Reader in Shakespeare at the Shakespeare Institute, University of Birmingham, UK. She is co-editor of Lockdown Shakespeare: New Evolutions in Performance and Adaptation (2022) and author of Beyond Melancholy: Sadness and Selfhood in Renaissance England (2016). Her research focuses on the emotional force of Shakespeare’s works, both in his own time and today. .

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783031057632
    Other identifier:
    Edition: 1st ed. 2022.
    Series: Shakespeare in Practice
    Springer eBook Collection
    Subjects: European literature—Renaissance, 1450-1600.; Literature—History and criticism.; Theater—History.; Performing arts.; Theater.
    Scope: 1 Online-Ressource(XV, 249 p. 22 illus., 19 illus. in color.)
  6. Dramatizing blindness
    disability studies as critical creative narrative
    Author: Healey, Devon
    Published: [2021]; © 2021
    Publisher:  Springer, Cham ; Palgrave Macmillan

    Introduction -- Act I The Genesis of Blindness -- Act II The School of Hard Knocks -- Act III Blindness in the Street -- Act IV At Home by Myself With You -- Act V The Spectre of a Home -- Conclusion: Awiatiing the Arrival of Blindness. Dramatizing... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction -- Act I The Genesis of Blindness -- Act II The School of Hard Knocks -- Act III Blindness in the Street -- Act IV At Home by Myself With You -- Act V The Spectre of a Home -- Conclusion: Awiatiing the Arrival of Blindness. Dramatizing Blindness: Disability Studies as Critical Creative Narrative engages with the cultural meanings and movements of blindness. This book addresses how blindness is lived in particular contexts—in offices of ophthalmology and psychiatry, in classrooms of higher education, in accessibility service offices, on the street and at home. Taking the form of a play written in five acts, the narrative dramatizes how the main character’s blindness is conceived of in the world and in the self. Each act includes an analysis where blind studies is explored in relation to disability studies. This work reveals the performative enactment of blindness that is lived in the public as well as in the private corners of the self, demonstrating how blindness is a form of perception. Devon Healey’s work orients to blindness as a necessary and creative feature of the sensorium and shows how blindness is a form of perception.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030808112
    Other identifier:
    Series: Literary disability studies
    Springer eBook Collection
    Subjects: Literature—Philosophy.; Drama.; Performing arts.; Education.; Creative writing.
    Scope: 1 Online-Ressource(xii, 182 Seiten)
  7. Shakespeare in Cuba
    Caliban’s Books
    Author: Woodford-Gormley, Donna
    Published: 2021.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1: Introduction -- Chapter 2: Devouring Shakespeare: Cuba, Cannibalism, and Caliban -- Chapter 3: Revolution, Repentismo, and Romeo and Juliet: Consuming Texts / Nourishing Community -- Chapter 4: Race and Revolution in Tomás González’s... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Chapter 1: Introduction -- Chapter 2: Devouring Shakespeare: Cuba, Cannibalism, and Caliban -- Chapter 3: Revolution, Repentismo, and Romeo and Juliet: Consuming Texts / Nourishing Community -- Chapter 4: Race and Revolution in Tomás González’s Othello adaptations: “of the cannibals that each other eat” -- Chapter 5: Ophelia Eats the Air: Consuming Voices in Piel de Violetas -- Chapter 6: Shakespeare as Cultural Bridge: Incorporating the Other. Shakespeare in Cuba: Caliban’s Books explores how Shakespeare is consumed and appropriated in Cuba. It contributes to the underrepresented field of Latin American Shakespeares by applying the lens of cultural anthropophagy, a theory with Latin American roots, to explore how Cuban artists ingest and transform Shakespeare’s plays. By consuming these works and incorporating them into Cuban culture and literature, Cuban writers make the plays their own while also nourishing the source texts and giving Shakespeare a new afterlife. Donna Woodford-Gormley is a Professor of English Literature at New Mexico Highlands University, USA. She has been researching and writing on Shakespeare in Cuba since 2004, and she has published several articles and book chapters on this subject.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030873677
    Other identifier:
    Edition: 1st ed. 2021.
    Series: Global Shakespeares
    Springer eBook Collection
    Subjects: Literature, Modern.; Theater.; Motion pictures.; Performing arts.
    Scope: 1 Online-Ressource(XI, 165 p. 2 illus., 1 illus. in color.)
  8. Restoring the Human Context to Literary and Performance Studies
    Voices in Everything
    Author: Mancing, Howard; Marston William, Jennifer
    Published: 2022.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1. Introduction: The Human Contexts of Literary Studies -- Part I: Linguistics and the Legacy of Bakhtin’s Philosophy of Language -- Chapter 2. Saussurean Linguistics and Bakhtin’s Critique -- Chapter 3. On Theory, Rewriting Saussure, and... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Chapter 1. Introduction: The Human Contexts of Literary Studies -- Part I: Linguistics and the Legacy of Bakhtin’s Philosophy of Language -- Chapter 2. Saussurean Linguistics and Bakhtin’s Critique -- Chapter 3. On Theory, Rewriting Saussure, and Chomsky -- Chapter 4. Bakhtin and His Echoes -- Part II: Biology, Language, and the Brain -- Chapter 5. Evolution and Language -- Chapter 6. The Brain -- Chapter 7. Development of the Brain -- Part III: Psychology and the Development of the “Literary Mind” -- Chapter 8. The Mind at Work -- Chapter 9. Development of the Mind -- Chapter 10. Theory of Mind (ToM) -- Part IV: Context in Science and the Humanities -- Chapter 11. Cognitivism -- Chapter 12. Contextualism -- Chapter 13. Evolutionary Psychology -- Part V: Contextualism—Changing the Paradigm in Literary and Performance Studies for the Twenty-First Century -- Chapter 14. Cognitive Literary Studies -- Chapter 15. Cognitive Approaches to Performance Studies -- Chapter 16: Conclusion: The Bridging Function of Contextualism and the Cognitive Paradigm. . Restoring the Human Context to Literary and Performance Studies argues that much of contemporary literary theory is still predicated, at least implicitly, on outdated linguistic and psychological models such as post-structuralism, psychoanalysis, and behaviorism, which significantly contradict current dominant scientific views. By contrast, this monograph promotes an alternative paradigm for literary studies, namely Contextualism, and in so doing highlights the similarities and differences among the sometimes-conflicting contemporary cognitive approaches to literature and performance, arguing not in favor of one over the other but for Contextualism as their common ground. Howard Mancing, who has recently made the transition to Professor Emeritus of Spanish at Purdue University, USA, is a renowned expert on Cervantes and Early Modern Spanish Literature, as well as a pioneer in Cognitive Literary Studies. He has published two monographs: The Chivalric World of Don Quixote: Style, Structure, and Narrative (1982) and Miguel de Cervantes’ ‘Don Quixote’: A Reference Guide (2006), and coedited three volumes of essay collections. In addition, he authored the two-volume Cervantes Encyclopedia in 2004. Howard has also written numerous journal articles and book chapters on Cognitive Studies topics such as embodied cognition, narrative and affect and Theory of Mind representations in literature. Jennifer Marston William is a Professor of German with specializations in twentieth and twenty-first century literature and film. She is currently serving as the Head of the School of Languages and Cultures at Purdue University, USA. Jennifer’s second monograph, Cognitive Approaches to German Historical Film: Seeing is Not Believing, was published with Palgrave in 2017, and she has published scholarly articles and book chapters on conceptual metaphor and on literary analyses from the perspective of Theory of Mind. She is also a co-founder, with Howard Mancing, of the Center for Cognitive Literary Studies at Purdue, which has existed since 2008 and was recently renamed the Center for Neurohumanities.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030890780
