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Du théâtre au récit de soi dans le roman-mémoires du xviiie siècle
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Artificial I's
The Self as Artwork in Ovid, Kierkegaard, and Thomas Mann -
Narrative Transvestism
Rhetoric and Gender in the Eighteenth-Century English Novel -
Racial Asymmetries
Asian American Fictional Worlds -
O narrador ensimesmado
o foco narrativo em Vergilio Ferreira -
Ecrire le pouvoir
les romans du dictateur à la première personne -
Au seuil de la mort
discours de mourants dans le roman espagnol contemporain -
Narrator and protagonist in Dicken's "Great Expectations"
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Double heart
explicit and implicit texts in Bellow, Camus, and Kafka -
Tales plainly told
the eyewitness narratives of Hemingway and Homer -
Readers and writers in Ovid's Heroides
transgressions of genre and gender -
Le roman-mémoires moderne
Pour une typologie du récit à la première personne : [Mit holl. Zsfassung.] -
Genius and monologue
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Henry James and the darkest abyss of romance
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Racial asymmetries
Asian American fictional worlds -
Narcisse romancier
Essai sur la première personne dans le roman -
A certain slant of light
aesthetics of first-person narration in Gide and Cather -
Poetic identity in Guillaume de Machaut
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Uwe Johnsons "Jahrestage"
Erzählstruktur und politische Subjektivität -
The hero's tale
narrators in the early modern novel -
Tales plainly told
the eyewitness narratives of Hemingway and Homer -
Hindsight and insight
focalization in four eighteenth-century French novels -
Difficulties of saying "I"
the narrator as protagonist in Christa Wolf's Kindheitsmuster and Uwe Johnson's Jahrestage -
The romance of failure
first-person fiction of Poe, Hawthorne, and James -
Erzählsituationen und Figurenperspektiven im Detektivroman