    Other identifier:
    Edition: 1st ed. 2022.
    Series: Cognitive Studies in Literature and Performance
    Springer eBook Collection
    Subjects: Literature—Philosophy.; Performing arts.; Theater.; Cognitive science.; Cognitive psychology.
    Scope: 1 Online-Ressource(XIV, 400 p. 1 illus.)
  9. Affects in 21st-Century British Theatre
    Exploring Feeling on Page and Stage
    Contributor: Aragay, Mireia (HerausgeberIn); Delgado-García, Cristina (HerausgeberIn); Middeke, Martin (HerausgeberIn)
    Published: 2021.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1. Chapter 1: Introduction: Thinking-Feeling our Way; Mireia Aragay (University of Barcelona), Cristina Delgado-García (University of Glasgow) and Martin Middeke (University of Augsburg) -- 2. Chapter 2: 'Feel and Think, Think and Feel: Complicating... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    1. Chapter 1: Introduction: Thinking-Feeling our Way; Mireia Aragay (University of Barcelona), Cristina Delgado-García (University of Glasgow) and Martin Middeke (University of Augsburg) -- 2. Chapter 2: 'Feel and Think, Think and Feel: Complicating Empathy in debbie tucker green’s hang; Mireia Aragay (University of Barcelona) -- 3. Chapter 3: Moving Parts: Emotion, Intention and Ambivalent Attachments; Clare Wallace (Charles University, Prague) -- 4. Chapter 4: Love and the Intentionality of Affect in Lucy Prebble’s The Effect and debbie tucker green’s a profoundly affectionate, passionate devotion to someone (-noun); Korbinian Stöckl (University of Augsburg) -- 5. Chapter 5: Political Dramaturgies of Affect: Anthony Neilson’s God in Ruins and The Wonderful World of Dissocia; Liz Tomlin (University of Glasgow) -- 6. Chapter 6: Black Lives, Black Words at the Bush Theatre: Art, Anger, Affect and Activism; Lynette Goddard (Royal Holloway, University of London) -- 7. Chapter 7: ‘Feeling Feminism’: Politics of Mischief in Contemporary Women’s Theatre; Marissia Fragkou (Canterbury Christ Church University) -- 8. Chapter 8: Contemporary British Theatre, Democracy and Affect: States of Feeling; Cristina Delgado-García (University of Glasgow) -- 9. Chapter 9: Affect and the Politics of Abstraction in British New Writing; Philip Watkinson (University of Winchester) -- 10. Chapter 10: Vibrant Materials: Affective Arrangements, the Allure of Glamour and Architexture(s) in Penelope Skinner’s Eigengrau and Mike Bartlett’s Game; Martin Middeke (University of Augsburg) -- 11. Chapter 11: Entanglements: Transaction and Intra-Action with the Devil in How to Hold Your Breath; Julia Boll (Konstanz University) -- 12. Chapter 12: Theatre at the End of the World; Mark Robson (University of Dundee) -- 13. Chapter 13: Affects and the Development of Political Subjectivity: From Resilience to Agency in Kate Tempest’s Wasted; Clara Escoda (University of Barcelona) -- . This book explores the various manifestations of affects in British theatre of the 21st century. The introduction gives a concise survey of existing and emerging theoretical and research trends and argues in favour of a capacious understanding of affects that mediates between more autonomous and more social approaches. The twelve chapters in the collection investigate major works in Britain by playwrights and theatre makers including Mojisola Adebayo, Mike Bartlett, Alice Birch, Caryl Churchill, Tim Crouch and Andy Smith, Rachel De-lahay, Reginald Edmund, James Fritz, David Greig, Idris Goodwin, Zinnie Harris, Kieran Hurley, Lucy Kirkwood, Anders Lustgarten, Yolanda Mercy, Anthony Neilson, Lucy Prebble, Sh!t Theatre, Penelope Skinner, Stef Smith, Kae Tempest and debbie tucker green. The interpretations identify significant areas of tension as they relate affects to the fields of cognition, politics and hope. In this, the chapters uncover interrelations of thought, intention and empathy; they reveal the nexus between identities, institutions and ideology; and, finally, they explore how theatre can accomplish the transition from a sense of crisis to utopian visions.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Aragay, Mireia (HerausgeberIn); Delgado-García, Cristina (HerausgeberIn); Middeke, Martin (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030584863
    Other identifier:
    RVK Categories: HO 11050 ; AP 78830 ; HO 12610
    Edition: 1st ed. 2021.
    Series: Springer eBook Collection
    Subjects: Theater.; Performing arts.
    Scope: 1 Online-Ressource(XI, 284 p. 1 illus.)
  10. Shakespeare's Storytelling
    An Introduction to Genre, Character, and Technique
    Author: Eastman, Nate
    Published: 2021.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1 Introduction -- Chapter 2 Shakespeare the Storyteller -- Chapter 3 Characters and their Stories -- Chapter 4 Relationships Between Characters -- Chapter 5 Structure -- Chapter 6 Shakespeare's Genres -- Chapter 7 Applications and Exercises... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Chapter 1 Introduction -- Chapter 2 Shakespeare the Storyteller -- Chapter 3 Characters and their Stories -- Chapter 4 Relationships Between Characters -- Chapter 5 Structure -- Chapter 6 Shakespeare's Genres -- Chapter 7 Applications and Exercises -- Chapter 8 Conclusion. Shakespeare’s Storytelling: An Introduction to Genre, Character, and Technique is a textbook focused on specific storytelling techniques and genres that Shakespeare invented or refined. Drawing on examples from popular novels, plays, and films (such as IT, Beloved, Sex and the City, The Godfather, and Fences) the book provides an overview of how Shakespearean storytelling techniques such as character flaws, conflicts, symbols, and more have been adapted by later writers and used in the modern canon. Rather than taking a historicist or theoretical approach, Nate Eastman uses recognizable references and engaging language to teach the concepts and techniques most applicable to the future study of Creative Writing, English, Theater, and Film and Media. Students will be prepared to interpret Shakespeare’s plays and understand Shakespeare as the beginning of a literary tradition. A readable and short introduction to Shakespeare and his significance, this book is suitable for undergraduates.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030629939
    Other identifier:
    Edition: 1st ed. 2021.
    Series: Springer eBook Collection
    Subjects: Literature, Modern.; Creative writing.; Drama.; Performing arts.; Motion pictures.; Popular Culture.
    Scope: 1 Online-Ressource(X, 189 p. 1 illus.)
  11. Dramatizing Blindness
    Disability Studies As Critical Creative Narrative
    Author: Healey, Devon
    Published: 2021; © 2021
    Publisher:  Springer International Publishing AG, Cham

    Introduction -- Act I The Genesis of Blindness -- Act II The School of Hard Knocks -- Act III Blindness in the Street -- Act IV At Home by Myself With You -- Act V The Spectre of a Home -- Conclusion: Awiatiing the Arrival of Blindness. Dramatizing... more

    Access:
    Aggregator (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction -- Act I The Genesis of Blindness -- Act II The School of Hard Knocks -- Act III Blindness in the Street -- Act IV At Home by Myself With You -- Act V The Spectre of a Home -- Conclusion: Awiatiing the Arrival of Blindness. Dramatizing Blindness: Disability Studies as Critical Creative Narrative engages with the cultural meanings and movements of blindness. This book addresses how blindness is lived in particular contexts—in offices of ophthalmology and psychiatry, in classrooms of higher education, in accessibility service offices, on the street and at home. Taking the form of a play written in five acts, the narrative dramatizes how the main character’s blindness is conceived of in the world and in the self. Each act includes an analysis where blind studies is explored in relation to disability studies. This work reveals the performative enactment of blindness that is lived in the public as well as in the private corners of the self, demonstrating how blindness is a form of perception. Devon Healey’s work orients to blindness as a necessary and creative feature of the sensorium and shows how blindness is a form of perception

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030808112
    Series: Literary Disability Studies
    Subjects: Literature—Philosophy.; Drama.; Performing arts.; Education.; Creative writing; Electronic books
    Scope: 1 online resource (192 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  12. Beckett and Politics
    Contributor: Davies, William (HerausgeberIn); Bailey, Helen (HerausgeberIn)
    Published: 2021.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1. Introduction, Helen Bailey & William Davies -- 2. The Politics of Forms in Beckett’s Writing, Nadia Louar -- 3. Beckett, Contradiction and a Textual Politics of Change, Arka Chattopadhyay -- 4. “Made of words”: Beckett and the Politics of... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    ebook
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Hamm
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek Karlsruhe (PH)
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Lippstadt
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Pädagogische Hochschule, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Stuttgart
    Inter-library loan:
    No inter-library loan

     

    1. Introduction, Helen Bailey & William Davies -- 2. The Politics of Forms in Beckett’s Writing, Nadia Louar -- 3. Beckett, Contradiction and a Textual Politics of Change, Arka Chattopadhyay -- 4. “Made of words”: Beckett and the Politics of Language, Alan Graham -- 5. “First the Place, Then I’ll Find Me in It”: The Unnamable’s Pronouns and the Politics of Confinement, James Little -- 6. Beckett, Evangelicalism and the Biopolitics of Famine, Seán Kennedy -- 7. Tweaking Misogyny or Misogyny Twisted: Beckett’s Take on “Aristotle and Phyllis” in Happy Days, Kumiko Kiuchi -- 8. Insufferable Maternity and Motherhood in “First Love”, Brenda O’Connell -- 9. Beckett, Biopolitics and the Problem of Life, Marc Farrant -- 10. Beckett’s Portrait of the Artist as a Young “Post-War Degenerate”, Giovanna Vincenti -- 11. Waiting for Godot and the Fascist Aesthetics of the Bod, Hannah Simpson -- 12. Political Theatre and the Beckett Problem, Emilie Morin -- 13. “The air is full of our cries”: Staging Godot during apartheid South Africa, Matthew McFrederick -- 14. Samuel Beckett’s Nominalist Politics and the Pitfalls of ‘Presentism’, Matthew Feldman -- 15. Samuel Beckett’s Subaltern Figures, Brendan Dowling -- 16. The Big House in the Suburbs: Home Thoughts from Abroad in Watt, Feargal Whelan -- 17. Beckett and the Politics of Empathy in Site-Specific Theatre, Niamh M. Bowe -- 18. Towards A Modernism with Meaning: Beckett’s Refugees, Rodney Sharkey -- 19. Afterword, Peter Boxall. This collection of essays reveals the extent to which politics is fundamental to our understanding of Samuel Beckett’s life and writing. Bringing together internationally established and emerging scholars, Beckett and Politics considers Beckett’s work as it relates to three broad areas of political discourse: language politics, biopolitics and geopolitics. Through a range of critical approaches, including performance studies, political theory, gender theory, historicizing approaches and language theory, the book demonstrates how politics is more than just another thematic lens: it is fundamentally and structurally intrinsic to Beckett’s life, his texts and subsequent interpretations of them. This important collection of essays demonstrates that Beckett’s work is not only ripe for political engagement, but also contains significant opportunities for understanding and illuminating the broader relationships between literature, culture and politics. .

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Davies, William (HerausgeberIn); Bailey, Helen (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030471101
    Other identifier:
    Edition: 1st ed. 2021.
    Series: New Directions in Irish and Irish American Literature
    Subjects: Literature, Modern—20th century.; Literature.; Drama.; European literature.; Performing arts.
    Scope: 1 Online-Ressource(XIV, 319 p. 1 illus.)
  13. Humorality in Early Modern Art, Material Culture, and Performance
    Contributor: Kenny, Amy (HerausgeberIn); Peterson, Kaara L. (HerausgeberIn)
    Published: 2021.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Introduction -- Part I: Performing the Humoral Body -- Like Furnace: Sighing on the Shakespearean Stage, Darryl Chalk (University of Southern Queensland) -- Performing Pain, Michael Schoenfeldt (University of Michigan) -- Humoral Style(s), Robert... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    ebook
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Hamm
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek Karlsruhe (PH)
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Lippstadt
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan
    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Pädagogische Hochschule, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Stuttgart
    Inter-library loan:
    No inter-library loan

     

    Introduction -- Part I: Performing the Humoral Body -- Like Furnace: Sighing on the Shakespearean Stage, Darryl Chalk (University of Southern Queensland) -- Performing Pain, Michael Schoenfeldt (University of Michigan) -- Humoral Style(s), Robert Stagg (University of Oxford) -- A ‘dummy corpse full of bones and entrails’: Staging Severed Heads in the Early Modern Playhouse, Amy Kenny (University of California, Riverside) -- Part II: The Humorality of Objects. ‘Having no heart’: the Humorality of Toys and Games, Ariane M. Balizet (Texas Christian University) -- The Virgin Queen’s Mettle: Metallic/Medallic Portraits of Elizabeth I, Kaara L. Peterson (Miami University) -- Passions, Fruits, and Botanical Paintings, Amy L. Tigner (University of Texas, Arlington) -- Part III: Humoral Pursuits -- . Seeing Saints in the Forest of Arden: Melancholic Vision in As You Like It” Kimberly Rhodes (Drew University) -- A Familist Portrait: Negotiating Classical Geohumoral Discourse in the Theatrum Orbis Terrarum, Paul Babin (Northeastern University) -- ‘Great Annyoyance to Their Mindes:’ the Humors, Intoxication, and Addiction in English Medical and Moral Discourses, 1550 to 1830, David Clemis (Mount Royal University) -- Afterword, Gail Kern Paster (Director Emerita, Folger Shakespeare Library). . Humorality in Early Modern Art, Material Culture, and Performance seeks to address the representation of the humors from non-traditional, abstract, and materialist perspectives, considering the humorality of everyday objects, activities, and performance within the early modern period. To uncover how humoralism shapes textual, material, and aesthetic encounters for contemporary subjects in a broader sense than previous studies have pursued, the project brings together three principal areas of investigation: how the humoral body was evoked and embodied within the space of the early modern stage; how the materiality of an object can be understood as constructed within humoral discourse; and how individuals’ activities and pursuits can connote specific practices informed by humoralism. Across the book, contributors explore how diverse media and cultural practices are informed by humoralism. As a whole, the collection investigates alternative humoralities in order to illuminate both early modern works of art as well as the cultural moments of their production. Amy Kenny teaches at University of California, Riverside, USA, and has a PhD in early modern literature and culture. Her first monograph, entitled Humoral Wombs on the Shakespearean Stage (Palgrave Macmillan), was published in 2019. Kaara L. Peterson is Associate Professor of English at Miami University of Ohio, USA. Her books include Popular Medicine, Hysterical Disease, and Social Controversy in Shakespeare's England (2010) and, with Deanne Williams, The Afterlife of Opheila (Palgrave Macmillan 2012).

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Kenny, Amy (HerausgeberIn); Peterson, Kaara L. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030776183
    Other identifier:
    Edition: 1st ed. 2021.
    Series: Palgrave Studies in Literature, Science and Medicine
    Subjects: Literature, Modern.; Europe—History—1492-.; Drama.; Cultural studies.; Motion pictures.; Performing arts.
    Scope: 1 Online-Ressource(XIV, 207 p. 11 illus., 10 illus. in color.)
  14. Shakespeare's Storytelling
    An Introduction to Genre, Character, and Technique
    Author: Eastman, Nate
    Published: 2021.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1 Introduction -- Chapter 2 Shakespeare the Storyteller -- Chapter 3 Characters and their Stories -- Chapter 4 Relationships Between Characters -- Chapter 5 Structure -- Chapter 6 Shakespeare's Genres -- Chapter 7 Applications and Exercises... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    ebook
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Hamm
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek Karlsruhe (PH)
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Lippstadt
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan
    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Pädagogische Hochschule, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Stuttgart
    Inter-library loan:
    No inter-library loan

     

    Chapter 1 Introduction -- Chapter 2 Shakespeare the Storyteller -- Chapter 3 Characters and their Stories -- Chapter 4 Relationships Between Characters -- Chapter 5 Structure -- Chapter 6 Shakespeare's Genres -- Chapter 7 Applications and Exercises -- Chapter 8 Conclusion. Shakespeare’s Storytelling: An Introduction to Genre, Character, and Technique is a textbook focused on specific storytelling techniques and genres that Shakespeare invented or refined. Drawing on examples from popular novels, plays, and films (such as IT, Beloved, Sex and the City, The Godfather, and Fences) the book provides an overview of how Shakespearean storytelling techniques such as character flaws, conflicts, symbols, and more have been adapted by later writers and used in the modern canon. Rather than taking a historicist or theoretical approach, Nate Eastman uses recognizable references and engaging language to teach the concepts and techniques most applicable to the future study of Creative Writing, English, Theater, and Film and Media. Students will be prepared to interpret Shakespeare’s plays and understand Shakespeare as the beginning of a literary tradition. A readable and short introduction to Shakespeare and his significance, this book is suitable for undergraduates.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030629939
    Other identifier:
    Edition: 1st ed. 2021.
    Series: Springer eBook Collection
    Subjects: Literature, Modern.; Creative writing.; Drama.; Performing arts.; Motion pictures.; Popular Culture.
    Scope: 1 Online-Ressource(X, 189 p. 1 illus.)
  15. Dramatizing blindness
    disability studies as critical creative narrative
    Author: Healey, Devon
    Published: [2021]; © 2021
    Publisher:  Springer, Cham ; Palgrave Macmillan

    Introduction -- Act I The Genesis of Blindness -- Act II The School of Hard Knocks -- Act III Blindness in the Street -- Act IV At Home by Myself With You -- Act V The Spectre of a Home -- Conclusion: Awiatiing the Arrival of Blindness. Dramatizing... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Staats- und Universitätsbibliothek Bremen
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    ebook
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Hamm
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek Karlsruhe (PH)
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Lippstadt
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan
    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Pädagogische Hochschule, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Stuttgart
    Inter-library loan:
    No inter-library loan

     

    Introduction -- Act I The Genesis of Blindness -- Act II The School of Hard Knocks -- Act III Blindness in the Street -- Act IV At Home by Myself With You -- Act V The Spectre of a Home -- Conclusion: Awiatiing the Arrival of Blindness. Dramatizing Blindness: Disability Studies as Critical Creative Narrative engages with the cultural meanings and movements of blindness. This book addresses how blindness is lived in particular contexts—in offices of ophthalmology and psychiatry, in classrooms of higher education, in accessibility service offices, on the street and at home. Taking the form of a play written in five acts, the narrative dramatizes how the main character’s blindness is conceived of in the world and in the self. Each act includes an analysis where blind studies is explored in relation to disability studies. This work reveals the performative enactment of blindness that is lived in the public as well as in the private corners of the self, demonstrating how blindness is a form of perception. Devon Healey’s work orients to blindness as a necessary and creative feature of the sensorium and shows how blindness is a form of perception.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030808112
    Other identifier:
    Series: Literary disability studies
    Springer eBook Collection
    Subjects: Literature—Philosophy.; Drama.; Performing arts.; Education.; Creative writing.
    Scope: 1 Online-Ressource(xii, 182 Seiten)
  16. Shakespeare in Cuba
    Caliban’s Books
    Author: Woodford-Gormley, Donna
    Published: 2021.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1: Introduction -- Chapter 2: Devouring Shakespeare: Cuba, Cannibalism, and Caliban -- Chapter 3: Revolution, Repentismo, and Romeo and Juliet: Consuming Texts / Nourishing Community -- Chapter 4: Race and Revolution in Tomás González’s... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    ebook
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Hamm
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek Karlsruhe (PH)
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Lippstadt
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan
    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Pädagogische Hochschule, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Stuttgart
    Inter-library loan:
    No inter-library loan

     

    Chapter 1: Introduction -- Chapter 2: Devouring Shakespeare: Cuba, Cannibalism, and Caliban -- Chapter 3: Revolution, Repentismo, and Romeo and Juliet: Consuming Texts / Nourishing Community -- Chapter 4: Race and Revolution in Tomás González’s Othello adaptations: “of the cannibals that each other eat” -- Chapter 5: Ophelia Eats the Air: Consuming Voices in Piel de Violetas -- Chapter 6: Shakespeare as Cultural Bridge: Incorporating the Other. Shakespeare in Cuba: Caliban’s Books explores how Shakespeare is consumed and appropriated in Cuba. It contributes to the underrepresented field of Latin American Shakespeares by applying the lens of cultural anthropophagy, a theory with Latin American roots, to explore how Cuban artists ingest and transform Shakespeare’s plays. By consuming these works and incorporating them into Cuban culture and literature, Cuban writers make the plays their own while also nourishing the source texts and giving Shakespeare a new afterlife. Donna Woodford-Gormley is a Professor of English Literature at New Mexico Highlands University, USA. She has been researching and writing on Shakespeare in Cuba since 2004, and she has published several articles and book chapters on this subject.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030873677
    Other identifier:
    Edition: 1st ed. 2021.
    Series: Global Shakespeares
    Subjects: Literature, Modern.; Theater.; Motion pictures.; Performing arts.
    Scope: 1 Online-Ressource(XI, 165 p. 2 illus., 1 illus. in color.)
  17. Geschichte der Literarischen Vortragskunst
    Author: Meyer-Kalkus, Reinhart
    Published: [2020]; © 2020
    Publisher:  J. B. Metzler, Berlin

    1. Einleitung -- 2. Rückblick auf die Antike -- 3. Die Rückkehr der Aoiden und Rhapsoden -- 4. Klopstock, der Pionier -- 5. Deklamation im Theater des 18. Jahrhunderts und in der Antike -- 6. Goethe als Vorleser, Sprecherzieher und Theoretiker der... more

    Access:

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Rostock
    Inter-library loan:
    No inter-library loan

     

    1. Einleitung -- 2. Rückblick auf die Antike -- 3. Die Rückkehr der Aoiden und Rhapsoden -- 4. Klopstock, der Pionier -- 5. Deklamation im Theater des 18. Jahrhunderts und in der Antike -- 6. Goethe als Vorleser, Sprecherzieher und Theoretiker der Vortragskunst -- 7. Theorien literarischer Vortragskunst in schulisch-akademischen Lehrwerken 1770–1850 -- 8. Heinrich von Kleist über Vorlesen und Deklamieren -- 9. Ludwig Tieck: Dramenvorlesen als Kunst -- 10. Akteure und Vortragsformate im 19. Jahrhundert -- 11. Schiller-Rezitation im 19. und 20. Jahrhundert -- 12. Das Wiener Burgtheater und seine Sprechästhetik -- 13. Karl Kraus, der Vortragskünstler -- 14. Fritz Kortner über Bühnen-Sprechkunst im 20. Jahrhundert -- 15. Vom Rhapsoden zum Vortragsartisten: Professionelle Rezitatoren 1860–1932 -- 16. Dichterlesungen -- 17. Die Stimme vor dem Mikrophon -- 18. Goethe-Rezitationen: Erlkönig -- 19. Stefan George und sein Kreis: Das Hersagen von Gedichten als Kulthandlung -- 20. Hölderlin-Rezitationen im 20. Jahrhundert -- 21. Thomas Mann: Erzähler und Vortragskünstler -- 22. Das literarische Kabarett -- 23. Brechts Erneuerung der Vortragskunst -- 24. Sprechchöre -- 25. Theorien der literarischen Vortragskunst 1880–1960 -- 26. Zwischen Pathos und Pathosschwund: Tendenzen der Vortragsästhetik im 20. Jahrhundert -- 27. Dichterlesungen nach dem Zweiten Weltkrieg -- 28. Medien und Formate literarischer Vortragskunst nach 1945 -- 29. Die sprechartistische Erneuerung der Dichterlesung -- 30. Live-Formate im Internet-Zeitalter -- 31. Resümee: Geschichte der literarischen Vortragskunst in fünf Etappen -- Anhang. Literarische Vortragskunst entstand in Deutschland in der zweiten Hälfte des 18. Jahrhunderts als ein von Schauspiel und anderen Vortragsgattungen unterschiedenes Sprachspiel des Vorlesens, Rezitierens und Deklamierens von Gedichten, Erzählungen und Dramen. Die vorliegende Untersuchung ist die erste umfassende Geschichte dieser Vortragskunst von Klopstock bis zu Kling, ja bis zum Poetry-Slam. Sie konzentriert sich auf die verschiedenen Akteure (Autoren, professionelle Rezitatoren, Deutschlehrer, Sprecherzieher und Laien) sowie auf deren Vortragsformate und Zuhörer im Kontext der Veränderung vortragsästhetischer Normen und mediengeschichtlicher Innovationen.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783476048028
    Subjects: Technology in literature.; Performing arts.; Theater.; Actors.; Literature—History and criticism.; European literature.; Electronic books
    Scope: 1 Online-Ressource (x, 1130 Seiten)
  18. British Pirates in Print and Performance
    Author: Powell, M.
    Published: 2015.
    Publisher:  Palgrave Macmillan US, New York ; Imprint: Palgrave Macmillan

    Fictional or real, pirates haunted the imagination of the 18th and 19th century-British public during this great period of maritime commerce, exploration, and naval conflict. British Pirates in Print and Performanc e explores representations of... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    ebook
    Inter-library loan:
    No inter-library loan

    Location:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

     

    Fictional or real, pirates haunted the imagination of the 18th and 19th century-British public during this great period of maritime commerce, exploration, and naval conflict. British Pirates in Print and Performanc e explores representations of pirates through dozens of stage performances, including adaptations by Byron, Scott, and Cooper.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137339928
    Other identifier:
    Edition: 1st ed. 2015.
    Subjects: British literature.; Theater—History.; Literature—Philosophy.; Culture—Study and teaching.; Performing arts.; Literature—History and criticism.
    Scope: 1 Online-Ressource(X, 231 p. 4 illus.)
  19. Geschichte der literarischen Vortragskunst
    Author: Meyer-Kalkus, Reinhart
    Published: [2020]; ©2020
    Publisher:  J.B. Metzler, Berlin

    1. Einleitung -- 2. Rückblick auf die Antike -- 3. Die Rückkehr der Aoiden und Rhapsoden -- 4. Klopstock, der Pionier -- 5. Deklamation im Theater des 18. Jahrhunderts und in der Antike -- 6. Goethe als Vorleser, Sprecherzieher und Theoretiker der... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universitätsbibliothek Braunschweig
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Bremen
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Universität Chemnitz, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Emden/Leer, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliothek der Pädagogischen Hochschule Freiburg/Breisgau
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Freiburg
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Greifswald
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    ebook
    Inter-library loan:
    No inter-library loan

    Location:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliothek der Hochschule Hannover
    Inter-library loan:
    No inter-library loan
    Location:
    Bibliothek im Kurt-Schwitters-Forum
    Inter-library loan:
    No inter-library loan

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Heidelberg
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
    Signature:
    e-Book Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliothek LIV HN Sontheim
    Signature:
    Springer E-Book
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Hildesheim
    Inter-library loan:
    No inter-library loan

    Location:
    Thüringer Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek Karlsruhe (PH)
    Signature:
    eBook Metzler
    Inter-library loan:
    No inter-library loan

    Location:
    Karlsruher Institut für Technologie, KIT-Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
    Location:
    Karlsruher Institut für Technologie, KIT-Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Leipzig
    Inter-library loan:
    No inter-library loan

    Location:
    Pädagogische Hochschulbibliothek Ludwigsburg
    Signature:
    E-Book Springer
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan
    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
    Signature:
    E-Book Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Neubrandenburg, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Osnabrück
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Pädagogische Hochschule, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Stuttgart
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Vechta
    Inter-library loan:
    No inter-library loan

    Location:
    UB Weimar
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek Weingarten
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Harz, Hauptbibliothek, Standort Wernigerode / Harz
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Wismar, University of Applied Sciences: Technology, Business and Design, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Ostfalia Hochschule für angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Zittau / Görlitz, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

     

    1. Einleitung -- 2. Rückblick auf die Antike -- 3. Die Rückkehr der Aoiden und Rhapsoden -- 4. Klopstock, der Pionier -- 5. Deklamation im Theater des 18. Jahrhunderts und in der Antike -- 6. Goethe als Vorleser, Sprecherzieher und Theoretiker der Vortragskunst -- 7. Theorien literarischer Vortragskunst in schulisch-akademischen Lehrwerken 1770–1850 -- 8. Heinrich von Kleist über Vorlesen und Deklamieren -- 9. Ludwig Tieck: Dramenvorlesen als Kunst -- 10. Akteure und Vortragsformate im 19. Jahrhundert -- 11. Schiller-Rezitation im 19. und 20. Jahrhundert -- 12. Das Wiener Burgtheater und seine Sprechästhetik -- 13. Karl Kraus, der Vortragskünstler -- 14. Fritz Kortner über Bühnen-Sprechkunst im 20. Jahrhundert -- 15. Vom Rhapsoden zum Vortragsartisten: Professionelle Rezitatoren 1860–1932 -- 16. Dichterlesungen -- 17. Die Stimme vor dem Mikrophon -- 18. Goethe-Rezitationen: Erlkönig -- 19. Stefan George und sein Kreis: Das Hersagen von Gedichten als Kulthandlung -- 20. Hölderlin-Rezitationen im 20. Jahrhundert -- 21. Thomas Mann: Erzähler und Vortragskünstler -- 22. Das literarische Kabarett -- 23. Brechts Erneuerung der Vortragskunst -- 24. Sprechchöre -- 25. Theorien der literarischen Vortragskunst 1880–1960 -- 26. Zwischen Pathos und Pathosschwund: Tendenzen der Vortragsästhetik im 20. Jahrhundert -- 27. Dichterlesungen nach dem Zweiten Weltkrieg -- 28. Medien und Formate literarischer Vortragskunst nach 1945 -- 29. Die sprechartistische Erneuerung der Dichterlesung -- 30. Live-Formate im Internet-Zeitalter -- 31. Resümee: Geschichte der literarischen Vortragskunst in fünf Etappen -- Anhang. Literarische Vortragskunst entstand in Deutschland in der zweiten Hälfte des 18. Jahrhunderts als ein von Schauspiel und anderen Vortragsgattungen unterschiedenes Sprachspiel des Vorlesens, Rezitierens und Deklamierens von Gedichten, Erzählungen und Dramen. Die vorliegende Untersuchung ist die erste umfassende Geschichte dieser Vortragskunst von Klopstock bis zu Kling, ja bis zum Poetry-Slam. Sie konzentriert sich auf die verschiedenen Akteure (Autoren, professionelle Rezitatoren, Deutschlehrer, Sprecherzieher und Laien) sowie auf deren Vortragsformate und Zuhörer im Kontext der Veränderung vortragsästhetischer Normen und mediengeschichtlicher Innovationen.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783476048028
    Other identifier:
    Series: Springer eBook Collection
    Subjects: Technology in literature.; Performing arts.; Theater.; Actors.; Literature—History and criticism.; European literature.
    Scope: 1 Online-Ressource (X, 1130 Seiten), Illustrationen
  20. Schau-Prozesse
    Gericht und Theater als Bühnen des Politischen
    Contributor: Wilhelms, Kerstin (HerausgeberIn); Arnold, Stefan (HerausgeberIn)
    Published: [2022]
    Publisher:  J.B. Metzler, Berlin

    Vorwort -- Schau-Prozesse. Gericht und Theater als Bühnen des Politischen -- 438 Tage. Der NSU-Prozess am Münchner Oberlandesgericht -- Die Politik der Bühne -- Der Gerichtssaal als Bühne? -- „In der Öffentlichkeit, aber nicht für die Öffentlichkeit“... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Braunschweig
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Bremen
    Inter-library loan:
    No inter-library loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Emden/Leer, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrale Hochschulbibliothek Flensburg
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliothek der Pädagogischen Hochschule Freiburg/Breisgau
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Freiburg
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Greifswald
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    ebook
    Inter-library loan:
    No inter-library loan

    Location:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Universität Hamburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliothek der Hochschule Hannover
    Inter-library loan:
    No inter-library loan
    Location:
    Bibliothek im Kurt-Schwitters-Forum
    Inter-library loan:
    No inter-library loan

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Heidelberg
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliothek LIV HN Sontheim
    Signature:
    Springer ebook MetzlerGeistw
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Hildesheim
    Inter-library loan:
    No inter-library loan

    Location:
    Thüringer Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek Karlsruhe (PH)
    Signature:
    eBook Metzler
    Inter-library loan:
    No inter-library loan

    Location:
    Karlsruher Institut für Technologie, KIT-Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
    Location:
    Karlsruher Institut für Technologie, KIT-Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Leipzig
    Inter-library loan:
    No inter-library loan

    Location:
    Pädagogische Hochschulbibliothek Ludwigsburg
    Signature:
    E-Book Springer
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan
    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Merseburg, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
    Signature:
    E-Book Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Neubrandenburg, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Osnabrück, Bibliothek Campus Westerberg
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Osnabrück
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Gestaltung Schwäbisch Gmünd, Bibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Pädagogische Hochschule, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Stuttgart
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Vechta
    Inter-library loan:
    No inter-library loan

    Location:
    UB Weimar
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek Weingarten
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Harz, Hauptbibliothek, Standort Wernigerode / Harz
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Wismar, University of Applied Sciences: Technology, Business and Design, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Ostfalia Hochschule für angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Zittau / Görlitz, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

     

    Vorwort -- Schau-Prozesse. Gericht und Theater als Bühnen des Politischen -- 438 Tage. Der NSU-Prozess am Münchner Oberlandesgericht -- Die Politik der Bühne -- Der Gerichtssaal als Bühne? -- „In der Öffentlichkeit, aber nicht für die Öffentlichkeit“ – die Frage nach dem angemessenen Maß an Gerichtsöffentlichkeit -- Gerichtsöffentlichkeit im Scheinwerferlicht -- Die Schauseite des Auschwitzprozesses und ihre juristische, literarische und rechtspolitische Bedeutung -- Was hat das (noch) mit uns zu tun? Die (Un-)Möglichkeit von Orestie-Inszenierungen im 21. Jahrhundert? Zwei Beispiele -- Tragödie als Medium für die Rechtskritik. Neue Formen für die Recht und Literatur-Bewegung -- „Nur Sie sind dazu berufen, hier zu urteilen.“ Schau-Prozesse im deutschen Gegenwartstheater und ihr politisches Potenzial -- Rechtsakte – Anmerkungen zum puovoir prostituant. Gerichtsprozesse wie der NSU-Prozess haben große mediale Aufmerksamkeit erfahren und sind zum Stoff von zahlreichen Theaterinszenierungen geworden. Solche publikumswirksamen ‚Schau-Prozesse‘ zeigen, wie Gericht und Theater zu Bühnen des Politischen werden. Dabei wird deutlich, dass Recht und Theater viel fundamentaler verbunden sind, als bislang diskutiert: Sie konstituieren sich gegenseitig. Theatrale Elemente sind für das Recht unverzichtbar und umgekehrt prägen Rechtsinszenierungen das Theater. Die Beiträge des interdisziplinären Bandes analysieren diese Wechselseitigkeit und fokussieren die politische Performance im Theater und im Recht.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Wilhelms, Kerstin (HerausgeberIn); Arnold, Stefan (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783662655528
    Other identifier:
    Series: Literatur und Recht ; Band 8
    Springer eBook Collection
    Subjects: Literature.; Performing arts.; Theater.; Law.
    Scope: 1 Online-Ressource(IX, 180 S. 3 Abb., 2 Abb. in Farbe.)
  21. Speed and Flight in Shakespeare
    Author: Steggle, Matthew
    Published: 2022.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1: Introduction -- Chapter 2: Acceleration in The Comedy of Errors -- Chapter 3: Taking Flight in Romeo and Juliet -- Chapter 4: The Speed Demons of A Midsummer Night's Dream -- Chapter 5: The Action of the Tiger: Richard III and Henry V --... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universitätsbibliothek Freiburg
    Inter-library loan:
    No inter-library loan

    Location:
    Max-Planck-Institut für ethnologische Forschung, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    ebook
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Hamm
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Lippstadt
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan
    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Stuttgart
    Inter-library loan:
    No inter-library loan

     

    Chapter 1: Introduction -- Chapter 2: Acceleration in The Comedy of Errors -- Chapter 3: Taking Flight in Romeo and Juliet -- Chapter 4: The Speed Demons of A Midsummer Night's Dream -- Chapter 5: The Action of the Tiger: Richard III and Henry V -- Chapter 6: Macbeth: Life in Fast Forward -- Chapter 7: Free Flight:The Tempest -- Chapter 8: Conclusion. . Shakespeare's plays are fascinated by the problems of speed and flight. They are repeatedly interested in humans, spirits, and objects that move very fast; become airborne; and in some cases even travel into space. In Speed and Flight in Shakespeare, the first study of any kind on the subject, Steggle looks at how Shakespeare’s language explores ideas of speed and flight, and what theatrical resources his plays use to represent these states. Shakespeare has, this book argues, an aesthetic of speed and flight. Featuring chapters on The Comedy of Errors, A Midsummer Night’s Dream, Romeo and Juliet, Henry V, Macbeth and The Tempest, this study opens up a new field around the ‘historical phenomenology’ of early modern speed. Matthew Steggle is Professor of English at the University of Bristol, UK. His research interests include early modern literature and drama, with a particular focus on "historicized performance studies", and "acoustic approaches" to early modern drama. His publications include four monographs on early modern drama; editions of plays by Shakespeare, Jonson, and Brome; and dozens of scholarly articles and book chapters. Steggle is also Co-editor of the AHRC-funded Oxford Works of John Marston project, and of the Lost Plays Database. .

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030936570
    Other identifier:
    Edition: 1st ed. 2022.
    Series: Springer eBook Collection
    Subjects: European literature—Renaissance, 1450-1600.; Drama.; Theater—History.; Stage management.; Performing arts.; Theater.
    Scope: 1 Online-Ressource(XI, 136 p. 2 illus.)
  22. Onscreen Allusions to Shakespeare
    International Films, Television, and Theatre
    Contributor: Joubin, Alexa Alice (HerausgeberIn); Bladen, Victoria (HerausgeberIn)
    Published: 2022.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1. The Boundaries of Citation: Shakespeare in Davide Ferrario’s Tutta colpa di Giuda 2008), Alfredo Peyretti’s Moana (2009), and Connie Macatuno’s Romeo and Juliet (2006) -- Chapter 2. Antipodean Shakespeares: Appropriating Shakespeare in... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universitätsbibliothek Freiburg
    Inter-library loan:
    No inter-library loan

    Location:
    Max-Planck-Institut für ethnologische Forschung, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    ebook
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Hamm
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Lippstadt
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan
    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Stuttgart
    Inter-library loan:
    No inter-library loan

     

    Chapter 1. The Boundaries of Citation: Shakespeare in Davide Ferrario’s Tutta colpa di Giuda 2008), Alfredo Peyretti’s Moana (2009), and Connie Macatuno’s Romeo and Juliet (2006) -- Chapter 2. Antipodean Shakespeares: Appropriating Shakespeare in Australian Film -- Chapter 3. Othello Surfing: Fragments of Shakespeare in South Africa -- Chapter 4. Shakespeare in Bits and Bites in Indian Cinema -- Chapter 5. What “doth grace for grace and love for love allow”?: Recreations of the Balcony Scenes on Brazilian Screens -- Chapter 6. “Mon petit doigt m’a dit …”: Referencing Shakespeare or Agatha Christie? -- Chapter 7. Shakespeare’s Julius Caesar in Federico Fellini’s Roma -- Chapter 8. “Still Our Contemporary” in East Central Europe? Post-socialist Shakespearean Allusions and Frameworks of Reference -- Chapter 9. Soviet and Post-Soviet References to Hamlet on Film and Television. Allusions to Shakespeare haunt our contemporary culture in a myriad of ways, whether through brief references or sustained intertextual engagements. Shakespeare’s plays and motifs have been appropriated in fragmentary forms onstage and onscreen since motion pictures were invented in 1893. This collection of essays extends beyond a US-UK axis to bring together an international group of scholars to explore Shakespearean appropriations in unexpected contexts in lesser-known films and television shows in India, Brazil, Russia, France, Australia, South Africa, East-Central Europe and Italy, with reference to some filmed stage works. Alexa Alice Joubin is founding Co-Director of the Digital Humanities Institute and Professor of English, Women’s, Gender and Sexuality Studies, Theatre, East Asian Languages and Literatures, and International Affairs at George Washington University in Washington, D.C., USA. Her latest book is Shakespeare and East Asia (2021). Victoria Bladen teaches literary studies and adaptation at the University of Queensland, Australia. Her latest book is The Tree of Life and Arboreal Aesthetics in Early Modern Literature (2021).

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Joubin, Alexa Alice (HerausgeberIn); Bladen, Victoria (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030937836
    Other identifier:
    Edition: 1st ed. 2022.
    Series: Global Shakespeares
    Subjects: European literature—Renaissance, 1450-1600.; Adaptation (Literary, artistic, etc.).; Motion pictures.; Television broadcasting.; Performing arts.; Theater.
    Scope: 1 Online-Ressource(XV, 225 p. 13 illus., 11 illus. in color.)
  23. The Shakespearean Death Arts
    Hamlet Among the Tombs
    Contributor: Engel, William E. (HerausgeberIn); Williams, Grant (HerausgeberIn)
    Published: 2022.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Section I: Staging the Death Arts -- Chapter One: Shakespeare’s Ars Moriendi, Andrew D. McCarthy -- Chapter Two: Deciphering the Dead: Speaking for Corpses in Early Modern Drama, Brian Harries -- Chapter Three: ‘As thou art, I once was’—Death’s... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universitätsbibliothek Freiburg
    Inter-library loan:
    No inter-library loan

    Location:
    Max-Planck-Institut für ethnologische Forschung, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    ebook
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Hamm
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Lippstadt
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan
    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Stuttgart
    Inter-library loan:
    No inter-library loan

     

    Section I: Staging the Death Arts -- Chapter One: Shakespeare’s Ars Moriendi, Andrew D. McCarthy -- Chapter Two: Deciphering the Dead: Speaking for Corpses in Early Modern Drama, Brian Harries -- Chapter Three: ‘As thou art, I once was’—Death’s Unstable Binary, Eileen Sperry -- Chapter Four: Antony and Cleopatra and the Vicissitudes of Monumentalization, Grant Williams -- Chapter Five: Tombs, Ooze, and Ashes in Pericles, Dorothy Todd -- Chapter Six: Empathetic Reflections on Love, Life, and Death in Othello, Jessica Tooker -- Chapter Seven: Othello’s Speaking Corpses and the Performance of Memento Mori, Maggie Vinter:- Section II: Hamlet and the Death Arts -- Chapter Eight: Turnings in the Grave: Riddles, Death, and Burial in Hamlet, Jonathan Baldo -- Chapter Nine: The Theatre of Hamlet’s Judgements, Zackariah Long -- Chapter Ten: The Art of Losing: Description in Early Modern Rhetoric, Amanda K. Ruud -- Chapter Eleven: ‘Native and indued / Unto that element’: Dissolution, Permeability, and the Death of Ophelia, Pamela Royston Macfie -- Chapter Twelve: Artful Death and Women’s Suicide: Gertrude and Ophelia, Lina Perkins Wilder -- Chapter Thirteen: Artless Deaths in Hamlet, Isabel Karremann -- Chapter Fourteen: ‘He made a good end’: Middleness, Ending, and Annihilation in Hamlet, Michael Neill. This is the first book to view Shakespeare’s plays from the prospect of the premodern death arts, not only the ars moriendi tradition but also the plurality of cultural expressions of memento mori, funeral rituals, commemorative activities, and rhetorical techniques and strategies fundamental to the performance of the work of dying, death, and the dead. The volume is divided into two sections: first, critically nuanced examinations of Shakespeare’s corpus and then, second, of Hamlet exclusively as the ultimate proving ground of the death arts in practice. This book revitalizes discussion around key and enduring themes of mortality by reframing Shakespeare’s plays within a newly conceptualized historical category that posits a cultural divide—at once epistemological and phenomenological—between premodernity and the Enlightenment. William E. Engel is the Nick B. Williams Professor of Literature at The University of the South, in Sewanee, Tennessee, USA. He has published eight books on literary history and applied emblematics, including two critical anthologies coauthored with Rory Loughnane and Grant Williams, The Death Arts in Renaissance England (2022) and The Memory Arts in Renaissance England (2016); and has coedited several collections of essays including Memory and Mortality in Renaissance England (2022) and Memory and Forgetting in the Early Modern Era (2018). Grant Williams is an Associate Professor of English Literature at Carleton University, in Ottawa, Canada. With William E. Engel and Rory Loughnane, he has co-authored The Death Arts in Renaissance England (2022) and, with Donald Beecher, edited Henry Chettle’s Kind-Heart’s Dream and Piers Plainness: Two Pamphlets from the Elizabethan Book Trade (2021). He has also co-authored The Memory Arts in Renaissance England (2016) with Engel and Loughnane and co-edited three collections: Taking Exception to the Law (2015), Ars reminiscendi (2009), and Lethe’s Legacies (2004).

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Engel, William E. (HerausgeberIn); Williams, Grant (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030884901
    Other identifier:
    Edition: 1st ed. 2022.
    Series: Palgrave Shakespeare Studies
    Subjects: European literature—Renaissance, 1450-1600.; Drama.; Theater—History.; Performing arts.; Theater.; Civilization—History.
    Scope: 1 Online-Ressource(XV, 346 p. 8 illus., 2 illus. in color.)
  24. Restoring the Human Context to Literary and Performance Studies
    Voices in Everything
    Author: Mancing, Howard; Marston William, Jennifer
    Published: 2022.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Chapter 1. Introduction: The Human Contexts of Literary Studies -- Part I: Linguistics and the Legacy of Bakhtin’s Philosophy of Language -- Chapter 2. Saussurean Linguistics and Bakhtin’s Critique -- Chapter 3. On Theory, Rewriting Saussure, and... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universitätsbibliothek Freiburg
    Inter-library loan:
    No inter-library loan

    Location:
    Max-Planck-Institut für ethnologische Forschung, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    ebook
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Hamm
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Lippstadt
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan
    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Stuttgart
    Inter-library loan:
    No inter-library loan

     

    Chapter 1. Introduction: The Human Contexts of Literary Studies -- Part I: Linguistics and the Legacy of Bakhtin’s Philosophy of Language -- Chapter 2. Saussurean Linguistics and Bakhtin’s Critique -- Chapter 3. On Theory, Rewriting Saussure, and Chomsky -- Chapter 4. Bakhtin and His Echoes -- Part II: Biology, Language, and the Brain -- Chapter 5. Evolution and Language -- Chapter 6. The Brain -- Chapter 7. Development of the Brain -- Part III: Psychology and the Development of the “Literary Mind” -- Chapter 8. The Mind at Work -- Chapter 9. Development of the Mind -- Chapter 10. Theory of Mind (ToM) -- Part IV: Context in Science and the Humanities -- Chapter 11. Cognitivism -- Chapter 12. Contextualism -- Chapter 13. Evolutionary Psychology -- Part V: Contextualism—Changing the Paradigm in Literary and Performance Studies for the Twenty-First Century -- Chapter 14. Cognitive Literary Studies -- Chapter 15. Cognitive Approaches to Performance Studies -- Chapter 16: Conclusion: The Bridging Function of Contextualism and the Cognitive Paradigm. . Restoring the Human Context to Literary and Performance Studies argues that much of contemporary literary theory is still predicated, at least implicitly, on outdated linguistic and psychological models such as post-structuralism, psychoanalysis, and behaviorism, which significantly contradict current dominant scientific views. By contrast, this monograph promotes an alternative paradigm for literary studies, namely Contextualism, and in so doing highlights the similarities and differences among the sometimes-conflicting contemporary cognitive approaches to literature and performance, arguing not in favor of one over the other but for Contextualism as their common ground. Howard Mancing, who has recently made the transition to Professor Emeritus of Spanish at Purdue University, USA, is a renowned expert on Cervantes and Early Modern Spanish Literature, as well as a pioneer in Cognitive Literary Studies. He has published two monographs: The Chivalric World of Don Quixote: Style, Structure, and Narrative (1982) and Miguel de Cervantes’ ‘Don Quixote’: A Reference Guide (2006), and coedited three volumes of essay collections. In addition, he authored the two-volume Cervantes Encyclopedia in 2004. Howard has also written numerous journal articles and book chapters on Cognitive Studies topics such as embodied cognition, narrative and affect and Theory of Mind representations in literature. Jennifer Marston William is a Professor of German with specializations in twentieth and twenty-first century literature and film. She is currently serving as the Head of the School of Languages and Cultures at Purdue University, USA. Jennifer’s second monograph, Cognitive Approaches to German Historical Film: Seeing is Not Believing, was published with Palgrave in 2017, and she has published scholarly articles and book chapters on conceptual metaphor and on literary analyses from the perspective of Theory of Mind. She is also a co-founder, with Howard Mancing, of the Center for Cognitive Literary Studies at Purdue, which has existed since 2008 and was recently renamed the Center for Neurohumanities.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030890780
    Other identifier:
    Edition: 1st ed. 2022.
    Series: Cognitive Studies in Literature and Performance
    Subjects: Literature—Philosophy.; Performing arts.; Theater.; Cognitive science.; Cognitive psychology.
    Scope: 1 Online-Ressource(XIV, 400 p. 1 illus.)
  25. David Bowie and Romanticism
    Contributor: Rovira, James (HerausgeberIn)
    Published: 2022.
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    1. Introduction: David Bowie and Romanticism -- 2. David Bowie and Romantic Androgyny -- 3. Negative Capability in Space: The Romantic Bowieverse -- 4. Drug Use and Drug Literature from the Eighteenth Century to David Bowie -- 5. Capitalist... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Universitätsbibliothek Freiburg
    Inter-library loan:
    No inter-library loan

    Location:
    Max-Planck-Institut für ethnologische Forschung, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    ebook
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Hamm
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrum für Wissensmanagement, Bibliothek Lippstadt
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan
    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Stuttgart
    Inter-library loan:
    No inter-library loan

     

    1. Introduction: David Bowie and Romanticism -- 2. David Bowie and Romantic Androgyny -- 3. Negative Capability in Space: The Romantic Bowieverse -- 4. Drug Use and Drug Literature from the Eighteenth Century to David Bowie -- 5. Capitalist Co-optation, Romantic Resistance, and Bowie’s Allegorical Performance in Nicolas Roeg’s The Man Who Fell to Earth -- 6. Too Late to Be Late Again: David Bowie, the Late 1970s, and Romanticism -- 7. Relics of The Future: The Melancholic Romanticism of Bowie’s Berlin Triptych -- 8. “Rebel Rebel”: Bowie as Romantic “Type”. - 9. The Goblin King, Absurdity, and Nonbinary Thinking -- 10. 1. Outside as Bowie’s Gothic Technodrama: Fascism and the Irrational Near the Turn of the Millennia -- 11. “Blackstar”: David Bowie’s Twenty-First-Century Ars Moriendi. David Bowie and Romanticism evaluates Bowie’s music, film, drama, and personae alongside eighteenth- and nineteenth-century poets, novelists, and artists. These chapters expand our understanding of both the literature studied as well as Bowie’s music, exploring the boundaries of reason and imagination, and of identity, gender, and genre. This collection uses the conceptual apparata and historical insights provided by the study of Romanticism to provide insight into identity formation, drawing from Romantic theories of self to understand Bowie’s oeuvre and periods of his career. The chapters discuss key themes in Bowie’s work and analyze what Bowie has to teach us about Romantic art and literature as well.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Rovira, James (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030976224
    Other identifier:
    Edition: 1st ed. 2022.
    Series: Palgrave Studies in Music and Literature
    Subjects: Literature, Modern—19th century.; Literature, Modern—18th century.; Music.; Performing arts.; Theater.
    Scope: 1 Online-Ressource(XIII, 298 p.)